The Evolution of Photography With a Chronological Record of Discoveries, Inventions, etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years
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The Evolution of Photography With a Chronological Record of Discoveries, Inventions, etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years

By John Werge
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Table of Contents
  • E-text prepared by Albert László, Tom Cosmas, P. G. Máté, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)
  • THE EVOLUTION OF PHOTOGRAPHY.
    • CHRONOLOGICAL RECORD
    • DISCOVERIES, INVENTIONS, ETC.,
    • CONTRIBUTIONS TO PHOTOGRAPHIC LITERATURE,
    • PERSONAL REMINISCENCES EXTENDING OVER FORTY YEARS.
    • JOHN WERGE.
      • Printed by Piper & Carter, 5, Furnival Street, Holborn, London, E.C.
    • Printed by Piper & Carter, 5, Furnival Street, Holborn, London, E.C.
    • PREFACE.
    • CONTENTS.
    • LIST OF ILLUSTRATIONS.
    • INDEX.
    • INTRODUCTION.
    • FIRST PERIOD.
      • THE DARK AGES.
    • THE DARK AGES.
    • SECOND PERIOD.
      • PUBLICITY AND PROGRESS.
    • PUBLICITY AND PROGRESS.
    • THIRD PERIOD.
      • COLLODION TRIUMPHANT.
    • COLLODION TRIUMPHANT.
    • FOURTH PERIOD.
      • GELATINE SUCCESSFUL.
    • GELATINE SUCCESSFUL.
    • CHRONOLOGICAL RECORD
      • INVENTIONS, DISCOVERIES, PUBLICATIONS, AND APPLIANCES, FORMING FACTORS IN THE INCEPTION, DISCOVERY, AND DEVELOPMENT OF PHOTOGRAPHY.
    • INVENTIONS, DISCOVERIES, PUBLICATIONS, AND APPLIANCES, FORMING FACTORS IN THE INCEPTION, DISCOVERY, AND DEVELOPMENT OF PHOTOGRAPHY.
    • CONTRIBUTIONS TO PHOTOGRAPHIC LITERATURE.
      • BY
    • BY
    • JOHN WERGE.
      • PICTURES OF NIAGARA.
      • PICTURES OF THE ST. LAWRENCE.
      • PHOTOGRAPHIC IMPRESSIONS.
      • PICTURES OF THE POTOMAC IN PEACE AND WAR.
      • RAMBLES AMONG THE STUDIOS OF AMERICA.
      • Boston.
      • New York.
      • TO DUBLIN AND BACK, WITH A GLANCE AT THE EXHIBITION.
      • PHOTOGRAPHY IN THE NORTH.
      • ERRORS IN PICTORIAL BACKGROUNDS.
      • PERSPECTIVE.
      • PERSPECTIVE IN BACKGROUNDS.
      • NOTES ON PICTURES IN THE NATIONAL GALLERY.
      • SHARPNESS AND SOFTNESS V. HARDNESS.
      • UNION OF THE NORTH AND SOUTH LONDON PHOTOGRAPHIC SOCIETIES.
      • UNION OF THE LONDON PHOTOGRAPHIC SOCIETIES.
      • THE SOCIETY‘S EXHIBITION.
      • THE USE OF CLOUDS IN LANDSCAPES.
      • THE USE OF CLOUDS AS BACKGROUNDS IN PORTRAITURE.
      • “LUX GRAPHICUS” ON THE WING.
      • “LUX GRAPHICUS” ON THE WING.
      • “LUX GRAPHICUS” ON THE WING.
      • “LUX GRAPHICUS” ON THE WING.
      • PHOTOGRAPHY AND THE IMMURED POMPEIIANS.
      • A SIMPLE MODE OF INTENSIFYING NEGATIVES.
      • A STRING OF OLD BEADS.
      • LIGHTS AND LIGHTING.
    • PICTURES OF NIAGARA.
    • PICTURES OF THE ST. LAWRENCE.
    • PHOTOGRAPHIC IMPRESSIONS.
    • PICTURES OF THE POTOMAC IN PEACE AND WAR.
    • RAMBLES AMONG THE STUDIOS OF AMERICA.
    • Boston.
    • New York.
    • TO DUBLIN AND BACK, WITH A GLANCE AT THE EXHIBITION.
    • PHOTOGRAPHY IN THE NORTH.
    • ERRORS IN PICTORIAL BACKGROUNDS.
    • PERSPECTIVE.
    • PERSPECTIVE IN BACKGROUNDS.
    • NOTES ON PICTURES IN THE NATIONAL GALLERY.
    • SHARPNESS AND SOFTNESS V. HARDNESS.
    • UNION OF THE NORTH AND SOUTH LONDON PHOTOGRAPHIC SOCIETIES.
    • UNION OF THE LONDON PHOTOGRAPHIC SOCIETIES.
    • THE SOCIETY‘S EXHIBITION.
    • THE USE OF CLOUDS IN LANDSCAPES.
    • THE USE OF CLOUDS AS BACKGROUNDS IN PORTRAITURE.
    • “LUX GRAPHICUS” ON THE WING.
    • “LUX GRAPHICUS” ON THE WING.
    • “LUX GRAPHICUS” ON THE WING.
    • “LUX GRAPHICUS” ON THE WING.
    • PHOTOGRAPHY AND THE IMMURED POMPEIIANS.
    • A SIMPLE MODE OF INTENSIFYING NEGATIVES.
    • A STRING OF OLD BEADS.
    • LIGHTS AND LIGHTING.
    • Transcriber’s Note
    • Typographical Corrections
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