History According to Cattle
Laura Gustafsson (editor)
History According to Cattle
Free
Description
Contents
Reviews

History According to Cattle is an expanded account of the acclaimed art and research project History of Other’s first major installment, The Museum of the History of Cattle (2013). The exhibition presents a large-scale ethnographic museum of world history as seen from the perspective of cattle, one of the most important companion species of humans. Thus, The Museum of the History of Cattle is the first museum to exhibit the cultural history of a non-human species. In the exhibit, the connections of animal rights issues with violations of human rights become visible while the situations of indigenous cattle populations, the development of genetics, and industrialization are imagined through the eyes of this silent, ever present companion. Both tragic and humorous, The Museum of the History of Cattle portrays humans as a species mesmerized by its own image.


Download Poster for History of Cattle Timeline HERE.


The book-catalog includes a full presentation of the research and visual material of the exhibition, with contextualizing essays by art historian Anne Aurasmaa, philosopher Elisa Aaltola, theorist Kirs Forkasiewizc, and researcher-curator Radhika Subramaniam. Drawing from critical animal studies, animal philosophy, art theory and the lived companionship of humans and cattle, the publication provides a fresh insight into the possibilities of creative imagination, and into the ethical encountering of the species-other in our society.


The History of Others is an art and research project by visual artist Terike Haapoja and writer Laura Gustafsson, which aims to bring into light alternative cultural histories of those whose stories are yet to be told. The focus of the project is the exploration of the lives and experiences of non-human animals and the investigation of their cultural history, in order to understand how the lifeworlds of individuals have changed over time and how historical events may have been interpreted or perceived by non-human beings. History of Others creates immersive experiences that enable the human mind to approach non-human realities. The research is conducted through interviews and collaborations with professionals from different fields of science, research and art, and the research is therefore more closely linked to the fields of anthropology or ethnographic studies than it is to biology, with complications arising around how to exhibit or make accessible the knowledge and meanings of other cultures. The goal is to create new forms through which to experience knowledge — forms, that would be more open to the subjective, non-linguistic experience of the non-human world. The The History of Others project materialises in exhibitions, publications, performances, interventions and seminars, and is structured as a continuous process, leading towards a large-scale, encyclopaedic installation exhibition, The Museum of the History of Others. The Museum of the History of Cattle is the first part of the ongoing project. The second part, a lecture performance The Trial which investigates the legal personhood of non-human animals, premiered at the international theatre festival Baltic Circle in Helsinki 2014. The upcoming third part of the project will be The Museum of the History of Non-Humanity, which focuses on dehumanisation and it’s effects on both humans and animals.


Hardbound edition available from INTO.
Before you start to download your new book, take this moment to think about making a donation to punctum books, a non-profit independent press. Any amount, no matter the size, is appreciated and will be used to keep our ship of fools afloat. Contributions from dedicated readers will also help us to keep our commons open and to cultivate new work that can't find a welcoming port elsewhere.

Language
English
ISBN
978-952-264-426-8
Page 1
Page 2
Page 3
Page 4
Page 5
Page 6
Page 7
Page 8
Page 9
Page 10
Page 11
Page 12
Page 13
Page 14
Page 15
Page 16
Page 17
Page 18
Page 19
Page 20
Page 21
Page 22
Page 23
Page 24
Page 25
Page 26
Page 27
Page 28
Page 29
Page 30
Page 31
Page 32
Page 33
Page 34
Page 35
Page 36
Page 37
Page 38
Page 39
Page 40
Page 41
Page 42
Page 43
Page 44
Page 45
Page 46
Page 47
Page 48
Page 49
Page 50
Page 51
Page 52
Page 53
Page 54
Page 55
Page 56
Page 57
Page 58
Page 59
Page 60
Page 61
Page 62
Page 63
Page 64
Page 65
Page 66
Page 67
Page 68
Page 69
Page 70
Page 71
Page 72
Page 73
Page 74
Page 75
Page 76
Page 77
Page 78
Page 79
Page 80
Page 81
Page 82
Page 83
Page 84
Page 85
Page 86
Page 87
Page 88
Page 89
Page 90
Page 91
Page 92
Page 93
Page 94
Page 95
Page 96
Page 97
Page 98
Page 99
Page 100
Page 101
Page 102
Page 103
Page 104
Page 105
Page 106
Page 107
Page 108
Page 109
Page 110
Page 111
Page 112
Page 113
Page 114
Page 115
Page 116
Page 117
Page 118
Page 119
Page 120
Page 121
Page 122
Page 123
Page 124
Page 125
Page 126
Page 127
Page 128
Page 129
Page 130
Page 131
Page 132
Page 133
Page 134
Page 135
Page 136
Page 137
Page 138
Page 139
Page 140
Page 141
Page 142
Page 143
Page 144
Page 145
Page 146
Page 147
Page 148
Page 149
Page 150
Page 151
Page 152
Page 153
Page 154
Page 155
Page 156
Page 157
Page 158
Page 159
Page 160
The book hasn't received reviews yet.