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The Complete Poetical Works of James Russell Lowell
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The Complete Poetical Works of James Russell Lowell

By James Russell Lowell
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Book Description
Table of Contents
  • THE COMPLETE POETICAL WORKS OF JAMES RUSSELL LOWELL
    • BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY THE RIVERSIDE PRESS, CAMBRIDGE
      • PUBLISHERS' NOTE
      • TABLE OF CONTENTS
        • EARLIER POEMS.
      • EARLIER POEMS.
      • EARLIER POEMS
      • THE SIRENS
      • IRENÉ
      • SERENADE
      • WITH A PRESSED FLOWER
      • THE BEGGAR
      • MY LOVE
      • SUMMER STORM
      • LOVE
      • TO PERDITA, SINGING
      • THE MOON
      • REMEMBERED MUSIC
      • SONG
      • ALLEGRA
      • THE FOUNTAIN
      • ODE
        • II
        • III
      • II
      • III
      • THE FATHERLAND
      • THE FORLORN
      • MIDNIGHT
      • A PRAYER
      • THE HERITAGE
      • THE ROSE: A BALLAD
        • I
        • II
        • III
      • I
      • II
      • III
      • SONG
      • ROSALINE
      • A REQUIEM
      • A PARABLE
      • SONG
    • PUBLISHERS' NOTE
    • TABLE OF CONTENTS
      • EARLIER POEMS.
    • EARLIER POEMS.
    • EARLIER POEMS
    • THE SIRENS
    • IRENÉ
    • SERENADE
    • WITH A PRESSED FLOWER
    • THE BEGGAR
    • MY LOVE
    • SUMMER STORM
    • LOVE
    • TO PERDITA, SINGING
    • THE MOON
    • REMEMBERED MUSIC
    • SONG
    • ALLEGRA
    • THE FOUNTAIN
    • ODE
      • II
      • III
    • II
    • III
    • THE FATHERLAND
    • THE FORLORN
    • MIDNIGHT
    • A PRAYER
    • THE HERITAGE
    • THE ROSE: A BALLAD
      • I
      • II
      • III
    • I
    • II
    • III
    • SONG
    • ROSALINE
    • A REQUIEM
    • A PARABLE
    • SONG
    • SONNETS
      • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • L'ENVOI
    • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • L'ENVOI
    • MISCELLANEOUS POEMS
      • A LEGEND OF BRITTANY
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
        • XXVIII
        • XXIX
        • XXX
        • XXXI
        • XXXII
        • XXXIII
        • XXXIV
        • XXXV
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • PART SECOND
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
        • XXV
        • XXVI
        • XXVII
        • XXVIII
        • XXIX
        • XXX
        • XXXI
        • XXXII
        • XXXIII
        • XXXIV
        • XXXV
        • XXXVI
        • XXXVII
        • XXXVIII
        • XXXIX
        • XL
        • XLI
        • XLII
        • XLIII
        • XLIV
        • XLV
        • XLVI
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • XXXVI
      • XXXVII
      • XXXVIII
      • XXXIX
      • XL
      • XLI
      • XLII
      • XLIII
      • XLIV
      • XLV
      • XLVI
      • PROMETHEUS
      • THE SHEPHERD OF KING ADMETUS
      • THE TOKEN
      • AN INCIDENT IN A RAILROAD CAR
      • RHOECUS
      • THE FALCON
      • TRIAL
        • I
        • II
      • I
      • II
      • A GLANCE BEHIND THE CURTAIN
      • A CHIPPEWA LEGEND
      • STANZAS ON FREEDOM
      • COLUMBUS
      • AN INCIDENT OF THE FIRE AT HAMBURG
      • THE SOWER
      • HUNGER AND COLD
      • THE LANDLORD
      • TO A PINE-TREE
      • SI DESCENDERO IN INFERNUM, ADES
      • TO THE PAST
      • TO THE FUTURE
      • HEBE
      • THE SEARCH
      • THE PRESENT CRISIS
      • AN INDIAN-SUMMER REVERIE
      • THE GROWTH OF THE LEGEND
      • A CONTRAST
      • EXTREME UNCTION
      • THE OAK
      • AMBROSE
      • ABOVE AND BELOW
        • I
        • II
      • I
      • II
      • THE CAPTIVE
      • THE BIRCH-TREE
      • AN INTERVIEW WITH MILES STANDISH
      • ON THE CAPTURE OF FUGITIVE SLAVES NEAR WASHINGTON
      • TO THE DANDELION
      • THE GHOST-SEER
      • STUDIES FOR TWO HEADS
        • I
        • II
      • I
      • II
      • ON A PORTRAIT OF DANTE BY GIOTTO
      • ON THE DEATH OF A FRIEND'S CHILD
      • EURYDICE
      • SHE CAME AND WENT
      • THE CHANGELING
      • THE PIONEER
    • A LEGEND OF BRITTANY
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • XXVIII
    • XXIX
    • XXX
    • XXXI
    • XXXII
    • XXXIII
    • XXXIV
    • XXXV
    • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • XXXV
      • XXXVI
      • XXXVII
      • XXXVIII
      • XXXIX
      • XL
      • XLI
      • XLII
      • XLIII
      • XLIV
      • XLV
      • XLVI
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • XXVII
    • XXVIII
    • XXIX
    • XXX
    • XXXI
    • XXXII
    • XXXIII
    • XXXIV
    • XXXV
    • XXXVI
    • XXXVII
    • XXXVIII
    • XXXIX
    • XL
    • XLI
    • XLII
    • XLIII
    • XLIV
    • XLV
    • XLVI
    • PROMETHEUS
    • THE SHEPHERD OF KING ADMETUS
    • THE TOKEN
    • AN INCIDENT IN A RAILROAD CAR
    • RHOECUS
    • THE FALCON
    • TRIAL
      • I
      • II
    • I
    • II
    • A GLANCE BEHIND THE CURTAIN
    • A CHIPPEWA LEGEND
    • STANZAS ON FREEDOM
    • COLUMBUS
    • AN INCIDENT OF THE FIRE AT HAMBURG
    • THE SOWER
    • HUNGER AND COLD
    • THE LANDLORD
    • TO A PINE-TREE
    • SI DESCENDERO IN INFERNUM, ADES
    • TO THE PAST
    • TO THE FUTURE
    • HEBE
    • THE SEARCH
    • THE PRESENT CRISIS
    • AN INDIAN-SUMMER REVERIE
    • THE GROWTH OF THE LEGEND
    • A CONTRAST
    • EXTREME UNCTION
    • THE OAK
    • AMBROSE
    • ABOVE AND BELOW
      • I
      • II
    • I
    • II
    • THE CAPTIVE
    • THE BIRCH-TREE
    • AN INTERVIEW WITH MILES STANDISH
    • ON THE CAPTURE OF FUGITIVE SLAVES NEAR WASHINGTON
    • TO THE DANDELION
    • THE GHOST-SEER
    • STUDIES FOR TWO HEADS
      • I
      • II
    • I
    • II
    • ON A PORTRAIT OF DANTE BY GIOTTO
    • ON THE DEATH OF A FRIEND'S CHILD
    • EURYDICE
    • SHE CAME AND WENT
    • THE CHANGELING
    • THE PIONEER
    • LONGING
      • ODE TO FRANCE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • ANTI-APIS
      • A PARABLE
      • ODE
      • LINES
      • TO——
      • FREEDOM
      • BIBLIOLATRES
      • BEAVER BROOK
    • ODE TO FRANCE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • ANTI-APIS
    • A PARABLE
    • ODE
    • LINES
    • TO——
    • FREEDOM
    • BIBLIOLATRES
    • BEAVER BROOK
    • MEMORIAL VERSES
      • KOSSUTH
      • TO LAMARTINE
      • TO JOHN GORHAM PALFREY
      • TO W.L. GARRISON
      • ON THE DEATH OF CHARLES TURNER TORREY
      • ELEGY ON THE DEATH OF DR. CHANNING
      • TO THE MEMORY OF HOOD
      • THE VISION OF SIR LAUNFAL
        • PRELUDE TO PART FIRST
        • PART FIRST
        • I
        • II
        • III
        • IV
        • V
        • VI
      • PRELUDE TO PART FIRST
      • PART FIRST
      • I
      • II
      • III
      • IV
      • V
      • VI
      • PRELUDE TO PART SECOND
        • PART SECOND
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
      • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • LETTER FROM BOSTON
      • A PRELIMINARY NOTE TO THE SECOND EDITION.
    • KOSSUTH
    • TO LAMARTINE
    • TO JOHN GORHAM PALFREY
    • TO W.L. GARRISON
    • ON THE DEATH OF CHARLES TURNER TORREY
    • ELEGY ON THE DEATH OF DR. CHANNING
    • TO THE MEMORY OF HOOD
    • THE VISION OF SIR LAUNFAL
      • PRELUDE TO PART FIRST
      • PART FIRST
      • I
      • II
      • III
      • IV
      • V
      • VI
    • PRELUDE TO PART FIRST
    • PART FIRST
    • I
    • II
    • III
    • IV
    • V
    • VI
    • PRELUDE TO PART SECOND
      • PART SECOND
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
    • PART SECOND
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • LETTER FROM BOSTON
    • A PRELIMINARY NOTE TO THE SECOND EDITION.
    • A FABLE FOR CRITICS
    • THE UNHAPPY LOT OF MR. KNOTT
      • PART II
        • PART III
      • PART III
      • FRAGMENTS OF AN UNFINISHED POEM
      • AN ORIENTAL APOLOGUE
    • PART II
      • PART III
    • PART III
    • FRAGMENTS OF AN UNFINISHED POEM
    • AN ORIENTAL APOLOGUE
  • THE BIGLOW PAPERS
    • PROEMIUM
    • MELIBOEUS-HIPPONAX
      • NOTE TO TITLE-PAGE
      • THE TWO GUNNERS
      • LEAVING THE MATTER OPEN
      • *** TO THE INDULGENT READER
      • THE BIGLOW PAPERS
        • TO MR. BUCKENAM
        • MELIBOEUS-HIPPONAX
      • TO MR. BUCKENAM
      • MELIBOEUS-HIPPONAX
      • THE
      • THE COURTIN'
      • THE BIGLOW PAPERS
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • THE MONIMENT
        • THE BRIDGE
        • JONATHAN TO JOHN
        • FESTINA LENTE
        • MORAL
        • TO THE EDITORS OF THE ATLANTIC MONTHLY
        • KETTELOPOTOMACHIA
        • LIBER I
        • MY DEAR SIR,—
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • JONATHAN TO JOHN
      • FESTINA LENTE
      • MORAL
      • TO THE EDITORS OF THE ATLANTIC MONTHLY
      • KETTELOPOTOMACHIA
      • LIBER I
      • MY DEAR SIR,—
    • NOTE TO TITLE-PAGE
    • THE TWO GUNNERS
    • LEAVING THE MATTER OPEN
    • *** TO THE INDULGENT READER
    • THE BIGLOW PAPERS
      • TO MR. BUCKENAM
      • MELIBOEUS-HIPPONAX
    • TO MR. BUCKENAM
    • MELIBOEUS-HIPPONAX
    • THE
    • THE COURTIN'
    • THE BIGLOW PAPERS
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • THE MONIMENT
      • THE BRIDGE
      • JONATHAN TO JOHN
      • FESTINA LENTE
      • MORAL
      • TO THE EDITORS OF THE ATLANTIC MONTHLY
      • KETTELOPOTOMACHIA
      • LIBER I
      • MY DEAR SIR,—
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • THE MONIMENT
    • THE BRIDGE
    • JONATHAN TO JOHN
    • FESTINA LENTE
    • MORAL
    • TO THE EDITORS OF THE ATLANTIC MONTHLY
    • KETTELOPOTOMACHIA
    • LIBER I
    • MY DEAR SIR,—
    • UNDER THE WILLOWS AND OTHER POEMS
      • TO CHARLES ELIOT NORTON
      • UNDER THE WILLOWS
      • DARA
      • THE FIRST SNOW-FALL
      • THE SINGING LEAVES
        • II
        • III
      • II
      • III
      • SEAWEED
      • THE FINDING OF THE LYRE
      • NEW-YEAR'S EVE, 1850
      • FOR AN AUTOGRAPH
      • AL FRESCO
      • MASACCIO
      • WITHOUT AND WITHIN
      • THE PARTING OF THE WAYS
      • GODMINSTER CHIMES
      • THE PARTING OF THE WAYS
      • ALADDIN
      • AN INVITATION
      • THE NOMADES
      • SELF-STUDY
      • PICTURES FROM APPLEDORE
        • II
        • III
        • IV
        • V
        • VI
      • II
      • III
      • IV
      • V
      • VI
      • THE WIND-HARP
      • AUF WIEDERSEHEN
      • PALINODE
      • AFTER THE BURIAL
      • THE DEAD HOUSE
      • A MOOD
      • THE VOYAGE TO VINLAND
        • II
        • III
      • II
      • III
      • MAHMOOD THE IMAGE-BREAKER
      • INVITA MINERVA
      • THE FOUNTAIN OF YOUTH
      • YUSSOUF
      • THE DARKENED MIND
      • WHAT RABBI JEHOSHA SAID
      • ALL-SAINTS
      • A WINTER-EVENING HYMN TO MY FIRE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • FANCY'S CASUISTRY
      • TO MR. JOHN BARTLETT
      • ODE TO HAPPINESS
      • VILLA FRANCA
      • THE MINER
      • GOLD EGG: A DREAM-FANTASY
      • A FAMILIAR EPISTLE TO A FRIEND
      • AN EMBER PICTURE
      • TO H.W.L.
      • THE NIGHTINGALE IN THE STUDY
      • IN THE TWILIGHT
      • THE FOOT-PATH
    • TO CHARLES ELIOT NORTON
    • UNDER THE WILLOWS
    • DARA
    • THE FIRST SNOW-FALL
    • THE SINGING LEAVES
      • II
      • III
    • II
    • III
    • SEAWEED
    • THE FINDING OF THE LYRE
    • NEW-YEAR'S EVE, 1850
    • FOR AN AUTOGRAPH
    • AL FRESCO
    • MASACCIO
    • WITHOUT AND WITHIN
    • THE PARTING OF THE WAYS
    • GODMINSTER CHIMES
    • THE PARTING OF THE WAYS
    • ALADDIN
    • AN INVITATION
    • THE NOMADES
    • SELF-STUDY
    • PICTURES FROM APPLEDORE
      • II
      • III
      • IV
      • V
      • VI
    • II
    • III
    • IV
    • V
    • VI
    • THE WIND-HARP
    • AUF WIEDERSEHEN
    • PALINODE
    • AFTER THE BURIAL
    • THE DEAD HOUSE
    • A MOOD
    • THE VOYAGE TO VINLAND
      • II
      • III
    • II
    • III
    • MAHMOOD THE IMAGE-BREAKER
    • INVITA MINERVA
    • THE FOUNTAIN OF YOUTH
    • YUSSOUF
    • THE DARKENED MIND
    • WHAT RABBI JEHOSHA SAID
    • ALL-SAINTS
    • A WINTER-EVENING HYMN TO MY FIRE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • FANCY'S CASUISTRY
    • TO MR. JOHN BARTLETT
    • ODE TO HAPPINESS
    • VILLA FRANCA
    • THE MINER
    • GOLD EGG: A DREAM-FANTASY
    • A FAMILIAR EPISTLE TO A FRIEND
    • AN EMBER PICTURE
    • TO H.W.L.
    • THE NIGHTINGALE IN THE STUDY
    • IN THE TWILIGHT
    • THE FOOT-PATH
    • POEMS OF THE WAR
      • THE WASHERS OF THE SHROUD
      • TWO SCENES FROM THE LIFE OF BLONDEL
        • SCENE I.—Near a castle in Germany.
        • SCENE II.—An Inn near the Château of Chalus.
      • SCENE I.—Near a castle in Germany.
      • SCENE II.—An Inn near the Château of Chalus.
      • MEMORIAE POSITUM
        • I
        • II
        • III
      • I
      • II
      • III
      • ON BOARD THE '76
      • ODE RECITED AT THE HARVARD COMMEMORATION
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • L'ENVOI
        • TO THE MUSE
      • TO THE MUSE
      • THE CATHEDRAL
      • THREE MEMORIAL POEMS
      • ODE
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • UNDER THE OLD ELM
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • AN ODE
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
    • THE WASHERS OF THE SHROUD
    • TWO SCENES FROM THE LIFE OF BLONDEL
      • SCENE I.—Near a castle in Germany.
      • SCENE II.—An Inn near the Château of Chalus.
    • SCENE I.—Near a castle in Germany.
    • SCENE II.—An Inn near the Château of Chalus.
    • MEMORIAE POSITUM
      • I
      • II
      • III
    • I
    • II
    • III
    • ON BOARD THE '76
    • ODE RECITED AT THE HARVARD COMMEMORATION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • L'ENVOI
      • TO THE MUSE
    • TO THE MUSE
    • THE CATHEDRAL
    • THREE MEMORIAL POEMS
    • ODE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • UNDER THE OLD ELM
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • AN ODE
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • HEARTSEASE AND RUE
      • I. FRIENDSHIP
        • AGASSIZ
        • I
        • II
        • III
        • IV
        • V
        • VI
      • AGASSIZ
      • I
      • II
      • III
      • IV
      • V
      • VI
      • TO HOLMES
      • IN A COPY OF OMAR KHAYYÁM
      • ON RECEIVING A COPY OF MR. AUSTIN DOBSON'S 'OLD WORLD IDYLLS'
        • I
        • II
      • I
      • II
      • TO C.F. BRADFORD
      • BANKSIDE
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
      • JOSEPH WINLOCK
      • SONNET
      • JEFFRIES WYMAN
      • TO A FRIEND
      • WITH AN ARMCHAIR
      • E.G. DE R.
      • BON VOYAGE
      • TO WHITTIER
      • ON AN AUTUMN SKETCH OF H.G. WILD
      • TO MISS D.T.
      • WITH A COPY OF AUCASSIN AND NICOLETE
      • ON PLANTING A TREE AT INVERARAY
      • AN EPISTLE TO GEORGE WILLIAM CURTIS
      • POSTSCRIPT, 1887
      • II. SENTIMENT
        • ENDYMION
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
      • ENDYMION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • THE BLACK PREACHER
      • ARCADIA REDIVIVA
      • THE NEST
      • PALINODE—DECEMBER
    • I. FRIENDSHIP
      • AGASSIZ
      • I
      • II
      • III
      • IV
      • V
      • VI
    • AGASSIZ
    • I
    • II
    • III
    • IV
    • V
    • VI
    • TO HOLMES
    • IN A COPY OF OMAR KHAYYÁM
    • ON RECEIVING A COPY OF MR. AUSTIN DOBSON'S 'OLD WORLD IDYLLS'
      • I
      • II
    • I
    • II
    • TO C.F. BRADFORD
    • BANKSIDE
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • JOSEPH WINLOCK
    • SONNET
    • JEFFRIES WYMAN
    • TO A FRIEND
    • WITH AN ARMCHAIR
    • E.G. DE R.
    • BON VOYAGE
    • TO WHITTIER
    • ON AN AUTUMN SKETCH OF H.G. WILD
    • TO MISS D.T.
    • WITH A COPY OF AUCASSIN AND NICOLETE
    • ON PLANTING A TREE AT INVERARAY
    • AN EPISTLE TO GEORGE WILLIAM CURTIS
    • POSTSCRIPT, 1887
    • II. SENTIMENT
      • ENDYMION
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
    • ENDYMION
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • THE BLACK PREACHER
    • ARCADIA REDIVIVA
    • THE NEST
    • PALINODE—DECEMBER
    • A YOUTHFUL EXPERIMENT IN ENGLISH HEXAMETERS
      • BIRTHDAY VERSES
      • ESTRANGEMENT
      • PHOEBE
      • DAS EWIG-WEIBLICHE
      • THE RECALL
      • ABSENCE
      • MONNA LISA
      • THE OPTIMIST
      • ON BURNING SOME OLD LETTERS
      • THE PROTEST
      • THE PETITION
      • FACT OR FANCY?
      • AGRO-DOLCE
      • THE BROKEN TRYST
      • CASA SIN ALMA
      • A CHRISTMAS CAROL
      • MY PORTRAIT GALLERY
      • PAOLO TO FRANCESCA
      • SONNET
      • SONNET
      • THE DANCING BEAR
      • THE MAPLE
      • NIGHTWATCHES
      • DEATH OF QUEEN MERCEDES
      • PRISON OF CERVANTES
      • TO A LADY PLAYING ON THE CITHERN
      • THE EYE'S TREASURY
      • PESSIMOPTIMISM
      • THE BRAKES
      • A FOREBODING
    • BIRTHDAY VERSES
    • ESTRANGEMENT
    • PHOEBE
    • DAS EWIG-WEIBLICHE
    • THE RECALL
    • ABSENCE
    • MONNA LISA
    • THE OPTIMIST
    • ON BURNING SOME OLD LETTERS
    • THE PROTEST
    • THE PETITION
    • FACT OR FANCY?
    • AGRO-DOLCE
    • THE BROKEN TRYST
    • CASA SIN ALMA
    • A CHRISTMAS CAROL
    • MY PORTRAIT GALLERY
    • PAOLO TO FRANCESCA
    • SONNET
    • SONNET
    • THE DANCING BEAR
    • THE MAPLE
    • NIGHTWATCHES
    • DEATH OF QUEEN MERCEDES
    • PRISON OF CERVANTES
    • TO A LADY PLAYING ON THE CITHERN
    • THE EYE'S TREASURY
    • PESSIMOPTIMISM
    • THE BRAKES
    • A FOREBODING
    • III. FANCY
      • UNDER THE OCTOBER MAPLES
      • LOVE'S CLOCK
      • ELEANOR MAKES MACAROONS
      • TELEPATHY
      • SCHERZO
      • 'FRANCISCUS DE VERULAMIO SIC COGITAVIT'
      • AUSPEX
      • THE PREGNANT COMMENT
      • THE LESSON
      • SCIENCE AND POETRY
      • A NEW YEAR'S GREETING
      • THE DISCOVERY
      • WITH A SEASHELL
      • THE SECRET
    • UNDER THE OCTOBER MAPLES
    • LOVE'S CLOCK
    • ELEANOR MAKES MACAROONS
    • TELEPATHY
    • SCHERZO
    • 'FRANCISCUS DE VERULAMIO SIC COGITAVIT'
    • AUSPEX
    • THE PREGNANT COMMENT
    • THE LESSON
    • SCIENCE AND POETRY
    • A NEW YEAR'S GREETING
    • THE DISCOVERY
    • WITH A SEASHELL
    • THE SECRET
    • IV. HUMOR AND SATIRE
      • FITZ ADAM'S STORY
      • THE ORIGIN OF DIDACTIC POETRY
      • THE FLYING DUTCHMAN
      • CREDIDIMUS JOVEM REGNARE
      • TEMPORA MUTANTUR
      • IN THE HALF-WAY HOUSE
        • II
        • III
        • IV
        • V
        • VI
        • VII
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • AT THE BURNS CENTENNIAL
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
        • XXII
        • XXIII
        • XXIV
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
      • IN AN ALBUM
      • AT THE COMMENCEMENT DINNER, 1866
      • A PARABLE
    • FITZ ADAM'S STORY
    • THE ORIGIN OF DIDACTIC POETRY
    • THE FLYING DUTCHMAN
    • CREDIDIMUS JOVEM REGNARE
    • TEMPORA MUTANTUR
    • IN THE HALF-WAY HOUSE
      • II
      • III
      • IV
      • V
      • VI
      • VII
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • AT THE BURNS CENTENNIAL
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • XXI
      • XXII
      • XXIII
      • XXIV
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
    • XXII
    • XXIII
    • XXIV
    • IN AN ALBUM
    • AT THE COMMENCEMENT DINNER, 1866
    • A PARABLE
    • V. EPIGRAMS
      • SAYINGS
      • INSCRIPTIONS
      • FOR A MEMORIAL WINDOW TO SIR WALTER RALEIGH, SET UP IN ST. MARGARET'S, WESTMINSTER, BY AMERICAN CONTRIBUTORS
      • PROPOSED FOR A SOLDIERS' AND SAILORS' MONUMENT IN BOSTON
      • A MISCONCEPTION
      • THE BOSS
      • SUN-WORSHIP
      • CHANGED PERSPECTIVE
      • WITH A PAIR OF GLOVES LOST IN A WAGER
      • SIXTY-EIGHTH BIRTHDAY
      • INTERNATIONAL COPYRIGHT
    • SAYINGS
    • INSCRIPTIONS
    • FOR A MEMORIAL WINDOW TO SIR WALTER RALEIGH, SET UP IN ST. MARGARET'S, WESTMINSTER, BY AMERICAN CONTRIBUTORS
    • PROPOSED FOR A SOLDIERS' AND SAILORS' MONUMENT IN BOSTON
    • A MISCONCEPTION
    • THE BOSS
    • SUN-WORSHIP
    • CHANGED PERSPECTIVE
    • WITH A PAIR OF GLOVES LOST IN A WAGER
    • SIXTY-EIGHTH BIRTHDAY
    • INTERNATIONAL COPYRIGHT
    • LAST POEMS
      • HOW I CONSULTED THE ORACLE OF THE GOLDFISHES
      • TURNER'S OLD TÉMÉRAIRE
      • ST. MICHAEL THE WEIGHER
      • A VALENTINE
      • AN APRIL BIRTHDAY—AT SEA
      • LOVE AND THOUGHT
      • THE NOBLER LOVER
      • ON HEARING A SONATA OF BEETHOVEN'S PLAYED IN THE NEXT ROOM
      • VERSES
      • ON A BUST OF GENERAL GRANT
    • HOW I CONSULTED THE ORACLE OF THE GOLDFISHES
    • TURNER'S OLD TÉMÉRAIRE
    • ST. MICHAEL THE WEIGHER
    • A VALENTINE
    • AN APRIL BIRTHDAY—AT SEA
    • LOVE AND THOUGHT
    • THE NOBLER LOVER
    • ON HEARING A SONATA OF BEETHOVEN'S PLAYED IN THE NEXT ROOM
    • VERSES
    • ON A BUST OF GENERAL GRANT
    • APPENDIX
      • I. INTRODUCTION TO THE SECOND SERIES OF BIGLOW PAPERS
    • I. INTRODUCTION TO THE SECOND SERIES OF BIGLOW PAPERS
    • II. GLOSSARY TO THE BIGLOW PAPERS
      • Act'lly, actually. Air, are. Airth, earth. Airy, area. Aree, area. Arter, after. Ax, ask.
    • Act'lly, actually. Air, are. Airth, earth. Airy, area. Aree, area. Arter, after. Ax, ask.
    • III. INDEX TO BIGLOW PAPERS
      • A.
    • A.
    • INDEX OF FIRST LINES
    • INDEX OF TITLES
    • FOOTNOTES:
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