The German Classics of the Nineteenth and Twentieth Centuries, Volume 03 Masterpieces of German Literature Translated into English. in Twenty Volumes
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VOLUME III
THE GERMAN CLASSICS
IN TWENTY VOLUMES
THE GERMAN PUBLICATION SOCIETY NEW YORK
CONTENTS OF VOLUME III
POEMS[1]
DRAMAS
HISTORY AND LITERATURE
HISTORY AND LITERATURE
DRAMAS
HISTORY AND LITERATURE
HISTORY AND LITERATURE
ILLUSTRATIONS—VOLUME III
THE LIFE OF SCHILLER
POEMS
THE VEILED IMAGE AT SAÏS (1795)
THE IDEAL AND THE ACTUAL LIFE (1795)
GENIUS (1795)
VOTIVE TABLETS
MOTTO TO THE VOTIVE TABLETS.
THE GOOD AND THE BEAUTIFUL
VALUE AND WORTH
THE KEY
THE DIVISION OF RANKS
TO THE MYSTIC
WISDOM AND PRUDENCE
THE UNANIMITY
THE SCIENCE OF POLITICS
TO ASTRONOMERS
THE BEST GOVERNED STATE
MY BELIEF
FRIEND AND FOE
LIGHT AND COLOR
FORUM OF WOMEN
GENIUS
THE IMITATOR
CORRECTNESS
THE MASTER
EXPECTATION AND FULFILLMENT
THE PROSELYTE MAKER
THE CONNECTING MEDIUM
THE MORAL POET
THE SUBLIME THEME
SCIENCE
KANT AND HIS COMMENTATORS
THE MAIDEN FROM AFAR (1796)
THE GLOVE (1797)
MOTTO TO THE VOTIVE TABLETS.
THE GOOD AND THE BEAUTIFUL
VALUE AND WORTH
THE KEY
THE DIVISION OF RANKS
TO THE MYSTIC
WISDOM AND PRUDENCE
THE UNANIMITY
THE SCIENCE OF POLITICS
TO ASTRONOMERS
THE BEST GOVERNED STATE
MY BELIEF
FRIEND AND FOE
LIGHT AND COLOR
FORUM OF WOMEN
GENIUS
THE IMITATOR
CORRECTNESS
THE MASTER
EXPECTATION AND FULFILLMENT
THE PROSELYTE MAKER
THE CONNECTING MEDIUM
THE MORAL POET
THE SUBLIME THEME
SCIENCE
KANT AND HIS COMMENTATORS
THE MAIDEN FROM AFAR (1796)
THE GLOVE (1797)
THE CRANES OF IBYCUS (1797)
THE WORDS OF BELIEF (1797)
THE WORDS OF ERROR (1799)
THE GERMAN ART (1800)
COMMENCEMENT OF THE NEW CENTURY (1801)
CASSANDRA (1802)
RUDOLPH OF HAPSBURG (1803)
THE VEILED IMAGE AT SAÏS (1795)
THE IDEAL AND THE ACTUAL LIFE (1795)
GENIUS (1795)
VOTIVE TABLETS
MOTTO TO THE VOTIVE TABLETS.
THE GOOD AND THE BEAUTIFUL
VALUE AND WORTH
THE KEY
THE DIVISION OF RANKS
TO THE MYSTIC
WISDOM AND PRUDENCE
THE UNANIMITY
THE SCIENCE OF POLITICS
TO ASTRONOMERS
THE BEST GOVERNED STATE
MY BELIEF
FRIEND AND FOE
LIGHT AND COLOR
FORUM OF WOMEN
GENIUS
THE IMITATOR
CORRECTNESS
THE MASTER
EXPECTATION AND FULFILLMENT
THE PROSELYTE MAKER
THE CONNECTING MEDIUM
THE MORAL POET
THE SUBLIME THEME
SCIENCE
KANT AND HIS COMMENTATORS
THE MAIDEN FROM AFAR (1796)
THE GLOVE (1797)
MOTTO TO THE VOTIVE TABLETS.
THE GOOD AND THE BEAUTIFUL
VALUE AND WORTH
THE KEY
THE DIVISION OF RANKS
TO THE MYSTIC
WISDOM AND PRUDENCE
THE UNANIMITY
THE SCIENCE OF POLITICS
TO ASTRONOMERS
THE BEST GOVERNED STATE
MY BELIEF
FRIEND AND FOE
LIGHT AND COLOR
FORUM OF WOMEN
GENIUS
THE IMITATOR
CORRECTNESS
THE MASTER
EXPECTATION AND FULFILLMENT
THE PROSELYTE MAKER
THE CONNECTING MEDIUM
THE MORAL POET
THE SUBLIME THEME
SCIENCE
KANT AND HIS COMMENTATORS
THE MAIDEN FROM AFAR (1796)
THE GLOVE (1797)
THE CRANES OF IBYCUS (1797)
THE WORDS OF BELIEF (1797)
THE WORDS OF ERROR (1799)
THE GERMAN ART (1800)
COMMENCEMENT OF THE NEW CENTURY (1801)
CASSANDRA (1802)
RUDOLPH OF HAPSBURG (1803)
DRAMAS
INTRODUCTION TO WALLENSTEIN'S DEATH
THE DEATH OF WALLENSTEIN
DRAMATIS PERSONÆ
THE DEATH OF WALLENSTEIN (1800)[23]
DRAMATIS PERSONÆ
THE DEATH OF WALLENSTEIN (1800)[23]
ACT I
SCENE I
SCENE II
WALLENSTEIN. COUNT TERZKY
SCENE III
SCENE IV.
SCENE V
SCENE VI
SCENE VII
SCENE I
SCENE II
WALLENSTEIN. COUNT TERZKY
SCENE III
SCENE IV.
SCENE V
SCENE VI
SCENE VII
ACT II
SCENE I
SCENE II
SCENE III
WALLENSTEIN, TERZKY
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE I
SCENE II
SCENE III
WALLENSTEIN, TERZKY
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT III
SCENE I
SCENE II
SCENE III
DUCHESS.
SCENE IV
WALLENST.
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS.
SCENE I
SCENE II
SCENE III
DUCHESS.
SCENE IV
WALLENST.
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS.
SCENE X
SCENE XI
SCENE XII
COUNTESS, DUCHESS, THEKLA
SCENE XIII
SCENE XIV
WALLENSTEIN, ILLO, TERZKY
SCENE XV
SCENE XVI
SCENE XVII
SCENE XVIII
SCENE XIX
SCENE XX
TERZKY.
SCENE XXI
SCENE XXII
SCENE XXIII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE XI
SCENE XII
COUNTESS, DUCHESS, THEKLA
SCENE XIII
SCENE XIV
WALLENSTEIN, ILLO, TERZKY
SCENE XV
SCENE XVI
SCENE XVII
SCENE XVIII
SCENE XIX
SCENE XX
TERZKY.
SCENE XXI
SCENE XXII
SCENE XXIII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
SCENE X
SCENE XI
THEKLA, LADY NEUBRUNN
SCENE XII
THEKLA.
SCENE XIII
SCENE XIV
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
WALLENSTEIN, GORDON
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS, GORDON
SCENE X
SCENE XI
SCENE X
SCENE XI
THEKLA, LADY NEUBRUNN
SCENE XII
THEKLA.
SCENE XIII
SCENE XIV
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
WALLENSTEIN, GORDON
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS, GORDON
SCENE X
SCENE XI
INTRODUCTION TO WALLENSTEIN'S DEATH
THE DEATH OF WALLENSTEIN
DRAMATIS PERSONÆ
THE DEATH OF WALLENSTEIN (1800)[23]
DRAMATIS PERSONÆ
THE DEATH OF WALLENSTEIN (1800)[23]
ACT I
SCENE I
SCENE II
WALLENSTEIN. COUNT TERZKY
SCENE III
SCENE IV.
SCENE V
SCENE VI
SCENE VII
SCENE I
SCENE II
WALLENSTEIN. COUNT TERZKY
SCENE III
SCENE IV.
SCENE V
SCENE VI
SCENE VII
ACT II
SCENE I
SCENE II
SCENE III
WALLENSTEIN, TERZKY
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE I
SCENE II
SCENE III
WALLENSTEIN, TERZKY
SCENE IV
SCENE V
SCENE VI
SCENE VII
ACT III
SCENE I
SCENE II
SCENE III
DUCHESS.
SCENE IV
WALLENST.
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS.
SCENE I
SCENE II
SCENE III
DUCHESS.
SCENE IV
WALLENST.
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS.
SCENE X
SCENE XI
SCENE XII
COUNTESS, DUCHESS, THEKLA
SCENE XIII
SCENE XIV
WALLENSTEIN, ILLO, TERZKY
SCENE XV
SCENE XVI
SCENE XVII
SCENE XVIII
SCENE XIX
SCENE XX
TERZKY.
SCENE XXI
SCENE XXII
SCENE XXIII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE XI
SCENE XII
COUNTESS, DUCHESS, THEKLA
SCENE XIII
SCENE XIV
WALLENSTEIN, ILLO, TERZKY
SCENE XV
SCENE XVI
SCENE XVII
SCENE XVIII
SCENE XIX
SCENE XX
TERZKY.
SCENE XXI
SCENE XXII
SCENE XXIII
ACT IV
SCENE I
SCENE II
SCENE III
SCENE IV
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
SCENE X
SCENE XI
THEKLA, LADY NEUBRUNN
SCENE XII
THEKLA.
SCENE XIII
SCENE XIV
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
WALLENSTEIN, GORDON
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS, GORDON
SCENE X
SCENE XI
SCENE X
SCENE XI
THEKLA, LADY NEUBRUNN
SCENE XII
THEKLA.
SCENE XIII
SCENE XIV
ACT V
SCENE I
SCENE II
SCENE III
SCENE IV
WALLENSTEIN, GORDON
SCENE V
SCENE VI
SCENE VII
SCENE VIII
SCENE IX
COUNTESS, GORDON
SCENE X
SCENE XI
INTRODUCTION TO WILLIAM TELL
WILLIAM TELL
DRAMATIS PERSONÆ
WILLIAM TELL (1804)[36]
DRAMATIS PERSONÆ
WILLIAM TELL (1804)[36]
ACT I
SCENE II
SCENE III
SCENE IV
SCENE II
SCENE III
SCENE IV
ACT II
SCENE I
RUDENZ.
SCENE II
SCENE I
RUDENZ.
SCENE II
ACT III
SCENE I
SCENE II
FRIESS.
SCENE I
SCENE II
FRIESS.
ACT IV
SCENE I
SCENE II
SCENE III
ACT V
SCENE II
SCENE III
SCENE I
SCENE II
SCENE III
ACT V
SCENE II
SCENE III
THE HOMAGE OF THE ARTS
A MASQUE
A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS.
A MASQUE
A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS.
THE HOMAGE OF THE ARTS (1804)
THE FATHER
THE FATHER
WILLIAM TELL
DRAMATIS PERSONÆ
WILLIAM TELL (1804)[36]
DRAMATIS PERSONÆ
WILLIAM TELL (1804)[36]
ACT I
SCENE II
SCENE III
SCENE IV
SCENE II
SCENE III
SCENE IV
ACT II
SCENE I
RUDENZ.
SCENE II
SCENE I
RUDENZ.
SCENE II
ACT III
SCENE I
SCENE II
FRIESS.
SCENE I
SCENE II
FRIESS.
ACT IV
SCENE I
SCENE II
SCENE III
ACT V
SCENE II
SCENE III
SCENE I
SCENE II
SCENE III
ACT V
SCENE II
SCENE III
THE HOMAGE OF THE ARTS
A MASQUE
A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS.
A MASQUE
A FATHER. A MOTHER. A YOUTH. A MAIDEN. CHORUS OF COUNTRY PEOPLE. GENIUS. THE SEVEN ARTS.
THE HOMAGE OF THE ARTS (1804)
THE FATHER
THE FATHER
HISTORY AND LITERATURE
ON THE USE OF THE CHORUS IN TRAGEDY (1803)[63]
SCHILLER-GOETHE CORRESPONDENCE[64]
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