Reggae From YAAD: Traditional and Emerging Themes in Jamaican Popular Music.
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Description
Contents
Reviews
Language
English
ISBN
978-976-637-898-1
Table of Contents
Acknowledgements
Introduction
‘Bob Marley: The Man that I Know’
‘Production Something’: David Katz in Conversation with Bunny ‘Striker’ Lee, King Jammy and Bobby Digital
Expressions of Reggae in Havana: Processes of Foreign Influence and Cultural Appropriation
‘You’ve got no time for me’: Martin ‘Sugar’ Merchant, British Caribbean Musical Identity and the Media
Freedom Sound: Music of Jamaica’s Independence
Your Name A Mention: Media Coverage of Clashes/Feuds in Jamaican Popular Music 1970–2010
From Dub Plate to Dancehall: Versioning as an Analogue Template for Digital Reggae
Between ‘Murder Music’ and ‘Gay Propaganda’: Policing Respectability in the Debate on Homophobic Dancehall
Good, Good Goodas Gyal: Deconstructing the Virtuous Woman in Dancehall
The Lyrical Opus of Tommy Lee Sparta: Masculinity, Violence, Sexuality and Conflict
List of Contributors
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