Experimental Affinities in Music
Free
Description
Contents
Reviews
Language
English
ISBN
9789461661883
Introduction
Paulo de Assis
Chapter One
Explosive Experiments and the Fragility of the Experimental
Lydia Goehr*
Chapter Two
Omnis ars ex experimentis dependeat
“Experiments” in Fourteenth-Century Musical Thought*
Felix Diergarten
Chapter Three
“Vieltönigkeit” instead of Microtonality
The Theory and Practice of Sixteenth- and Seventeenth-Century “Microtonal” Music
Martin Kirnbauer
Chapter Four
Inscriptions
An Interview with Helmut Lachenmann
Chapter Five
Nuance and Innovation in Part I of the “48”
Mark Lindley
Chapter Six
Tales from Babel
Musical Adventures in the
Science of Hearing
Edward Wickham
Chapter Seven
From Clockwork to Pulsation
Music and Artificial Life in the Eighteenth Century
Lawrence Kramer
Chapter Eight
The Inner Ear
An Interview with Leon Fleisher
Chapter Nine
Execution—Interpretation—Performance:
The History of a Terminological Conflict*
Hermann Danuser
Chapter Ten
Monumental Theory*
Thomas Christensen
Chapter Eleven
Testing Respect(fully)
Appendix
Notes on Contributors
Index
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