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The Works of Lord Byron. Vol. 3

By Baron George Gordon Byron Byron
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Book Description

Table of Contents
  • The Works OF LORD BYRON.
    • A NEW, REVISED AND ENLARGED EDITION, WITH ILLUSTRATIONS.
  • Poetry. Vol. III.
    • EDITED BY ERNEST HARTLEY COLERIDGE, M.A., HON. F.R.S.L.
      • LONDON: JOHN MURRAY, ALBEMARLE STREET. NEW YORK: CHARLES SCRIBNER'S SONS.
        • 1900.
      • 1900.
    • LONDON: JOHN MURRAY, ALBEMARLE STREET. NEW YORK: CHARLES SCRIBNER'S SONS.
      • 1900.
    • 1900.
    • TRANSCRIBER'S NOTES
    • PREFACE TO THE THIRD VOLUME.
    • CONTENTS OF VOL. III.
    • LIST OF ILLUSTRATIONS
    • INTRODUCTION TO THE OCCASIONAL PIECES (POEMS 1809-1813; POEMS 1814-1816).
    • POEMS 1809-1813.
      • THE GIRL OF CADIZ.[1]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • LINES WRITTEN IN AN ALBUM, AT MALTA.[e][4]
        • 1.
        • 2.
      • 1.
      • 2.
      • TO FLORENCE.[f]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
        • 10.
        • 11.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • STANZAS COMPOSED DURING A THUNDERSTORM.[h][5]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
        • 10.
        • 11.
        • 12.
        • 13.
        • 14.
        • 15.
        • 16.
        • 17.
        • 18.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • 12.
      • 13.
      • 14.
      • 15.
      • 16.
      • 17.
      • 18.
      • STANZAS WRITTEN IN PASSING THE AMBRACIAN GULF.[i]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • THE SPELL IS BROKE, THE CHARM IS FLOWN![m]
      • WRITTEN AFTER SWIMMING FROM SESTOS TO ABYDOS.[7]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • LINES IN THE TRAVELLERS' BOOK AT ORCHOMENUS.[9]
      • MAID OF ATHENS, ERE WE PART.[n]
        • 1.
        • 2.
        • 3.
        • 4.
      • 1.
      • 2.
      • 3.
      • 4.
      • FRAGMENT FROM THE "MONK OF ATHOS."[14]
        • 1.
        • 2.
        • 3.
      • 1.
      • 2.
      • 3.
      • LINES WRITTEN BENEATH A PICTURE.[15]
        • 1.
        • 2.
      • 1.
      • 2.
      • TRANSLATION OF THE FAMOUS GREEK WAR SONG,
        • CHORUS.
      • CHORUS.
      • TRANSLATION OF THE ROMAIC SONG,
      • ON PARTING.
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • FAREWELL TO MALTA.[19]
      • NEWSTEAD ABBEY.
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • EPISTLE TO A FRIEND,[27]
      • TO THYRZA.[t][29]
      • AWAY, AWAY, YE NOTES OF WOE![ac][31]
        • 1.
        • 2.
        • 3.
        • 4.
      • 1.
      • 2.
      • 3.
      • 4.
      • ONE STRUGGLE MORE, AND I AM FREE.[ai]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • EUTHANASIA.
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • AND THOU ART DEAD, AS YOUNG AND FAIR.[aq]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • LINES TO A LADY WEEPING.[bk][35]
      • IF SOMETIMES IN THE HAUNTS OF MEN.[bl]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • ON A CORNELIAN HEART WHICH WAS BROKEN.[36]
        • 1.
        • 2.
      • 1.
      • 2.
      • THE CHAIN I GAVE.
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • LINES WRITTEN ON A BLANK LEAF OF THE PLEASURES OF MEMORY.[bm]
        • 1.
        • 2.
        • 3.
      • 1.
      • 2.
      • 3.
      • ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE, SATURDAY, OCTOBER 10, 1812.[39]
      • PARENTHETICAL ADDRESS.[44]
      • VERSES FOUND IN A SUMMER-HOUSE AT HALES-OWEN.[46]
      • REMEMBER THEE! REMEMBER THEE![48]
        • 1.
        • 2.
      • 1.
      • 2.
      • TO TIME.
      • TRANSLATION OF A ROMAIC LOVE SONG.
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
        • 10.
        • 11.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • THOU ART NOT FALSE, BUT THOU ART FICKLE.[bu][50]
        • 1.
        • 2.
        • 3.
        • 4.
      • 1.
      • 2.
      • 3.
      • 4.
      • ON BEING ASKED WHAT WAS THE "ORIGIN OF LOVE."[bw]
      • ON THE QUOTATION,
        • 1.
        • 2.
        • 3.
        • 4.
      • 1.
      • 2.
      • 3.
      • 4.
      • REMEMBER HIM, WHOM PASSION'S POWER.[51]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
        • 10.
        • 11.
        • 12.
        • 13.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • 12.
      • 13.
      • IMPROMPTU, IN REPLY TO A FRIEND.[52]
      • SONNET.
      • SONNET.
      • FROM THE PORTUGUESE.
        • 1.
        • 1.
        • ANOTHER VERSION.
      • 1.
      • 1.
      • ANOTHER VERSION.
      • FOOTNOTES:
    • THE GIRL OF CADIZ.[1]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • LINES WRITTEN IN AN ALBUM, AT MALTA.[e][4]
      • 1.
      • 2.
    • 1.
    • 2.
    • TO FLORENCE.[f]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • STANZAS COMPOSED DURING A THUNDERSTORM.[h][5]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • 12.
      • 13.
      • 14.
      • 15.
      • 16.
      • 17.
      • 18.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • 12.
    • 13.
    • 14.
    • 15.
    • 16.
    • 17.
    • 18.
    • STANZAS WRITTEN IN PASSING THE AMBRACIAN GULF.[i]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • THE SPELL IS BROKE, THE CHARM IS FLOWN![m]
    • WRITTEN AFTER SWIMMING FROM SESTOS TO ABYDOS.[7]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • LINES IN THE TRAVELLERS' BOOK AT ORCHOMENUS.[9]
    • MAID OF ATHENS, ERE WE PART.[n]
      • 1.
      • 2.
      • 3.
      • 4.
    • 1.
    • 2.
    • 3.
    • 4.
    • FRAGMENT FROM THE "MONK OF ATHOS."[14]
      • 1.
      • 2.
      • 3.
    • 1.
    • 2.
    • 3.
    • LINES WRITTEN BENEATH A PICTURE.[15]
      • 1.
      • 2.
    • 1.
    • 2.
    • TRANSLATION OF THE FAMOUS GREEK WAR SONG,
      • CHORUS.
    • CHORUS.
    • TRANSLATION OF THE ROMAIC SONG,
    • ON PARTING.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • FAREWELL TO MALTA.[19]
    • NEWSTEAD ABBEY.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • EPISTLE TO A FRIEND,[27]
    • TO THYRZA.[t][29]
    • AWAY, AWAY, YE NOTES OF WOE![ac][31]
      • 1.
      • 2.
      • 3.
      • 4.
    • 1.
    • 2.
    • 3.
    • 4.
    • ONE STRUGGLE MORE, AND I AM FREE.[ai]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • EUTHANASIA.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • AND THOU ART DEAD, AS YOUNG AND FAIR.[aq]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • LINES TO A LADY WEEPING.[bk][35]
    • IF SOMETIMES IN THE HAUNTS OF MEN.[bl]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • ON A CORNELIAN HEART WHICH WAS BROKEN.[36]
      • 1.
      • 2.
    • 1.
    • 2.
    • THE CHAIN I GAVE.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • LINES WRITTEN ON A BLANK LEAF OF THE PLEASURES OF MEMORY.[bm]
      • 1.
      • 2.
      • 3.
    • 1.
    • 2.
    • 3.
    • ADDRESS, SPOKEN AT THE OPENING OF DRURY-LANE THEATRE, SATURDAY, OCTOBER 10, 1812.[39]
    • PARENTHETICAL ADDRESS.[44]
    • VERSES FOUND IN A SUMMER-HOUSE AT HALES-OWEN.[46]
    • REMEMBER THEE! REMEMBER THEE![48]
      • 1.
      • 2.
    • 1.
    • 2.
    • TO TIME.
    • TRANSLATION OF A ROMAIC LOVE SONG.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • THOU ART NOT FALSE, BUT THOU ART FICKLE.[bu][50]
      • 1.
      • 2.
      • 3.
      • 4.
    • 1.
    • 2.
    • 3.
    • 4.
    • ON BEING ASKED WHAT WAS THE "ORIGIN OF LOVE."[bw]
    • ON THE QUOTATION,
      • 1.
      • 2.
      • 3.
      • 4.
    • 1.
    • 2.
    • 3.
    • 4.
    • REMEMBER HIM, WHOM PASSION'S POWER.[51]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • 12.
      • 13.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • 12.
    • 13.
    • IMPROMPTU, IN REPLY TO A FRIEND.[52]
    • SONNET.
    • SONNET.
    • FROM THE PORTUGUESE.
      • 1.
      • 1.
      • ANOTHER VERSION.
    • 1.
    • 1.
    • ANOTHER VERSION.
    • FOOTNOTES:
    • THE GIAOUR: A FRAGMENT OF A TURKISH TALE.
    • INTRODUCTION TO THE GIAOUR
    • BIBLIOGRAPHICAL NOTE ON THE GIAOUR
      • NOTE.
        • TO
      • TO
      • SAMUEL ROGERS, ESQ.
        • AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
      • AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
    • NOTE.
      • TO
    • TO
    • SAMUEL ROGERS, ESQ.
      • AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
    • AS A SLIGHT BUT MOST SINCERE TOKEN OF ADMIRATION OF HIS GENIUS, RESPECT FOR HIS CHARACTER, AND GRATITUDE FOR HIS FRIENDSHIP, THIS PRODUCTION IS INSCRIBED BY HIS OBLIGED AND AFFECTIONATE SERVANT,
    • ADVERTISEMENT.
    • THE GIAOUR.
      • FOOTNOTES:
    • FOOTNOTES:
    • THE BRIDE OF ABYDOS. A TURKISH TALE.
    • INTRODUCTION TO THE THE BRIDE OF ABYDOS.
    • NOTE TO THE MSS. OF THE BRIDE OF ABYDOS.
      • TO THE RIGHT HONOURABLE LORD HOLLAND, THIS TALE IS INSCRIBED, WITH EVERY SENTIMENT OF REGARD AND RESPECT, BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
    • TO THE RIGHT HONOURABLE LORD HOLLAND, THIS TALE IS INSCRIBED, WITH EVERY SENTIMENT OF REGARD AND RESPECT, BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
    • THE BRIDE OF ABYDOS.[124]
      • CANTO THE FIRST.
        • I.
        • II.[fa]
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
      • I.
      • II.[fa]
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • CANTO THE SECOND.[ge]
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
        • XX.
        • XXI.
        • XXII.
        • XXIII.
        • XXIV.
        • XXV.
        • XXVI.
        • XXVII.
        • XXVIII.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
    • CANTO THE FIRST.
      • I.
      • II.[fa]
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
    • I.
    • II.[fa]
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • CANTO THE SECOND.[ge]
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • XX.
    • XXI.
    • XXII.
    • XXIII.
    • XXIV.
    • XXV.
    • XXVI.
    • XXVII.
    • XXVIII.
    • NOTE TO THE BRIDE OF ABYDOS.
      • CANTO II. STANZA XX.
      • FOOTNOTES:
    • CANTO II. STANZA XX.
    • FOOTNOTES:
    • THE CORSAIR: A TALE.
    • INTRODUCTION TO THE CORSAIR.
    • BIBLIOGRAPHICAL NOTE ON THE CORSAIR.
      • TO THOMAS MOORE, ESQ.
    • TO THOMAS MOORE, ESQ.
    • THE CORSAIR.[197]
      • CANTO THE FIRST.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.[201]
        • XI.
        • XII.
        • XIII.
        • XIV.
        • 1.
        • 2.
        • 3.
        • 4.
        • XV.
        • XVI.
        • XVII.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.[201]
      • XI.
      • XII.
      • XIII.
      • XIV.
      • 1.
      • 2.
      • 3.
      • 4.
      • XV.
      • XVI.
      • XVII.
      • CANTO THE SECOND.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • CANTO THE THIRD.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
        • XX.
        • XXI.
        • XXII.
        • XXIII.[237]
        • XXIV.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.[237]
      • XXIV.
      • FOOTNOTES:
    • CANTO THE FIRST.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.[201]
      • XI.
      • XII.
      • XIII.
      • XIV.
      • 1.
      • 2.
      • 3.
      • 4.
      • XV.
      • XVI.
      • XVII.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.[201]
    • XI.
    • XII.
    • XIII.
    • XIV.
    • 1.
    • 2.
    • 3.
    • 4.
    • XV.
    • XVI.
    • XVII.
    • CANTO THE SECOND.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • CANTO THE THIRD.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.[237]
      • XXIV.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • XX.
    • XXI.
    • XXII.
    • XXIII.[237]
    • XXIV.
    • FOOTNOTES:
    • ODE TO NAPOLEON BUONAPARTE. [240]
    • INTRODUCTION TO THE ODE TO NAPOLEON BUONAPARTE.
    • ODE TO NAPOLEON BUONAPARTE.
      • I.
        • II.[245]
        • III.
        • IV.
        • V.[248]
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.[254]
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
      • II.[245]
      • III.
      • IV.
      • V.[248]
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.[254]
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • FOOTNOTES:
    • I.
      • II.[245]
      • III.
      • IV.
      • V.[248]
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.[254]
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
    • II.[245]
    • III.
    • IV.
    • V.[248]
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.[254]
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • FOOTNOTES:
    • LARA: A TALE.
    • INTRODUCTION TO LARA
    • LARA.[jb]
      • CANTO THE FIRST.[265]
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
        • XX.
        • XXI.
        • XXII.
        • XXIII.
        • XXIV.
        • XXV.
        • XXVI.
        • XXVII.
        • XXVIII.
        • XXIX.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
      • XXIX.
      • CANTO THE SECOND.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.[282]
        • XVI.
        • XVII.
        • XVIII.
        • XIX.[285]
        • XX.
        • XXI.
        • XXII.
        • XXIII.
        • XXIV.
        • XXV.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.[282]
      • XVI.
      • XVII.
      • XVIII.
      • XIX.[285]
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • FOOTNOTES:
    • CANTO THE FIRST.[265]
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
      • XXIX.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • XX.
    • XXI.
    • XXII.
    • XXIII.
    • XXIV.
    • XXV.
    • XXVI.
    • XXVII.
    • XXVIII.
    • XXIX.
    • CANTO THE SECOND.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.[282]
      • XVI.
      • XVII.
      • XVIII.
      • XIX.[285]
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.[282]
    • XVI.
    • XVII.
    • XVIII.
    • XIX.[285]
    • XX.
    • XXI.
    • XXII.
    • XXIII.
    • XXIV.
    • XXV.
    • FOOTNOTES:
    • HEBREW MELODIES
    • INTRODUCTION TO HEBREW MELODIES
      • ADVERTISEMENT
    • ADVERTISEMENT
    • HEBREW MELODIES
      • SHE WALKS IN BEAUTY.[287]
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • THE HARP THE MONARCH MINSTREL SWEPT.
        • I.
        • II.
      • I.
      • II.
      • IF THAT HIGH WORLD.
        • I.
        • II.
      • I.
      • II.
      • THE WILD GAZELLE.
        • I.
        • II.
        • III.
        • IV.
      • I.
      • II.
      • III.
      • IV.
      • OH! WEEP FOR THOSE.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • ON JORDAN'S BANKS.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • JEPHTHA'S DAUGHTER.[291]
        • I.
        • II.
        • III.
        • IV.
        • V.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • OH! SNATCHED AWAY IN BEAUTY'S BLOOM.[292]
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • MY SOUL IS DARK.
        • I.
        • II.
      • I.
      • II.
      • I SAW THEE WEEP.
        • I.
        • II.
      • I.
      • II.
      • THY DAYS ARE DONE.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • SAUL.
        • I.
        • II.
      • I.
      • II.
      • SONG OF SAUL BEFORE HIS LAST BATTLE.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • "ALL IS VANITY, SAITH THE PREACHER."
        • I.
        • II.
        • III.[lt]
      • I.
      • II.
      • III.[lt]
      • WHEN COLDNESS WRAPS THIS SUFFERING CLAY.
        • I.
        • II.
        • III.
        • IV.
      • I.
      • II.
      • III.
      • IV.
      • VISION OF BELSHAZZAR.[299]
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • SUN OF THE SLEEPLESS!
      • WERE MY BOSOM AS FALSE AS THOU DEEM'ST IT TO BE.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • HEROD'S LAMENT FOR MARIAMNE.[301]
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • ON THE DAY OF THE DESTRUCTION OF JERUSALEM BY TITUS.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • I.
      • II.
      • III.
      • "BY THE WATERS OF BABYLON."
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • THE DESTRUCTION OF SENNACHERIB.
        • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • A SPIRIT PASSED BEFORE ME.
        • FROM JOB.
        • I.
        • II.
      • FROM JOB.
      • I.
      • II.
      • FOOTNOTES:
    • SHE WALKS IN BEAUTY.[287]
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • THE HARP THE MONARCH MINSTREL SWEPT.
      • I.
      • II.
    • I.
    • II.
    • IF THAT HIGH WORLD.
      • I.
      • II.
    • I.
    • II.
    • THE WILD GAZELLE.
      • I.
      • II.
      • III.
      • IV.
    • I.
    • II.
    • III.
    • IV.
    • OH! WEEP FOR THOSE.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • ON JORDAN'S BANKS.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • JEPHTHA'S DAUGHTER.[291]
      • I.
      • II.
      • III.
      • IV.
      • V.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • OH! SNATCHED AWAY IN BEAUTY'S BLOOM.[292]
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • MY SOUL IS DARK.
      • I.
      • II.
    • I.
    • II.
    • I SAW THEE WEEP.
      • I.
      • II.
    • I.
    • II.
    • THY DAYS ARE DONE.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • SAUL.
      • I.
      • II.
    • I.
    • II.
    • SONG OF SAUL BEFORE HIS LAST BATTLE.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • "ALL IS VANITY, SAITH THE PREACHER."
      • I.
      • II.
      • III.[lt]
    • I.
    • II.
    • III.[lt]
    • WHEN COLDNESS WRAPS THIS SUFFERING CLAY.
      • I.
      • II.
      • III.
      • IV.
    • I.
    • II.
    • III.
    • IV.
    • VISION OF BELSHAZZAR.[299]
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • SUN OF THE SLEEPLESS!
    • WERE MY BOSOM AS FALSE AS THOU DEEM'ST IT TO BE.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • HEROD'S LAMENT FOR MARIAMNE.[301]
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • ON THE DAY OF THE DESTRUCTION OF JERUSALEM BY TITUS.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • I.
    • II.
    • III.
    • "BY THE WATERS OF BABYLON."
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • THE DESTRUCTION OF SENNACHERIB.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • A SPIRIT PASSED BEFORE ME.
      • FROM JOB.
      • I.
      • II.
    • FROM JOB.
    • I.
    • II.
    • FOOTNOTES:
    • POEMS 1814-1816.
    • POEMS 1814-1816.
      • FAREWELL! IF EVER FONDEST PRAYER.
        • 1.
        • 2.
      • 1.
      • 2.
      • WHEN WE TWO PARTED.
        • 1.
        • 2.
        • 3.[mu]
        • 4.
      • 1.
      • 2.
      • 3.[mu]
      • 4.
      • [LOVE AND GOLD.[306]]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • STANZAS FOR MUSIC.[307]
        • 1.
        • 2.[mx]
        • 3.
        • 4.
        • 5.[nc]
      • 1.
      • 2.[mx]
      • 3.
      • 4.
      • 5.[nc]
      • ADDRESS INTENDED TO BE RECITED AT THE CALEDONIAN MEETING.[308]
      • ELEGIAC STANZAS ON THE DEATH OF SIR PETER PARKER, BART.[312]
        • I.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
        • 8.
        • 9.
      • I.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • JULIAN [A FRAGMENT].[314]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • TO BELSHAZZAR.
        • 1.[ne]
        • 2.
        • 3.
      • 1.[ne]
      • 2.
      • 3.
      • STANZAS FOR MUSIC.[315]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • ON THE DEATH OF THE DUKE OF DORSET.[317]
        • 1.
        • 2.
      • 1.
      • 2.
      • STANZAS FOR MUSIC.
        • 1.
        • 2.
      • 1.
      • 2.
      • NAPOLEON'S FAREWELL.[319]
        • [FROM THE FRENCH.]
        • 1.
        • 2.
        • 3.
      • [FROM THE FRENCH.]
      • 1.
      • 2.
      • 3.
      • FROM THE FRENCH.[320]
        • I.
        • II.
        • III.
        • IV.
        • V.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • ODE FROM THE FRENCH.[322]
        • I.
        • II.
        • III.
        • IV.
        • V.
      • I.
      • II.
      • III.
      • IV.
      • V.
      • STANZAS FOR MUSIC.
        • 1.
        • 2.
      • 1.
      • 2.
      • ON THE STAR OF "THE LEGION OF HONOUR."[328]
        • [FROM THE FRENCH.]
        • 1.
        • 2.
        • 3.
        • 4.
        • 5.
        • 6.
        • 7.
      • [FROM THE FRENCH.]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • STANZAS FOR MUSIC.
        • I.
        • II.
        • III.
      • I.
      • II.
      • III.
      • FOOTNOTES:
    • FAREWELL! IF EVER FONDEST PRAYER.
      • 1.
      • 2.
    • 1.
    • 2.
    • WHEN WE TWO PARTED.
      • 1.
      • 2.
      • 3.[mu]
      • 4.
    • 1.
    • 2.
    • 3.[mu]
    • 4.
    • [LOVE AND GOLD.[306]]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • STANZAS FOR MUSIC.[307]
      • 1.
      • 2.[mx]
      • 3.
      • 4.
      • 5.[nc]
    • 1.
    • 2.[mx]
    • 3.
    • 4.
    • 5.[nc]
    • ADDRESS INTENDED TO BE RECITED AT THE CALEDONIAN MEETING.[308]
    • ELEGIAC STANZAS ON THE DEATH OF SIR PETER PARKER, BART.[312]
      • I.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
    • I.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • JULIAN [A FRAGMENT].[314]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • TO BELSHAZZAR.
      • 1.[ne]
      • 2.
      • 3.
    • 1.[ne]
    • 2.
    • 3.
    • STANZAS FOR MUSIC.[315]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • ON THE DEATH OF THE DUKE OF DORSET.[317]
      • 1.
      • 2.
    • 1.
    • 2.
    • STANZAS FOR MUSIC.
      • 1.
      • 2.
    • 1.
    • 2.
    • NAPOLEON'S FAREWELL.[319]
      • [FROM THE FRENCH.]
      • 1.
      • 2.
      • 3.
    • [FROM THE FRENCH.]
    • 1.
    • 2.
    • 3.
    • FROM THE FRENCH.[320]
      • I.
      • II.
      • III.
      • IV.
      • V.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • ODE FROM THE FRENCH.[322]
      • I.
      • II.
      • III.
      • IV.
      • V.
    • I.
    • II.
    • III.
    • IV.
    • V.
    • STANZAS FOR MUSIC.
      • 1.
      • 2.
    • 1.
    • 2.
    • ON THE STAR OF "THE LEGION OF HONOUR."[328]
      • [FROM THE FRENCH.]
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
    • [FROM THE FRENCH.]
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • STANZAS FOR MUSIC.
      • I.
      • II.
      • III.
    • I.
    • II.
    • III.
    • FOOTNOTES:
    • THE SIEGE OF CORINTH
    • INTRODUCTION TO THE SIEGE OF CORINTH.
      • TO JOHN HOBHOUSE, ESQ., THIS POEM IS INSCRIBED, BY HIS FRIEND.
      • ADVERTISEMENT
      • NOTE ON THE MS. OF THE SIEGE OF CORINTH.
    • TO JOHN HOBHOUSE, ESQ., THIS POEM IS INSCRIBED, BY HIS FRIEND.
    • ADVERTISEMENT
    • NOTE ON THE MS. OF THE SIEGE OF CORINTH.
    • THE SIEGE OF CORINTH
      • I.[338]
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
        • XX.
        • XXI.
        • XXII.
        • XXIII.
        • XXIV.
        • XXV.
        • XXVI.
        • XXVII.
        • XXVIII.
        • XXIX.
        • XXX.
        • XXXI.
        • XXXII.
        • XXXIII.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
      • XXIX.
      • XXX.
      • XXXI.
      • XXXII.
      • XXXIII.
      • FOOTNOTES:
    • I.[338]
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • XXI.
      • XXII.
      • XXIII.
      • XXIV.
      • XXV.
      • XXVI.
      • XXVII.
      • XXVIII.
      • XXIX.
      • XXX.
      • XXXI.
      • XXXII.
      • XXXIII.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • XX.
    • XXI.
    • XXII.
    • XXIII.
    • XXIV.
    • XXV.
    • XXVI.
    • XXVII.
    • XXVIII.
    • XXIX.
    • XXX.
    • XXXI.
    • XXXII.
    • XXXIII.
    • FOOTNOTES:
    • PARISINA.
    • INTRODUCTION TO PARISINA.
      • TO SCROPE BERDMORE DAVIES, ESQ. the following poem Is Inscribed, by one who has long admired his talents and valued his friendship.
      • ADVERTISEMENT.
    • TO SCROPE BERDMORE DAVIES, ESQ. the following poem Is Inscribed, by one who has long admired his talents and valued his friendship.
    • ADVERTISEMENT.
    • PARISINA. [412]
      • I.
        • II.
        • III.
        • IV.
        • V.
        • VI.
        • VII.
        • VIII.
        • IX.
        • X.
        • XI.
        • XII.
        • XIII.
        • XIV.
        • XV.
        • XVI.
        • XVII.
        • XVIII.
        • XIX.
        • XX.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
      • FOOTNOTES:
    • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII.
      • VIII.
      • IX.
      • X.
      • XI.
      • XII.
      • XIII.
      • XIV.
      • XV.
      • XVI.
      • XVII.
      • XVIII.
      • XIX.
      • XX.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII.
    • VIII.
    • IX.
    • X.
    • XI.
    • XII.
    • XIII.
    • XIV.
    • XV.
    • XVI.
    • XVII.
    • XVIII.
    • XIX.
    • XX.
    • FOOTNOTES:
    • POEMS OF THE SEPARATION.
    • INTRODUCTION TO POEMS OF THE SEPARATION.
    • POEMS OF THE SEPARATION
      • FARE THEE WELL.[432]
      • A SKETCH.[ru][434]
      • STANZAS TO AUGUSTA.[438]
      • FOOTNOTES:
      • END OF VOL. III.
        • LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
      • LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
    • FARE THEE WELL.[432]
    • A SKETCH.[ru][434]
    • STANZAS TO AUGUSTA.[438]
    • FOOTNOTES:
    • END OF VOL. III.
      • LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
    • LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS.
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