The collected works of William Hazlitt, Vol. 1 (of 12)
William Hazlitt
The collected works of William Hazlitt, Vol. 1 (of 12)
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English
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THE COLLECTED WORKS OF WILLIAM HAZLITT
CONTENTS
INTRODUCTION
I
II
III
IV
V
VI
EDITORS’ PREFACE
THE ROUND TABLE
BIBLIOGRAPHICAL NOTE
ADVERTISEMENT TO THE EDITION OF 1817
CONTENTS
No. 1.] ON THE LOVE OF LIFE [Jan. 15, 1815.
No. 2.] ON CLASSICAL EDUCATION [Feb. 12, 1815.
No. 3.] ON THE TATLER [March 5, 1815.
No. 4.] ON MODERN COMEDY [Aug. 20, 1815.
No. 5.] ON MR. KEAN’S IAGO [July 24, 1814.
No. 6.] ON THE LOVE OF THE COUNTRY [Nov. 27, 1814.
No. 7.] ON POSTHUMOUS FAME,—WHETHER SHAKSPEARE WAS INFLUENCED BY A LOVE OF IT? [May 22, 1814.
No. 8.] ON HOGARTH’S MARRIAGE A-LA-MODE [June 5, 1814.
No. 9.] THE SUBJECT CONTINUED [June 19, 1814.
No. 10.] ON MILTON’S LYCIDAS [Aug. 6, 1815.
No. 11.] ON MILTON’S VERSIFICATION [Aug. 20, 1815.
No. 12.] ON MANNER [Aug. 27, 1815. [Sep. 3, 1815.
No. 13.] ON THE TENDENCY OF SECTS [Sep. 10, 1815.
No. 14.] ON JOHN BUNCLE [Sept. 17, 1815.
No. 15.] ON THE CAUSES OF METHODISM [Oct. 22, 1815.
No. 16.] ON THE MIDSUMMER NIGHT’S DREAM [Nov. 26, 1815.
No. 17.] ON THE BEGGAR’S OPERA [June 18, 1815.
No. 18.] ON PATRIOTISM.—A FRAGMENT [Jan. 5, 1814.
No. 19.] ON BEAUTY [Feb. 4, 1816.
No. 20.] ON IMITATION [Feb. 18, 1816.
No. 21.] ON GUSTO [May 26, 1816.
No. 22.] ON PEDANTRY [March 3, 1816.
No. 23.] THE SAME SUBJECT CONTINUED [March 10, 1816.
No. 24.] ON THE CHARACTER OF ROUSSEAU [April 14, 1816.
No. 25.] ON DIFFERENT SORTS OF FAME [April 21, 1816.
No. 26.] CHARACTER OF JOHN BULL [May 19, 1816.
No. 27.] ON GOOD-NATURE [June 9, 1816.
No. 28.] ON THE CHARACTER OF MILTON’S EVE [July 21, 1816.
No. 29.] OBSERVATIONS ON MR. WORDSWORTH’S POEM THE EXCURSION [Aug. 21, 28, 1814.
No. 30.] THE SAME SUBJECT CONTINUED [Oct. 2, 1814.
No. 31.] CHARACTER OF THE LATE MR. PITT[61]
No. 32.] ON RELIGIOUS HYPOCRISY [Oct. 9, 1814.
No. 33.] ON THE LITERARY CHARACTER [Oct. 28, 1813.
No. 34.] ON COMMON-PLACE CRITICS [Nov. 24, 1816.
No. 35.] ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION [Nov. 10, 1816.
No. 36.] THE SAME SUBJECT CONTINUED [Nov. 10, 17, 1816.
No. 37.] ON POETICAL VERSATILITY [Dec. 22, 1816.
No. 38.] ON ACTORS AND ACTING [Jan. 5, 1817.
No. 39.] ON THE SAME [Jan. 5, 1817.
No. 40.] WHY THE ARTS ARE NOT PROGRESSIVE?—A FRAGMENT [Jan. 11, 15; Sep. 11, 1814.
CHARACTERS OF SHAKESPEAR’S PLAYS
BIBLIOGRAPHICAL NOTE
CONTENTS
PREFACE
CYMBELINE
MACBETH
JULIUS CÆSAR
OTHELLO
TIMON OF ATHENS
CORIOLANUS
TROILUS AND CRESSIDA
ANTONY AND CLEOPATRA
HAMLET
THE TEMPEST
THE MIDSUMMER NIGHT’S DREAM
ROMEO AND JULIET
LEAR
RICHARD II.
HENRY IV IN TWO PARTS
HENRY V.
HENRY VI. IN THREE PARTS
RICHARD III.
HENRY VIII.
KING JOHN
TWELFTH NIGHT; OR, WHAT YOU WILL
THE TWO GENTLEMEN OF VERONA
THE MERCHANT OF VENICE
THE WINTER’S TALE
ALL’S WELL THAT ENDS WELL
LOVE’S LABOUR’S LOST
MUCH ADO ABOUT NOTHING
AS YOU LIKE IT
THE TAMING OF THE SHREW
MEASURE FOR MEASURE
THE MERRY WIVES OF WINDSOR
THE COMEDY OF ERRORS
DOUBTFUL PLAYS OF SHAKESPEAR
POEMS AND SONNETS
CONSTANCY
LOVE’S CONSOLATION
NOVELTY
LIFE’S DECAY
A LETTER TO WILLIAM GIFFORD, ESQ.
NOTES
THE ROUND TABLE
ON THE LOVE OF LIFE
ON CLASSICAL EDUCATION
ON THE TATLER
ON MODERN COMEDY
ON MR. KEAN’S IAGO
ON THE LOVE OF THE COUNTRY
ON POSTHUMOUS FAME
ON HOGARTH’S ‘MARRIAGE À LA MODE’
THE SUBJECT CONTINUED
ON MILTON’S LYCIDAS
ON MILTON’S VERSIFICATION
ON MANNER
ON THE TENDENCY OF SECTS
ON JOHN BUNCLE
ON THE CAUSES OF METHODISM
ON THE MIDSUMMER NIGHT’S DREAM
THE BEGGAR’S OPERA
ON PATRIOTISM—A FRAGMENT
ON BEAUTY
ON IMITATION
ON GUSTO
ON PEDANTRY
THE SAME SUBJECT CONTINUED
ON THE CHARACTER OF ROUSSEAU
ON DIFFERENT SORTS OF FAME
CHARACTER OF JOHN BULL
ON GOOD NATURE
ON THE CHARACTER OF MILTON’S EVE
OBSERVATIONS ON MR. WORDSWORTH’S POEM ‘THE EXCURSION’
THE SAME SUBJECT CONTINUED
CHARACTER OF THE LATE MR. PITT
ON RELIGIOUS HYPOCRISY
ON THE LITERARY CHARACTER
ON COMMON-PLACE CRITICS
ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION
THE SAME SUBJECT CONTINUED
ON POETICAL VERSATILITY
ON ACTORS AND ACTING
THE SAME SUBJECT CONTINUED
WHY THE ARTS ARE NOT PROGRESSIVE: A FRAGMENT
CHARACTERS OF SHAKESPEAR’S PLAYS
CYMBELINE
MACBETH
JULIUS CÆSAR
OTHELLO
TIMON OF ATHENS
CORIOLANUS
TROILUS AND CRESSIDA
ANTONY AND CLEOPATRA
HAMLET
THE TEMPEST
THE MIDSUMMER NIGHT’S DREAM
ROMEO AND JULIET
LEAR
RICHARD II.
HENRY IV.
HENRY V.
HENRY VI.
RICHARD III.
HENRY VIII.
KING JOHN
TWELFTH NIGHT
THE TWO GENTLEMEN OF VERONA
THE MERCHANT OF VENICE
THE WINTER’S TALE
ALL’S WELL THAT ENDS WELL
LOVE’S LABOUR’S LOST
MUCH ADO ABOUT NOTHING
AS YOU LIKE IT
THE TAMING OF THE SHREW
MEASURE FOR MEASURE
THE MERRY WIVES OF WINDSOR
THE COMEDY OF ERRORS
DOUBTFUL PLAYS OF SHAKESPEAR
POEMS AND SONNETS
A LETTER TO WILLIAM GIFFORD, ESQ.
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