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Mr. Punch at the Play: Humours of Music and the Drama

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TRANSCRIBER'S NOTE.
- PUNCH LIBRARY OF HUMOUR
MR. PUNCH AT THE PLAY
- MR. PUNCH AT THE PLAY
  - HUMOURS OF MUSIC AND THE DRAMA
    - THE EDUCATIONAL BOOK CO. LTD
  - THE EDUCATIONAL BOOK CO. LTD
  - THE PUNCH LIBRARY OF HUMOUR
- HUMOURS OF MUSIC AND THE DRAMA
  - THE EDUCATIONAL BOOK CO. LTD
- THE EDUCATIONAL BOOK CO. LTD
- THE PUNCH LIBRARY OF HUMOUR
- BEFORE THE CURTAIN
- MR. PUNCH AT THE PLAY
- SOMETHING FOR THE MONEY
  - The Drama.
  - TRUE APPRECIATION
  - ON A DRAMATIC AUTHOR
- The Drama.
- TRUE APPRECIATION
- ON A DRAMATIC AUTHOR
- THE MANAGER'S COMPLAINT
  - A First Night.
  - "The Desire of the Moth for the Star.
  - The Counter-Check Quarrelsome.
  - Sweeping Assertion.
- A First Night.
- "The Desire of the Moth for the Star.
- The Counter-Check Quarrelsome.
- Sweeping Assertion.
- DRAMATIC NOTES OF THE FUTURE
  - MODERN IMPRESSIONIST ART. A MUSICAL COMEDY
  - AT THE PREMIÈRE
  - THE BILL OF THE PLAY
  - Amenities of the Profession.
  - THE HIGHER EDUCATION OF WOMEN
  - Private Theatricals.
  - An Infant Roscius.
  - A Soliloquy.
  - "Shakspeare and the first Quart O"
  - "Shakspeare and the last Quart O"
  - The Music-hall
  - Screaming Farcical Comedy.
  - A Melodrama at the "Surrey".
  - A pathetic "Comedy-Drama."
  - Another.
  - The Opera.
  - A patriotic Drama at the "National Theatre".
  - And
  - Three acts
  - of Henrik Ibsen.
  - The deplorable issue.
  - "MOST MUSICAL, MOST MELANCHOLY"
  - MUSIC OF THE FUTURE. SENSATION OPERA.
  - "Cross Old Thing!"
  - Our Theatricals.
  - Technical.
  - A Double Disappointment.
  - Modest Appeal.
- MODERN IMPRESSIONIST ART. A MUSICAL COMEDY
- AT THE PREMIÈRE
- THE BILL OF THE PLAY
- Amenities of the Profession.
- THE HIGHER EDUCATION OF WOMEN
- Private Theatricals.
- An Infant Roscius.
- A Soliloquy.
- "Shakspeare and the first Quart O"
- "Shakspeare and the last Quart O"
- The Music-hall
- Screaming Farcical Comedy.
- A Melodrama at the "Surrey".
- A pathetic "Comedy-Drama."
- Another.
- The Opera.
- A patriotic Drama at the "National Theatre".
- And
- Three acts
- of Henrik Ibsen.
- The deplorable issue.
- "MOST MUSICAL, MOST MELANCHOLY"
- MUSIC OF THE FUTURE. SENSATION OPERA.
- "Cross Old Thing!"
- Our Theatricals.
- Technical.
- A Double Disappointment.
- Modest Appeal.
- A MODERN REHEARSAL
- NEO-DRAMATIC NURSERY RHYME
- HINTS TO AMATEUR PLAYWRIGHTS.
  - QUITE OF HER OPINION
- QUITE OF HER OPINION
- THE DECLINE OF THE DRAMA
- CONTRIBUTION TOWARDS NURSERY RHYMES
  - IN THE STALLS
  - IN THE STALLS
  - MITIGATING CIRCUMSTANCES
  - A Studied Insult.
  - "The Sleeping Beauty."
  - Collaborateurs.
- IN THE STALLS
- IN THE STALLS
- MITIGATING CIRCUMSTANCES
- A Studied Insult.
- "The Sleeping Beauty."
- Collaborateurs.
- WHY I DON'T WRITE PLAYS
  - Her First Play.
  - Mellow drammer
  - First Night of an Unappreciated Melodrama.
  - THE COMMISSARIAT
  - A NOTE AND QUERY
  - MR. PUNCH'S OPERA BOX
  - SIC VOS NON VOBIS DRAMATISATIS, WRITERS!
- Her First Play.
- Mellow drammer
- First Night of an Unappreciated Melodrama.
- THE COMMISSARIAT
- A NOTE AND QUERY
- MR. PUNCH'S OPERA BOX
- SIC VOS NON VOBIS DRAMATISATIS, WRITERS!
- MEM. BY A MANAGER
- REVISED VERSION OF SHAKSPEARE
  - A solo on the horn
  - After the Performance.
  - SCENES FROM MR. PUNCH'S PANTOMIME. Scene I.—The Tragic Mews
  - SCENES FROM MR. PUNCH'S PANTOMIME. Scene II.—The Comic Mews
  - Ambiguous.
  - Our Theatricals.
  - Mazeppa. "Again he urges on his wild career!!!"
  - Distinguished Amateurs. The Actor.
  - Distinguished Amateurs. The Jeune Premier.
  - Music by handle.
  - THE SWING OF THE PENDULUM
  - Turning a Phrase.
  - Scene— A Booth in the Wild West
  - "Men Were Deceivers Ever"
  - The Commentators.
  - A Disenchantment
  - "JUST HINT A FAULT" Little Tommy Bodkin takes his cousins to the gallery of the Opera
- A solo on the horn
- After the Performance.
- SCENES FROM MR. PUNCH'S PANTOMIME. Scene I.—The Tragic Mews
- SCENES FROM MR. PUNCH'S PANTOMIME. Scene II.—The Comic Mews
- Ambiguous.
- Our Theatricals.
- Mazeppa. "Again he urges on his wild career!!!"
- Distinguished Amateurs. The Actor.
- Distinguished Amateurs. The Jeune Premier.
- Music by handle.
- THE SWING OF THE PENDULUM
- Turning a Phrase.
- Scene— A Booth in the Wild West
- "Men Were Deceivers Ever"
- The Commentators.
- A Disenchantment
- "JUST HINT A FAULT" Little Tommy Bodkin takes his cousins to the gallery of the Opera
- THE MOAN OF A THEATRE-MANAGER
  - Ibsen in Brixton.
  - A five bar rest
  - LESSONS LEARNED AT A PANTOMIME
  - THE NEW PLAY
  - A quick movement with an obligato accompaniment.
  - TERRIFIC SITUATION!
  - APPRECIATIVE!
  - SCENE FROM SHAKSPEARIAN PANTOMIME
  - A Disenchantment.
  - The Problem Play.
  - CHURCH THEATRES FOR COUNTRY VILLAGES—THE BLAMELESS BALLET
  - Confrères.
  - A PROP OF THE DRAMA
  - SHOWING THAT SOMETIMES IT IS GOOD FOR A COBBLER NOT TO STICK TO HIS LAST
  - An Unkind Cut.
  - A CROWDED HOUSE
  - THE PROVINCIAL DRAMA
  - A CONDUCTOR OF HEAT
  - "STARTLING EFFECTS!"
  - EX NIHILO NIHIL FIT
  - HOW HE OUGHT NOT TO LOOK
  - PREHISTORIC SHAKSPEARE.—"MACBETH"
  - MUSIC-HALL INANITIES.—I.
- Ibsen in Brixton.
- A five bar rest
- LESSONS LEARNED AT A PANTOMIME
- THE NEW PLAY
- A quick movement with an obligato accompaniment.
- TERRIFIC SITUATION!
- APPRECIATIVE!
- SCENE FROM SHAKSPEARIAN PANTOMIME
- A Disenchantment.
- The Problem Play.
- CHURCH THEATRES FOR COUNTRY VILLAGES—THE BLAMELESS BALLET
- Confrères.
- A PROP OF THE DRAMA
- SHOWING THAT SOMETIMES IT IS GOOD FOR A COBBLER NOT TO STICK TO HIS LAST
- An Unkind Cut.
- A CROWDED HOUSE
- THE PROVINCIAL DRAMA
- A CONDUCTOR OF HEAT
- "STARTLING EFFECTS!"
- EX NIHILO NIHIL FIT
- HOW HE OUGHT NOT TO LOOK
- PREHISTORIC SHAKSPEARE.—"MACBETH"
- MUSIC-HALL INANITIES.—I.
- MUSIC-HALL INANITIES.—II. The Illustrative Method.
- ATTENTION AT THE PLAY.
  - Melodrama in the Suburbs.
  - The Ruling Passion.
- Melodrama in the Suburbs.
- The Ruling Passion.
- HIS FIRST AND LAST PLAY
  - Paradoxical.
  - FORM
  - PROPERTY HAS ITS RIGHTS
  - The Point of View.
  - THE FORTHCOMING PANTOMIME
  - MR. PUNCH'S PATENT MATINEE HAT.
  - Heard at a Provincial Circus.
  - The Amateurs.
  - CAUSE AND EFFECT
  - "EXCLUSIVE"
  - The Drama.
  - The Maiden's Point of View.
  - A COMEDIE FRANÇAISE
  - "Those Who Live in Glass Houses," Etc.
  - A very cold audience.
  - A CASE OF "NO COMPRENNY"
- Paradoxical.
- FORM
- PROPERTY HAS ITS RIGHTS
- The Point of View.
- THE FORTHCOMING PANTOMIME
- MR. PUNCH'S PATENT MATINEE HAT.
- Heard at a Provincial Circus.
- The Amateurs.
- CAUSE AND EFFECT
- "EXCLUSIVE"
- The Drama.
- The Maiden's Point of View.
- A COMEDIE FRANÇAISE
- "Those Who Live in Glass Houses," Etc.
- A very cold audience.
- A CASE OF "NO COMPRENNY"
- BETWEEN THE ACTS; OR, THE DRAMA IN LIQUOR
  - An Irresistible Appeal.
  - What our Dramatist has to put up with.
  - OVERHEARD OUTSIDE A THEATRE
  - STUDY
  - COLOURED CLERGY
  - SUPEREROGATION
  - After the Theatricals.
  - A DOMESTIC DRAMA
  - PROGRESS
- An Irresistible Appeal.
- What our Dramatist has to put up with.
- OVERHEARD OUTSIDE A THEATRE
- STUDY
- COLOURED CLERGY
- SUPEREROGATION
- After the Theatricals.
- A DOMESTIC DRAMA
- PROGRESS
- "HAMLET" A LA SAUCE DUMB-CRAMBO
  - "Oh, that this too, too solid flesh would melt!"—Act I., Sc. 2.
  - "I could a tail unfold!"—Ibid.
  - "What a falling off was there!"—Ibid.
  - "Methinks I scent the morning hair!"—Ibid.
  - "Brief let me be!"—Ibid.
  - "Lend thy serious ear-ring to what I shall unfold!"—Act I., Sc. 5.
  - "Toby, or not Toby? that is the question."—Act II., Sc. 2.
  - "The King, sir."—"Ay, sir, what of him?"—"Is in his retirement marvellous distempered."—"With drink, sir!"—"No, my lord, rather with collar!"—Act III., Sc. 2.
  - "Oh, my offence is rank!"—Act III., Sc. 3.
  - "Put your bonnet to his right use—'tis for the head."—Act V., Sc. 2.
  - "Coming Events cast their Shadows before them."
  - A SENSITIVE EAR.
- "Oh, that this too, too solid flesh would melt!"—Act I., Sc. 2.
- "I could a tail unfold!"—Ibid.
- "What a falling off was there!"—Ibid.
- "Methinks I scent the morning hair!"—Ibid.
- "Brief let me be!"—Ibid.
- "Lend thy serious ear-ring to what I shall unfold!"—Act I., Sc. 5.
- "Toby, or not Toby? that is the question."—Act II., Sc. 2.
- "The King, sir."—"Ay, sir, what of him?"—"Is in his retirement marvellous distempered."—"With drink, sir!"—"No, my lord, rather with collar!"—Act III., Sc. 2.
- "Oh, my offence is rank!"—Act III., Sc. 3.
- "Put your bonnet to his right use—'tis for the head."—Act V., Sc. 2.
- "Coming Events cast their Shadows before them."
- A SENSITIVE EAR.
- DUMB-CRAMBO'S GUIDE TO THE LONDON THEATRES
  - Drew wry lane
  - Cove in garden
  - Cry-teary 'un
  - Prints of whales
  - "A—mark it!"
  - Gay at tea
  - Princesses and royal tea
  - Globe
  - "Scent, James?"
  - Strand and "save, hoi!"
  - Only in play!
  - The actor who has his head turned with applause
  - CURTAIN-RAISERS
  - MUSIC HALL TYPES
  - MUSIC HALL TYPES
  - MUSIC HALL TYPES
  - On Tour.
  - Art and Nature.
  - CONVINCING
- Drew wry lane
- Cove in garden
- Cry-teary 'un
- Prints of whales
- "A—mark it!"
- Gay at tea
- Princesses and royal tea
- Globe
- "Scent, James?"
- Strand and "save, hoi!"
- Only in play!
- The actor who has his head turned with applause
- CURTAIN-RAISERS
- MUSIC HALL TYPES
- MUSIC HALL TYPES
- MUSIC HALL TYPES
- On Tour.
- Art and Nature.
- CONVINCING

Mr. Punch at the Play: Humours of Music and the Drama

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