Hidden rituals and public performances
Anna-Leena Siikala
Religion & Spirituality
Hidden rituals and public performances
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Why are Khanty shamans still active? What are the folklore collectives of Komi? Why are the rituals of Udmurts performed at cultural festivals? In their insightful ethnographic study Anna-Leena Siikala and Oleg Ulyashev attempt to answer such questions by analysing the recreation of religious traditions, myths, and songs in public and private performances. Their work is based on long term fieldwork undertaken during the 1990s and 2000s in three different places, the Northern Ob region in North West Siberia and in the Komi and Udmurt Republics. It sheds light on how different traditions are favoured and transformed in multicultural Russia today. Siikala and Ulyashev examine rituals, songs, and festivals that emphasize specificity and create feelings of belonging between members of families, kin groups, villages, ethnic groups, and nations, and interpret them from a perspective of area, state, and cultural policies. A closer look at post-Soviet Khanty, Komi and Udmurts shows that opportunities to perform ethnic culture vary significantly among Russian minorities with different histories and administrative organisation. Within this variation the dialogue between local and administrative needs is decisive.

Language
English
ISBN
978-952-222-307-4
Hidden Rituals and Public Performances
Title Page
Copyright Page
Contents
Acknowledgements
Abbreviations
I REPRESENTATIONS OF THE RUSSIAN FINNO-UGRIANS
1. Societies in transition
2. Traditions in a globalised world
Are traditions dying?
Tradition as a concept of introspective Western sociology
Locality, globalisation and identity-formation
Co-existence of divergent traditions
3. Belonging and neo-traditionalism
Ethnic self-awareness
The state, intellectuals and the construction of heritage
Finno-Ugric ethnicities in the making
4. Interest in Finno-Ugric peoples
Language, myths and folklore as “evidence of history”
The expeditions of Finns and Hungarians to their linguistic relatives in Russia
The aims of the Russian Academy of Sciences
The basic model of ethnographic field work in the eighteenth and nineteenth centuries
Field work after the collapse of the Soviet Union
From moments to understanding
Between cultures: dialogues, monologues and silences
II THE KHANTY: PRESERVING AND PERFORMING RELIGIOUS TRADITIONS
5. The land of the white crane
Behind the Urals
Worlds flowing into each other
Experience of locality: rivers and settlements like layers of an onion
The cross-draught in interethnic relations
Division of space and practices of avoidance
Gender: together but apart
6. Dual organisation, totemic ancestors and kin groups
Moś- and Por-people
The animal protector
L’aksas, reincarnation of a person
The kinship system
7. Discussions about myths and tales
Myths written in the heavens
The Small Moś Old Man
The elk hunt as astral myth
Myths of Uralic hunting cultures
Mythic corpus
Myths of individuals and small communities
Bear myths
Attitudes towards birds
The heroic tradition
Tales of deities and mythic beings
Changing interest in folklore
8. Living with spirits
Religious worlds of the Northern Khanty
The cosmos
The hierarchy of spirits
Guardian spirits of home and family
Feeding the spirits at home
Why worship spirits?
9. Holy groves and common rituals
The landscape of the spirits
Men’s and women’s holy groves
Offerings in holy groves
Common rites, different meanings
10. Paths of souls, villages of the dead
Concepts of souls
Burial rituals
Ittәrma, the doll image of the departed
The funeral
Boat burial
The parting feast of the soul on the fiftieth or fortieth day
Remembrance rituals in graveyards
In two graveyards
The village of the lost
Rules and obligations in contact with the dead
The passages of souls and continuation of family
11. The reawakening of shamanic rituals
Did the Khanty have shamans?
The concept of shamanism
Shamans in Khanty society
The shamanic séance
Shamans are performing publicly again
Different interpretations: belief and entertainment
12. Religion, kin and environment
Hallmarks of Khanty religion
Unity of religion, kin and nature
Religion and belonging
III THE KOMI: PROLIFERATING SINGING TRADITIONS
13. The singing culture of the Upper Vychegda Komi
Studying Komi singing
Did the Komi have a singing culture?
The Upper Vychegda Komi
Hunting artels as folklore arenas
Gender relations and songs
The fusion of singing traditions
14. Folklore, cultural institutions and festivals
Folklore as verbal peasant art
Drama circles and the growth of poetry
Strengthening the village culture
The Upper Vychegda collectives
A life as a cultural director
Women leaders
15. “Singing for myself and for my soul”
At Anna Ivanovna’s
Polyphonic singing
Transmitting traditions
Performing traditions
Dressing up for performance
Being together
From politics to women’s culture
16. Folk-editing and variation in songs
Programmes of folklore groups
Textualisation and variation of songs
Old Komi folk texts
Macaronic and Russian songs
Songs translated into Komi
Folk translations
Translations of known poets
Songs to the words of Komi poets
Folk variants of the poems of known writers
Creating the programme
17. A state project leads to multiple forms of tradition
IV COMPARISONS AND OBSERVATIONS
18. An Udmurt case: from sacrificial rituals to national festivals
Holy groves and social order
Visible and hidden: the battle of ideologies and religions
From secret ritual into national festival
Female agency and marked diversities
The role of intellectuals and the media
Construction of tradition and cultural identity
19. Traditions symbolising cultural distinction
Myths and rituals as political practice
The revival of nature religion
Reconstructing sacred histories
Performing ethnicity in festivals
Political and economic implications of neo-traditionalism
20. Dynamics of tradition among the Khanty, Komi and Udmurts
Bibliography
Khanty words
Transliteration of Komi
Maps
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