The Complete Poetical Works of James Russell Lowell
Free

The Complete Poetical Works of James Russell Lowell

By James Russell Lowell
Free
Book Description
Table of Contents
  • THE COMPLETE POETICAL WORKS OF JAMES RUSSELL LOWELL
    • BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY THE RIVERSIDE PRESS, CAMBRIDGE
      • PUBLISHERS' NOTE
      • TABLE OF CONTENTS
        • EARLIER POEMS.
      • EARLIER POEMS.
      • EARLIER POEMS
      • THE SIRENS
      • IRENÉ
      • SERENADE
      • WITH A PRESSED FLOWER
      • THE BEGGAR
      • MY LOVE
      • SUMMER STORM
      • LOVE
      • TO PERDITA, SINGING
      • THE MOON
      • REMEMBERED MUSIC
      • SONG
      • ALLEGRA
      • THE FOUNTAIN
      • ODE
        • II
        • III
      • II
      • III
      • THE FATHERLAND
      • THE FORLORN
      • MIDNIGHT
      • A PRAYER
      • THE HERITAGE
      • THE ROSE: A BALLAD
        • I
        • II
        • III
      • I
      • II
      • III
      • SONG
      • ROSALINE
      • A REQUIEM
      • A PARABLE
      • SONG
    • PUBLISHERS' NOTE
    • TABLE OF CONTENTS
      • EARLIER POEMS.
    • EARLIER POEMS.
    • EARLIER POEMS
    • THE SIRENS
    • IRENÉ
    • SERENADE
    • WITH A PRESSED FLOWER
    • THE BEGGAR
    • MY LOVE
    • SUMMER STORM
    • LOVE
    • TO PERDITA, SINGING
    • THE MOON
    • REMEMBERED MUSIC
    • SONG
    • ALLEGRA
    • THE FOUNTAIN
    • ODE
      • II
      • III
    • II
    • III
    • THE FATHERLAND
    • THE FORLORN
    • MIDNIGHT
    • A PRAYER
    • THE HERITAGE
    • THE ROSE: A BALLAD
      • I
      • II
      • III
    • I
    • II
    • III
    • SONG
    • ROSALINE
    • A REQUIEM
    • A PARABLE
    • SONG
    • SONNETS
      • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • L'ENVOI
    • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • L'ENVOI
    • MISCELLANEOUS POEMS
      • A LEGEND OF BRITTANY
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
        • XXVIII
        • XXIX
        • XXX
        • XXXI
        • XXXII
        • XXXIII
        • XXXIV
        • XXXV
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • PART SECOND
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
        • XXVIII
        • XXIX
        • XXX
        • XXXI
        • XXXII
        • XXXIII
        • XXXIV
        • XXXV
        • XXXVI
        • XXXVII
        • XXXVIII
        • XXXIX
        • XL
        • XLI
        • XLII
        • XLIII
        • XLIV
        • XLV
        • XLVI
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • XXXVI
      • XXXVII
      • XXXVIII
      • XXXIX
      • XL
      • XLI
      • XLII
      • XLIII
      • XLIV
      • XLV
      • XLVI
      • PROMETHEUS
      • THE SHEPHERD OF KING ADMETUS
      • THE TOKEN
      • AN INCIDENT IN A RAILROAD CAR
      • RHOECUS
      • THE FALCON
      • TRIAL
        • I
        • II
      • I
      • II
      • A GLANCE BEHIND THE CURTAIN
      • A CHIPPEWA LEGEND
      • STANZAS ON FREEDOM
      • COLUMBUS
      • AN INCIDENT OF THE FIRE AT HAMBURG
      • THE SOWER
      • HUNGER AND COLD
      • THE LANDLORD
      • TO A PINE-TREE
      • SI DESCENDERO IN INFERNUM, ADES
      • TO THE PAST
      • TO THE FUTURE
      • HEBE
      • THE SEARCH
      • THE PRESENT CRISIS
      • AN INDIAN-SUMMER REVERIE
      • THE GROWTH OF THE LEGEND
      • A CONTRAST
      • EXTREME UNCTION
      • THE OAK
      • AMBROSE
      • ABOVE AND BELOW
        • I
        • II
      • I
      • II
      • THE CAPTIVE
      • THE BIRCH-TREE
      • AN INTERVIEW WITH MILES STANDISH
      • ON THE CAPTURE OF FUGITIVE SLAVES NEAR WASHINGTON
      • TO THE DANDELION
      • THE GHOST-SEER
      • STUDIES FOR TWO HEADS
        • I
        • II
      • I
      • II
      • ON A PORTRAIT OF DANTE BY GIOTTO
      • ON THE DEATH OF A FRIEND'S CHILD
      • EURYDICE
      • SHE CAME AND WENT
      • THE CHANGELING
      • THE PIONEER
    • A LEGEND OF BRITTANY
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • XXVIII
    • XXIX
    • XXX
    • XXXI
    • XXXII
    • XXXIII
    • XXXIV
    • XXXV
    • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • XXXVI
      • XXXVII
      • XXXVIII
      • XXXIX
      • XL
      • XLI
      • XLII
      • XLIII
      • XLIV
      • XLV
      • XLVI
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • XXVIII
    • XXIX
    • XXX
    • XXXI
    • XXXII
    • XXXIII
    • XXXIV
    • XXXV
    • XXXVI
    • XXXVII
    • XXXVIII
    • XXXIX
    • XL
    • XLI
    • XLII
    • XLIII
    • XLIV
    • XLV
    • XLVI
    • PROMETHEUS
    • THE SHEPHERD OF KING ADMETUS
    • THE TOKEN
    • AN INCIDENT IN A RAILROAD CAR
    • RHOECUS
    • THE FALCON
    • TRIAL
      • I
      • II
    • I
    • II
    • A GLANCE BEHIND THE CURTAIN
    • A CHIPPEWA LEGEND
    • STANZAS ON FREEDOM
    • COLUMBUS
    • AN INCIDENT OF THE FIRE AT HAMBURG
    • THE SOWER
    • HUNGER AND COLD
    • THE LANDLORD
    • TO A PINE-TREE
    • SI DESCENDERO IN INFERNUM, ADES
    • TO THE PAST
    • TO THE FUTURE
    • HEBE
    • THE SEARCH
    • THE PRESENT CRISIS
    • AN INDIAN-SUMMER REVERIE
    • THE GROWTH OF THE LEGEND
    • A CONTRAST
    • EXTREME UNCTION
    • THE OAK
    • AMBROSE
    • ABOVE AND BELOW
      • I
      • II
    • I
    • II
    • THE CAPTIVE
    • THE BIRCH-TREE
    • AN INTERVIEW WITH MILES STANDISH
    • ON THE CAPTURE OF FUGITIVE SLAVES NEAR WASHINGTON
    • TO THE DANDELION
    • THE GHOST-SEER
    • STUDIES FOR TWO HEADS
      • I
      • II
    • I
    • II
    • ON A PORTRAIT OF DANTE BY GIOTTO
    • ON THE DEATH OF A FRIEND'S CHILD
    • EURYDICE
    • SHE CAME AND WENT
    • THE CHANGELING
    • THE PIONEER
    • LONGING
      • ODE TO FRANCE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • ANTI-APIS
      • A PARABLE
      • ODE
      • LINES
      • TO——
      • FREEDOM
      • BIBLIOLATRES
      • BEAVER BROOK
    • ODE TO FRANCE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • ANTI-APIS
    • A PARABLE
    • ODE
    • LINES
    • TO——
    • FREEDOM
    • BIBLIOLATRES
    • BEAVER BROOK
    • MEMORIAL VERSES
      • KOSSUTH
      • TO LAMARTINE
      • TO JOHN GORHAM PALFREY
      • TO W.L. GARRISON
      • ON THE DEATH OF CHARLES TURNER TORREY
      • ELEGY ON THE DEATH OF DR. CHANNING
      • TO THE MEMORY OF HOOD
      • THE VISION OF SIR LAUNFAL
        • PRELUDE TO PART FIRST
        • PART FIRST
        • I
        • II
        • III
        • IV
        • V
        • VI
      • PRELUDE TO PART FIRST
      • PART FIRST
      • I
      • II
      • III
      • IV
      • V
      • VI
      • PRELUDE TO PART SECOND
        • PART SECOND
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
      • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • LETTER FROM BOSTON
      • A PRELIMINARY NOTE TO THE SECOND EDITION.
    • KOSSUTH
    • TO LAMARTINE
    • TO JOHN GORHAM PALFREY
    • TO W.L. GARRISON
    • ON THE DEATH OF CHARLES TURNER TORREY
    • ELEGY ON THE DEATH OF DR. CHANNING
    • TO THE MEMORY OF HOOD
    • THE VISION OF SIR LAUNFAL
      • PRELUDE TO PART FIRST
      • PART FIRST
      • I
      • II
      • III
      • IV
      • V
      • VI
    • PRELUDE TO PART FIRST
    • PART FIRST
    • I
    • II
    • III
    • IV
    • V
    • VI
    • PRELUDE TO PART SECOND
      • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
    • PART SECOND
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • LETTER FROM BOSTON
    • A PRELIMINARY NOTE TO THE SECOND EDITION.
    • A FABLE FOR CRITICS
    • THE UNHAPPY LOT OF MR. KNOTT
      • PART II
        • PART III
      • PART III
      • FRAGMENTS OF AN UNFINISHED POEM
      • AN ORIENTAL APOLOGUE
    • PART II
      • PART III
    • PART III
    • FRAGMENTS OF AN UNFINISHED POEM
    • AN ORIENTAL APOLOGUE
  • THE BIGLOW PAPERS
    • PROEMIUM
    • MELIBOEUS-HIPPONAX
      • NOTE TO TITLE-PAGE
      • THE TWO GUNNERS
      • LEAVING THE MATTER OPEN
      • *** TO THE INDULGENT READER
      • THE BIGLOW PAPERS
        • TO MR. BUCKENAM
        • MELIBOEUS-HIPPONAX
      • TO MR. BUCKENAM
      • MELIBOEUS-HIPPONAX
      • THE
      • THE COURTIN'
      • THE BIGLOW PAPERS
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • JONATHAN TO JOHN
        • FESTINA LENTE
        • MORAL
        • TO THE EDITORS OF THE ATLANTIC MONTHLY
        • KETTELOPOTOMACHIA
        • LIBER I
        • MY DEAR SIR,—
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • JONATHAN TO JOHN
      • FESTINA LENTE
      • MORAL
      • TO THE EDITORS OF THE ATLANTIC MONTHLY
      • KETTELOPOTOMACHIA
      • LIBER I
      • MY DEAR SIR,—
    • NOTE TO TITLE-PAGE
    • THE TWO GUNNERS
    • LEAVING THE MATTER OPEN
    • *** TO THE INDULGENT READER
    • THE BIGLOW PAPERS
      • TO MR. BUCKENAM
      • MELIBOEUS-HIPPONAX
    • TO MR. BUCKENAM
    • MELIBOEUS-HIPPONAX
    • THE
    • THE COURTIN'
    • THE BIGLOW PAPERS
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • JONATHAN TO JOHN
      • FESTINA LENTE
      • MORAL
      • TO THE EDITORS OF THE ATLANTIC MONTHLY
      • KETTELOPOTOMACHIA
      • LIBER I
      • MY DEAR SIR,—
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • JONATHAN TO JOHN
    • FESTINA LENTE
    • MORAL
    • TO THE EDITORS OF THE ATLANTIC MONTHLY
    • KETTELOPOTOMACHIA
    • LIBER I
    • MY DEAR SIR,—
    • UNDER THE WILLOWS AND OTHER POEMS
      • TO CHARLES ELIOT NORTON
      • UNDER THE WILLOWS
      • DARA
      • THE FIRST SNOW-FALL
      • THE SINGING LEAVES
        • II
        • III
      • II
      • III
      • SEAWEED
      • THE FINDING OF THE LYRE
      • NEW-YEAR'S EVE, 1850
      • FOR AN AUTOGRAPH
      • AL FRESCO
      • MASACCIO
      • WITHOUT AND WITHIN
      • THE PARTING OF THE WAYS
      • GODMINSTER CHIMES
      • THE PARTING OF THE WAYS
      • ALADDIN
      • AN INVITATION
      • THE NOMADES
      • SELF-STUDY
      • PICTURES FROM APPLEDORE
        • II
        • III
        • IV
        • V
        • VI
      • II
      • III
      • IV
      • V
      • VI
      • THE WIND-HARP
      • AUF WIEDERSEHEN
      • PALINODE
      • AFTER THE BURIAL
      • THE DEAD HOUSE
      • A MOOD
      • THE VOYAGE TO VINLAND
        • II
        • III
      • II
      • III
      • MAHMOOD THE IMAGE-BREAKER
      • INVITA MINERVA
      • THE FOUNTAIN OF YOUTH
      • YUSSOUF
      • THE DARKENED MIND
      • WHAT RABBI JEHOSHA SAID
      • ALL-SAINTS
      • A WINTER-EVENING HYMN TO MY FIRE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • FANCY'S CASUISTRY
      • TO MR. JOHN BARTLETT
      • ODE TO HAPPINESS
      • VILLA FRANCA
      • THE MINER
      • GOLD EGG: A DREAM-FANTASY
      • A FAMILIAR EPISTLE TO A FRIEND
      • AN EMBER PICTURE
      • TO H.W.L.
      • THE NIGHTINGALE IN THE STUDY
      • IN THE TWILIGHT
      • THE FOOT-PATH
    • TO CHARLES ELIOT NORTON
    • UNDER THE WILLOWS
    • DARA
    • THE FIRST SNOW-FALL
    • THE SINGING LEAVES
      • II
      • III
    • II
    • III
    • SEAWEED
    • THE FINDING OF THE LYRE
    • NEW-YEAR'S EVE, 1850
    • FOR AN AUTOGRAPH
    • AL FRESCO
    • MASACCIO
    • WITHOUT AND WITHIN
    • THE PARTING OF THE WAYS
    • GODMINSTER CHIMES
    • THE PARTING OF THE WAYS
    • ALADDIN
    • AN INVITATION
    • THE NOMADES
    • SELF-STUDY
    • PICTURES FROM APPLEDORE
      • II
      • III
      • IV
      • V
      • VI
    • II
    • III
    • IV
    • V
    • VI
    • THE WIND-HARP
    • AUF WIEDERSEHEN
    • PALINODE
    • AFTER THE BURIAL
    • THE DEAD HOUSE
    • A MOOD
    • THE VOYAGE TO VINLAND
      • II
      • III
    • II
    • III
    • MAHMOOD THE IMAGE-BREAKER
    • INVITA MINERVA
    • THE FOUNTAIN OF YOUTH
    • YUSSOUF
    • THE DARKENED MIND
    • WHAT RABBI JEHOSHA SAID
    • ALL-SAINTS
    • A WINTER-EVENING HYMN TO MY FIRE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • FANCY'S CASUISTRY
    • TO MR. JOHN BARTLETT
    • ODE TO HAPPINESS
    • VILLA FRANCA
    • THE MINER
    • GOLD EGG: A DREAM-FANTASY
    • A FAMILIAR EPISTLE TO A FRIEND
    • AN EMBER PICTURE
    • TO H.W.L.
    • THE NIGHTINGALE IN THE STUDY
    • IN THE TWILIGHT
    • THE FOOT-PATH
    • POEMS OF THE WAR
      • THE WASHERS OF THE SHROUD
      • TWO SCENES FROM THE LIFE OF BLONDEL
        • SCENE I.—Near a castle in Germany.
        • SCENE II.—An Inn near the Château of Chalus.
      • SCENE I.—Near a castle in Germany.
      • SCENE II.—An Inn near the Château of Chalus.
      • MEMORIAE POSITUM
        • I
        • II
        • III
      • I
      • II
      • III
      • ON BOARD THE '76
      • ODE RECITED AT THE HARVARD COMMEMORATION
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • L'ENVOI
        • TO THE MUSE
      • TO THE MUSE
      • THE CATHEDRAL
      • THREE MEMORIAL POEMS
      • ODE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • UNDER THE OLD ELM
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • AN ODE
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
    • THE WASHERS OF THE SHROUD
    • TWO SCENES FROM THE LIFE OF BLONDEL
      • SCENE I.—Near a castle in Germany.
      • SCENE II.—An Inn near the Château of Chalus.
    • SCENE I.—Near a castle in Germany.
    • SCENE II.—An Inn near the Château of Chalus.
    • MEMORIAE POSITUM
      • I
      • II
      • III
    • I
    • II
    • III
    • ON BOARD THE '76
    • ODE RECITED AT THE HARVARD COMMEMORATION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • L'ENVOI
      • TO THE MUSE
    • TO THE MUSE
    • THE CATHEDRAL
    • THREE MEMORIAL POEMS
    • ODE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • UNDER THE OLD ELM
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • AN ODE
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • HEARTSEASE AND RUE
      • I. FRIENDSHIP
        • AGASSIZ
        • I
        • II
        • III
        • IV
        • V
        • VI
      • AGASSIZ
      • I
      • II
      • III
      • IV
      • V
      • VI
      • TO HOLMES
      • IN A COPY OF OMAR KHAYYÁM
      • ON RECEIVING A COPY OF MR. AUSTIN DOBSON'S 'OLD WORLD IDYLLS'
        • I
        • II
      • I
      • II
      • TO C.F. BRADFORD
      • BANKSIDE
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
      • JOSEPH WINLOCK
      • SONNET
      • JEFFRIES WYMAN
      • TO A FRIEND
      • WITH AN ARMCHAIR
      • E.G. DE R.
      • BON VOYAGE
      • TO WHITTIER
      • ON AN AUTUMN SKETCH OF H.G. WILD
      • TO MISS D.T.
      • WITH A COPY OF AUCASSIN AND NICOLETE
      • ON PLANTING A TREE AT INVERARAY
      • AN EPISTLE TO GEORGE WILLIAM CURTIS
      • POSTSCRIPT, 1887
      • II. SENTIMENT
        • ENDYMION
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
      • ENDYMION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • THE BLACK PREACHER
      • ARCADIA REDIVIVA
      • THE NEST
      • PALINODE—DECEMBER
    • I. FRIENDSHIP
      • AGASSIZ
      • I
      • II
      • III
      • IV
      • V
      • VI
    • AGASSIZ
    • I
    • II
    • III
    • IV
    • V
    • VI
    • TO HOLMES
    • IN A COPY OF OMAR KHAYYÁM
    • ON RECEIVING A COPY OF MR. AUSTIN DOBSON'S 'OLD WORLD IDYLLS'
      • I
      • II
    • I
    • II
    • TO C.F. BRADFORD
    • BANKSIDE
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • JOSEPH WINLOCK
    • SONNET
    • JEFFRIES WYMAN
    • TO A FRIEND
    • WITH AN ARMCHAIR
    • E.G. DE R.
    • BON VOYAGE
    • TO WHITTIER
    • ON AN AUTUMN SKETCH OF H.G. WILD
    • TO MISS D.T.
    • WITH A COPY OF AUCASSIN AND NICOLETE
    • ON PLANTING A TREE AT INVERARAY
    • AN EPISTLE TO GEORGE WILLIAM CURTIS
    • POSTSCRIPT, 1887
    • II. SENTIMENT
      • ENDYMION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
    • ENDYMION
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • THE BLACK PREACHER
    • ARCADIA REDIVIVA
    • THE NEST
    • PALINODE—DECEMBER
    • A YOUTHFUL EXPERIMENT IN ENGLISH HEXAMETERS
      • BIRTHDAY VERSES
      • ESTRANGEMENT
      • PHOEBE
      • DAS EWIG-WEIBLICHE
      • THE RECALL
      • ABSENCE
      • MONNA LISA
      • THE OPTIMIST
      • ON BURNING SOME OLD LETTERS
      • THE PROTEST
      • THE PETITION
      • FACT OR FANCY?
      • AGRO-DOLCE
      • THE BROKEN TRYST
      • CASA SIN ALMA
      • A CHRISTMAS CAROL
      • MY PORTRAIT GALLERY
      • PAOLO TO FRANCESCA
      • SONNET
      • SONNET
      • THE DANCING BEAR
      • THE MAPLE
      • NIGHTWATCHES
      • DEATH OF QUEEN MERCEDES
      • PRISON OF CERVANTES
      • TO A LADY PLAYING ON THE CITHERN
      • THE EYE'S TREASURY
      • PESSIMOPTIMISM
      • THE BRAKES
      • A FOREBODING
    • BIRTHDAY VERSES
    • ESTRANGEMENT
    • PHOEBE
    • DAS EWIG-WEIBLICHE
    • THE RECALL
    • ABSENCE
    • MONNA LISA
    • THE OPTIMIST
    • ON BURNING SOME OLD LETTERS
    • THE PROTEST
    • THE PETITION
    • FACT OR FANCY?
    • AGRO-DOLCE
    • THE BROKEN TRYST
    • CASA SIN ALMA
    • A CHRISTMAS CAROL
    • MY PORTRAIT GALLERY
    • PAOLO TO FRANCESCA
    • SONNET
    • SONNET
    • THE DANCING BEAR
    • THE MAPLE
    • NIGHTWATCHES
    • DEATH OF QUEEN MERCEDES
    • PRISON OF CERVANTES
    • TO A LADY PLAYING ON THE CITHERN
    • THE EYE'S TREASURY
    • PESSIMOPTIMISM
    • THE BRAKES
    • A FOREBODING
    • III. FANCY
      • UNDER THE OCTOBER MAPLES
      • LOVE'S CLOCK
      • ELEANOR MAKES MACAROONS
      • TELEPATHY
      • SCHERZO
      • 'FRANCISCUS DE VERULAMIO SIC COGITAVIT'
      • AUSPEX
      • THE PREGNANT COMMENT
      • THE LESSON
      • SCIENCE AND POETRY
      • A NEW YEAR'S GREETING
      • THE DISCOVERY
      • WITH A SEASHELL
      • THE SECRET
    • UNDER THE OCTOBER MAPLES
    • LOVE'S CLOCK
    • ELEANOR MAKES MACAROONS
    • TELEPATHY
    • SCHERZO
    • 'FRANCISCUS DE VERULAMIO SIC COGITAVIT'
    • AUSPEX
    • THE PREGNANT COMMENT
    • THE LESSON
    • SCIENCE AND POETRY
    • A NEW YEAR'S GREETING
    • THE DISCOVERY
    • WITH A SEASHELL
    • THE SECRET
    • IV. HUMOR AND SATIRE
      • FITZ ADAM'S STORY
      • THE ORIGIN OF DIDACTIC POETRY
      • THE FLYING DUTCHMAN
      • CREDIDIMUS JOVEM REGNARE
      • TEMPORA MUTANTUR
      • IN THE HALF-WAY HOUSE
        • II
        • III
        • IV
        • V
        • VI
        • VII
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • AT THE BURNS CENTENNIAL
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • IN AN ALBUM
      • AT THE COMMENCEMENT DINNER, 1866
      • A PARABLE
    • FITZ ADAM'S STORY
    • THE ORIGIN OF DIDACTIC POETRY
    • THE FLYING DUTCHMAN
    • CREDIDIMUS JOVEM REGNARE
    • TEMPORA MUTANTUR
    • IN THE HALF-WAY HOUSE
      • II
      • III
      • IV
      • V
      • VI
      • VII
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • AT THE BURNS CENTENNIAL
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • IN AN ALBUM
    • AT THE COMMENCEMENT DINNER, 1866
    • A PARABLE
    • V. EPIGRAMS
      • SAYINGS
      • INSCRIPTIONS
      • FOR A MEMORIAL WINDOW TO SIR WALTER RALEIGH, SET UP IN ST. MARGARET'S, WESTMINSTER, BY AMERICAN CONTRIBUTORS
      • PROPOSED FOR A SOLDIERS' AND SAILORS' MONUMENT IN BOSTON
      • A MISCONCEPTION
      • THE BOSS
      • SUN-WORSHIP
      • CHANGED PERSPECTIVE
      • WITH A PAIR OF GLOVES LOST IN A WAGER
      • SIXTY-EIGHTH BIRTHDAY
      • INTERNATIONAL COPYRIGHT
    • SAYINGS
    • INSCRIPTIONS
    • FOR A MEMORIAL WINDOW TO SIR WALTER RALEIGH, SET UP IN ST. MARGARET'S, WESTMINSTER, BY AMERICAN CONTRIBUTORS
    • PROPOSED FOR A SOLDIERS' AND SAILORS' MONUMENT IN BOSTON
    • A MISCONCEPTION
    • THE BOSS
    • SUN-WORSHIP
    • CHANGED PERSPECTIVE
    • WITH A PAIR OF GLOVES LOST IN A WAGER
    • SIXTY-EIGHTH BIRTHDAY
    • INTERNATIONAL COPYRIGHT
    • LAST POEMS
      • HOW I CONSULTED THE ORACLE OF THE GOLDFISHES
      • TURNER'S OLD TÉMÉRAIRE
      • ST. MICHAEL THE WEIGHER
      • A VALENTINE
      • AN APRIL BIRTHDAY—AT SEA
      • LOVE AND THOUGHT
      • THE NOBLER LOVER
      • ON HEARING A SONATA OF BEETHOVEN'S PLAYED IN THE NEXT ROOM
      • VERSES
      • ON A BUST OF GENERAL GRANT
    • HOW I CONSULTED THE ORACLE OF THE GOLDFISHES
    • TURNER'S OLD TÉMÉRAIRE
    • ST. MICHAEL THE WEIGHER
    • A VALENTINE
    • AN APRIL BIRTHDAY—AT SEA
    • LOVE AND THOUGHT
    • THE NOBLER LOVER
    • ON HEARING A SONATA OF BEETHOVEN'S PLAYED IN THE NEXT ROOM
    • VERSES
    • ON A BUST OF GENERAL GRANT
    • APPENDIX
      • I. INTRODUCTION TO THE SECOND SERIES OF BIGLOW PAPERS
    • I. INTRODUCTION TO THE SECOND SERIES OF BIGLOW PAPERS
    • II. GLOSSARY TO THE BIGLOW PAPERS
      • Act'lly, actually. Air, are. Airth, earth. Airy, area. Aree, area. Arter, after. Ax, ask.
    • Act'lly, actually. Air, are. Airth, earth. Airy, area. Aree, area. Arter, after. Ax, ask.
    • III. INDEX TO BIGLOW PAPERS
      • A.
    • A.
    • INDEX OF FIRST LINES
    • INDEX OF TITLES
    • FOOTNOTES:
      • *** START: FULL LICENSE ***
        • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
        • Section 2. Information about the Mission of Project Gutenberg-tm
        • Section 3. Information about the Project Gutenberg Literary Archive Foundation
        • Section 5. General Information About Project Gutenberg-tm electronic works.
      • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
      • Section 2. Information about the Mission of Project Gutenberg-tm
      • Section 3. Information about the Project Gutenberg Literary Archive Foundation
      • Section 5. General Information About Project Gutenberg-tm electronic works.
    • *** START: FULL LICENSE ***
      • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
      • Section 2. Information about the Mission of Project Gutenberg-tm
      • Section 3. Information about the Project Gutenberg Literary Archive Foundation
      • Section 5. General Information About Project Gutenberg-tm electronic works.
    • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
    • Section 2. Information about the Mission of Project Gutenberg-tm
    • Section 3. Information about the Project Gutenberg Literary Archive Foundation
    • Section 5. General Information About Project Gutenberg-tm electronic works.
    No review for this book yet, be the first to review.
      No comment for this book yet, be the first to comment
      You May Also Like
      Also Available On
      App store smallGoogle play small
      Categories
      Curated Lists
      • Pattern Recognition and Machine Learning (Information Science and Statistics)
        by Christopher M. Bishop
        Data mining
        by I. H. Witten
        The Elements of Statistical Learning: Data Mining, Inference, and Prediction
        by Various
        See more...
      • CK-12 Chemistry
        by Various
        Concept Development Studies in Chemistry
        by John Hutchinson
        An Introduction to Chemistry - Atoms First
        by Mark Bishop
        See more...
      • Microsoft Word - How to Use Advanced Algebra II.doc
        by Jonathan Emmons
        Advanced Algebra II: Activities and Homework
        by Kenny Felder
        de2de
        by
        See more...
      • The Sun Who Lost His Way
        by
        Tania is a Detective
        by Kanika G
        Firenze_s-Light
        by
        See more...
      • Java 3D Programming
        by Daniel Selman
        The Java EE 6 Tutorial
        by Oracle Corporation
        JavaKid811
        by
        See more...