The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern
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The Psychology of Singing A Rational Method of Voice Culture Based on a Scientific Analysis of All Systems, Ancient and Modern

By David C. (David Clark) Taylor
Free
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Table of Contents
  • The Project Gutenberg eBook, The Psychology of Singing, by David C. Taylor
  • E-text prepared by David Newman, Sigal Alon, Chuck Greif, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
    • THE
  • PSYCHOLOGY OF SINGING
    • David C. Taylor
    • PREFACE
    • CONTENTS
    • CHAPTER I
      • TONE-PRODUCTION AND VOICE CULTURE
    • TONE-PRODUCTION AND VOICE CULTURE
    • CHAPTER II
      • BREATHING AND BREATH-CONTROL
    • BREATHING AND BREATH-CONTROL
    • CHAPTER III
      • REGISTERS AND LARYNGEAL ACTION
    • REGISTERS AND LARYNGEAL ACTION
    • CHAPTER IV
      • RESONANCE
    • RESONANCE
    • CHAPTER V
      • EMPIRICAL MATERIALS OF MODERN METHODS
    • EMPIRICAL MATERIALS OF MODERN METHODS
    • CHAPTER VI
      • A GENERAL VIEW OF MODERN VOICE CULTURE
    • A GENERAL VIEW OF MODERN VOICE CULTURE
  • Part II
    • A CRITICAL ANALYSIS OF MODERN METHODS
    • CHAPTER I
      • MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE
    • MECHANICAL VOCAL MANAGEMENT AS THE BASIS OF VOICE CULTURE
    • CHAPTER II
      • THE FALLACY OF THE DOCTRINE OF BREATH-CONTROL
    • THE FALLACY OF THE DOCTRINE OF BREATH-CONTROL
    • CHAPTER III
      • THE FALLACIES OF FORWARD EMISSION, CHEST RESONANCE, AND NASAL RESONANCE
    • THE FALLACIES OF FORWARD EMISSION, CHEST RESONANCE, AND NASAL RESONANCE
    • CHAPTER IV
      • THE FUTILITY OF THE MATERIALS OF MODERN METHODS
    • THE FUTILITY OF THE MATERIALS OF MODERN METHODS
    • CHAPTER V
      • THE ERROR OF THE THEORY OF MECHANICAL VOCAL MANAGEMENT
    • THE ERROR OF THE THEORY OF MECHANICAL VOCAL MANAGEMENT
  • Part III
    • THE BASIS OF A REAL SCIENCE OF VOICE
    • CHAPTER I
      • THE MEANS OF EMPIRICAL OBSERVATION OF THE VOICE
    • THE MEANS OF EMPIRICAL OBSERVATION OF THE VOICE
    • CHAPTER II
      • SYMPATHETIC SENSATIONS OF VOCAL TONE
    • SYMPATHETIC SENSATIONS OF VOCAL TONE
    • CHAPTER III
      • EMPIRICAL KNOWLEDGE OF THE VOICE
    • EMPIRICAL KNOWLEDGE OF THE VOICE
    • CHAPTER IV
      • THE TRADITIONAL PRECEPTS OF THE OLD ITALIAN SCHOOL
    • THE TRADITIONAL PRECEPTS OF THE OLD ITALIAN SCHOOL
    • CHAPTER V
      • EMPIRICAL KNOWLEDGE IN MODERN VOICE CULTURE
    • EMPIRICAL KNOWLEDGE IN MODERN VOICE CULTURE
    • CHAPTER VI
      • SCIENTIFIC KNOWLEDGE OF THE VOICE
    • SCIENTIFIC KNOWLEDGE OF THE VOICE
  • Part IV
    • VOCAL SCIENCE AND PRACTICAL VOICE CULTURE
    • CHAPTER I
      • THE CORRECT VOCAL ACTION
    • THE CORRECT VOCAL ACTION
    • CHAPTER II
      • THE CAUSES OF THROAT STIFFNESS AND OF INCORRECT VOCAL ACTION
    • THE CAUSES OF THROAT STIFFNESS AND OF INCORRECT VOCAL ACTION
    • CHAPTER III
      • THROAT STIFFNESS AND INCORRECT SINGING
    • THROAT STIFFNESS AND INCORRECT SINGING
    • CHAPTER IV
      • THE TRUE MEANING OF VOCAL TRAINING
    • THE TRUE MEANING OF VOCAL TRAINING
    • CHAPTER V
      • IMITATION THE RATIONAL BASIS OF VOICE CULTURE
    • IMITATION THE RATIONAL BASIS OF VOICE CULTURE
    • CHAPTER VI
      • THE OLD ITALIAN METHOD
    • THE OLD ITALIAN METHOD
    • CHAPTER VII
      • THE DISAPPEARANCE OF THE OLD ITALIAN METHOD AND THE DEVELOPMENT OF MECHANICAL INSTRUCTION
    • THE DISAPPEARANCE OF THE OLD ITALIAN METHOD AND THE DEVELOPMENT OF MECHANICAL INSTRUCTION
    • CHAPTER VIII
      • THE MATERIALS OF RATIONAL INSTRUCTION IN SINGING
    • THE MATERIALS OF RATIONAL INSTRUCTION IN SINGING
    • CHAPTER IX
      • OUTLINES OF A PRACTICAL METHOD OF VOICE CULTURE
    • OUTLINES OF A PRACTICAL METHOD OF VOICE CULTURE
    • BIBLIOGRAPHY
  • INDEX
    • NOTES:
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