Blog
FAQ
Sign In
Sign Up
Store
Mr. Punch at the Play: Humours of Music and the Drama
Free

Mr. Punch at the Play: Humours of Music and the Drama

By Various
Free
Read Now
DescriptionTable of ContentsReviewsComments
Book Description
Table of Contents
  • TRANSCRIBER'S NOTE.
    • PUNCH LIBRARY OF HUMOUR
  • MR. PUNCH AT THE PLAY
    • MR. PUNCH AT THE PLAY
      • HUMOURS OF MUSIC AND THE DRAMA
        • THE EDUCATIONAL BOOK CO. LTD
      • THE EDUCATIONAL BOOK CO. LTD
      • THE PUNCH LIBRARY OF HUMOUR
    • HUMOURS OF MUSIC AND THE DRAMA
      • THE EDUCATIONAL BOOK CO. LTD
    • THE EDUCATIONAL BOOK CO. LTD
    • THE PUNCH LIBRARY OF HUMOUR
    • BEFORE THE CURTAIN
    • MR. PUNCH AT THE PLAY
    • SOMETHING FOR THE MONEY
      • The Drama.
      • TRUE APPRECIATION
      • ON A DRAMATIC AUTHOR
    • The Drama.
    • TRUE APPRECIATION
    • ON A DRAMATIC AUTHOR
    • THE MANAGER'S COMPLAINT
      • A First Night.
      • "The Desire of the Moth for the Star.
      • The Counter-Check Quarrelsome.
      • Sweeping Assertion.
    • A First Night.
    • "The Desire of the Moth for the Star.
    • The Counter-Check Quarrelsome.
    • Sweeping Assertion.
    • DRAMATIC NOTES OF THE FUTURE
      • MODERN IMPRESSIONIST ART. A MUSICAL COMEDY
      • AT THE PREMIÈRE
      • THE BILL OF THE PLAY
      • Amenities of the Profession.
      • THE HIGHER EDUCATION OF WOMEN
      • Private Theatricals.
      • An Infant Roscius.
      • A Soliloquy.
      • "Shakspeare and the first Quart O"
      • "Shakspeare and the last Quart O"
      • The Music-hall
      • Screaming Farcical Comedy.
      • A Melodrama at the "Surrey".
      • A pathetic "Comedy-Drama."
      • Another.
      • The Opera.
      • A patriotic Drama at the "National Theatre".
      • And
      • Three acts
      • of Henrik Ibsen.
      • The deplorable issue.
      • "MOST MUSICAL, MOST MELANCHOLY"
      • MUSIC OF THE FUTURE. SENSATION OPERA.
      • "Cross Old Thing!"
      • Our Theatricals.
      • Technical.
      • A Double Disappointment.
      • Modest Appeal.
    • MODERN IMPRESSIONIST ART. A MUSICAL COMEDY
    • AT THE PREMIÈRE
    • THE BILL OF THE PLAY
    • Amenities of the Profession.
    • THE HIGHER EDUCATION OF WOMEN
    • Private Theatricals.
    • An Infant Roscius.
    • A Soliloquy.
    • "Shakspeare and the first Quart O"
    • "Shakspeare and the last Quart O"
    • The Music-hall
    • Screaming Farcical Comedy.
    • A Melodrama at the "Surrey".
    • A pathetic "Comedy-Drama."
    • Another.
    • The Opera.
    • A patriotic Drama at the "National Theatre".
    • And
    • Three acts
    • of Henrik Ibsen.
    • The deplorable issue.
    • "MOST MUSICAL, MOST MELANCHOLY"
    • MUSIC OF THE FUTURE. SENSATION OPERA.
    • "Cross Old Thing!"
    • Our Theatricals.
    • Technical.
    • A Double Disappointment.
    • Modest Appeal.
    • A MODERN REHEARSAL
    • NEO-DRAMATIC NURSERY RHYME
    • HINTS TO AMATEUR PLAYWRIGHTS.
      • QUITE OF HER OPINION
    • QUITE OF HER OPINION
    • THE DECLINE OF THE DRAMA
    • CONTRIBUTION TOWARDS NURSERY RHYMES
      • IN THE STALLS
      • IN THE STALLS
      • MITIGATING CIRCUMSTANCES
      • A Studied Insult.
      • "The Sleeping Beauty."
      • Collaborateurs.
    • IN THE STALLS
    • IN THE STALLS
    • MITIGATING CIRCUMSTANCES
    • A Studied Insult.
    • "The Sleeping Beauty."
    • Collaborateurs.
    • WHY I DON'T WRITE PLAYS
      • Her First Play.
      • Mellow drammer
      • First Night of an Unappreciated Melodrama.
      • THE COMMISSARIAT
      • A NOTE AND QUERY
      • MR. PUNCH'S OPERA BOX
      • SIC VOS NON VOBIS DRAMATISATIS, WRITERS!
    • Her First Play.
    • Mellow drammer
    • First Night of an Unappreciated Melodrama.
    • THE COMMISSARIAT
    • A NOTE AND QUERY
    • MR. PUNCH'S OPERA BOX
    • SIC VOS NON VOBIS DRAMATISATIS, WRITERS!
    • MEM. BY A MANAGER
    • REVISED VERSION OF SHAKSPEARE
      • A solo on the horn
      • After the Performance.
      • SCENES FROM MR. PUNCH'S PANTOMIME. Scene I.—The Tragic Mews
      • SCENES FROM MR. PUNCH'S PANTOMIME. Scene II.—The Comic Mews
      • Ambiguous.
      • Our Theatricals.
      • Mazeppa. "Again he urges on his wild career!!!"
      • Distinguished Amateurs. The Actor.
      • Distinguished Amateurs. The Jeune Premier.
      • Music by handle.
      • THE SWING OF THE PENDULUM
      • Turning a Phrase.
      • Scene— A Booth in the Wild West
      • "Men Were Deceivers Ever"
      • The Commentators.
      • A Disenchantment
      • "JUST HINT A FAULT" Little Tommy Bodkin takes his cousins to the gallery of the Opera
    • A solo on the horn
    • After the Performance.
    • SCENES FROM MR. PUNCH'S PANTOMIME. Scene I.—The Tragic Mews
    • SCENES FROM MR. PUNCH'S PANTOMIME. Scene II.—The Comic Mews
    • Ambiguous.
    • Our Theatricals.
    • Mazeppa. "Again he urges on his wild career!!!"
    • Distinguished Amateurs. The Actor.
    • Distinguished Amateurs. The Jeune Premier.
    • Music by handle.
    • THE SWING OF THE PENDULUM
    • Turning a Phrase.
    • Scene— A Booth in the Wild West
    • "Men Were Deceivers Ever"
    • The Commentators.
    • A Disenchantment
    • "JUST HINT A FAULT" Little Tommy Bodkin takes his cousins to the gallery of the Opera
    • THE MOAN OF A THEATRE-MANAGER
      • Ibsen in Brixton.
      • A five bar rest
      • LESSONS LEARNED AT A PANTOMIME
      • THE NEW PLAY
      • A quick movement with an obligato accompaniment.
      • TERRIFIC SITUATION!
      • APPRECIATIVE!
      • SCENE FROM SHAKSPEARIAN PANTOMIME
      • A Disenchantment.
      • The Problem Play.
      • CHURCH THEATRES FOR COUNTRY VILLAGES—THE BLAMELESS BALLET
      • Confrères.
      • A PROP OF THE DRAMA
      • SHOWING THAT SOMETIMES IT IS GOOD FOR A COBBLER NOT TO STICK TO HIS LAST
      • An Unkind Cut.
      • A CROWDED HOUSE
      • THE PROVINCIAL DRAMA
      • A CONDUCTOR OF HEAT
      • "STARTLING EFFECTS!"
      • EX NIHILO NIHIL FIT
      • HOW HE OUGHT NOT TO LOOK
      • PREHISTORIC SHAKSPEARE.—"MACBETH"
      • MUSIC-HALL INANITIES.—I.
    • Ibsen in Brixton.
    • A five bar rest
    • LESSONS LEARNED AT A PANTOMIME
    • THE NEW PLAY
    • A quick movement with an obligato accompaniment.
    • TERRIFIC SITUATION!
    • APPRECIATIVE!
    • SCENE FROM SHAKSPEARIAN PANTOMIME
    • A Disenchantment.
    • The Problem Play.
    • CHURCH THEATRES FOR COUNTRY VILLAGES—THE BLAMELESS BALLET
    • Confrères.
    • A PROP OF THE DRAMA
    • SHOWING THAT SOMETIMES IT IS GOOD FOR A COBBLER NOT TO STICK TO HIS LAST
    • An Unkind Cut.
    • A CROWDED HOUSE
    • THE PROVINCIAL DRAMA
    • A CONDUCTOR OF HEAT
    • "STARTLING EFFECTS!"
    • EX NIHILO NIHIL FIT
    • HOW HE OUGHT NOT TO LOOK
    • PREHISTORIC SHAKSPEARE.—"MACBETH"
    • MUSIC-HALL INANITIES.—I.
    • MUSIC-HALL INANITIES.—II. The Illustrative Method.
    • ATTENTION AT THE PLAY.
      • Melodrama in the Suburbs.
      • The Ruling Passion.
    • Melodrama in the Suburbs.
    • The Ruling Passion.
    • HIS FIRST AND LAST PLAY
      • Paradoxical.
      • FORM
      • PROPERTY HAS ITS RIGHTS
      • The Point of View.
      • THE FORTHCOMING PANTOMIME
      • MR. PUNCH'S PATENT MATINEE HAT.
      • Heard at a Provincial Circus.
      • The Amateurs.
      • CAUSE AND EFFECT
      • "EXCLUSIVE"
      • The Drama.
      • The Maiden's Point of View.
      • A COMEDIE FRANÇAISE
      • "Those Who Live in Glass Houses," Etc.
      • A very cold audience.
      • A CASE OF "NO COMPRENNY"
    • Paradoxical.
    • FORM
    • PROPERTY HAS ITS RIGHTS
    • The Point of View.
    • THE FORTHCOMING PANTOMIME
    • MR. PUNCH'S PATENT MATINEE HAT.
    • Heard at a Provincial Circus.
    • The Amateurs.
    • CAUSE AND EFFECT
    • "EXCLUSIVE"
    • The Drama.
    • The Maiden's Point of View.
    • A COMEDIE FRANÇAISE
    • "Those Who Live in Glass Houses," Etc.
    • A very cold audience.
    • A CASE OF "NO COMPRENNY"
    • BETWEEN THE ACTS; OR, THE DRAMA IN LIQUOR
      • An Irresistible Appeal.
      • What our Dramatist has to put up with.
      • OVERHEARD OUTSIDE A THEATRE
      • STUDY
      • COLOURED CLERGY
      • SUPEREROGATION
      • After the Theatricals.
      • A DOMESTIC DRAMA
      • PROGRESS
    • An Irresistible Appeal.
    • What our Dramatist has to put up with.
    • OVERHEARD OUTSIDE A THEATRE
    • STUDY
    • COLOURED CLERGY
    • SUPEREROGATION
    • After the Theatricals.
    • A DOMESTIC DRAMA
    • PROGRESS
    • "HAMLET" A LA SAUCE DUMB-CRAMBO
      • "Oh, that this too, too solid flesh would melt!"—Act I., Sc. 2.
      • "I could a tail unfold!"—Ibid.
      • "What a falling off was there!"—Ibid.
      • "Methinks I scent the morning hair!"—Ibid.
      • "Brief let me be!"—Ibid.
      • "Lend thy serious ear-ring to what I shall unfold!"—Act I., Sc. 5.
      • "Toby, or not Toby? that is the question."—Act II., Sc. 2.
      • "The King, sir."—"Ay, sir, what of him?"—"Is in his retirement marvellous distempered."—"With drink, sir!"—"No, my lord, rather with collar!"—Act III., Sc. 2.
      • "Oh, my offence is rank!"—Act III., Sc. 3.
      • "Put your bonnet to his right use—'tis for the head."—Act V., Sc. 2.
      • "Coming Events cast their Shadows before them."
      • A SENSITIVE EAR.
    • "Oh, that this too, too solid flesh would melt!"—Act I., Sc. 2.
    • "I could a tail unfold!"—Ibid.
    • "What a falling off was there!"—Ibid.
    • "Methinks I scent the morning hair!"—Ibid.
    • "Brief let me be!"—Ibid.
    • "Lend thy serious ear-ring to what I shall unfold!"—Act I., Sc. 5.
    • "Toby, or not Toby? that is the question."—Act II., Sc. 2.
    • "The King, sir."—"Ay, sir, what of him?"—"Is in his retirement marvellous distempered."—"With drink, sir!"—"No, my lord, rather with collar!"—Act III., Sc. 2.
    • "Oh, my offence is rank!"—Act III., Sc. 3.
    • "Put your bonnet to his right use—'tis for the head."—Act V., Sc. 2.
    • "Coming Events cast their Shadows before them."
    • A SENSITIVE EAR.
    • DUMB-CRAMBO'S GUIDE TO THE LONDON THEATRES
      • Drew wry lane
      • Cove in garden
      • Cry-teary 'un
      • Prints of whales
      • "A—mark it!"
      • Gay at tea
      • Princesses and royal tea
      • Globe
      • "Scent, James?"
      • Strand and "save, hoi!"
      • Only in play!
      • The actor who has his head turned with applause
      • CURTAIN-RAISERS
      • MUSIC HALL TYPES
      • MUSIC HALL TYPES
      • MUSIC HALL TYPES
      • On Tour.
      • Art and Nature.
      • CONVINCING
    • Drew wry lane
    • Cove in garden
    • Cry-teary 'un
    • Prints of whales
    • "A—mark it!"
    • Gay at tea
    • Princesses and royal tea
    • Globe
    • "Scent, James?"
    • Strand and "save, hoi!"
    • Only in play!
    • The actor who has his head turned with applause
    • CURTAIN-RAISERS
    • MUSIC HALL TYPES
    • MUSIC HALL TYPES
    • MUSIC HALL TYPES
    • On Tour.
    • Art and Nature.
    • CONVINCING
      No comment for this book yet, be the first to comment
      You May Also Like
      Birds and Nature, Vol. VIII, No. 4, November 1900 Illustrated by Color Photography
      Free
      Birds and Nature, Vol. VIII, No. 4, November 1900 Illustrated by Color Photography
      By Various
      Punch, or the London Charivari, Volume 153, October 10, 1917
      Free
      Punch, or the London Charivari, Volume 153, October 10, 1917
      By Various
      Free
      Notes and Queries, Number 01, November 3, 1849
      By Various
      Stories of Childhood
      Free
      Stories of Childhood
      By Various
      Punch, or the London Charivari, Vol. 146, April 29, 1914
      Free
      Punch, or the London Charivari, Vol. 146, April 29, 1914
      By Various
      The Argosy Vol. 51, No. 4, April, 1891
      Free
      The Argosy Vol. 51, No. 4, April, 1891
      By Various
      The Mirror of Literature, Amusement, and Instruction Volume 14, No. 389, September 12, 1829
      Free
      The Mirror of Literature, Amusement, and Instruction Volume 14, No. 389, September 12, 1829
      By Various
      Unaddressed Letters
      Free
      Unaddressed Letters
      By Various
      The New Gresham Encyclopedia Volume 4, Part 3: Estremoz to Felspar
      Free
      The New Gresham Encyclopedia Volume 4, Part 3: Estremoz to Felspar
      By Various
      Punch, or the London Charivari, Volume 152, February 7, 1917
      Free
      Punch, or the London Charivari, Volume 152, February 7, 1917
      By Various
      Also Available On
      Categories
      Arts & Photography491Biographies & Memoirs82Business & Money158Children's Books1576Christian Books & Bibles952Comics & Graphic Novels1Computers & Technology874Cookbooks, Food & Wine31Crafts, Hobbies & Home208Education & Teaching3846Engineering & Transportation1Gay & Lesbian1Health, Fitness & Dieting17History5851Humor & Entertainment162Law153Literature & Fiction19803Medical Books1Mystery, Thriller & Suspense21Other3133Parenting & Relationships10Politics & Social Sciences1474Professional & Technical38Reference10Religion & Spirituality1717Romance269Science & Math1219Science Fiction & Fantasy205Self-Help51Sports & Outdoors47Teen & Young Adult138Test Preparation169Travel114
      Curated Lists
      Solutions
      Corporate & Other BusinessesPublishers & AuthorsReaders
      About BookFusion
      About UsBlogContact Us
      Copyright © 2021 BookFusion
      AboutCopyrightsTerms & ConditionsPrivacyHelp