Weeds by the Wall: Verses
Free
Weeds by the Wall: Verses
By Madison Julius Cawein
Free
Book Description

Table of Contents
  • Weeds by the Wall
    • VERSES
      • LOUISVILLE JOHN P. MORTON & COMPANY 1901
        • Copyright, 1901, By MADISON J. CAWEIN
        • TO Dr. HENRY A. COTTELL Whose Kind Words of Friendship and Approval have Encouraged me when I Most Needed Encouragement.
      • Copyright, 1901, By MADISON J. CAWEIN
      • TO Dr. HENRY A. COTTELL Whose Kind Words of Friendship and Approval have Encouraged me when I Most Needed Encouragement.
    • LOUISVILLE JOHN P. MORTON & COMPANY 1901
      • Copyright, 1901, By MADISON J. CAWEIN
      • TO Dr. HENRY A. COTTELL Whose Kind Words of Friendship and Approval have Encouraged me when I Most Needed Encouragement.
    • Copyright, 1901, By MADISON J. CAWEIN
    • TO Dr. HENRY A. COTTELL Whose Kind Words of Friendship and Approval have Encouraged me when I Most Needed Encouragement.
    • CONTENTS.
    • FOREWORD.
  • Weeds by the Wall.
    • A WILD IRIS.
    • THE PATH BY THE CREEK.
    • THE ROAD HOME.
    • A TWILIGHT MOTH.
    • ALONG THE STREAM.
    • THE CRICKET.
      • I.
        • II.
        • III.
        • IV.
      • II.
      • III.
      • IV.
    • I.
      • II.
      • III.
      • IV.
    • II.
    • III.
    • IV.
    • VOICES.
    • THE GRASSHOPPER.
    • THE TREE TOAD.
      • I.
        • II.
        • III.
        • IV.
      • II.
      • III.
      • IV.
    • I.
      • II.
      • III.
      • IV.
    • II.
    • III.
    • IV.
    • THE SCREECH-OWL.
    • THE CHIPMUNK.
    • LOVE AND A DAY.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • DROUTH.
      • I.
        • II.
        • III.
        • IV.
      • II.
      • III.
      • IV.
    • I.
      • II.
      • III.
      • IV.
    • II.
    • III.
    • IV.
    • BEFORE THE RAIN.
    • THE BROKEN DROUTH.
    • FEUD.
    • UNANOINTED.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • THE END OF ALL.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • SUNSET AND STORM.
    • BEECH BLOOMS.
    • WORSHIP.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • UNHEARD.
    • REINCARNATION.
    • ON CHENOWETH'S RUN.
    • HOME AGAIN.
    • A STREET OF GHOSTS.
    • IN THE SHADOW OF THE BEECHES.
    • REQUIESCAT.
    • THE QUEST.
      • I.
        • II.
        • III.
        • IV.
      • II.
      • III.
      • IV.
    • I.
      • II.
      • III.
      • IV.
    • II.
    • III.
    • IV.
    • MEETING AND PARTING.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • LOVE IN A GARDEN.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • FLORIDIAN.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • THE GOLDEN HOUR.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • REED CALL FOR APRIL.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • "THE YEARS WHEREIN I NEVER KNEW."
    • MIGNON.
    • QUI DOCET, DISCIT.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • TRANSUBSTANTIATION.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • HELEN.
    • A CAMEO.
    • LA JEUNESSE ET LA MORT.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • LOVE AND LOSS.
    • SUNSET CLOUDS.
    • MASKED.
    • OUT OF THE DEPTHS.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • RICHES.
    • BEAUTY AND ART.
    • THE AGE OF GOLD.
    • THE LOVE OF LOVES.
    • THREE THINGS.
    • IMMORTELLES.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • A LULLABY.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • DUM VIVIMUS.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • FAILURE.
    • THE CUP OF JOY.
    • PESTILENCE.
    • MUSINGS.
      • INSPIRATION.
        • APPORTIONMENT.
        • VICTORY.
        • PREPARATION.
        • DISILLUSION.
        • SUCCESS.
        • SCIENCE.
        • ECHO.
        • THE UNIVERSAL WIND.
        • COMPENSATION.
        • POPPIES.
        • HER EYES AND MOUTH.
        • HER SOUL.
        • HER FACE.
      • APPORTIONMENT.
      • VICTORY.
      • PREPARATION.
      • DISILLUSION.
      • SUCCESS.
      • SCIENCE.
      • ECHO.
      • THE UNIVERSAL WIND.
      • COMPENSATION.
      • POPPIES.
      • HER EYES AND MOUTH.
      • HER SOUL.
      • HER FACE.
    • INSPIRATION.
      • APPORTIONMENT.
      • VICTORY.
      • PREPARATION.
      • DISILLUSION.
      • SUCCESS.
      • SCIENCE.
      • ECHO.
      • THE UNIVERSAL WIND.
      • COMPENSATION.
      • POPPIES.
      • HER EYES AND MOUTH.
      • HER SOUL.
      • HER FACE.
    • APPORTIONMENT.
    • VICTORY.
    • PREPARATION.
    • DISILLUSION.
    • SUCCESS.
    • SCIENCE.
    • ECHO.
    • THE UNIVERSAL WIND.
    • COMPENSATION.
    • POPPIES.
    • HER EYES AND MOUTH.
    • HER SOUL.
    • HER FACE.
    • AT THE SIGN OF THE SKULL.
    • A CAVALIER'S TOAST.
      • I.
        • II.
      • II.
    • I.
      • II.
    • II.
    • SLEEP IS A SPIRIT.
    • KENNST DU DAS LAND.
      • FROM THE GERMAN OF GOETHE.
    • FROM THE GERMAN OF GOETHE.
    • AT MIDNIGHT.
    • THE MAN IN GRAY.
      • Written for the Reunion of the Confederate Veterans at Louisville, Ky., May and June, 1900.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
    • Written for the Reunion of the Confederate Veterans at Louisville, Ky., May and June, 1900.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • HALLOWE'EN.
    • THE IMAGE IN THE GLASS.
      • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
      • II.
      • III.
      • IV.
      • V.
      • VI.
    • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • HER PRAYER.
    • THE MESSAGE OF THE LILIES.
    • A LEGEND OF THE LILY.
    • THE END OF THE CENTURY.
    • THE ISLE OF VOICES.
    • A. D. NINETEEN HUNDRED.
    • CAVERNS.
      • Written of Colossal Cave, Kentucky.
    • Written of Colossal Cave, Kentucky.
    • OF THE SLUMS.
    • THE WINDS.
    • PROTOTYPES.
    • TOUCHES.
    • THE WOMAN SPEAKS.
    • LOVE, THE INTERPRETER.
    • UNANSWERED.
    • EARTH AND MOON.
    • PEARLS.
    • IN THE FOREST.
    • ENCHANTMENT.
    • DUSK.
    • THE BLUE BIRD.
    • CAN SUCH THINGS BE?
    • THE PASSING GLORY.
    • SEPTEMBER.
    • HOODOO.
    • THE OTHER WOMAN.
    • A SONG FOR LABOR.
      • I.
        • II.
        • III.
      • II.
      • III.
    • I.
      • II.
      • III.
    • II.
    • III.
    • AFTERWORD.
    • TRANSCRIBER'S NOTES
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