The House of Martha
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The Project Gutenberg eBook, The House of Martha, by Frank R. Stockton
E-text prepared by Suzanne Shell, Mary Meehan, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/)
THE HOUSE OF MARTHA
BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1891
Copyright, 1891, By FRANK B. STOCKTON. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton & Co.
CONTENTS.
Copyright, 1891, By FRANK B. STOCKTON. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton & Co.
CONTENTS.
THE HOUSE OF MARTHA.
I.
MY GRANDMOTHER AND I.
MY GRANDMOTHER AND I.
II.
RELATING TO MY YEAR IN EUROPE.
RELATING TO MY YEAR IN EUROPE.
III.
THE MODERN USE OF THE HUMAN EAR.
THE MODERN USE OF THE HUMAN EAR.
IV.
I OBTAIN A LISTENER.
I OBTAIN A LISTENER.
V.
CHESTER WALKIRK.
CHESTER WALKIRK.
VI.
MY UNDER-STUDY.
MY UNDER-STUDY.
VII.
MY BOOK.
MY BOOK.
VIII.
THE MALARIAL ADJUNCT.
THE MALARIAL ADJUNCT.
IX.
WALKIRK'S IDEA.
WALKIRK'S IDEA.
X.
THE PLAN OF SECLUSION.
THE PLAN OF SECLUSION.
XI.
MY NUN.
MY NUN.
XII.
EZA.
EZA.
XIII.
MY FRIEND VESPA.
MY FRIEND VESPA.
XIV.
I FAVOR PERMANENCY IN OFFICE.
I FAVOR PERMANENCY IN OFFICE.
XV.
HOW WE WENT BACK TO GENOA.
HOW WE WENT BACK TO GENOA.
XVI.
I RUN UPON A SANDBAR.
I RUN UPON A SANDBAR.
XVII.
REGARDING THE ELUCIDATION OF NATIONAL CHARACTERISTICS.
REGARDING THE ELUCIDATION OF NATIONAL CHARACTERISTICS.
XVIII.
AN ILLEGIBLE WORD.
AN ILLEGIBLE WORD.
XIX.
GRAY ICE.
GRAY ICE.
XX.
TOMASO AND I.
TOMASO AND I.
XXI.
LUCILLA AND I.
LUCILLA AND I.
XXII.
I CLOSE MY BOOK.
I CLOSE MY BOOK.
XXIII.
RACKET ISLAND.
RACKET ISLAND.
XXIV.
THE INTERPOLATION.
THE INTERPOLATION.
XXV.
ABOUT SYLVIA.
ABOUT SYLVIA.
XXVI.
MOTHER ANASTASIA.
MOTHER ANASTASIA.
XXVII.
A PERSON.
A PERSON.
XXVIII.
THE FLOATING GROCERY.
THE FLOATING GROCERY.
XXIX.
FANTASY?
FANTASY?
XXX.
A DISCOVERY.
A DISCOVERY.
XXXI.
TAKING UP UNFINISHED WORK.
TAKING UP UNFINISHED WORK.
XXXII.
TOMASO AND LUCILLA.
TOMASO AND LUCILLA.
XXXIII.
THE DISTANT TOPSAIL.
THE DISTANT TOPSAIL.
XXXIV.
THE CENTRAL HOTEL.
THE CENTRAL HOTEL.
XXXV.
MONEY MAKES THE MARE GO.
MONEY MAKES THE MARE GO.
XXXVI.
IN THE SHADE OF THE OAK.
IN THE SHADE OF THE OAK.
XXXVII.
THE PERFORMANCE OF MY UNDER-STUDY.
THE PERFORMANCE OF MY UNDER-STUDY.
XXXVIII.
A BROKEN TRACE.
A BROKEN TRACE.
XXXIX.
A SOUL WHISPER?
A SOUL WHISPER?
XL.
AN INSPIRATION.
AN INSPIRATION.
XLI.
MISS LANISTON.
MISS LANISTON.
XLII.
THE MOTHER SUPERIOR.
THE MOTHER SUPERIOR.
XLIII.
WAS HIS HEART TRUE TO POLL?
WAS HIS HEART TRUE TO POLL?
XLIV.
PRELIMINARY BROTHERHOOD.
PRELIMINARY BROTHERHOOD.
XLV.
I MAKE COFFEE AND GET INTO HOT WATER.
I MAKE COFFEE AND GET INTO HOT WATER.
XLVI.
GOING BACK FOR A FRIEND.
GOING BACK FOR A FRIEND.
XLVII.
I INTEREST MISS LANISTON.
I INTEREST MISS LANISTON.
XLVIII.
IN A COLD, BARE ROOM.
IN A COLD, BARE ROOM.
XLIX.
MY OWN WAY.
MY OWN WAY.
L.
MY BOOK OF TRAVEL.
MY BOOK OF TRAVEL.
LI.
A LOOSE END.
A LOOSE END.
LII.
I FINISH THE SICILIAN LOVE-STORY.
I FINISH THE SICILIAN LOVE-STORY.
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