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The Complete Poetical Works of Henry Wadsworth Longfellow

By Henry Wadsworth Longfellow

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Table of Contents

THE COMPLETE POETICAL WORKS OF HENRY WADSWORTH LONGFELLOW
VOICES OF THE NIGHT
- HYMN TO THE NIGHT.
- A PSALM OF LIFE. WHAT THE HEART OF THE YOUNG MAN SAID TO THE PSALMIST.
- THE REAPER AND THE FLOWERS.
- THE LIGHT OF STARS.
- FOOTSTEPS OF ANGELS.
- FLOWERS.
- THE BELEAGUERED CITY.
- MIDNIGHT MASS FOR THE DYING YEAR
- AUTUMN
- WOODS IN WINTER.
- HYMN OF THE MORAVIAN NUNS OF BETHLEHEM
- SUNRISE ON THE HILLS
- THE SPIRIT OF POETRY
- BURIAL OF THE MINNISINK
- L' ENVOI
- THE WRECK OF THE HESPERUS
- THE VILLAGE BLACKSMITH
- ENDYMION
- IT IS NOT ALWAYS MAY
- THE RAINY DAY
- GOD'S-ACRE.
- TO THE RIVER CHARLES.
- BLIND BARTIMEUS
- THE GOBLET OF LIFE
- MAIDENHOOD
- EXCELSIOR
- TO WILLIAM E. CHANNING
- THE SLAVE'S DREAM
- THE GOOD PART
- THE SLAVE IN THE DISMAL SWAMP
- THE SLAVE SINGING AT MIDNIGHT
- THE WITNESSES
- THE QUADROON GIRL
- THE WARNING
  - ACT I.
  - SCENE II. — A street in Madrid. Enter CHISPA, followed by musicians, with a bagpipe, guitars, and other instruments.
  - SCENE III. — PRECIOSA'S chamber. She stands at the open window.
- Scene IV. — An inn on the road to Alcala. BALTASAR asleep on a bench. Enter CHISPA.
- SCENE V. — VICTORIAN'S chambers at Alcala. HYPOLITO asleep in an arm-chair. He awakes slowly.
- ACT II.
- SCENE II — A room in the ARCHBISHOP'S Palace. The ARCHBISHOP and a CARDINAL seated.
- SCENE III. — The Prado. A long avenue of trees leading to the gate of Atocha. On the right the dome and spires of a convent. A fountain. Evening, DON CARLOS and HYPOLITO meeting.
- SCENE IV. — PRECIOSA'S chamber. She is sitting, with a book in her hand, near a table, on which are flowers. A bird singing in its cage. The COUNT OF LARA enters behind unperceived.
- SCENE V. — The COUNT OF LARA'S rooms. Enter the COUNT.
- SCENE VI. — A retired spot beyond the city gates. Enter VICTORIAN and HYPOLITO.
- SCENE VII. — A lane in the suburbs. Night. Enter CRUZADO and BARTOLOME.
- SCENE VIII. — The Theatre. The orchestra plays the cachucha. Sound of castanets behind the scenes. The curtain rises, and discovers PRECIOSA in the attitude of commencing the dance. The cachucha. Tumult; hisses; cries of "Brava!" and "Afuera!" She falters and pauses. The music stops. General confusion. PRECIOSA faints.
- SCENE IX. — The COUNT OF LARA'S chambers. LARA and his friends at supper.
- SCENE X. — Street and garden wall. Night. Enter CRUZADO and BARTOLOME.
- SCENE XI. — PRECIOSA'S bedchamber. Midnight. She is sleeping in an armchair, in an undress. DOLORES watching her.
- ACT III.
- SCENE II. — Public square in the village of Guadarrama. The Ave Maria still tolling. A crowd of villagers, with their hats in their hands, as if in prayer. In front, a group of Gypsies. The bell rings a merrier peal. A Gypsy dance. Enter PANCHO, followed by PEDRO CRESPO.
  - SCENE III. — A room in the PADRE CURA'S house. Enter the PADRE and HYPOLITO.
- SCENE IV. — A post-house on the road to Segovia, not far from the village of Guadarrama. Enter CHISPA, cracking a whip, and singing the cachucha.
- SCENE V. — The Gypsy camp in the forest. Night. Gypsies working at a forge. Others playing cards by the firelight. Gypsies

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