Nazi Soundscapes
Free
Description
Contents
Reviews
Language
English
ISBN
978-90-8964-426-8
Acknowledgements
Abbreviations
Introduction
Modern Sound and the Metropolis
Modern Modes of Listening
Theorising Listening Attention and Sound Technology
Researching Historical Soundscapes
1. Affirmative Resonances in Urban Space
Auditory Perception and Affirmative Resonance
Sonic Brawling and Aesthetic Occupations of Public Space
Publicising Songs, Institutionalising Schlageter
The Call for National Awakening
Conclusion
2. The Festivalisation of the Everyday
A Festival for Everyone?
Radio and the Modern Festival
Festive Exclusions: The Carnival Heimat
Anti-Semitic Violence as Festival
Conclusion
3. Mobilising Sound for the Nation at War
Imagining National Community
Radio Sounds as National Celebration
Alarm Sounds as Acoustic Signals
Suspicious Sounds
Conclusion
4. Cinema as a Gesamtkunstwerk?
The Gesamtkunstwerk in Cinema
Acoustic Metaphors: From Symphony to Postcard
Rhythmic Harmony: Sound as a Controlled Event
Synchronising the Nazi Era?
Conclusion
Afterword: Echoes of the Past
Notes
Introduction
Notes to Chapter 1
Notes to Chapter 2
Notes to Chapter 3
Notes to Chapter 4
Notes to Afterword
Bibliography
Interviews (Selection)
Track List
Track 1 [03:05 mins]
Track 2 [03:18 mins]
Track 3 [02:05 mins]
Track 4 [27:55 mins]
Track 5 [02:30 mins]
Track 6 [00:30 mins]
Index
Index of Names
Index of Subjects
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