The works of John Dryden, now first collected in eighteen volumes. Volume 06
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WORKS
JOHN DRYDEN,
IN EIGHTEEN VOLUMES.
WITH NOTES,
A LIFE OF THE AUTHOR,
WALTER SCOTT, Esq.
VOL. VI.
LONDON:
1808.
CONTENTS
VOLUME SIXTH.
LIMBERHAM;
THE KIND KEEPER.
A COMEDY.
LIMBERHAM.
TO THE RIGHT HONOURABLE JOHN, LORD VAUGHAN, &c[1].
PROLOGUE.
DRAMATIS PERSONÆ
LIMBERHAM;
KIND KEEPER.
ACT I. SCENE I.—An open Garden-House; a table in it, and chairs.
A SONG.
ACT II. SCENE I.
SCENE changes to Limberham's apartment.
LIMBERHAM SINGING.
ACT III.—SCENE I.
A SONG FROM THE ITALIAN.
SCENE II.—Mr Woodall's Chamber.
ACT IV.—SCENE I.
SCENE opens to Brainsick's Apartment.
SCENE II.—Woodall and Tricksy discovered in the Garden-house.
ACT V.—SCENE I.
ACT I. SCENE I.—An open Garden-House; a table in it, and chairs.
A SONG.
ACT II. SCENE I.
SCENE changes to Limberham's apartment.
LIMBERHAM SINGING.
ACT III.—SCENE I.
A SONG FROM THE ITALIAN.
SCENE II.—Mr Woodall's Chamber.
ACT IV.—SCENE I.
SCENE opens to Brainsick's Apartment.
SCENE II.—Woodall and Tricksy discovered in the Garden-house.
ACT V.—SCENE I.
EPILOGUE. SPOKEN BY LIMBERHAM.
ŒDIPUS.
A TRAGEDY.
ŒDIPUS.
PREFACE.
PROLOGUE.
DRAMATIS PERSONÆ.
ŒDIPUS.
ACT I. SCENE I.—The Curtain rises to a plaintive Tune, representing the present condition of Thebes; dead Bodies appear at a distance in the Streets; some faintly go over the Stage, others drop.
ACT II. SCENE I.—An open Gallery. A Royal Bed-chamber being supposed behind. The Time, Night. Thunder, &c.
SONG TO APOLLO.
ACT III. SCENE I.—A dark Grove.
ACT IV. SCENE I.
ACT V.—SCENE I.
ACT I. SCENE I.—The Curtain rises to a plaintive Tune, representing the present condition of Thebes; dead Bodies appear at a distance in the Streets; some faintly go over the Stage, others drop.
ACT II. SCENE I.—An open Gallery. A Royal Bed-chamber being supposed behind. The Time, Night. Thunder, &c.
SONG TO APOLLO.
ACT III. SCENE I.—A dark Grove.
ACT IV. SCENE I.
ACT V.—SCENE I.
EPILOGUE.
CARDINAL NORFOLK.
PLEBEIANS.
CARDINAL NORFOLK.
PLEBEIANS.
TROILUS AND CRESSIDA:
TRUTH FOUND TOO LATE.
A TRAGEDY.
TROILUS AND CRESSIDA.
TO THE RIGHT HONOURABLE ROBERT, EARL OF SUNDERLAND[1], PRINCIPAL SECRETARY OF STATE, ONE OF HIS MAJESTY'S MOST HONOURABLE PRIVY-COUNCIL, &C.
THE PREFACE.
PROLOGUE SPOKEN BY MR BETTERTON, REPRESENTING THE GHOST OF SHAKESPEARE.
DRAMATIS PERSONÆ.
TROILUS AND CRESSIDA
ACT I. SCENE I.—A Camp.
SCENE II.—Troy.
ACT II. SCENE I.—Troy.
SCENE II.
SCENE III.—The Camp.
ACT III. SCENE I.
SCENE II.
ACT IV. SCENE I.
SCENE II.
ACT V. SCENE I.
SCENE II—The Camp.
ACT I. SCENE I.—A Camp.
SCENE II.—Troy.
ACT II. SCENE I.—Troy.
SCENE II.
SCENE III.—The Camp.
ACT III. SCENE I.
SCENE II.
ACT IV. SCENE I.
SCENE II.
ACT V. SCENE I.
SCENE II—The Camp.
EPILOGUE, SPOKEN BY THERSITES.
SPANISH FRIAR;
THE DOUBLE DISCOVERY.
THE SPANISH FRIAR.
TO THE RIGHT HONOURABLE JOHN, LORD HAUGHTON[1].
PROLOGUE.
DRAMATIS PERSONÆ.
SPANISH FRIAR:
DOUBLE DISCOVERY.
ACT I.—SCENE I.
SCENE II.
ACT II. SCENE I.—The Queen's Antechamber.
SCENE II.—A Chamber. A Table and Wine set out.
SCENE III.—A Chamber.
ACT III. SCENE I.—The Street.
SCENE II.—Elvira's Chamber.
SCENE III.—A Bed Chamber.
ACT IV. SCENE I.—Before Gomez's Door.
SCENE II.—The Court.
ACT V. SCENE I.—A Bed-Chamber.
SONG.
SCENE II.—The Palace-Yard. Drums and Trumpets within.
ACT I.—SCENE I.
SCENE II.
ACT II. SCENE I.—The Queen's Antechamber.
SCENE II.—A Chamber. A Table and Wine set out.
SCENE III.—A Chamber.
ACT III. SCENE I.—The Street.
SCENE II.—Elvira's Chamber.
SCENE III.—A Bed Chamber.
ACT IV. SCENE I.—Before Gomez's Door.
SCENE II.—The Court.
ACT V. SCENE I.—A Bed-Chamber.
SONG.
SCENE II.—The Palace-Yard. Drums and Trumpets within.
EPILOGUE. BY A FRIEND OF THE AUTHOR'S.
END OF THE SIXTH VOLUME.
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