The Works of Lord Byron. Vol. 3
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English
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The Works OF LORD BYRON.
A NEW, REVISED AND ENLARGED EDITION, WITH ILLUSTRATIONS.
Poetry. Vol. III.
EDITED BY ERNEST HARTLEY COLERIDGE, M.A., HON. F.R.S.L.
LONDON: JOHN MURRAY, ALBEMARLE STREET. NEW YORK: CHARLES SCRIBNER'S SONS.
1900.
1900.
LONDON: JOHN MURRAY, ALBEMARLE STREET. NEW YORK: CHARLES SCRIBNER'S SONS.
1900.
1900.
TRANSCRIBER'S NOTES
PREFACE TO THE THIRD VOLUME.
CONTENTS OF VOL. III.
LIST OF ILLUSTRATIONS
INTRODUCTION TO THE OCCASIONAL PIECES (POEMS 1809-1813; POEMS 1814-1816).
POEMS 1809-1813.
THE GIRL OF CADIZ.[1]
1.
2.
3.
4.
5.
6.
7.
1.
2.
3.
4.
5.
6.
7.
LINES WRITTEN IN AN ALBUM, AT MALTA.[e][4]
1.
2.
1.
2.
TO FLORENCE.[f]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
STANZAS COMPOSED DURING A THUNDERSTORM.[h][5]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
STANZAS WRITTEN IN PASSING THE AMBRACIAN GULF.[i]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
THE SPELL IS BROKE, THE CHARM IS FLOWN![m]
WRITTEN AFTER SWIMMING FROM SESTOS TO ABYDOS.[7]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
LINES IN THE TRAVELLERS' BOOK AT ORCHOMENUS.[9]
MAID OF ATHENS, ERE WE PART.[n]
1.
2.
3.
4.
1.
2.
3.
4.
FRAGMENT FROM THE "MONK OF ATHOS."[14]
1.
2.
3.
1.
2.
3.
LINES WRITTEN BENEATH A PICTURE.[15]
1.
2.
1.
2.
TRANSLATION OF THE FAMOUS GREEK WAR SONG,
CHORUS.
CHORUS.
TRANSLATION OF THE ROMAIC SONG,
ON PARTING.
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
FAREWELL TO MALTA.[19]
NEWSTEAD ABBEY.
1.
2.
3.
4.
5.
6.
1.
2.
3.
4.
5.
6.
EPISTLE TO A FRIEND,[27]
TO THYRZA.[t][29]
AWAY, AWAY, YE NOTES OF WOE![ac][31]
1.
2.
3.
4.
1.
2.
3.
4.
ONE STRUGGLE MORE, AND I AM FREE.[ai]
1.
2.
3.
4.
5.
6.
7.
1.
2.
3.
4.
5.
6.
7.
EUTHANASIA.
1.
2.
3.
4.
5.
6.
7.
8.
9.
1.
2.
3.
4.
5.
6.
7.
8.
9.
AND THOU ART DEAD, AS YOUNG AND FAIR.[aq]
1.
2.
3.
4.
5.
6.
7.
8.
1.
2.
3.
4.
5.
6.
7.
8.
LINES TO A LADY WEEPING.[bk][35]
IF SOMETIMES IN THE HAUNTS OF MEN.[bl]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
ON A CORNELIAN HEART WHICH WAS BROKEN.[36]
1.
2.
1.
2.
THE CHAIN I GAVE.
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
LINES WRITTEN ON A BLANK LEAF OF THE PLEASURES OF MEMORY.[bm]
1.
2.
3.
1.
2.
3.
ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE, SATURDAY, OCTOBER 10, 1812.[39]
PARENTHETICAL ADDRESS.[44]
VERSES FOUND IN A SUMMER-HOUSE AT HALES-OWEN.[46]
REMEMBER THEE! REMEMBER THEE![48]
1.
2.
1.
2.
TO TIME.
TRANSLATION OF A ROMAIC LOVE SONG.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
THOU ART NOT FALSE, BUT THOU ART FICKLE.[bu][50]
1.
2.
3.
4.
1.
2.
3.
4.
ON BEING ASKED WHAT WAS THE "ORIGIN OF LOVE."[bw]
ON THE QUOTATION,
1.
2.
3.
4.
1.
2.
3.
4.
REMEMBER HIM, WHOM PASSION'S POWER.[51]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
IMPROMPTU, IN REPLY TO A FRIEND.[52]
SONNET.
SONNET.
FROM THE PORTUGUESE.
1.
1.
ANOTHER VERSION.
1.
1.
ANOTHER VERSION.
FOOTNOTES:
THE GIRL OF CADIZ.[1]
1.
2.
3.
4.
5.
6.
7.
1.
2.
3.
4.
5.
6.
7.
LINES WRITTEN IN AN ALBUM, AT MALTA.[e][4]
1.
2.
1.
2.
TO FLORENCE.[f]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
STANZAS COMPOSED DURING A THUNDERSTORM.[h][5]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
STANZAS WRITTEN IN PASSING THE AMBRACIAN GULF.[i]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
THE SPELL IS BROKE, THE CHARM IS FLOWN![m]
WRITTEN AFTER SWIMMING FROM SESTOS TO ABYDOS.[7]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
LINES IN THE TRAVELLERS' BOOK AT ORCHOMENUS.[9]
MAID OF ATHENS, ERE WE PART.[n]
1.
2.
3.
4.
1.
2.
3.
4.
FRAGMENT FROM THE "MONK OF ATHOS."[14]
1.
2.
3.
1.
2.
3.
LINES WRITTEN BENEATH A PICTURE.[15]
1.
2.
1.
2.
TRANSLATION OF THE FAMOUS GREEK WAR SONG,
CHORUS.
CHORUS.
TRANSLATION OF THE ROMAIC SONG,
ON PARTING.
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
FAREWELL TO MALTA.[19]
NEWSTEAD ABBEY.
1.
2.
3.
4.
5.
6.
1.
2.
3.
4.
5.
6.
EPISTLE TO A FRIEND,[27]
TO THYRZA.[t][29]
AWAY, AWAY, YE NOTES OF WOE![ac][31]
1.
2.
3.
4.
1.
2.
3.
4.
ONE STRUGGLE MORE, AND I AM FREE.[ai]
1.
2.
3.
4.
5.
6.
7.
1.
2.
3.
4.
5.
6.
7.
EUTHANASIA.
1.
2.
3.
4.
5.
6.
7.
8.
9.
1.
2.
3.
4.
5.
6.
7.
8.
9.
AND THOU ART DEAD, AS YOUNG AND FAIR.[aq]
1.
2.
3.
4.
5.
6.
7.
8.
1.
2.
3.
4.
5.
6.
7.
8.
LINES TO A LADY WEEPING.[bk][35]
IF SOMETIMES IN THE HAUNTS OF MEN.[bl]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
ON A CORNELIAN HEART WHICH WAS BROKEN.[36]
1.
2.
1.
2.
THE CHAIN I GAVE.
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
LINES WRITTEN ON A BLANK LEAF OF THE PLEASURES OF MEMORY.[bm]
1.
2.
3.
1.
2.
3.
ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE, SATURDAY, OCTOBER 10, 1812.[39]
PARENTHETICAL ADDRESS.[44]
VERSES FOUND IN A SUMMER-HOUSE AT HALES-OWEN.[46]
REMEMBER THEE! REMEMBER THEE![48]
1.
2.
1.
2.
TO TIME.
TRANSLATION OF A ROMAIC LOVE SONG.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
THOU ART NOT FALSE, BUT THOU ART FICKLE.[bu][50]
1.
2.
3.
4.
1.
2.
3.
4.
ON BEING ASKED WHAT WAS THE "ORIGIN OF LOVE."[bw]
ON THE QUOTATION,
1.
2.
3.
4.
1.
2.
3.
4.
REMEMBER HIM, WHOM PASSION'S POWER.[51]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
IMPROMPTU, IN REPLY TO A FRIEND.[52]
SONNET.
SONNET.
FROM THE PORTUGUESE.
1.
1.
ANOTHER VERSION.
1.
1.
ANOTHER VERSION.
FOOTNOTES:
THE GIAOUR: A FRAGMENT OF A TURKISH TALE.
INTRODUCTION TO THE GIAOUR
BIBLIOGRAPHICAL NOTE ON THE GIAOUR
NOTE.
TO
TO
SAMUEL ROGERS, ESQ.
AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
NOTE.
TO
TO
SAMUEL ROGERS, ESQ.
AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
ADVERTISEMENT.
THE GIAOUR.
FOOTNOTES:
FOOTNOTES:
THE BRIDE OF ABYDOS. A TURKISH TALE.
INTRODUCTION TO THE THE BRIDE OF ABYDOS.
NOTE TO THE MSS. OF THE BRIDE OF ABYDOS.
TO THE RIGHT HONOURABLE LORD HOLLAND, THIS TALE IS INSCRIBED, WITH EVERY SENTIMENT OF REGARD AND RESPECT, BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
TO THE RIGHT HONOURABLE LORD HOLLAND, THIS TALE IS INSCRIBED, WITH EVERY SENTIMENT OF REGARD AND RESPECT, BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
THE BRIDE OF ABYDOS.[124]
CANTO THE FIRST.
I.
II.[fa]
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
I.
II.[fa]
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
CANTO THE SECOND.[ge]
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
CANTO THE FIRST.
I.
II.[fa]
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
I.
II.[fa]
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
CANTO THE SECOND.[ge]
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
NOTE TO THE BRIDE OF ABYDOS.
CANTO II. STANZA XX.
FOOTNOTES:
CANTO II. STANZA XX.
FOOTNOTES:
THE CORSAIR: A TALE.
INTRODUCTION TO THE CORSAIR.
BIBLIOGRAPHICAL NOTE ON THE CORSAIR.
TO THOMAS MOORE, ESQ.
TO THOMAS MOORE, ESQ.
THE CORSAIR.[197]
CANTO THE FIRST.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.[201]
XI.
XII.
XIII.
XIV.
1.
2.
3.
4.
XV.
XVI.
XVII.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.[201]
XI.
XII.
XIII.
XIV.
1.
2.
3.
4.
XV.
XVI.
XVII.
CANTO THE SECOND.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
CANTO THE THIRD.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.[237]
XXIV.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.[237]
XXIV.
FOOTNOTES:
CANTO THE FIRST.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.[201]
XI.
XII.
XIII.
XIV.
1.
2.
3.
4.
XV.
XVI.
XVII.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.[201]
XI.
XII.
XIII.
XIV.
1.
2.
3.
4.
XV.
XVI.
XVII.
CANTO THE SECOND.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
CANTO THE THIRD.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.[237]
XXIV.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.[237]
XXIV.
FOOTNOTES:
ODE TO NAPOLEON BUONAPARTE. [240]
INTRODUCTION TO THE ODE TO NAPOLEON BUONAPARTE.
ODE TO NAPOLEON BUONAPARTE.
I.
II.[245]
III.
IV.
V.[248]
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.[254]
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
II.[245]
III.
IV.
V.[248]
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.[254]
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
FOOTNOTES:
I.
II.[245]
III.
IV.
V.[248]
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.[254]
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
II.[245]
III.
IV.
V.[248]
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.[254]
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
FOOTNOTES:
LARA: A TALE.
INTRODUCTION TO LARA
LARA.[jb]
CANTO THE FIRST.[265]
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
CANTO THE SECOND.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.[282]
XVI.
XVII.
XVIII.
XIX.[285]
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.[282]
XVI.
XVII.
XVIII.
XIX.[285]
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
FOOTNOTES:
CANTO THE FIRST.[265]
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
CANTO THE SECOND.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.[282]
XVI.
XVII.
XVIII.
XIX.[285]
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.[282]
XVI.
XVII.
XVIII.
XIX.[285]
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
FOOTNOTES:
HEBREW MELODIES
INTRODUCTION TO HEBREW MELODIES
ADVERTISEMENT
ADVERTISEMENT
HEBREW MELODIES
SHE WALKS IN BEAUTY.[287]
I.
II.
III.
I.
II.
III.
THE HARP THE MONARCH MINSTREL SWEPT.
I.
II.
I.
II.
IF THAT HIGH WORLD.
I.
II.
I.
II.
THE WILD GAZELLE.
I.
II.
III.
IV.
I.
II.
III.
IV.
OH! WEEP FOR THOSE.
I.
II.
III.
I.
II.
III.
ON JORDAN'S BANKS.
I.
II.
III.
I.
II.
III.
JEPHTHA'S DAUGHTER.[291]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
OH! SNATCHED AWAY IN BEAUTY'S BLOOM.[292]
I.
II.
III.
I.
II.
III.
MY SOUL IS DARK.
I.
II.
I.
II.
I SAW THEE WEEP.
I.
II.
I.
II.
THY DAYS ARE DONE.
I.
II.
III.
I.
II.
III.
SAUL.
I.
II.
I.
II.
SONG OF SAUL BEFORE HIS LAST BATTLE.
I.
II.
III.
I.
II.
III.
"ALL IS VANITY, SAITH THE PREACHER."
I.
II.
III.[lt]
I.
II.
III.[lt]
WHEN COLDNESS WRAPS THIS SUFFERING CLAY.
I.
II.
III.
IV.
I.
II.
III.
IV.
VISION OF BELSHAZZAR.[299]
I.
II.
III.
IV.
V.
VI.
I.
II.
III.
IV.
V.
VI.
SUN OF THE SLEEPLESS!
WERE MY BOSOM AS FALSE AS THOU DEEM'ST IT TO BE.
I.
II.
III.
I.
II.
III.
HEROD'S LAMENT FOR MARIAMNE.[301]
I.
II.
III.
I.
II.
III.
ON THE DAY OF THE DESTRUCTION OF JERUSALEM BY TITUS.
I.
II.
III.
IV.
V.
I.
II.
III.
I.
II.
III.
IV.
V.
I.
II.
III.
"BY THE WATERS OF BABYLON."
I.
II.
III.
I.
II.
III.
THE DESTRUCTION OF SENNACHERIB.
I.
II.
III.
IV.
V.
VI.
I.
II.
III.
IV.
V.
VI.
A SPIRIT PASSED BEFORE ME.
FROM JOB.
I.
II.
FROM JOB.
I.
II.
FOOTNOTES:
SHE WALKS IN BEAUTY.[287]
I.
II.
III.
I.
II.
III.
THE HARP THE MONARCH MINSTREL SWEPT.
I.
II.
I.
II.
IF THAT HIGH WORLD.
I.
II.
I.
II.
THE WILD GAZELLE.
I.
II.
III.
IV.
I.
II.
III.
IV.
OH! WEEP FOR THOSE.
I.
II.
III.
I.
II.
III.
ON JORDAN'S BANKS.
I.
II.
III.
I.
II.
III.
JEPHTHA'S DAUGHTER.[291]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
OH! SNATCHED AWAY IN BEAUTY'S BLOOM.[292]
I.
II.
III.
I.
II.
III.
MY SOUL IS DARK.
I.
II.
I.
II.
I SAW THEE WEEP.
I.
II.
I.
II.
THY DAYS ARE DONE.
I.
II.
III.
I.
II.
III.
SAUL.
I.
II.
I.
II.
SONG OF SAUL BEFORE HIS LAST BATTLE.
I.
II.
III.
I.
II.
III.
"ALL IS VANITY, SAITH THE PREACHER."
I.
II.
III.[lt]
I.
II.
III.[lt]
WHEN COLDNESS WRAPS THIS SUFFERING CLAY.
I.
II.
III.
IV.
I.
II.
III.
IV.
VISION OF BELSHAZZAR.[299]
I.
II.
III.
IV.
V.
VI.
I.
II.
III.
IV.
V.
VI.
SUN OF THE SLEEPLESS!
WERE MY BOSOM AS FALSE AS THOU DEEM'ST IT TO BE.
I.
II.
III.
I.
II.
III.
HEROD'S LAMENT FOR MARIAMNE.[301]
I.
II.
III.
I.
II.
III.
ON THE DAY OF THE DESTRUCTION OF JERUSALEM BY TITUS.
I.
II.
III.
IV.
V.
I.
II.
III.
I.
II.
III.
IV.
V.
I.
II.
III.
"BY THE WATERS OF BABYLON."
I.
II.
III.
I.
II.
III.
THE DESTRUCTION OF SENNACHERIB.
I.
II.
III.
IV.
V.
VI.
I.
II.
III.
IV.
V.
VI.
A SPIRIT PASSED BEFORE ME.
FROM JOB.
I.
II.
FROM JOB.
I.
II.
FOOTNOTES:
POEMS 1814-1816.
POEMS 1814-1816.
FAREWELL! IF EVER FONDEST PRAYER.
1.
2.
1.
2.
WHEN WE TWO PARTED.
1.
2.
3.[mu]
4.
1.
2.
3.[mu]
4.
[LOVE AND GOLD.[306]]
1.
2.
3.
4.
5.
6.
7.
8.
9.
1.
2.
3.
4.
5.
6.
7.
8.
9.
STANZAS FOR MUSIC.[307]
1.
2.[mx]
3.
4.
5.[nc]
1.
2.[mx]
3.
4.
5.[nc]
ADDRESS INTENDED TO BE RECITED AT THE CALEDONIAN MEETING.[308]
ELEGIAC STANZAS ON THE DEATH OF SIR PETER PARKER, BART.[312]
I.
2.
3.
4.
5.
6.
7.
8.
9.
I.
2.
3.
4.
5.
6.
7.
8.
9.
JULIAN [A FRAGMENT].[314]
1.
2.
3.
4.
5.
6.
1.
2.
3.
4.
5.
6.
TO BELSHAZZAR.
1.[ne]
2.
3.
1.[ne]
2.
3.
STANZAS FOR MUSIC.[315]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
ON THE DEATH OF THE DUKE OF DORSET.[317]
1.
2.
1.
2.
STANZAS FOR MUSIC.
1.
2.
1.
2.
NAPOLEON'S FAREWELL.[319]
[FROM THE FRENCH.]
1.
2.
3.
[FROM THE FRENCH.]
1.
2.
3.
FROM THE FRENCH.[320]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
ODE FROM THE FRENCH.[322]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
STANZAS FOR MUSIC.
1.
2.
1.
2.
ON THE STAR OF "THE LEGION OF HONOUR."[328]
[FROM THE FRENCH.]
1.
2.
3.
4.
5.
6.
7.
[FROM THE FRENCH.]
1.
2.
3.
4.
5.
6.
7.
STANZAS FOR MUSIC.
I.
II.
III.
I.
II.
III.
FOOTNOTES:
FAREWELL! IF EVER FONDEST PRAYER.
1.
2.
1.
2.
WHEN WE TWO PARTED.
1.
2.
3.[mu]
4.
1.
2.
3.[mu]
4.
[LOVE AND GOLD.[306]]
1.
2.
3.
4.
5.
6.
7.
8.
9.
1.
2.
3.
4.
5.
6.
7.
8.
9.
STANZAS FOR MUSIC.[307]
1.
2.[mx]
3.
4.
5.[nc]
1.
2.[mx]
3.
4.
5.[nc]
ADDRESS INTENDED TO BE RECITED AT THE CALEDONIAN MEETING.[308]
ELEGIAC STANZAS ON THE DEATH OF SIR PETER PARKER, BART.[312]
I.
2.
3.
4.
5.
6.
7.
8.
9.
I.
2.
3.
4.
5.
6.
7.
8.
9.
JULIAN [A FRAGMENT].[314]
1.
2.
3.
4.
5.
6.
1.
2.
3.
4.
5.
6.
TO BELSHAZZAR.
1.[ne]
2.
3.
1.[ne]
2.
3.
STANZAS FOR MUSIC.[315]
1.
2.
3.
4.
5.
1.
2.
3.
4.
5.
ON THE DEATH OF THE DUKE OF DORSET.[317]
1.
2.
1.
2.
STANZAS FOR MUSIC.
1.
2.
1.
2.
NAPOLEON'S FAREWELL.[319]
[FROM THE FRENCH.]
1.
2.
3.
[FROM THE FRENCH.]
1.
2.
3.
FROM THE FRENCH.[320]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
ODE FROM THE FRENCH.[322]
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
STANZAS FOR MUSIC.
1.
2.
1.
2.
ON THE STAR OF "THE LEGION OF HONOUR."[328]
[FROM THE FRENCH.]
1.
2.
3.
4.
5.
6.
7.
[FROM THE FRENCH.]
1.
2.
3.
4.
5.
6.
7.
STANZAS FOR MUSIC.
I.
II.
III.
I.
II.
III.
FOOTNOTES:
THE SIEGE OF CORINTH
INTRODUCTION TO THE SIEGE OF CORINTH.
TO JOHN HOBHOUSE, ESQ., THIS POEM IS INSCRIBED, BY HIS FRIEND.
ADVERTISEMENT
NOTE ON THE MS. OF THE SIEGE OF CORINTH.
TO JOHN HOBHOUSE, ESQ., THIS POEM IS INSCRIBED, BY HIS FRIEND.
ADVERTISEMENT
NOTE ON THE MS. OF THE SIEGE OF CORINTH.
THE SIEGE OF CORINTH
I.[338]
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
FOOTNOTES:
I.[338]
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
XXI.
XXII.
XXIII.
XXIV.
XXV.
XXVI.
XXVII.
XXVIII.
XXIX.
XXX.
XXXI.
XXXII.
XXXIII.
FOOTNOTES:
PARISINA.
INTRODUCTION TO PARISINA.
TO SCROPE BERDMORE DAVIES, ESQ. the following poem Is Inscribed, by one who has long admired his talents and valued his friendship.
ADVERTISEMENT.
TO SCROPE BERDMORE DAVIES, ESQ. the following poem Is Inscribed, by one who has long admired his talents and valued his friendship.
ADVERTISEMENT.
PARISINA. [412]
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
FOOTNOTES:
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
XVI.
XVII.
XVIII.
XIX.
XX.
FOOTNOTES:
POEMS OF THE SEPARATION.
INTRODUCTION TO POEMS OF THE SEPARATION.
POEMS OF THE SEPARATION
FARE THEE WELL.[432]
A SKETCH.[ru][434]
STANZAS TO AUGUSTA.[438]
FOOTNOTES:
END OF VOL. III.
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
FARE THEE WELL.[432]
A SKETCH.[ru][434]
STANZAS TO AUGUSTA.[438]
FOOTNOTES:
END OF VOL. III.
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
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