Lessons in Music Form A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition
Free
Lessons in Music Form A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition
By Percy Goetschius
Free
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Table of Contents
  • LESSONS IN MUSIC FORM
  • A MANUAL OF ANALYSIS
    • OF ALL THE STRUCTURAL FACTORS AND DESIGNS EMPLOYED IN MUSICAL COMPOSITION
      • BY
    • BY
    • PERCY GOETSCHIUS, MUS. DOC.
      • (Royal Württemberg Professor)
      • AUTHOR OF THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC.
    • (Royal Württemberg Professor)
    • AUTHOR OF THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC.
    • $1.50
      • BOSTON OLIVER DITSON COMPANY New York ———— Chicago CHAS. H. DITSON & CO. ———— LYON & HEALY COPYRIGHT. MCMIV, BY OLIVER DITSON COMPANY MADE IN U. S. A.
    • BOSTON OLIVER DITSON COMPANY New York ———— Chicago CHAS. H. DITSON & CO. ———— LYON & HEALY COPYRIGHT. MCMIV, BY OLIVER DITSON COMPANY MADE IN U. S. A.
    • FOREWORD.
  • TABLE OF CONTENTS.
    • CHAPTER I.—INTRODUCTION.
    • CHAPTER II.—FUNDAMENTAL DETAILS.
    • CHAPTER III.—FIGURE AND MOTIVE.
    • CHAPTER IV.—THE PHRASE.
    • CHAPTER V.—CADENCES.
    • CHAPTER VI.—IRREGULAR PHRASES.
    • CHAPTER VII.—THE PERIOD-FORM.
    • CHAPTER VIII.—ENLARGEMENT OF THE PERIOD-FORM.
    • CHAPTER IX.—THE TWO-PART SONG-FORM.
    • CHAPTER X.—THE THREE-PART SONG-FORM.
    • CHAPTER XI.—ENLARGEMENT OF THE THREE-PART SONG-FORM.
    • CHAPTER XII.—THE SONG-FORM WITH TRIO.
    • CHAPTER XIII.—THE FIRST RONDO-FORM.
    • CHAPTER XIV.—THE SECOND RONDO-FORM.
    • CHAPTER XV.—THE THIRD RONDO-FORM.
    • CHAPTER XVI.—THE SONATINE-FORM.
    • CHAPTER XVII.—THE SONATA-ALLEGRO FORM.
    • CHAPTER XVIII.—IRREGULAR FORMS.
    • CHAPTER XIX.—APPLICATION OF THE FORMS.
  • LESSONS IN MUSIC FORM.
    • CHAPTER I. INTRODUCTION.
    • [Illustration: first fragment of 8th Song]
    • [Illustration: second fragment of 8th Song]
    • [Illustration: Duple and Triple Rhythm]
    • [Illustration: Example 1. Fragment of Folk-song.]
    • [Illustration: Example 2. Fragment of Beethoven.]
    • CHAPTER II. FUNDAMENTAL DETAILS.
    • [Illustration: Beat accentuation]
    • [Illustration: Example 3. Rhythm.]
    • [Illustration: Example 4. Fragment of Beethoven.]
    • [Illustration: Example 5. Fragment of Beethoven.]
    • CHAPTER III. FIGURE AND MOTIVE.
    • [Illustration: Example 6. Fragment of Beethoven.]
    • [Illustration: Example 6 continued.]
    • [Illustration: Example 7. Fragments of Czerny, Mendelssohn, and Schumann.]
    • [Illustration: Example 8. Fragments of Beethoven.]
    • [Illustration: Example 9. Fragments of Beethoven, Mendelssohn, and Mozart.]
    • [Illustration: Example 10. Fragment of Beethoven.]
    • [Illustration: Example 11. Fragment of Beethoven.]
    • [Illustration: Example 12. Fragment of Mozart.]
    • [Illustration: Example 13. Fragments of Mendelssohn.]
    • [Illustration: Example 13 continued. Fragments of Mendelssohn and Mozart.]
    • [Illustration: Example 14. Fragments of Mozart, Beethoven, and Mendelssohn.]
    • CHAPTER IV. THE PHRASE.
    • [Illustration: Example 15. Fragment of Schubert.]
    • [Illustration: Example 16. Fragment of Schumann, Op. 68, No. 11.]
    • [Illustration: Example 17. Fragments of Beethoven.]
    • CHAPTER V. CADENCES.
    • [Illustration: Example 18. Fragment of Schumann.]
    • [Illustration: Example 19. Fragment of Mozart.]
    • [Illustration: Example 20. Fragment of Mendelssohn.]
    • [Illustration: Example 20 continued.]
    • [Illustration: Example 21. Fragment of Mozart.]
    • [Illustration: Example 22. Fragment of Beethoven.]
    • [Illustration: Example 22 continued. Fragments of Mendelssohn, Schumann, and Mozart.]
    • [Illustration: Example 23. Fragments of Beethoven and Mendelssohn.]
    • [Illustration: Example 23 continued. Fragment of Mendelssohn.]
    • [Illustration: Example 24. Fragments of Mozart.]
    • [Illustration: Example 24 continued. Fragment of Beethoven.]
    • [Illustration: Example 25. Fragment of Mozart.]
    • [Illustration: Example 26. Fragment of Mozart.]
    • [Illustration: Example 26 continued.]
    • [Illustration: Example 27. Fragment of Mozart.]
    • [Illustration: Example 28. Fragment of Beethoven.]
    • [Illustration: Example 29. Fragment of Schubert.]
    • [Illustration: Example 30. Fragment of Schumann.]
    • [Illustration: Example 31. Fragment of Schumann.]
    • [Illustration: Example 32. Fragments of Mendelssohn and Schubert.]
    • [Illustration: Example 33. Fragment of Schubert.]
    • [Illustration: Example 34. Fragment of Brahms.]
    • [Illustration: Example 35. Fragment of Schumann.]
    • [Illustration: Example 36. Fragment of Schubert.]
    • CHAPTER VI. IRREGULAR PHRASES.
    • [Illustration: Example 37. Fragment of Mendelssohn.]
    • [Illustration: Example 38. Fragment of Beethoven.]
    • [Illustration: Example 39. Fragment of Mendelssohn.]
    • [Illustration: Example 40. Fragment of Mendelssohn.]
    • [Illustration: Example 41. Fragment of Mendelssohn.]
    • [Illustration: Example 42. Fragment of Beethoven.]
    • [Illustration: Example 43. Fragment of Beethoven.]
    • [Illustration: Example 43 continued.]
    • CHAPTER VII. THE PERIOD-FORM.
    • [Illustration: Example 44. Fragment of Mendelssohn.]
    • [Illustration: Example 45. Fragment of Mendelssohn.]
    • [Illustration: Example 46. Fragment of Mozart.]
    • [Illustration: Example 47. Fragment of Beethoven.]
    • [Illustration: Example 47 continued.]
    • CHAPTER VIII.--ENLARGEMENT OF THE PERIOD-FORM.
    • [Illustration: Example 48. Fragment of Mozart.]
    • [Illustration: Example 49. Fragment of Chopin.]
    • [Illustration: Example 49 continued.]
    • [Illustration: Phrase group diagram.]
    • [Illustration: Example 50. Fragment of Grieg.]
    • [Illustration: Example 51. Fragment of Beethoven.]
    • CHAPTER IX. THE TWO-PART SONG-FORM.
    • [Illustration: Example 52. Fragment of German _lied_.]
    • CHAPTER X.--THE THREE-PART SONG-FORM.
    • [Illustration: Example 53. Fragment of Schumann.]
    • [Illustration: Example 53 continued.]
    • CHAPTER XI. ENLARGEMENT OF THE THREE-PART SONG-FORM.
    • [Illustration: Diagram of Parts.]
    • CHAPTER XII. THE SONG-FORM WITH TRIO.
    • CHAPTER XIII. THE FIRST RONDO-FORM.
    • [Illustration: Example 54. Fragment of Beethoven.]
    • [Illustration: Example 54 continued.]
    • [Illustration: Example 54 continued.]
    • CHAPTER XIV. THE SECOND RONDO-FORM.
    • CHAPTER XV. THE THIRD RONDO-FORM.
    • CHAPTER XVI. THE SONATINE FORM.
    • CHAPTER XVII. THE SONATA-ALLEGRO FORM.
    • [Illustration: Example 55. Fragment of Beethoven.]
    • [Illustration: Example 55 continued.]
    • [Illustration: Example 55 continued.]
    • [Illustration: Example 55 continued.]
    • CHAPTER XVIII. IRREGULAR FORMS.
    • CHAPTER XIX. APPLICATION OF THE FORMS.
    • AFTERWORD.
    • THE END.
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