
Studies in Strindberg
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Language
English
ISBN
Unknown
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Title
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Table of Contents
A Note on the Text
An Introduction
1. Leaving Gravesend at Last, or Introducing Strindberg to England
Narrative, Plot and Self
2. Translating the Self
3. Life Plots and Letters
4. History and His-Story
5. ‘P-aris’: Note for an Unwritten Volume of Strindberg’s Autobiography
Plots, Plays and Performance
6. Naturalism and the Plot in Creditors
7. Prisoners at Play: Form and Meaning in The Dance of Death and Beckett’s Endgame
8. ‘Spela den så att Pontoppidan och Fru Nansen få blåskatarrh’: Strindberg’s Correspondence with Actors and Directors
From Naturalism to Modernism
9. Towards a New Language: Strindberg’s Break with Naturalism
10. ‘New Arts, New Worlds!’: Strindberg and Painting
11. Strindberg and Musical Expressionism in Vienna
A Penance for Strindberg
12. Acting Women: or The Performing Self
Notes
Index
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