Louder and Faster
Deborah Wong
Louder and Faster
Free
Description
Contents
Reviews

Louder and Faster is a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko, particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American incarceration and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko, Louder and Faster considers both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile.

Louder and Faster is a remarkable work of astounding breadth and originality. It is sure to become an instant classic.” SHAWN BENDER, author of Taiko Boom

“Illuminating how taiko is an instrument for Asian American community activism, this book provides a rare opportunity for readers to get inside a taiko player’s body and mind to experience her journey.” MASUMI IZUMI, author of The Rise and Fall of America’s Concentration Camp Law

“Deborah Wong’s new book is a model of the very best in ethnomusicological love and care. It forges many new directions built respectfully from, and with full acknowledgement of, fruitful directions forged by others.” SHERRIE TUCKER, author of Dance Floor Democracy

“A deeply moving account, Louder and Faster is a revelatory book.” GRACE WANG, author of Soundtracks of Asian America

DEBORAH WONG is Professor of Ethnomusicology at the University of California, Riverside. She is the author of Sounding the Center and Speak it Louder.

American Crossroads, 55

Language
English
ISBN
9780520973152
List of Figures
List of Video and Audio Examples
Introduction
What taiko is and what it could become
(Pre)Histories
Taiko in critical perspective
Multimedia ethnomusicology
Transition: Don
1. Looking, Listening, and Moving
Music as a problem
Analyzing “Aranami”
Looking #1
Pictures that move
How I don’t want to look at taiko
Looking #2: Why it’s hard to photograph Japanese Americans
Three ways of looking at taiko
Moving: This is how these moments come together
Moving through the image
2. Inventories: The Material Culture of Taiko
What’s in my bag
Things
From my journal, June 8, 2003
An inventory of the taiko owned by Rev. Tom Kurai
Made in the US?
Clothing makes the taiko player
What, where, and why things matter
Transition: She Dances on a Taiko
3. Dancing the Body Politic
The body politic
Getting ready to dance
Making a Buddhist tradition
Taiko and bon-odori
Ruptures
“Bon-Odori Uta”
Bon-odori as pilgrimage
“Tanko Bushi”
Creating new bon-odori
It’s YOUR song!
Dancing without end
Transition: Unison and Circles
4. Good Gigs, Bad Gigs: Drumming between Hope and Anger
Pilgrims at Manzanar
Following the Dragon Boats
5. Taiko, Erotics, and Anger
Playing
Pleasure
Gendered pleasure in taiko
Glamorous women and transnational femininity
Honō Daiko and the samurai body
Satori Daiko’s women back at home
Asian American masculinity and martial arts
He’s Hung
Taiko is our Bruce Lee
Brother Bruce was on my wall
Japanese hypermasculinity
Baring it all for taiko
Transition: From My Journal—Learning and Playing “Miyake,” May 8, 2006
6. Pain and the Body Politic: Taiko Players Talk about Blisters and More
Self-examination
Locating the body politic
Failing at form
Talking about pain
Japanese → Japanese American pain
7. Cruising the Pac Rim: Driven to Thrill
Transnationalism and globalization
First pass: race, gender, and sex
The Mitsubishi Eclipse
Racing cars and racialization
J-cool
Participation, accountability, disclosures, foreclosures, interventions, guilt
Taiko in the Pacific Rim theater
Transition: How to Leave a Taiko Group
Conclusion: Core Values
Notes
Acknowledgments
Glossary
References
American Crossroads
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