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The Violin Some Account of That Leading Instrument and Its Most Eminent Professors, from Its Earliest Date to the Present Time; with Hints to Amateurs, Anecdotes, etc.

By George Dubourg
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Table of Contents
  • E-text prepared by Linda Cantoni, Turgut Dincer, Bryan Ness, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by the Google Books Library Project (http://books.google.com)
  • THE VIOLIN: SOME ACCOUNT OF THAT LEADING INSTRUMENT, AND ITS MOST EMINENT PROFESSORS, FROM ITS EARLIEST DATE TO THE PRESENT TIME; WITH HINTS TO AMATEURS, ANECDOTES, ETC.
    • PREFACE
      • TO THE PRESENT EDITION.
      • CONTENTS.
        • CHAPTER I.
        • CHAPTER II.
        • CHAPTER III.
        • CHAPTER IV.
        • CHAPTER V.
        • CHAPTER VI.
        • CHAPTER VII.
        • CHAPTER VIII.
        • CHAPTER IX.
        • CHAPTER X.
      • CHAPTER I.
      • CHAPTER II.
      • CHAPTER III.
      • CHAPTER IV.
      • CHAPTER V.
      • CHAPTER VI.
      • CHAPTER VII.
      • CHAPTER VIII.
      • CHAPTER IX.
      • CHAPTER X.
    • TO THE PRESENT EDITION.
    • CONTENTS.
      • CHAPTER I.
      • CHAPTER II.
      • CHAPTER III.
      • CHAPTER IV.
      • CHAPTER V.
      • CHAPTER VI.
      • CHAPTER VII.
      • CHAPTER VIII.
      • CHAPTER IX.
      • CHAPTER X.
    • CHAPTER I.
    • CHAPTER II.
    • CHAPTER III.
    • CHAPTER IV.
    • CHAPTER V.
    • CHAPTER VI.
    • CHAPTER VII.
    • CHAPTER VIII.
    • CHAPTER IX.
    • CHAPTER X.
    • THE VIOLIN,
      • CHAPTER I.
        • ORIGINAL AND EARLY HISTORY OF THE VIOLIN.
      • ORIGINAL AND EARLY HISTORY OF THE VIOLIN.
      • CHAPTER II.
        • THE ITALIAN SCHOOL.
      • THE ITALIAN SCHOOL.
      • CHAPTER III.
        • PAGANINI.
      • PAGANINI.
      • CHAPTER IV.
        • THE FRENCH SCHOOL.
      • THE FRENCH SCHOOL.
      • CHAPTER V.
        • THE GERMAN SCHOOL.
      • THE GERMAN SCHOOL.
      • CHAPTER VI.
        • THE ENGLISH SCHOOL.
      • THE ENGLISH SCHOOL.
      • CHAPTER VII.
        • AMATEURS.
      • AMATEURS.
      • CHAPTER IX.
        • ON THE CONSTRUCTION OF THE VIOLIN.
      • ON THE CONSTRUCTION OF THE VIOLIN.
      • CHAPTER X.
        • MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC.
      • MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC.
      • ADDENDUM.
        • FEMALE VIOLINISTS.
        • THE END.
      • FEMALE VIOLINISTS.
      • THE END.
      • FOOTNOTES:
    • CHAPTER I.
      • ORIGINAL AND EARLY HISTORY OF THE VIOLIN.
    • ORIGINAL AND EARLY HISTORY OF THE VIOLIN.
    • CHAPTER II.
      • THE ITALIAN SCHOOL.
    • THE ITALIAN SCHOOL.
    • CHAPTER III.
      • PAGANINI.
    • PAGANINI.
    • CHAPTER IV.
      • THE FRENCH SCHOOL.
    • THE FRENCH SCHOOL.
    • CHAPTER V.
      • THE GERMAN SCHOOL.
    • THE GERMAN SCHOOL.
    • CHAPTER VI.
      • THE ENGLISH SCHOOL.
    • THE ENGLISH SCHOOL.
    • CHAPTER VII.
      • AMATEURS.
    • AMATEURS.
    • CHAPTER IX.
      • ON THE CONSTRUCTION OF THE VIOLIN.
    • ON THE CONSTRUCTION OF THE VIOLIN.
    • CHAPTER X.
      • MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC.
    • MISCELLANEOUS ANECDOTES, COLLECTED SCRAPS, ECCENTRIC VARIETIES, ETC.
    • ADDENDUM.
      • FEMALE VIOLINISTS.
      • THE END.
    • FEMALE VIOLINISTS.
    • THE END.
    • FOOTNOTES:
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