Words as Events
Venla Sykäri
Words as Events
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Words as Events introduces the tradition of short, communicative rhyming couplets, the mantinádes, as still sung and recited in a variety of performance situations on the island of Crete. Recently, these poems have also entered modern mass media and they are widely being exchanged as text messages by Cretans. Focusing on the multi-functionality of the short form, Sykäri demonstrates how the traditional register gives voice to individual experiences in spontaneous utterances. The local focus on communicative economy and artistry is further examined in a close analysis of the processes and ideals of composition. By analyzing how the “restrictions” of form and performative conventions in fact generate impulses of creativity, the author creates a theoretical approach that is sensitive to the special characteristics of the short, rhymed poetic traditions.

In this interdisciplinary study, the reader is invited to become familiar with the current folklore theory of oral poetry, which has a long tradition in Finland. The author combines the results of earlier folkloristic and anthropological insights, and extends the theoretical concerns further to address questions of spontaneity and individual agency. The research data has been produced in communicative interactions during long-term fieldwork. As a result, the short, rhymed poetry, often neglected by scholars in earlier research paradigms, can now be seen in new light – specifically as dialogic poetry – through its extended, multi-layered dialogic qualities.

This book is part of the Studia Fennica Folkloristica series.

Language
English
ISBN
978-952-222-261-9
Words as Events
Title Page
Copyright
Contents
PREFACE AND ACKNOWLEDGEMENTS
Note on transliteration
I INTRODUCTION
Mantinádes in Crete: a poetic tradition across the time
In the crossroads of composition and communicating
Rhymed poetry
Short, communicative forms
Research on mantinádes and related traditions
Local literature and discourses on mantinádes
Research as engagement
Research questions
Fieldwork
Methodology and methods of research and analysis
Ethical considerations
Data
The field
Local terminology
Outline of the chapters
II THEORETICAL FRAME OF INTERPRETATION
The register
Focus on performance
Performance arena as a frame of experience
Contextualization
Strategies of meaning
Dialogism
Creativity and competence
Conceptualizing improvisation
Perceptions of improvisation among folklore scholarship
Improvisation in music
Improvisation and metrical registers
Poems as text and process: the double-identity
III CRETE AND TRADITIONAL PERFORMANCE CONTEXTS
Crete as historical, social and cultural setting
Cretan music, dance and song
Rizítika songs of the western Crete
Shared performance arena, the gléndi
The traditional gléndi
The gléndi and the dances in eastern Crete
The gléndi in the rizítika area of western Crete
Poetic confrontations
Transformations of the gléndi
Casual singing events
Kantáda
IV THE POETIC LANGUAGE
Origins of the metrical structure and the emergence of the mantináda
Poetic form and means
Thematic contents
Couplets as building blocks
Mantinádes “continued” (sinehómenes)
Narrative songs
V THE MULTIDIMENSIONAL PERFORMANCE
Recited performances
Poems embedded in speech
Stories of past performances
Presentation of poetic inventiveness
Performance as gendered and shared experience
Participation, improvisation and meaning
Thematic continuation
Statements/ideas enclosed in the imagery
Contextual relevance
Internal fitting
Written and media contexts
Written arenas
When television substituted the paréa
Mobile phone messages
Individual and shared: problems implied by the double-identity in modern arenas
VI COMPOSITION
Internalizing the tradition
Local definitions of composition
Rhyming and structuring the verse order
Inventing meaning through rhyme
The ideal of coherence: building an image
Motivations for composing
Verbal interaction
Composition for emotional self-expression
Capturing a theme
The creativity of making the point: reframing
Commanding a poetic world as a productive language
VII A THEORY OF DIALOGIC ORAL POETRY
Dialogic oral poetry
Individuals and tradition
Four aspects of creativity
The self-dependent poem and the economy of tradition
The plural aesthetics of performance and composition
From oral to modern performance arenas
Performative, contextual and textual dialogue
BIBLIOGRAPHY AND PRIMARY SOURCES
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