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The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.
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The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms.

By Friedrich Wilhelm Nietzsche
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Book Description
Table of Contents
  • Contents
  • Translator's Preface.
  • Preface To The Third Edition1
  • The Case Of Wagner: A Musician's Problem
    • Preface
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • 12.
    • Postscript
    • Second Postscript
    • Epilogue
  • Nietzsche contra Wagner
    • Preface
    • Wherein I Admire Wagner.
    • Wherein I Raise Objections.
    • Wagner As A Danger.
      • 1.
      • 2.
      • A Music Without A Future.
      • We Antipodes.
      • Where Wagner Is At Home.
      • Wagner As The Apostle Of Chastity.
        • 1.
        • 2.
        • 3.
      • 1.
      • 2.
      • 3.
      • How I Got Rid Of Wagner.
        • 1.
        • 2.
      • 1.
      • 2.
      • The Psychologist Speaks.
        • 1.
        • 2.
        • 3.
      • 1.
      • 2.
      • 3.
      • Epilogue.
        • 1.
        • 2.
      • 1.
      • 2.
    • 1.
    • 2.
    • A Music Without A Future.
    • We Antipodes.
    • Where Wagner Is At Home.
    • Wagner As The Apostle Of Chastity.
      • 1.
      • 2.
      • 3.
    • 1.
    • 2.
    • 3.
    • How I Got Rid Of Wagner.
      • 1.
      • 2.
    • 1.
    • 2.
    • The Psychologist Speaks.
      • 1.
      • 2.
      • 3.
    • 1.
    • 2.
    • 3.
    • Epilogue.
      • 1.
      • 2.
    • 1.
    • 2.
  • Selected Aphorisms from Nietzsche's Retrospect of his Years of Friendship with Wagner.
    • (Summer 1878.)
      • 1.
      • 2.
      • 3.
      • 4.
      • 5.
      • 6.
      • 7.
      • 8.
      • 9.
      • 10.
      • 11.
      • 12.
      • 13.
      • 14.
      • 15.
      • 16.
      • 17.
      • 18.
      • 19.
      • 20.
      • 21.
      • 22.
      • 23.
      • 24.
      • 25.
      • 26.
      • 27.
      • 28.
      • 29.
      • 30.
      • 31.
      • 32.
      • 33.
      • 34.
      • 35.
    • 1.
    • 2.
    • 3.
    • 4.
    • 5.
    • 6.
    • 7.
    • 8.
    • 9.
    • 10.
    • 11.
    • 12.
    • 13.
    • 14.
    • 15.
    • 16.
    • 17.
    • 18.
    • 19.
    • 20.
    • 21.
    • 22.
    • 23.
    • 24.
    • 25.
    • 26.
    • 27.
    • 28.
    • 29.
    • 30.
    • 31.
    • 32.
    • 33.
    • 34.
    • 35.
    • Wagner's Teutonism.
      • 36.
      • 37.
      • 38.
      • 39.
      • 40.
      • 41.
      • 42.
      • 43.
      • 44.
      • 45.
      • 46.
      • 47.
      • 48.
      • 49.
      • 50.
    • 36.
    • 37.
    • 38.
    • 39.
    • 40.
    • 41.
    • 42.
    • 43.
    • 44.
    • 45.
    • 46.
    • 47.
    • 48.
    • 49.
    • 50.
    • Contradictions in the Idea of Musical Drama.
      • 51.
      • 52.
      • 53.
      • 54.
      • 55.
      • 56.
      • 57.
      • 58.
      • 59.
      • 60.
      • 61.
      • 62.
      • 63.
      • 64.
      • 65.
      • 66.
      • 67.
      • 68.
      • 69.
      • 70.
      • 71.
      • 72.
      • 73.
      • 74.
      • Wagner's Effects.
        • 75.
        • 76.
      • 75.
      • 76.
    • 51.
    • 52.
    • 53.
    • 54.
    • 55.
    • 56.
    • 57.
    • 58.
    • 59.
    • 60.
    • 61.
    • 62.
    • 63.
    • 64.
    • 65.
    • 66.
    • 67.
    • 68.
    • 69.
    • 70.
    • 71.
    • 72.
    • 73.
    • 74.
    • Wagner's Effects.
      • 75.
      • 76.
    • 75.
    • 76.
  • Footnotes
  • Credits
  • A Word from Project Gutenberg
  • The Full Project Gutenberg License
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        • 1.E.3.
        • 1.E.4.
        • 1.E.5.
        • 1.E.6.
        • 1.E.7.
        • 1.E.8.
        • 1.E.9.
      • 1.E.1.
      • 1.E.2.
      • 1.E.3.
      • 1.E.4.
      • 1.E.5.
      • 1.E.6.
      • 1.E.7.
      • 1.E.8.
      • 1.E.9.
      • 1.F.
        • 1.F.1.
        • 1.F.2.
        • 1.F.3.
        • 1.F.4.
        • 1.F.5.
        • 1.F.6.
      • 1.F.1.
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