Music, Memory, Resistance: Calypso and the Caribbean Literary Imagination
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Description
Contents
Reviews
Language
English
ISBN
978-976-637-726-7
CONTENTS
PREFACE
INTRODUCTION
MUSIC AS MEMORY, RESISTANCE AND POLITICAL CONTEXT
ERIC WILLIAMS’S VISION FOR THE DEVELOPMENT OF CARNIVAL
CALYPSO AS POLITICAL CON/TEXT: REFLECTIONS ON THE LEGEND OF ERIC WILLIAMS
IN THE BATTLE FOR EMERGENT INDEPENDENCE: CALYPSOS OF DECOLONIZATION
FUGUES, FRAGMENTS AND FISSURES: A WORK IN PROGRESS
SANS HUMANITÉ: THE SONG, THE SINGER AND THE STORY
CARNIVAL CANNIBALIZED OR CANNIBAL CARNIVALIZED: CONTEXTUALIZING THE ‘CANNIBAL JOKE’ IN CALYPSO AND LITERATURE
CALYPSO AND THE BACCHANAL CONNECTION
UNMASKING THE CHANTWELL NARRATOR IN EARL LOVELACE’S FICTION
TEN TO ONE IS MURDER: GENDER, SEXUALITY AND THE BODY POLITIC
JAMETTE CARNIVAL AND AFRO-CARIBBEAN INFLUENCES IN THE WORK OF JEAN RHYS
‘BIG FAT FISH’: THE HYPERSEXUALIZATION OF THE FAT BLACK WOMAN’S BODY IN CALYPSO AND DANCEHALL
MEN IN THE YARD AND ON THE STREET: CRICKET AND CALYPSO IN CARIBBEAN LITERATURE
WHEN ALL THE WORLD’S A STAGE: PERFORMING CULTURAL IDENTITY AT HOME AND ABROAD
WITH A TASSA BLENDING: CALYPSO AND CULTURAL IDENTITY IN INDO-CARIBBEAN FICTION
BOP GIRL GOES CALYPSO: CONTAINING RACE AND YOUTH CULTURE IN COLD WAR AMERICA
(NOT) KNOWING THE DIFFERENCE: CALYPSO OVERSEAS AND THE SOUND OF BELONGING IN SELECTED NARRATIVES OF MIGRATION
‘EVERYBODY DO THE DANCE’: THE POLITICS OF UNIFORMITY IN DANCEHALL AND CALYPSO
BIBLIOGRAPHY
CONTRIBUTORS
INDEX
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