Lessons in Music Form A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition
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LESSONS IN MUSIC FORM
A MANUAL OF ANALYSIS
OF ALL THE STRUCTURAL FACTORS AND DESIGNS EMPLOYED IN MUSICAL COMPOSITION
BY
BY
PERCY GOETSCHIUS, MUS. DOC.
(Royal Württemberg Professor)
AUTHOR OF THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC.
(Royal Württemberg Professor)
AUTHOR OF THE MATERIAL USED IN MUSICAL COMPOSITION, THE THEORY AND PRACTICE OF TONE-RELATIONS, THE HOMOPHONIC FORMS OF MUSICAL COMPOSITION, MODELS OF THE PRINCIPAL MUSIC FORMS, EXERCISES IN MELODY WRITING, APPLIED COUNTERPOINT, ETC.
$1.50
BOSTON OLIVER DITSON COMPANY New York ———— Chicago CHAS. H. DITSON & CO. ———— LYON & HEALY COPYRIGHT. MCMIV, BY OLIVER DITSON COMPANY MADE IN U. S. A.
BOSTON OLIVER DITSON COMPANY New York ———— Chicago CHAS. H. DITSON & CO. ———— LYON & HEALY COPYRIGHT. MCMIV, BY OLIVER DITSON COMPANY MADE IN U. S. A.
FOREWORD.
TABLE OF CONTENTS.
CHAPTER I.—INTRODUCTION.
CHAPTER II.—FUNDAMENTAL DETAILS.
CHAPTER III.—FIGURE AND MOTIVE.
CHAPTER IV.—THE PHRASE.
CHAPTER V.—CADENCES.
CHAPTER VI.—IRREGULAR PHRASES.
CHAPTER VII.—THE PERIOD-FORM.
CHAPTER VIII.—ENLARGEMENT OF THE PERIOD-FORM.
CHAPTER IX.—THE TWO-PART SONG-FORM.
CHAPTER X.—THE THREE-PART SONG-FORM.
CHAPTER XI.—ENLARGEMENT OF THE THREE-PART SONG-FORM.
CHAPTER XII.—THE SONG-FORM WITH TRIO.
CHAPTER XIII.—THE FIRST RONDO-FORM.
CHAPTER XIV.—THE SECOND RONDO-FORM.
CHAPTER XV.—THE THIRD RONDO-FORM.
CHAPTER XVI.—THE SONATINE-FORM.
CHAPTER XVII.—THE SONATA-ALLEGRO FORM.
CHAPTER XVIII.—IRREGULAR FORMS.
CHAPTER XIX.—APPLICATION OF THE FORMS.
LESSONS IN MUSIC FORM.
CHAPTER I. INTRODUCTION.
[Illustration: first fragment of 8th Song]
[Illustration: second fragment of 8th Song]
[Illustration: Duple and Triple Rhythm]
[Illustration: Example 1. Fragment of Folk-song.]
[Illustration: Example 2. Fragment of Beethoven.]
CHAPTER II. FUNDAMENTAL DETAILS.
[Illustration: Beat accentuation]
[Illustration: Example 3. Rhythm.]
[Illustration: Example 4. Fragment of Beethoven.]
[Illustration: Example 5. Fragment of Beethoven.]
CHAPTER III. FIGURE AND MOTIVE.
[Illustration: Example 6. Fragment of Beethoven.]
[Illustration: Example 6 continued.]
[Illustration: Example 7. Fragments of Czerny, Mendelssohn, and Schumann.]
[Illustration: Example 8. Fragments of Beethoven.]
[Illustration: Example 9. Fragments of Beethoven, Mendelssohn, and Mozart.]
[Illustration: Example 10. Fragment of Beethoven.]
[Illustration: Example 11. Fragment of Beethoven.]
[Illustration: Example 12. Fragment of Mozart.]
[Illustration: Example 13. Fragments of Mendelssohn.]
[Illustration: Example 13 continued. Fragments of Mendelssohn and Mozart.]
[Illustration: Example 14. Fragments of Mozart, Beethoven, and Mendelssohn.]
CHAPTER IV. THE PHRASE.
[Illustration: Example 15. Fragment of Schubert.]
[Illustration: Example 16. Fragment of Schumann, Op. 68, No. 11.]
[Illustration: Example 17. Fragments of Beethoven.]
CHAPTER V. CADENCES.
[Illustration: Example 18. Fragment of Schumann.]
[Illustration: Example 19. Fragment of Mozart.]
[Illustration: Example 20. Fragment of Mendelssohn.]
[Illustration: Example 20 continued.]
[Illustration: Example 21. Fragment of Mozart.]
[Illustration: Example 22. Fragment of Beethoven.]
[Illustration: Example 22 continued. Fragments of Mendelssohn, Schumann, and Mozart.]
[Illustration: Example 23. Fragments of Beethoven and Mendelssohn.]
[Illustration: Example 23 continued. Fragment of Mendelssohn.]
[Illustration: Example 24. Fragments of Mozart.]
[Illustration: Example 24 continued. Fragment of Beethoven.]
[Illustration: Example 25. Fragment of Mozart.]
[Illustration: Example 26. Fragment of Mozart.]
[Illustration: Example 26 continued.]
[Illustration: Example 27. Fragment of Mozart.]
[Illustration: Example 28. Fragment of Beethoven.]
[Illustration: Example 29. Fragment of Schubert.]
[Illustration: Example 30. Fragment of Schumann.]
[Illustration: Example 31. Fragment of Schumann.]
[Illustration: Example 32. Fragments of Mendelssohn and Schubert.]
[Illustration: Example 33. Fragment of Schubert.]
[Illustration: Example 34. Fragment of Brahms.]
[Illustration: Example 35. Fragment of Schumann.]
[Illustration: Example 36. Fragment of Schubert.]
CHAPTER VI. IRREGULAR PHRASES.
[Illustration: Example 37. Fragment of Mendelssohn.]
[Illustration: Example 38. Fragment of Beethoven.]
[Illustration: Example 39. Fragment of Mendelssohn.]
[Illustration: Example 40. Fragment of Mendelssohn.]
[Illustration: Example 41. Fragment of Mendelssohn.]
[Illustration: Example 42. Fragment of Beethoven.]
[Illustration: Example 43. Fragment of Beethoven.]
[Illustration: Example 43 continued.]
CHAPTER VII. THE PERIOD-FORM.
[Illustration: Example 44. Fragment of Mendelssohn.]
[Illustration: Example 45. Fragment of Mendelssohn.]
[Illustration: Example 46. Fragment of Mozart.]
[Illustration: Example 47. Fragment of Beethoven.]
[Illustration: Example 47 continued.]
CHAPTER VIII.--ENLARGEMENT OF THE PERIOD-FORM.
[Illustration: Example 48. Fragment of Mozart.]
[Illustration: Example 49. Fragment of Chopin.]
[Illustration: Example 49 continued.]
[Illustration: Phrase group diagram.]
[Illustration: Example 50. Fragment of Grieg.]
[Illustration: Example 51. Fragment of Beethoven.]
CHAPTER IX. THE TWO-PART SONG-FORM.
[Illustration: Example 52. Fragment of German _lied_.]
CHAPTER X.--THE THREE-PART SONG-FORM.
[Illustration: Example 53. Fragment of Schumann.]
[Illustration: Example 53 continued.]
CHAPTER XI. ENLARGEMENT OF THE THREE-PART SONG-FORM.
[Illustration: Diagram of Parts.]
CHAPTER XII. THE SONG-FORM WITH TRIO.
CHAPTER XIII. THE FIRST RONDO-FORM.
[Illustration: Example 54. Fragment of Beethoven.]
[Illustration: Example 54 continued.]
[Illustration: Example 54 continued.]
CHAPTER XIV. THE SECOND RONDO-FORM.
CHAPTER XV. THE THIRD RONDO-FORM.
CHAPTER XVI. THE SONATINE FORM.
CHAPTER XVII. THE SONATA-ALLEGRO FORM.
[Illustration: Example 55. Fragment of Beethoven.]
[Illustration: Example 55 continued.]
[Illustration: Example 55 continued.]
[Illustration: Example 55 continued.]
CHAPTER XVIII. IRREGULAR FORMS.
CHAPTER XIX. APPLICATION OF THE FORMS.
AFTERWORD.
THE END.
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