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Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear, Macbeth

By A. C. (Andrew Cecil) Bradley
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Book Description
Table of Contents
  • SHAKESPEAREAN TRAGEDY
  • SHAKESPEAREAN TRAGEDY
    • LECTURES ON
    • HAMLET, OTHELLO, KING LEAR
    • MACBETH
      • BY
    • BY
    • A.C. BRADLEY
      • LL.D. LITT.D., FORMERLY PROFESSOR OF POETRY IN THE UNIVERSITY OF OXFORD
    • LL.D. LITT.D., FORMERLY PROFESSOR OF POETRY IN THE UNIVERSITY OF OXFORD
    • PREFACE
    • NOTE TO SECOND AND SUBSEQUENT IMPRESSIONS
    • CONTENTS
    • INTRODUCTION
    • LECTURE I
      • THE SUBSTANCE OF SHAKESPEAREAN TRAGEDY
        • 1
        • 2
        • 3
        • 4
        • 5
      • 1
      • 2
      • 3
      • 4
      • 5
    • THE SUBSTANCE OF SHAKESPEAREAN TRAGEDY
      • 1
      • 2
      • 3
      • 4
      • 5
    • 1
    • 2
    • 3
    • 4
    • 5
    • LECTURE II
      • CONSTRUCTION IN SHAKESPEARE'S TRAGEDIES
        • 1
        • 2
        • 3
        • 4
      • 1
      • 2
      • 3
      • 4
    • CONSTRUCTION IN SHAKESPEARE'S TRAGEDIES
      • 1
      • 2
      • 3
      • 4
    • 1
    • 2
    • 3
    • 4
    • LECTURE III
      • SHAKESPEARE'S TRAGIC PERIOD—HAMLET
        • 1
        • 2
        • 3
        • 4
      • 1
      • 2
      • 3
      • 4
    • SHAKESPEARE'S TRAGIC PERIOD—HAMLET
      • 1
      • 2
      • 3
      • 4
    • 1
    • 2
    • 3
    • 4
    • LECTURE IV
      • HAMLET
        • 1
        • 2
        • 3
        • 4
        • 5
      • 1
      • 2
      • 3
      • 4
      • 5
    • HAMLET
      • 1
      • 2
      • 3
      • 4
      • 5
    • 1
    • 2
    • 3
    • 4
    • 5
    • LECTURE V
      • OTHELLO
        • 1
        • 2
        • 3
      • 1
      • 2
      • 3
    • OTHELLO
      • 1
      • 2
      • 3
    • 1
    • 2
    • 3
    • LECTURE VI
      • OTHELLO
        • 1
        • 2
        • 3
        • 4
        • 5
        • 6
      • 1
      • 2
      • 3
      • 4
      • 5
      • 6
    • OTHELLO
      • 1
      • 2
      • 3
      • 4
      • 5
      • 6
    • 1
    • 2
    • 3
    • 4
    • 5
    • 6
    • LECTURE VII
      • KING LEAR
        • 1
        • 2
        • 3
      • 1
      • 2
      • 3
    • KING LEAR
      • 1
      • 2
      • 3
    • 1
    • 2
    • 3
    • LECTURE VIII
      • KING LEAR
        • 1
        • 2
        • 3
        • 4
        • 5
      • 1
      • 2
      • 3
      • 4
      • 5
    • KING LEAR
      • 1
      • 2
      • 3
      • 4
      • 5
    • 1
    • 2
    • 3
    • 4
    • 5
    • LECTURE IX
      • MACBETH
        • 1
        • 2
        • 3
      • 1
      • 2
      • 3
    • MACBETH
      • 1
      • 2
      • 3
    • 1
    • 2
    • 3
    • LECTURE X
      • MACBETH
        • 1
        • 2
        • 3
        • 4
        • 5
      • 1
      • 2
      • 3
      • 4
      • 5
    • MACBETH
      • 1
      • 2
      • 3
      • 4
      • 5
    • 1
    • 2
    • 3
    • 4
    • 5
    • NOTE A.
      • EVENTS BEFORE THE OPENING OF THE ACTION IN HAMLET.
    • EVENTS BEFORE THE OPENING OF THE ACTION IN HAMLET.
    • NOTE B.
      • WHERE WAS HAMLET AT THE TIME OF HIS FATHER'S DEATH?
    • WHERE WAS HAMLET AT THE TIME OF HIS FATHER'S DEATH?
    • NOTE C.
      • HAMLET'S AGE.
    • HAMLET'S AGE.
    • NOTE D.
      • 'MY TABLES—MEET IT IS I SET IT DOWN.'
    • 'MY TABLES—MEET IT IS I SET IT DOWN.'
    • NOTE E.
      • THE GHOST IN THE CELLARAGE.
    • THE GHOST IN THE CELLARAGE.
    • NOTE F.
      • THE PLAYER'S SPEECH IN HAMLET.
    • THE PLAYER'S SPEECH IN HAMLET.
    • NOTE G.
      • HAMLET'S APOLOGY TO LAERTES.
    • HAMLET'S APOLOGY TO LAERTES.
    • NOTE H.
      • THE EXCHANGE OF RAPIERS.
    • THE EXCHANGE OF RAPIERS.
    • NOTE I.
      • THE DURATION OF THE ACTION IN OTHELLO.
    • THE DURATION OF THE ACTION IN OTHELLO.
    • NOTE J.
      • THE 'ADDITIONS' TO OTHELLO IN THE FIRST FOLIO. THE PONTIC SEA.
    • THE 'ADDITIONS' TO OTHELLO IN THE FIRST FOLIO. THE PONTIC SEA.
    • NOTE K.
      • OTHELLO'S COURTSHIP.
    • OTHELLO'S COURTSHIP.
    • NOTE L.
      • OTHELLO IN THE TEMPTATION SCENE.
    • OTHELLO IN THE TEMPTATION SCENE.
    • NOTE M.
      • QUESTIONS AS TO OTHELLO, Act iv. Scene i.
    • QUESTIONS AS TO OTHELLO, Act iv. Scene i.
    • NOTE N.
      • TWO PASSAGES IN THE LAST SCENE OF OTHELLO.
    • TWO PASSAGES IN THE LAST SCENE OF OTHELLO.
    • NOTE O.
      • OTHELLO ON DESDEMONA'S LAST WORDS.
    • OTHELLO ON DESDEMONA'S LAST WORDS.
    • NOTE P.
      • DID EMILIA SUSPECT IAGO?
    • DID EMILIA SUSPECT IAGO?
    • NOTE Q.
      • IAGO'S SUSPICION REGARDING CASSIO AND EMILIA.
    • IAGO'S SUSPICION REGARDING CASSIO AND EMILIA.
    • NOTE R.
      • REMINISCENCES OF OTHELLO IN KING LEAR.
    • REMINISCENCES OF OTHELLO IN KING LEAR.
    • NOTE S.
      • KING LEAR AND TIMON OF ATHENS.
    • KING LEAR AND TIMON OF ATHENS.
    • NOTE T.
      • DID SHAKESPEARE SHORTEN KING LEAR?
    • DID SHAKESPEARE SHORTEN KING LEAR?
    • NOTE U.
      • MOVEMENTS OF THE DRAMATIS PERSONÆ IN ACT II. OF KING LEAR.
    • MOVEMENTS OF THE DRAMATIS PERSONÆ IN ACT II. OF KING LEAR.
    • NOTE V.
      • SUSPECTED INTERPOLATIONS IN KING LEAR.
    • SUSPECTED INTERPOLATIONS IN KING LEAR.
    • NOTE W.
      • THE STAGING OF THE SCENE OF LEAR'S REUNION WITH CORDELIA.
    • THE STAGING OF THE SCENE OF LEAR'S REUNION WITH CORDELIA.
    • NOTE X.
      • THE BATTLE IN KING LEAR.
    • THE BATTLE IN KING LEAR.
    • NOTE Y.
      • SOME DIFFICULT PASSAGES IN KING LEAR.
    • SOME DIFFICULT PASSAGES IN KING LEAR.
    • NOTE Z.
      • SUSPECTED INTERPOLATIONS IN MACBETH.
    • SUSPECTED INTERPOLATIONS IN MACBETH.
    • NOTE AA.
      • HAS MACBETH BEEN ABRIDGED?
    • HAS MACBETH BEEN ABRIDGED?
    • NOTE BB.
      • THE DATE OF MACBETH. METRICAL TESTS.
    • THE DATE OF MACBETH. METRICAL TESTS.
    • NOTE CC.
      • WHEN WAS THE MURDER OF DUNCAN FIRST PLOTTED?
    • WHEN WAS THE MURDER OF DUNCAN FIRST PLOTTED?
    • NOTE DD.
      • DID LADY MACBETH REALLY FAINT?
    • DID LADY MACBETH REALLY FAINT?
    • NOTE EE.
      • DURATION OF THE ACTION IN MACBETH. MACBETH'S AGE. 'HE HAS NO CHILDREN.'
    • DURATION OF THE ACTION IN MACBETH. MACBETH'S AGE. 'HE HAS NO CHILDREN.'
    • NOTE FF.
      • THE GHOST OF BANQUO.
    • THE GHOST OF BANQUO.
    • INDEX
      • GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE AND CO. LTD.
        • 8vo. 12s. 6d. net.
      • 8vo. 12s. 6d. net.
    • GLASGOW: PRINTED AT THE UNIVERSITY PRESS BY ROBERT MACLEHOSE AND CO. LTD.
      • 8vo. 12s. 6d. net.
    • 8vo. 12s. 6d. net.
    • Oxford Lectures on Poetry
      • BY
      • A.C. BRADLEY, LL.D., Litt.D.
        • MACMILLAN AND CO. Ltd., LONDON.
        • Second Edition. Crown 8vo. 5s. 6d. net.
      • MACMILLAN AND CO. Ltd., LONDON.
      • Second Edition. Crown 8vo. 5s. 6d. net.
    • BY
    • A.C. BRADLEY, LL.D., Litt.D.
      • MACMILLAN AND CO. Ltd., LONDON.
      • Second Edition. Crown 8vo. 5s. 6d. net.
    • MACMILLAN AND CO. Ltd., LONDON.
    • Second Edition. Crown 8vo. 5s. 6d. net.
    • A Commentary on Tennyson's 'In Memoriam'
      • BY
      • A.C. BRADLEY, LL.D., Litt.D.
        • MACMILLAN AND CO. Ltd., LONDON.
      • MACMILLAN AND CO. Ltd., LONDON.
    • BY
    • A.C. BRADLEY, LL.D., Litt.D.
      • MACMILLAN AND CO. Ltd., LONDON.
    • MACMILLAN AND CO. Ltd., LONDON.
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