The works of John Dryden, now first collected in eighteen volumes. Volume 02
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CONTENTS OF VOLUME SECOND.
THE WORKS OF JOHN DRYDEN.
ADVERTISEMENT.
DEDICATION TO MR CONGREVE'S EDITION OF DRYDEN'S DRAMATIC WORKS.
THE WILD GALLANT, A COMEDY.
THE WILD GALLANT.
THE WILD GALLANT.
PREFACE.
PROLOGUE,
PROLOGUE,
DRAMATIS PERSONAE.
SCENE.—London.
THE WILD GALLANT.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT II. SCENE I.
SCENE II.
SCENE II.
ACT III. SCENE I.
SCENE II.
SCENE II.
ACT IV. SCENE I.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT V. SCENE I.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
EPILOGUE,
EPILOGUE,
DRAMATIS PERSONAE.
SCENE.—London.
THE WILD GALLANT.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT II. SCENE I.
SCENE II.
SCENE II.
ACT III. SCENE I.
SCENE II.
SCENE II.
ACT IV. SCENE I.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT V. SCENE I.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
EPILOGUE,
EPILOGUE,
THE RIVAL LADIES,
THE RIVAL LADIES.
THE RIGHT HONOURABLE ROGER, EARL OF ORRERY[1].
PROLOGUE
DRAMATIS PERSONAE
SCENE—Alicant.
SCENE—Alicant.
THE RIVAL LADIES.
SCENE II.
SCENE III.—The representation of a Street discovered by twilight.
ACT II.
ACT III.
ACT IV. SCENE I.
SCENE II.
SCENE III.—Through a rock is discovered a navy of ships riding at a distance.
SCENE II.
SCENE III.—Through a rock is discovered a navy of ships riding at a distance.
ACT V. SCENE I.
SCENE II.
SCENE III.
SCENE III.
THE RIVAL LADIES.
THE RIGHT HONOURABLE ROGER, EARL OF ORRERY[1].
PROLOGUE
DRAMATIS PERSONAE
SCENE—Alicant.
SCENE—Alicant.
THE RIVAL LADIES.
SCENE II.
SCENE III.—The representation of a Street discovered by twilight.
ACT II.
ACT III.
ACT IV. SCENE I.
SCENE II.
SCENE III.—Through a rock is discovered a navy of ships riding at a distance.
SCENE II.
SCENE III.—Through a rock is discovered a navy of ships riding at a distance.
ACT V. SCENE I.
SCENE II.
SCENE III.
SCENE III.
THE INDIAN QUEEN, A TRAGEDY,
WRITTEN BY THE HON. SIR ROBERT HOWARD, AND MR DRYDEN.
THE INDIAN QUEEN
DRAMATIS PERSONAE
THE INDIAN QUEEN.
ACT I. SCENE I.
SCENE II.—Mexico.
ACT I. SCENE I.
SCENE II.—Mexico.
ACT II. SCENE I.
SCENE II.
SCENE II.
ACT III. SCENE I.
SCENE II.
SCENE II.
ACT IV.
SCENE II.
SCENE II.
ACT V. SCENE I.
SONG.
EPILOGUE.
SONG.
EPILOGUE.
WRITTEN BY THE HON. SIR ROBERT HOWARD, AND MR DRYDEN.
THE INDIAN QUEEN
DRAMATIS PERSONAE
THE INDIAN QUEEN.
ACT I. SCENE I.
SCENE II.—Mexico.
ACT I. SCENE I.
SCENE II.—Mexico.
ACT II. SCENE I.
SCENE II.
SCENE II.
ACT III. SCENE I.
SCENE II.
SCENE II.
ACT IV.
SCENE II.
SCENE II.
ACT V. SCENE I.
SONG.
EPILOGUE.
SONG.
EPILOGUE.
THE INDIAN EMPEROR OR, THE CONQUEST OF MEXICO BY THE SPANIARDS.
TO THE MOST EXCELLENT AND MOST ILLUSTRIOUS PRINCESS, ANNE, DUCHESS OF MONMOUTH AND BUCCLEUCH, WIFE TO THE MOST ILLUSTRIOUS AND HIGH-BORN PRINCE, JAMES, DUKE OF MONMOUTH[A].
A DEFENCE OF AN ESSAY OF DRAMATIC POESY; BEING AN ANSWER TO THE PREFACE OF THE GREAT FAVOURITE, OR THE DUKE OF LERMA.
THE INDIAN EMPEROR.
CONNECTION OF THE INDIAN EMPEROR TO THE INDIAN QUEEN [A].
PROLOGUE
DRAMATIS PERSONAE.
INDIAN MEN.
SCENE—Mexico, and two leagues about it.
INDIAN MEN.
SCENE—Mexico, and two leagues about it.
THE INDIAN EMPEROR.
ACT I.
SCENE II.—A Temple.
ACT I.
SCENE II.—A Temple.
ACT II.
SCENE II.
SCENE III.—Changes to the Indian country.
SCENE IV.
SCENE II.
SCENE III.—Changes to the Indian country.
SCENE IV.
ACT III.
SCENE II.—A Camp.
SCENE III.
SCENE IV.—Mexico.
SCENE II.—A Camp.
SCENE III.
SCENE IV.—Mexico.
ACT IV.
SCENE II.—Chamber-royal.
SCENE III.
SONG.
SCENE IV.—A Prison.
SCENE II.—Chamber-royal.
SCENE III.
SONG.
SCENE IV.—A Prison.
ACT V.
SCENE II.—A Prison.
SCENE II.—A Prison.
EPILOGUE
TO THE MOST EXCELLENT AND MOST ILLUSTRIOUS PRINCESS, ANNE, DUCHESS OF MONMOUTH AND BUCCLEUCH, WIFE TO THE MOST ILLUSTRIOUS AND HIGH-BORN PRINCE, JAMES, DUKE OF MONMOUTH[A].
A DEFENCE OF AN ESSAY OF DRAMATIC POESY; BEING AN ANSWER TO THE PREFACE OF THE GREAT FAVOURITE, OR THE DUKE OF LERMA.
THE INDIAN EMPEROR.
CONNECTION OF THE INDIAN EMPEROR TO THE INDIAN QUEEN [A].
PROLOGUE
DRAMATIS PERSONAE.
INDIAN MEN.
SCENE—Mexico, and two leagues about it.
INDIAN MEN.
SCENE—Mexico, and two leagues about it.
THE INDIAN EMPEROR.
ACT I.
SCENE II.—A Temple.
ACT I.
SCENE II.—A Temple.
ACT II.
SCENE II.
SCENE III.—Changes to the Indian country.
SCENE IV.
SCENE II.
SCENE III.—Changes to the Indian country.
SCENE IV.
ACT III.
SCENE II.—A Camp.
SCENE III.
SCENE IV.—Mexico.
SCENE II.—A Camp.
SCENE III.
SCENE IV.—Mexico.
ACT IV.
SCENE II.—Chamber-royal.
SCENE III.
SONG.
SCENE IV.—A Prison.
SCENE II.—Chamber-royal.
SCENE III.
SONG.
SCENE IV.—A Prison.
ACT V.
SCENE II.—A Prison.
SCENE II.—A Prison.
EPILOGUE
SECRET LOVE; OR, THE MAIDEN QUEEN.
THE MAIDEN QUEEN
PREFACE
PROLOGUE.
I.
I.
SECOND PROLOGUE.
DRAMATIS PERSONAE
SCENE—Sicily.
SCENE—Sicily.
SECRET LOVE OR THE MAIDEN QUEEN.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT II.
ACT III.
ACT IV.
SCENE II.—The Queen's apartments.
ACT V.
SCENE II.—The Queen's apartments.
ACT V.
EPILOGUE, WRITTEN BY A PERSON OF HONOUR.
PROLOGUE,
EPILOGUE,
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PREFACE
PROLOGUE.
I.
I.
SECOND PROLOGUE.
DRAMATIS PERSONAE
SCENE—Sicily.
SCENE—Sicily.
SECRET LOVE OR THE MAIDEN QUEEN.
SCENE II.
SCENE III.
SCENE II.
SCENE III.
ACT II.
ACT III.
ACT IV.
SCENE II.—The Queen's apartments.
ACT V.
SCENE II.—The Queen's apartments.
ACT V.
EPILOGUE, WRITTEN BY A PERSON OF HONOUR.
PROLOGUE,
EPILOGUE,
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