Hitchcock's Motifs
Michael Walker
Humor & Entertainment
Hitchcock's Motifs
Free
Description
Contents
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Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.

In de overvloed aan Hitchcock-boeken, heeft Hitchcock's Motifs een nieuwe invalshoek weten te vinden. Uitgaande van terugkerende objecten, decors, karakters en gebeurtenissen heeft Michael Walker zo'n veertig motieven, thema's en clusters geïdentificeerd in het gehele oeuvre van Hitchcock. Niet alleen komen alle 52 bestaande bioscoopfilms daarbij aan bod, maar ook representatieve episodes uit zijn televisieseries. Connecties en diepere betekenissen die Hitchcockfans misschien allang voorvoelden of vermoeden, komen eindelijk in hun volle betekenis aan het licht. Ze vormen een complex web van kruisverwijzingen die het werk van deze unieke kunstenaar de diepte, samenhang en weerklank geven en Hitchcock's positie rechtvaardigen als een van de meest bekende filmregisseurs ooit. Het boek kan gebruikt worden als een mini-encyclopedie van Hitchcock motieven, maar in de individuele lemma's wordt ook volop aandacht besteed aan de bredere sociale context, de verborgen bronnen en de soms onbewuste betekenissen in het werk waarmee het duidelijk verankerd wordt in de eigen context.

Language
English
ISBN
09-09-2005-13
Table of Contents
Acknowledgements
Introduction
Part I Hitchcock, Motifs and Melodrama
Introduction
Three motifs
Home movies
Cigarette case/lighter
Milk
Melodrama and Hitchcock’s motifs
An elaborated motif: the Bed Scene in Rebecca and Marnie
A melodramatic motif: hands
Diagrammatic representations
Overview of the key motifs
Part II The Key Motifs
BED SCENE
Couples and beds
Beds and the police
BLONDES AND BRUNETTES
Blondes versus brunettes
Blond allure/blond iconography
Blondes, brunettes and violence
Blondes, brunettes and the police
CAMEO APPEARANCES
Cameos and the police
CHILDREN
Children’s cameos
Family members
Children and violence
Children and the police
CONFINED SPACES
Bathrooms and washrooms
Confinement and concealment
Cages and bars: fears of imprisonment
Washrooms and the police
THE CORPSE
The heroines
The heroes
The villains
Corpses and the police
DOGS AND CATS
Dogs and the police
DOUBLES
Doubles and the police
ENDINGS AND THE POLICE
ENTRY THROUGH A WINDOW
Entry through a window and the police
EXHIBITIONISM / VOYEURISM / THE LOOK
EXHIBITIONISM / VOYEURISM
SPY FILMS / THE LOOK
Exhibitionism, voyeurism and the police
FOOD AND MEALS
Food and marriage
Food and sex
Food and murder
Food and guilt
Chickens and eggs
Table talk and fascism
Food and the police
GUILTAND CONFESSION
Catholic overtones
Guilt and Hitchcock’s villains
Transference of guilt
Guilt, confession and the police
HANDCUFFS AND BONDAGE
HANDS
Male hands/female hands
Held wrists
Damaged hands
Holding hands
Hands and the police
HEIGHTS AND FALLING
Heights, falling and the police
HOMOSEXUALITY
Critical positions
Gay undercurrents
Espionage and the look
Ivor Novello
Homosexuality and the police
JEWELLERY
Greed
Status
Female desire
Female beauty/male power
Male murderousness
Jewellery and the police
KEYS AND HANDBAGS
KEYS
Keys and handbags
HANDBAGS
Handbags and keys
Keys, handbags and the police
LIGHT(S)
Vampires and blinding
Murder and homosexuality
Lights and the police
THE MACGUFFIN
The MacGuffin and the police
MOTHERS AND HOUSES
Mothers and the police
PORTRAITS, PAINTINGS AND PAINTERS
PORTRAITS
PAINTINGS
Modern art
PAINTERS
Portraits, paintings and the police
PUBLIC DISTURBANCES
Public disturbances and the police
SPECTACLES
Spectacles and the police
STAIRCASES
Hitchcockian levels
Political variations
Sinister staircases
Freudian overtones
Couples and staircases
Staircases and the police
TRAINS AND BOATS / PLANES AND BUSES
TRAINS
BOATS
PLANES
BUSES
Trains and boats and the police
WATER AND RAIN
WATER
RAIN
Water and the police
Appendix I: TV Episodes
BED SCENE
CHILDREN
CONFINED SPACES
THE CORPSE
DOUBLES
FOOD AND MURDER / ENDINGS AND THE POLICE
LIGHTS
BOATS
Appendix II: Articles on Hitchcock’s motifs
Appendix III: Definitions
Diegesis
Point-of-view editing
References
Filmography
List of illustrations
Index of Hitchcock’s films and their motifs
General Index
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