
European Cinema
Free
Description
Contents
Reviews
Language
English
ISBN
Unknown
Table of Contents
Preface
Introduction: European Cinema: Conditions of Impossibility?
National Cinema: Re-Definitions and New Directions
European Culture, National Cinema, the Auteur and Hollywood
ImpersoNations: National Cinema, Historical Imaginaries
Film Festival Networks: the New Topographies of Cinema in Europe
Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s
Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography
Ingmar Bergman – Person and Persona: The Mountain of Modern Cinema on the Road to Morocco
Late Losey: Time Lost and Time Found
Around Painting and the “End of Cinema”: A Propos Jacques Rivette’s La Belle Noiseuse
Spellbound by Peter Greenaway: In the Dark ... and Into the Light
The Body as Perceptual Surface: The Films of Johan van der Keuken
Television and the Author’s Cinema: ZDF’s Das Kleine Fernsehspiel
Touching Base: Some German Women Directors in the 1980s
Europe-Hollywood-Europe
Two Decades in Another Country: Hollywood and the Cinephiles
Raoul Ruiz’s Hypothèse du Tableau Volé
Images for Sale: The “New” British Cinema
“If You Want a Life”: The Marathon Man
British Television in the 1980s Through The Looking Glass
German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror
Central Europe Looking West
Of Rats and Revolution: Dusan Makavejev’s The Switchboard Operator
Defining DEFA’s Historical Imaginary: The Films of Konrad Wolf
Under Western Eyes: What Does Žižek Want?
Our Balkanist Gaze: About Memory’s No Man’s Land
Europe Haunted by History and Empire
Is History an Old Movie?
Edgar Reitz’ Heimat: Memory, Home and Hollywood
Discourse and History: One Man’s War – An Interview with Edgardo Cozarinsky
Rendezvous with the French Revolution: Ettore Scola’s That Night in Varennes
Joseph Losey’s The Go-Between
Games of Love and Death: Peter Greenaway and Other Englishmen
Border-Crossings: Filmmaking without a Passport
Peter Wollen’s Friendship’s Death
Andy Engel’s Melancholia
On the High Seas: Edgardo Cozarinsky’s Dutch Adventure
Third Cinema/World Cinema: An Interview with Ruy Guerra
Ruy Guerra’s Erendira
Hyper-, Retro- or Counter-: European Cinema as Third Cinema Between Hollywood and Art Cinema
Conclusion
European Cinema as World Cinema: A New Beginning?
European Cinema: A Brief Bibliography
List of Sources and Places of First Publication
Index of Names
Index of Film Titles / Subjects
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