The University of the West Indies Press
Interviewing the Caribbean Volume 8 Issue 1
Opal Palmer Adisa
Interviewing the Caribbean Volume 8 Issue 1
US$ 30.00
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Letter From the Editor

Maroonage has long been a conscious and compulsory cultural resistance journey that some African people in the New World have elected to avoid the cruelty and servitude of slavery. In Jamaica and throughout the New World, there were, and continue to be maroon communities, some small, some large and others of varying sizes, enclaves of people who create communities to avoid engagement with the government or others they consider members of “Babylon,” but mainly to preserve their African culture and have autonomy.

So, it is only appropriate that as we celebrate 60 years of Independence and the publication of Sylvia Wynter’s The Hills of Hebron, we reread and relook at her depiction and presentation of what the future might hold for the dispossessed. Are they still exiled from themselves and society? Are they still seeking redemption and benevolence from a God far removed and who bears no resemblance to themselves? Is there a Hebron – a place of safety, abundance, and refugee for these progeny of enslavers bereft of land and education?

As we look at Jamaica’s development, an 89 per cent literacy rate, a mortality rate of 7.6 per 1000 people, and a murder rate of 49.4 per 100,000, we can infer that not much has changed for those who occupy the lower strata of society. The COVID-19 pandemic further testifies to the vast disparities evident in society. Yet that is only one side of the story, for within these gloomy figures is also glaring evidence of a swelling creative outpouring in all areas of the cultural and performing arts, entrepreneurial resourcefulness in street vendors, and thriving communities, with more attention towards food security and environmental integrity.

For those 20 years and younger The Hills of Hebron, might read like a foreign space or far removed from the present reality. However, there are still enough such spaces in various parts of Jamaican society, and the search for self and meaning is still a quest many are undergoing. Sylvia Wynter’s important text provides a map to travel from the past to the unknown future.

I want to thank Professor Carole Boyce-Davies for suggesting this partnership, and thank Cornell University for supporting this issue.

Walk good.

Language
English
ISBN
0799-6055
Editorial: The Maroonage of Exile / by Opal Palmer Adisa
Editorial Team
Introduction: Recalling Sylvia Wynter’s “The End of Exile:” A Timely Recognition of The Hills of Hebron / by Carole Boyce Davies
It was called The End of Exile.” Sylvia Wynter Interview on The Hills of Hebron / by Daryl Dance
Three Golden Shovels “Holiday in Mande-ville”; “Ambrosia Hereticus”; “Workers, Folk, Grievous Yoke” / by Jeremy Jacob Peretz
We Don’t Need No Man Constructs: Wynter’s Theorization of the Human in The Hills of Hebron / by Chanté Morris
Constellations of the Beyond: Finding Theoretical Rupture in The Hills of Hebron / by Lisa D. Camp
Black Radical Creativity: Lessons from Sylvia Wynter / by Marcia Douglas
Space within Space, art: “Re-Reading,” “Untitled,” & “A Complicated Matter / Art by Charmaine Lurch
Creating and Being Created Anew: The Science of the Word across Sylvia Wynter’s Methodological Practice / by Kendall Witaszek
Talented Woman; Polished Wife / by Natalie Corthésy
‘Madness’ in The Hills of Hebron / by Matthew Arthur
Creole Warrior / by Geoffrey Philp
Wynter's New Modes of Being: “Mad” Possibilities / by Amir Douglas
The Trap of Wanting to Embody Man2/Perils of the Anticolonial Without Decolonial / Art by Gina De La Rocha Goico
Black Indigeneity & Double Consciousness: Blackness Beyond the Other / by Aalayna R. Green
Sylvia Wynter: The Revalorization of Blackness and the Reconstitution of Humanity / by Amandla Thomas-Johnson
WWWS: What Would Wynter Say?: Humanity Must Be Found in the Cinematic Sphere / by Rejoice Abutsa
snake in the garden / by zuri arman
Foremothering. Or, The Weight We Have Been Carrying Across Time / by Asheda Dwyer
How the Future Remains Ajar in Sylvia Wynter's The Hills of Hebron / by Alyiah Gonzales
“Ritual Dance,” “The Shauman,” & “Fragments of Time II” / Art by Bryan McFarlane
The Outbreak / by Beaudelaine Pierre
Syllabus: Sylvia Wynter and the Caribbean/ Latin American Beyond / by Prof. Carole Boyce Davies
We Must Learn to Sit Down Together and Talk about a Little Culture: Decolonizing Essays, 1976-1984 Sylvia Wynter / by Demetrius Eudell
Sylvia Wynter: Black Women and the Literary Terrain Interview with Opal Palmer Adisa
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