English Poets of the Eighteenth Century
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English Poets of the Eighteenth Century

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Table of Contents
  • ENGLISH POETS
    • SELECTED AND EDITED WITH AN INTRODUCTION
      • BY
        • ERNEST BERNBAUM
      • ERNEST BERNBAUM
    • BY
      • ERNEST BERNBAUM
    • ERNEST BERNBAUM
  • PREFACE
    • CONTENTS
    • INTRODUCTION
      • II. ORTHODOXY AND CLASSICISM ASSAILED (1726-1750)
        • III. THE PROGRESS OF SENTIMENTALISM
        • IV. THE TRIUMPH OF SENTIMENTALISM (1776-1800)
      • III. THE PROGRESS OF SENTIMENTALISM
      • IV. THE TRIUMPH OF SENTIMENTALISM (1776-1800)
    • II. ORTHODOXY AND CLASSICISM ASSAILED (1726-1750)
      • III. THE PROGRESS OF SENTIMENTALISM
      • IV. THE TRIUMPH OF SENTIMENTALISM (1776-1800)
    • III. THE PROGRESS OF SENTIMENTALISM
    • IV. THE TRIUMPH OF SENTIMENTALISM (1776-1800)
    • ENGLISH POETS OF THE EIGHTEENTH CENTURY
    • JOHN POMFRET
      • THE CHOICE
    • THE CHOICE
    • DANIEL DEFOE
      • FROM THE TRUE-BORN ENGLISHMAN
      • FROM A HYMN TO THE PILLORY
    • FROM THE TRUE-BORN ENGLISHMAN
    • FROM A HYMN TO THE PILLORY
    • JOSEPH ADDISON
      • FROM THE CAMPAIGN
        • [DIVINE ODE]
      • [DIVINE ODE]
    • FROM THE CAMPAIGN
      • [DIVINE ODE]
    • [DIVINE ODE]
    • MATTHEW PRIOR
      • TO A CHILD OF QUALITY FIVE YEARS OLD THE AUTHOR FORTY
        • TO A LADY
        • [THE DYING HADRIAN TO HIS SOUL]
        • A BETTER ANSWER
      • TO A LADY
      • [THE DYING HADRIAN TO HIS SOUL]
      • A BETTER ANSWER
    • TO A CHILD OF QUALITY FIVE YEARS OLD THE AUTHOR FORTY
      • TO A LADY
      • [THE DYING HADRIAN TO HIS SOUL]
      • A BETTER ANSWER
    • TO A LADY
    • [THE DYING HADRIAN TO HIS SOUL]
    • A BETTER ANSWER
    • BERNARD DE MANDEVILLE
      • FROM THE GRUMBLING HIVE; OR, KNAVES TURNED HONEST
        • THE MORAL:
      • THE MORAL:
    • FROM THE GRUMBLING HIVE; OR, KNAVES TURNED HONEST
      • THE MORAL:
    • THE MORAL:
    • ISAAC WATTS
      • THE HAZARD OF LOVING THE CREATURES
        • THE DAY OF JUDGMENT
        • A CRADLE HYMN
      • THE DAY OF JUDGMENT
      • A CRADLE HYMN
    • THE HAZARD OF LOVING THE CREATURES
      • THE DAY OF JUDGMENT
      • A CRADLE HYMN
    • THE DAY OF JUDGMENT
    • A CRADLE HYMN
    • ALEXANDER POPE
      • FROM AN ESSAY ON CRITICISM
        • THE RAPE OF THE LOCK
        • FROM TRANSLATION OF THE ILIAD
        • [MAN'S POWERS AND FRAILTIES]
        • [VIRTUE AND HAPPINESS]
        • FROM MORAL ESSAYS
        • FROM EPISTLE TO DR. ARBUTHNOT
        • FROM THE FIRST EPISTLE OF THE SECOND BOOK OF HORACE IMITATED
        • FROM THE EPILOGUE TO THE SATIRES
        • FROM THE DUNCIAD
        • [CIBBER AS DULNESS'S FAVOURITE SON]
        • [THE RESTORATION OF NIGHT AND CHAOS]
      • THE RAPE OF THE LOCK
      • FROM TRANSLATION OF THE ILIAD
      • [MAN'S POWERS AND FRAILTIES]
      • [VIRTUE AND HAPPINESS]
      • FROM MORAL ESSAYS
      • FROM EPISTLE TO DR. ARBUTHNOT
      • FROM THE FIRST EPISTLE OF THE SECOND BOOK OF HORACE IMITATED
      • FROM THE EPILOGUE TO THE SATIRES
      • FROM THE DUNCIAD
      • [CIBBER AS DULNESS'S FAVOURITE SON]
      • [THE RESTORATION OF NIGHT AND CHAOS]
    • FROM AN ESSAY ON CRITICISM
      • THE RAPE OF THE LOCK
      • FROM TRANSLATION OF THE ILIAD
      • [MAN'S POWERS AND FRAILTIES]
      • [VIRTUE AND HAPPINESS]
      • FROM MORAL ESSAYS
      • FROM EPISTLE TO DR. ARBUTHNOT
      • FROM THE FIRST EPISTLE OF THE SECOND BOOK OF HORACE IMITATED
      • FROM THE EPILOGUE TO THE SATIRES
      • FROM THE DUNCIAD
      • [CIBBER AS DULNESS'S FAVOURITE SON]
      • [THE RESTORATION OF NIGHT AND CHAOS]
    • THE RAPE OF THE LOCK
    • FROM TRANSLATION OF THE ILIAD
    • [MAN'S POWERS AND FRAILTIES]
    • [VIRTUE AND HAPPINESS]
    • FROM MORAL ESSAYS
    • FROM EPISTLE TO DR. ARBUTHNOT
    • FROM THE FIRST EPISTLE OF THE SECOND BOOK OF HORACE IMITATED
    • FROM THE EPILOGUE TO THE SATIRES
    • FROM THE DUNCIAD
    • [CIBBER AS DULNESS'S FAVOURITE SON]
    • [THE RESTORATION OF NIGHT AND CHAOS]
    • LADY WINCHILSEA
      • TO THE NIGHTINGALE
        • A NOCTURNAL REVERIE
      • A NOCTURNAL REVERIE
    • TO THE NIGHTINGALE
      • A NOCTURNAL REVERIE
    • A NOCTURNAL REVERIE
    • JOHN GAY
      • FROM RURAL SPORTS
        • FROM THE SHEPHERD'S WEEK
        • FROM TRIVIA
        • SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN
        • MY OWN EPITAPH
      • FROM THE SHEPHERD'S WEEK
      • FROM TRIVIA
      • SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN
      • MY OWN EPITAPH
    • FROM RURAL SPORTS
      • FROM THE SHEPHERD'S WEEK
      • FROM TRIVIA
      • SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN
      • MY OWN EPITAPH
    • FROM THE SHEPHERD'S WEEK
    • FROM TRIVIA
    • SWEET WILLIAM'S FAREWELL TO BLACK-EYED SUSAN
    • MY OWN EPITAPH
    • SAMUEL CROXALL
      • FROM THE VISION
        • FROM ON THE DEATH OF MR. ADDISON
      • FROM ON THE DEATH OF MR. ADDISON
    • FROM THE VISION
      • FROM ON THE DEATH OF MR. ADDISON
    • FROM ON THE DEATH OF MR. ADDISON
    • THOMAS PARNELL
      • FROM A NIGHT-PIECE ON DEATH
        • A HYMN OF CONTENTMENT
      • A HYMN OF CONTENTMENT
    • FROM A NIGHT-PIECE ON DEATH
      • A HYMN OF CONTENTMENT
    • A HYMN OF CONTENTMENT
    • ALLAN RAMSAY
    • AMBROSE PHILIPS
      • TO MISS CHARLOTTE PULTENEY, IN HER MOTHER'S ARMS
    • TO MISS CHARLOTTE PULTENEY, IN HER MOTHER'S ARMS
    • JOHN DYER
      • GRONGAR HILL
    • GRONGAR HILL
    • GEORGE BERKELEY
      • VERSES ON THE PROSPECT OF PLANTING ARTS AND LEARNING IN AMERICA
    • VERSES ON THE PROSPECT OF PLANTING ARTS AND LEARNING IN AMERICA
    • JAMES THOMSON
      • THE SEASONS
        • FROM SPRING
        • FROM AUTUMN
        • A HYMN
        • [RULE, BRITANNIA]
      • FROM SPRING
      • FROM AUTUMN
      • A HYMN
      • [RULE, BRITANNIA]
    • THE SEASONS
      • FROM SPRING
      • FROM AUTUMN
      • A HYMN
      • [RULE, BRITANNIA]
    • FROM SPRING
    • FROM AUTUMN
    • A HYMN
    • [RULE, BRITANNIA]
    • EDWARD YOUNG
    • NIGHT-THOUGHTS
      • [MAN'S MARVELLOUS NATURE]
        • [SATIETY IN THIS WORLD]
        • [GOD JUST AS WELL AS MERCIFUL]
      • [SATIETY IN THIS WORLD]
      • [GOD JUST AS WELL AS MERCIFUL]
    • [MAN'S MARVELLOUS NATURE]
      • [SATIETY IN THIS WORLD]
      • [GOD JUST AS WELL AS MERCIFUL]
    • [SATIETY IN THIS WORLD]
    • [GOD JUST AS WELL AS MERCIFUL]
    • EDWARD YOUNG
      • (MAN'S NATURE PROVES HIS IMMORTALITY)
    • (MAN'S NATURE PROVES HIS IMMORTALITY)
    • ANONYMOUS
      • THE HAPPY SAVAGE
    • THE HAPPY SAVAGE
    • SOAME JENYNS
    • PHILIP DODDRIDGE
      • SURSUM
    • SURSUM
    • WILLIAM SOMERVILLE
      • FROM THE CHASE
    • FROM THE CHASE
    • HENRY BROOKE
      • [NATURE SUPERIOR TO CIVILIZATION]
        • [THE SPLENDOUR OF INSECTS]
        • [MORAL LESSONS FROM ANIMAL LIFE]
        • [PROMPTINGS OF DIVINE INSTINCT]
        • PROLOGUE TO 'GUSTAVUS VASA'
      • [THE SPLENDOUR OF INSECTS]
      • [MORAL LESSONS FROM ANIMAL LIFE]
      • [PROMPTINGS OF DIVINE INSTINCT]
      • PROLOGUE TO 'GUSTAVUS VASA'
    • [NATURE SUPERIOR TO CIVILIZATION]
      • [THE SPLENDOUR OF INSECTS]
      • [MORAL LESSONS FROM ANIMAL LIFE]
      • [PROMPTINGS OF DIVINE INSTINCT]
      • PROLOGUE TO 'GUSTAVUS VASA'
    • [THE SPLENDOUR OF INSECTS]
    • [MORAL LESSONS FROM ANIMAL LIFE]
    • [PROMPTINGS OF DIVINE INSTINCT]
    • PROLOGUE TO 'GUSTAVUS VASA'
    • MATTHEW GREEN
      • FROM THE SPLEEN
    • FROM THE SPLEEN
    • WILLIAM SHENSTONE
      • FROM THE SCHOOLMISTRESS
      • WRITTEN AT AN INN AT HENLEY
    • FROM THE SCHOOLMISTRESS
    • WRITTEN AT AN INN AT HENLEY
    • JONATHAN SWIFT
      • FROM THE BEASTS' CONFESSION
        • FROM VERSES ON THE DEATH OF DR. SWIFT
      • FROM VERSES ON THE DEATH OF DR. SWIFT
    • FROM THE BEASTS' CONFESSION
      • FROM VERSES ON THE DEATH OF DR. SWIFT
    • FROM VERSES ON THE DEATH OF DR. SWIFT
    • CHARLES WESLEY
      • FOR CHRISTMAS-DAY
        • FOR EASTER-DAY
        • IN TEMPTATION
        • WRESTLING JACOB
      • FOR EASTER-DAY
      • IN TEMPTATION
      • WRESTLING JACOB
    • FOR CHRISTMAS-DAY
      • FOR EASTER-DAY
      • IN TEMPTATION
      • WRESTLING JACOB
    • FOR EASTER-DAY
    • IN TEMPTATION
    • WRESTLING JACOB
    • ROBERT BLAIR
      • FROM THE GRAVE
    • FROM THE GRAVE
    • WILLIAM WHITEHEAD
      • FROM ON RIDICULE
        • THE ENTHUSIAST
      • THE ENTHUSIAST
    • FROM ON RIDICULE
      • THE ENTHUSIAST
    • THE ENTHUSIAST
    • MARK AKENSIDE
      • FROM THE PLEASURES OF IMAGINATION
    • FROM THE PLEASURES OF IMAGINATION
    • JOSEPH WARTON
      • FROM THE ENTHUSIAST; OR, THE LOVER OF NATURE
    • FROM THE ENTHUSIAST; OR, THE LOVER OF NATURE
    • JOHN GILBERT COOPER
      • FROM THE POWER OF HARMONY
    • FROM THE POWER OF HARMONY
    • WILLIAM COLLINS
      • ODE TO EVENING
        • ODE ON THE POETICAL CHARACTER
        • THE PASSIONS
        • ODE ON THE POPULAR SUPERSTITIONS OF THE HIGHLANDS OF SCOTLAND
      • ODE ON THE POETICAL CHARACTER
      • THE PASSIONS
      • ODE ON THE POPULAR SUPERSTITIONS OF THE HIGHLANDS OF SCOTLAND
    • ODE TO EVENING
      • ODE ON THE POETICAL CHARACTER
      • THE PASSIONS
      • ODE ON THE POPULAR SUPERSTITIONS OF THE HIGHLANDS OF SCOTLAND
    • ODE ON THE POETICAL CHARACTER
    • THE PASSIONS
    • ODE ON THE POPULAR SUPERSTITIONS OF THE HIGHLANDS OF SCOTLAND
    • THOMAS WARTON
      • FROM THE PLEASURES OF MELANCHOLY
        • SONNET WRITTEN IN A BLANK LEAF OF DUGDALE'S 'MONASTICON'
        • SONNET WRITTEN AT STONEHENGE
        • SONNET TO THE RIVER LODON
      • SONNET WRITTEN IN A BLANK LEAF OF DUGDALE'S 'MONASTICON'
      • SONNET WRITTEN AT STONEHENGE
      • SONNET TO THE RIVER LODON
    • FROM THE PLEASURES OF MELANCHOLY
      • SONNET WRITTEN IN A BLANK LEAF OF DUGDALE'S 'MONASTICON'
      • SONNET WRITTEN AT STONEHENGE
      • SONNET TO THE RIVER LODON
    • SONNET WRITTEN IN A BLANK LEAF OF DUGDALE'S 'MONASTICON'
    • SONNET WRITTEN AT STONEHENGE
    • SONNET TO THE RIVER LODON
    • THOMAS GRAY
      • ODE ON A DISTANT PROSPECT OF ETON COLLEGE
        • HYMN TO ADVERSITY
        • ELEGY
        • THE EPITAPH
        • THE PROGRESS OF POESY
        • THE BARD
        • THE FATAL SISTERS
        • ODE ON THE PLEASURE ARISING FROM VICISSITUDE
      • HYMN TO ADVERSITY
      • ELEGY
      • THE EPITAPH
      • THE PROGRESS OF POESY
      • THE BARD
      • THE FATAL SISTERS
      • ODE ON THE PLEASURE ARISING FROM VICISSITUDE
    • ODE ON A DISTANT PROSPECT OF ETON COLLEGE
      • HYMN TO ADVERSITY
      • ELEGY
      • THE EPITAPH
      • THE PROGRESS OF POESY
      • THE BARD
      • THE FATAL SISTERS
      • ODE ON THE PLEASURE ARISING FROM VICISSITUDE
    • HYMN TO ADVERSITY
    • ELEGY
    • THE EPITAPH
    • THE PROGRESS OF POESY
    • THE BARD
    • THE FATAL SISTERS
    • ODE ON THE PLEASURE ARISING FROM VICISSITUDE
    • SAMUEL JOHNSON
    • RICHARD JAGO
      • FROM THE GOLDFINCHES
    • FROM THE GOLDFINCHES
    • JOHN DALTON
    • JANE ELLIOT
      • THE FLOWERS OF THE FOREST
    • THE FLOWERS OF THE FOREST
    • CHARLES CHURCHILL
      • FROM THE ROSCIAD
      • FROM THE GHOST
    • FROM THE ROSCIAD
    • FROM THE GHOST
    • JAMES MACPHERSON
      • FROM THE SONGS OF SELMA
      • [THE LAST WORDS OF OSSIAN]
    • FROM THE SONGS OF SELMA
    • [THE LAST WORDS OF OSSIAN]
    • CHRISTOPHER SMART
      • FROM A SONG TO DAVID
    • FROM A SONG TO DAVID
    • OLIVER GOLDSMITH
      • FROM THE TRAVELLER; OR, A PROSPECT OF SOCIETY
        • THE DESERTED VILLAGE
        • FROM RETALIATION
      • THE DESERTED VILLAGE
      • FROM RETALIATION
    • FROM THE TRAVELLER; OR, A PROSPECT OF SOCIETY
      • THE DESERTED VILLAGE
      • FROM RETALIATION
    • THE DESERTED VILLAGE
    • FROM RETALIATION
    • JAMES BEATTIE
      • FROM THE MINSTREL; OR, THE PROGRESS OF GENIUS
    • FROM THE MINSTREL; OR, THE PROGRESS OF GENIUS
    • LADY ANNE LINDSAY
      • AULD ROBIN GRAY
    • AULD ROBIN GRAY
    • JEAN ADAMS
      • THERE'S NAE LUCK ABOUT THE HOUSE
    • THERE'S NAE LUCK ABOUT THE HOUSE
    • ROBERT FERGUSSON
      • THE DAFT DAYS
    • THE DAFT DAYS
    • ANONYMOUS
      • ABSENCE
    • ABSENCE
    • JOHN LANGHORNE
      • FROM THE COUNTRY JUSTICE
        • APOLOGY FOR VAGRANTS
      • APOLOGY FOR VAGRANTS
    • FROM THE COUNTRY JUSTICE
      • APOLOGY FOR VAGRANTS
    • APOLOGY FOR VAGRANTS
    • AUGUSTUS MONTAGU TOPLADY
      • ROCK OF AGES
    • ROCK OF AGES
    • JOHN SKINNER
      • TULLOCHGORUM
      • THOMAS CHATTERTON
        • [SONGS FROM "AELLA, A TRAGYCAL ENTERLUDE, WROTENN BIE THOMAS ROWLEIE"]
        • SECONDE MYNSTRELLE
        • THYRDE MYNSTRELLE
        • SECONDE MYNSTRELLE
        • [O, SYNGE UNTOE MIE ROUNDELAIE]
        • AN EXCELENTE BALADE OF CHARITIE
      • [SONGS FROM "AELLA, A TRAGYCAL ENTERLUDE, WROTENN BIE THOMAS ROWLEIE"]
      • SECONDE MYNSTRELLE
      • THYRDE MYNSTRELLE
      • SECONDE MYNSTRELLE
      • [O, SYNGE UNTOE MIE ROUNDELAIE]
      • AN EXCELENTE BALADE OF CHARITIE
    • TULLOCHGORUM
    • THOMAS CHATTERTON
      • [SONGS FROM "AELLA, A TRAGYCAL ENTERLUDE, WROTENN BIE THOMAS ROWLEIE"]
      • SECONDE MYNSTRELLE
      • THYRDE MYNSTRELLE
      • SECONDE MYNSTRELLE
      • [O, SYNGE UNTOE MIE ROUNDELAIE]
      • AN EXCELENTE BALADE OF CHARITIE
    • [SONGS FROM "AELLA, A TRAGYCAL ENTERLUDE, WROTENN BIE THOMAS ROWLEIE"]
    • SECONDE MYNSTRELLE
    • THYRDE MYNSTRELLE
    • SECONDE MYNSTRELLE
    • [O, SYNGE UNTOE MIE ROUNDELAIE]
    • AN EXCELENTE BALADE OF CHARITIE
    • THOMAS DAY
      • FROM THE DESOLATION OF AMERICA
    • FROM THE DESOLATION OF AMERICA
    • GEORGE CRABBE
      • FROM THE VILLAGE
    • FROM THE VILLAGE
    • JOHN NEWTON
      • A VISION OF LIFE IN DEATH
    • A VISION OF LIFE IN DEATH
    • WILLIAM COWPER
      • TO A YOUNG LADY
        • THE SHRUBBERY
        • [MAN'S INHUMANITY]
        • [LOVE OF ENGLAND]
        • [COWPER, THE RELIGIOUS RECLUSE]
        • [THE ARRIVAL OF THE POST]
        • [THE BASTILE]
        • [MEDITATION IN WINTER]
        • [KINDNESS TO ANIMALS]
        • ON THE RECEIPT OF MY MOTHER'S PICTURE
        • TO MARY
        • THE CASTAWAY
      • THE SHRUBBERY
      • [MAN'S INHUMANITY]
      • [LOVE OF ENGLAND]
      • [COWPER, THE RELIGIOUS RECLUSE]
      • [THE ARRIVAL OF THE POST]
      • [THE BASTILE]
      • [MEDITATION IN WINTER]
      • [KINDNESS TO ANIMALS]
      • ON THE RECEIPT OF MY MOTHER'S PICTURE
      • TO MARY
      • THE CASTAWAY
    • TO A YOUNG LADY
      • THE SHRUBBERY
      • [MAN'S INHUMANITY]
      • [LOVE OF ENGLAND]
      • [COWPER, THE RELIGIOUS RECLUSE]
      • [THE ARRIVAL OF THE POST]
      • [THE BASTILE]
      • [MEDITATION IN WINTER]
      • [KINDNESS TO ANIMALS]
      • ON THE RECEIPT OF MY MOTHER'S PICTURE
      • TO MARY
      • THE CASTAWAY
    • THE SHRUBBERY
    • [MAN'S INHUMANITY]
    • [LOVE OF ENGLAND]
    • [COWPER, THE RELIGIOUS RECLUSE]
    • [THE ARRIVAL OF THE POST]
    • [THE BASTILE]
    • [MEDITATION IN WINTER]
    • [KINDNESS TO ANIMALS]
    • ON THE RECEIPT OF MY MOTHER'S PICTURE
    • TO MARY
    • THE CASTAWAY
    • WILLIAM LISLE BOWLES
      • EVENING
        • DOVER CLIFFS
      • DOVER CLIFFS
    • EVENING
      • DOVER CLIFFS
    • DOVER CLIFFS
    • ROBERT BURNS
      • MARY MORISON
        • THE HOLY FAIR
        • TO A LOUSE
        • FROM EPISTLE TO J. LAPRAIK
        • THE COTTER'S SATURDAY NIGHT
        • TO A MOUSE
        • TO A MOUNTAIN DAISY
        • EPISTLE TO A YOUNG FRIEND
        • A BARD'S EPITAPH
        • ADDRESS TO THE UNCO GUID OR THE RIGIDLY RIGHTEOUS
        • JOHN ANDEKSON, MY JO
        • THE LOVELY LASS OF INVERNESS
        • A RED, RED ROSE
        • AULD LANG SYNE
        • SWEET AFTON
        • THE HAPPY TRIO
        • TO MARY IN HEAVEN
        • TAM O' SHANTER: A TALE
        • AE FOND KISS
        • DUNCAN GRAY
        • HIGHLAND MARY
        • SCOTS, WHA HAE
        • IS THERE FOR HONEST POVERTY
        • LAST MAY A BRAW WOOER
        • O, WERT THOU IN THE CAULD BLAST
      • THE HOLY FAIR
      • TO A LOUSE
      • FROM EPISTLE TO J. LAPRAIK
      • THE COTTER'S SATURDAY NIGHT
      • TO A MOUSE
      • TO A MOUNTAIN DAISY
      • EPISTLE TO A YOUNG FRIEND
      • A BARD'S EPITAPH
      • ADDRESS TO THE UNCO GUID OR THE RIGIDLY RIGHTEOUS
      • JOHN ANDEKSON, MY JO
      • THE LOVELY LASS OF INVERNESS
      • A RED, RED ROSE
      • AULD LANG SYNE
      • SWEET AFTON
      • THE HAPPY TRIO
      • TO MARY IN HEAVEN
      • TAM O' SHANTER: A TALE
      • AE FOND KISS
      • DUNCAN GRAY
      • HIGHLAND MARY
      • SCOTS, WHA HAE
      • IS THERE FOR HONEST POVERTY
      • LAST MAY A BRAW WOOER
      • O, WERT THOU IN THE CAULD BLAST
    • MARY MORISON
      • THE HOLY FAIR
      • TO A LOUSE
      • FROM EPISTLE TO J. LAPRAIK
      • THE COTTER'S SATURDAY NIGHT
      • TO A MOUSE
      • TO A MOUNTAIN DAISY
      • EPISTLE TO A YOUNG FRIEND
      • A BARD'S EPITAPH
      • ADDRESS TO THE UNCO GUID OR THE RIGIDLY RIGHTEOUS
      • JOHN ANDEKSON, MY JO
      • THE LOVELY LASS OF INVERNESS
      • A RED, RED ROSE
      • AULD LANG SYNE
      • SWEET AFTON
      • THE HAPPY TRIO
      • TO MARY IN HEAVEN
      • TAM O' SHANTER: A TALE
      • AE FOND KISS
      • DUNCAN GRAY
      • HIGHLAND MARY
      • SCOTS, WHA HAE
      • IS THERE FOR HONEST POVERTY
      • LAST MAY A BRAW WOOER
      • O, WERT THOU IN THE CAULD BLAST
    • THE HOLY FAIR
    • TO A LOUSE
    • FROM EPISTLE TO J. LAPRAIK
    • THE COTTER'S SATURDAY NIGHT
    • TO A MOUSE
    • TO A MOUNTAIN DAISY
    • EPISTLE TO A YOUNG FRIEND
    • A BARD'S EPITAPH
    • ADDRESS TO THE UNCO GUID OR THE RIGIDLY RIGHTEOUS
    • JOHN ANDEKSON, MY JO
    • THE LOVELY LASS OF INVERNESS
    • A RED, RED ROSE
    • AULD LANG SYNE
    • SWEET AFTON
    • THE HAPPY TRIO
    • TO MARY IN HEAVEN
    • TAM O' SHANTER: A TALE
    • AE FOND KISS
    • DUNCAN GRAY
    • HIGHLAND MARY
    • SCOTS, WHA HAE
    • IS THERE FOR HONEST POVERTY
    • LAST MAY A BRAW WOOER
    • O, WERT THOU IN THE CAULD BLAST
    • ERASMUS DARWIN
      • FROM THE BOTANIC GARDEN
    • FROM THE BOTANIC GARDEN
    • WILLIAM BLAKE
      • TO WINTER
        • SONG
        • TO THE MUSES
        • INTRODUCTION TO SONGS OF INNOCENCE
        • THE LAMB
        • THE LITTLE BLACK BOY
        • A CRADLE SONG
        • HOLY THURSDAY
        • THE DIVINE IMAGE
        • ON ANOTHER'S SORROW
        • THE BOOK OF THEL
        • THE FLY
        • THE TIGER
        • HOLY THURSDAY
        • THE GARDEN OF LOVE
        • A LITTLE BOY LOST
        • THE SCHOOLBOY
        • LONDON
        • FROM MILTON
        • FROM JERUSALEM
      • SONG
      • TO THE MUSES
      • INTRODUCTION TO SONGS OF INNOCENCE
      • THE LAMB
      • THE LITTLE BLACK BOY
      • A CRADLE SONG
      • HOLY THURSDAY
      • THE DIVINE IMAGE
      • ON ANOTHER'S SORROW
      • THE BOOK OF THEL
      • THE FLY
      • THE TIGER
      • HOLY THURSDAY
      • THE GARDEN OF LOVE
      • A LITTLE BOY LOST
      • THE SCHOOLBOY
      • LONDON
      • FROM MILTON
      • FROM JERUSALEM
    • TO WINTER
      • SONG
      • TO THE MUSES
      • INTRODUCTION TO SONGS OF INNOCENCE
      • THE LAMB
      • THE LITTLE BLACK BOY
      • A CRADLE SONG
      • HOLY THURSDAY
      • THE DIVINE IMAGE
      • ON ANOTHER'S SORROW
      • THE BOOK OF THEL
      • THE FLY
      • THE TIGER
      • HOLY THURSDAY
      • THE GARDEN OF LOVE
      • A LITTLE BOY LOST
      • THE SCHOOLBOY
      • LONDON
      • FROM MILTON
      • FROM JERUSALEM
    • SONG
    • TO THE MUSES
    • INTRODUCTION TO SONGS OF INNOCENCE
    • THE LAMB
    • THE LITTLE BLACK BOY
    • A CRADLE SONG
    • HOLY THURSDAY
    • THE DIVINE IMAGE
    • ON ANOTHER'S SORROW
    • THE BOOK OF THEL
    • THE FLY
    • THE TIGER
    • HOLY THURSDAY
    • THE GARDEN OF LOVE
    • A LITTLE BOY LOST
    • THE SCHOOLBOY
    • LONDON
    • FROM MILTON
    • FROM JERUSALEM
    • GEORGE CANNING
      • FROM THE NEW MORALITY
    • FROM THE NEW MORALITY
    • CAROLINA, LADY NAIRNE
      • THE LAND O' THE LEAL
      • GLOSSARY:
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    • THE LAND O' THE LEAL
    • GLOSSARY:
    • *** START: FULL LICENSE ***
      • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
      • Section 2. Information about the Mission of Project Gutenberg-tm
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