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Table of Contents
- THE COLLECTED WORKS OF WILLIAM HAZLITT
- CONTENTS
- INTRODUCTION
- I
- II
- III
- IV
- V
- VI
- EDITORS’ PREFACE
- THE ROUND TABLE
- BIBLIOGRAPHICAL NOTE
- ADVERTISEMENT TO THE EDITION OF 1817
- CONTENTS
- No. 1.] ON THE LOVE OF LIFE [Jan. 15, 1815.
- No. 2.] ON CLASSICAL EDUCATION [Feb. 12, 1815.
- No. 3.] ON THE TATLER [March 5, 1815.
- No. 4.] ON MODERN COMEDY [Aug. 20, 1815.
- No. 5.] ON MR. KEAN’S IAGO [July 24, 1814.
- No. 6.] ON THE LOVE OF THE COUNTRY [Nov. 27, 1814.
- No. 7.] ON POSTHUMOUS FAME,—WHETHER SHAKSPEARE WAS INFLUENCED BY A LOVE OF IT? [May 22, 1814.
- No. 8.] ON HOGARTH’S MARRIAGE A-LA-MODE [June 5, 1814.
- No. 9.] THE SUBJECT CONTINUED [June 19, 1814.
- No. 10.] ON MILTON’S LYCIDAS [Aug. 6, 1815.
- No. 11.] ON MILTON’S VERSIFICATION [Aug. 20, 1815.
- No. 12.] ON MANNER [Aug. 27, 1815. [Sep. 3, 1815.
- No. 13.] ON THE TENDENCY OF SECTS [Sep. 10, 1815.
- No. 14.] ON JOHN BUNCLE [Sept. 17, 1815.
- No. 15.] ON THE CAUSES OF METHODISM [Oct. 22, 1815.
- No. 16.] ON THE MIDSUMMER NIGHT’S DREAM [Nov. 26, 1815.
- No. 17.] ON THE BEGGAR’S OPERA [June 18, 1815.
- No. 18.] ON PATRIOTISM.—A FRAGMENT [Jan. 5, 1814.
- No. 19.] ON BEAUTY [Feb. 4, 1816.
- No. 20.] ON IMITATION [Feb. 18, 1816.
- No. 21.] ON GUSTO [May 26, 1816.
- No. 22.] ON PEDANTRY [March 3, 1816.
- No. 23.] THE SAME SUBJECT CONTINUED [March 10, 1816.
- No. 24.] ON THE CHARACTER OF ROUSSEAU [April 14, 1816.
- No. 25.] ON DIFFERENT SORTS OF FAME [April 21, 1816.
- No. 26.] CHARACTER OF JOHN BULL [May 19, 1816.
- No. 27.] ON GOOD-NATURE [June 9, 1816.
- No. 28.] ON THE CHARACTER OF MILTON’S EVE [July 21, 1816.
- No. 29.] OBSERVATIONS ON MR. WORDSWORTH’S POEM THE EXCURSION [Aug. 21, 28, 1814.
- No. 30.] THE SAME SUBJECT CONTINUED [Oct. 2, 1814.
- No. 31.] CHARACTER OF THE LATE MR. PITT[61]
- No. 32.] ON RELIGIOUS HYPOCRISY [Oct. 9, 1814.
- No. 33.] ON THE LITERARY CHARACTER [Oct. 28, 1813.
- No. 34.] ON COMMON-PLACE CRITICS [Nov. 24, 1816.
- No. 35.] ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION [Nov. 10, 1816.
- No. 36.] THE SAME SUBJECT CONTINUED [Nov. 10, 17, 1816.
- No. 37.] ON POETICAL VERSATILITY [Dec. 22, 1816.
- No. 38.] ON ACTORS AND ACTING [Jan. 5, 1817.
- No. 39.] ON THE SAME [Jan. 5, 1817.
- No. 40.] WHY THE ARTS ARE NOT PROGRESSIVE?—A FRAGMENT [Jan. 11, 15; Sep. 11, 1814.
- CHARACTERS OF SHAKESPEAR’S PLAYS
- BIBLIOGRAPHICAL NOTE
- CONTENTS
- PREFACE
- CYMBELINE
- MACBETH
- JULIUS CÆSAR
- OTHELLO
- TIMON OF ATHENS
- CORIOLANUS
- TROILUS AND CRESSIDA
- ANTONY AND CLEOPATRA
- HAMLET
- THE TEMPEST
- THE MIDSUMMER NIGHT’S DREAM
- ROMEO AND JULIET
- LEAR
- RICHARD II.
- HENRY IV IN TWO PARTS
- HENRY V.
- HENRY VI. IN THREE PARTS
- RICHARD III.
- HENRY VIII.
- KING JOHN
- TWELFTH NIGHT; OR, WHAT YOU WILL
- THE TWO GENTLEMEN OF VERONA
- THE MERCHANT OF VENICE
- THE WINTER’S TALE
- ALL’S WELL THAT ENDS WELL
- LOVE’S LABOUR’S LOST
- MUCH ADO ABOUT NOTHING
- AS YOU LIKE IT
- THE TAMING OF THE SHREW
- MEASURE FOR MEASURE
- THE MERRY WIVES OF WINDSOR
- THE COMEDY OF ERRORS
- DOUBTFUL PLAYS OF SHAKESPEAR
- POEMS AND SONNETS
- CONSTANCY
- LOVE’S CONSOLATION
- NOVELTY
- LIFE’S DECAY
- A LETTER TO WILLIAM GIFFORD, ESQ.
- NOTES
- THE ROUND TABLE
- ON THE LOVE OF LIFE
- ON CLASSICAL EDUCATION
- ON THE TATLER
- ON MODERN COMEDY
- ON MR. KEAN’S IAGO
- ON THE LOVE OF THE COUNTRY
- ON POSTHUMOUS FAME
- ON HOGARTH’S ‘MARRIAGE À LA MODE’
- THE SUBJECT CONTINUED
- ON MILTON’S LYCIDAS
- ON MILTON’S VERSIFICATION
- ON MANNER
- ON THE TENDENCY OF SECTS
- ON JOHN BUNCLE
- ON THE CAUSES OF METHODISM
- ON THE MIDSUMMER NIGHT’S DREAM
- THE BEGGAR’S OPERA
- ON PATRIOTISM—A FRAGMENT
- ON BEAUTY
- ON IMITATION
- ON GUSTO
- ON PEDANTRY
- THE SAME SUBJECT CONTINUED
- ON THE CHARACTER OF ROUSSEAU
- ON DIFFERENT SORTS OF FAME
- CHARACTER OF JOHN BULL
- ON GOOD NATURE
- ON THE CHARACTER OF MILTON’S EVE
- OBSERVATIONS ON MR. WORDSWORTH’S POEM ‘THE EXCURSION’
- THE SAME SUBJECT CONTINUED
- CHARACTER OF THE LATE MR. PITT
- ON RELIGIOUS HYPOCRISY
- ON THE LITERARY CHARACTER
- ON COMMON-PLACE CRITICS
- ON THE CATALOGUE RAISONNÉ OF THE BRITISH INSTITUTION
- THE SAME SUBJECT CONTINUED
- ON POETICAL VERSATILITY
- ON ACTORS AND ACTING
- THE SAME SUBJECT CONTINUED
- WHY THE ARTS ARE NOT PROGRESSIVE: A FRAGMENT
- CHARACTERS OF SHAKESPEAR’S PLAYS
- CYMBELINE
- MACBETH
- JULIUS CÆSAR
- OTHELLO
- TIMON OF ATHENS
- CORIOLANUS
- TROILUS AND CRESSIDA
- ANTONY AND CLEOPATRA
- HAMLET
- THE TEMPEST
- THE MIDSUMMER NIGHT’S DREAM
- ROMEO AND JULIET
- LEAR
- RICHARD II.
- HENRY IV.
- HENRY V.
- HENRY VI.
- RICHARD III.
- HENRY VIII.
- KING JOHN
- TWELFTH NIGHT
- THE TWO GENTLEMEN OF VERONA
- THE MERCHANT OF VENICE
- THE WINTER’S TALE
- ALL’S WELL THAT ENDS WELL
- LOVE’S LABOUR’S LOST
- MUCH ADO ABOUT NOTHING
- AS YOU LIKE IT
- THE TAMING OF THE SHREW
- MEASURE FOR MEASURE
- THE MERRY WIVES OF WINDSOR
- THE COMEDY OF ERRORS
- DOUBTFUL PLAYS OF SHAKESPEAR
- POEMS AND SONNETS
- A LETTER TO WILLIAM GIFFORD, ESQ.
- THE ROUND TABLE
- TRANSCRIBER’S NOTES
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