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Every Boy's Book: A Complete Encyclopædia of Sports and Amusements
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Every Boy's Book: A Complete Encyclopædia of Sports and Amusements

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Book Description
Table of Contents
  • EVERY BOY’S BOOK: A COMPLETE ENCYCLOPÆDIA OF SPORTS AND AMUSEMENTS.
  • EDITORS PREFACE.
  • PREFACE TO THE ORIGINAL EDITION.
  • CONTENTS.
  • PART I.
    • EASY GAMES WITHOUT TOYS.
      • OUTDOOR.
    • OUTDOOR.
    • EASY GAMES WITHOUT TOYS
      • INDOOR.
    • INDOOR.
    • EASY GAMES WITH TOYS.
      • OUTDOOR.
    • OUTDOOR.
    • EASY GAMES WITH TOYS.
      • INDOOR.
    • INDOOR.
  • PART II. Athletic Sports and Manly Exercises:
    • ANGLING.
      • A WORD ABOUT FISH.
      • ABOUT THE ROD.
      • CHOOSING THE ROD.
      • LINES OR BOTTOMS.
      • SHOTTING THE LINE
      • THE FLOAT.
      • REELS OR WINCHES.
      • REEL LINES
      • HOOKS.
      • HOW TO BAIT A HOOK.
      • BAITS.
      • TO BAIT WITH GREAVES.
      • TO SCOUR AND PRESERVE WORMS.
      • THE PLUMMET.
      • PLUMBING THE DEPTH
      • LANDING-HOOK AND LANDING-NET.
      • CLEARING RING AND LINE.
      • DRAG-HOOK.
      • BANK RUNNER.
      • LIVE-BAIT KETTLE.
      • DISGORGER.
      • ANGLING AXIOMS.
      • ACCOUNTS OF THE VARIOUS FRESH-WATER FISH, WITH THEIR HABITS, HAUNTS, SEASONS, AND THE METHODS OF TAKING THEM.
      • NATURAL FLY-FISHING, OR DIPPING.
      • FLY-FISHING AND ARTIFICIAL FLIES.
      • MATERIALS FOR MAKING FLIES.
    • A WORD ABOUT FISH.
    • ABOUT THE ROD.
    • CHOOSING THE ROD.
    • LINES OR BOTTOMS.
    • SHOTTING THE LINE
    • THE FLOAT.
    • REELS OR WINCHES.
    • REEL LINES
    • HOOKS.
    • HOW TO BAIT A HOOK.
    • BAITS.
    • TO BAIT WITH GREAVES.
    • TO SCOUR AND PRESERVE WORMS.
    • THE PLUMMET.
    • PLUMBING THE DEPTH
    • LANDING-HOOK AND LANDING-NET.
    • CLEARING RING AND LINE.
    • DRAG-HOOK.
    • BANK RUNNER.
    • LIVE-BAIT KETTLE.
    • DISGORGER.
    • ANGLING AXIOMS.
    • ACCOUNTS OF THE VARIOUS FRESH-WATER FISH, WITH THEIR HABITS, HAUNTS, SEASONS, AND THE METHODS OF TAKING THEM.
    • NATURAL FLY-FISHING, OR DIPPING.
    • FLY-FISHING AND ARTIFICIAL FLIES.
    • MATERIALS FOR MAKING FLIES.
    • ARCHERY.
      • THE LONG-BOW.
      • THE CROSS-BOW.
      • FEATS OF THE BOW.
      • LENGTH OF BOWS AND ARROWS, AND HOW USED IN ANCIENT TIMES.
      • MARKS FOR SHOOTING AT.
      • EQUIPMENT FOR ARCHERY.
      • ANCIENT DIRECTIONS FOR ARCHERY.
      • DECLINE OF ARCHERY.
      • MODERN ARCHERY.
      • THE BOW.
      • THE STRING.
      • STRINGING THE BOW.
      • THE ARROWS.
      • THE QUIVER.
      • THE TASSEL, BRACE, BELT AND POUCH.
      • SHOOTING GLOVE, AND GREASE POT.
      • THE TARGET.
      • BUTTS.
      • HOW TO DRAW THE BOW.
      • FLIGHT SHOOTING.
      • CLOUT SHOOTING.
      • ROVING.
      • GENERAL HINTS FOR ARCHERS.
    • THE LONG-BOW.
    • THE CROSS-BOW.
    • FEATS OF THE BOW.
    • LENGTH OF BOWS AND ARROWS, AND HOW USED IN ANCIENT TIMES.
    • MARKS FOR SHOOTING AT.
    • EQUIPMENT FOR ARCHERY.
    • ANCIENT DIRECTIONS FOR ARCHERY.
    • DECLINE OF ARCHERY.
    • MODERN ARCHERY.
    • THE BOW.
    • THE STRING.
    • STRINGING THE BOW.
    • THE ARROWS.
    • THE QUIVER.
    • THE TASSEL, BRACE, BELT AND POUCH.
    • SHOOTING GLOVE, AND GREASE POT.
    • THE TARGET.
    • BUTTS.
    • HOW TO DRAW THE BOW.
    • FLIGHT SHOOTING.
    • CLOUT SHOOTING.
    • ROVING.
    • GENERAL HINTS FOR ARCHERS.
    • BOXING.
    • CANOES AND CANOEING.
    • CRICKET.
      • THE BAT.
      • THE BALL.
      • THE STUMPS.
      • PADS OR GUARDS.
      • BATTING GLOVES.
      • WICKET-KEEPING GLOVES.
      • THE LAWS OF CRICKET.
      • THE LAWS OF SINGLE WICKET.
      • THE BATSMAN.—HINTS TO YOUNG PLAYERS.
      • FIELDING.
      • BOWLING.
      • THE WICKET-KEEPER.
      • LONG-STOP.
      • POINT.
      • SHORT-SLIP.
      • COVER-POINT.
      • LONG-SLIP.
      • LONG-ON.
      • LONG-OFF.
      • LEG.
      • MID-WICKET ON AND OFF.
      • THIRD MAN UP.
    • THE BAT.
    • THE BALL.
    • THE STUMPS.
    • PADS OR GUARDS.
    • BATTING GLOVES.
    • WICKET-KEEPING GLOVES.
    • THE LAWS OF CRICKET.
    • THE LAWS OF SINGLE WICKET.
    • THE BATSMAN.—HINTS TO YOUNG PLAYERS.
    • FIELDING.
    • BOWLING.
    • THE WICKET-KEEPER.
    • LONG-STOP.
    • POINT.
    • SHORT-SLIP.
    • COVER-POINT.
    • LONG-SLIP.
    • LONG-ON.
    • LONG-OFF.
    • LEG.
    • MID-WICKET ON AND OFF.
    • THIRD MAN UP.
    • CROQUET.
      • MATERIALS OF THE GAME.
      • HOW THE GAME IS PLAYED.
      • RULES.
      • HINTS TO YOUNG PLAYERS.
    • MATERIALS OF THE GAME.
    • HOW THE GAME IS PLAYED.
    • RULES.
    • HINTS TO YOUNG PLAYERS.
    • DRIVING.
      • INTRODUCTION.
      • THE HORSE IN HARNESS.
      • THE HORSE
      • THE HARNESS,
      • THE CARRIAGE.
      • PUTTING TO.
      • DIRECTIONS FOR DRIVING.
    • INTRODUCTION.
    • THE HORSE IN HARNESS.
    • THE HORSE
    • THE HARNESS,
    • THE CARRIAGE.
    • PUTTING TO.
    • DIRECTIONS FOR DRIVING.
    • FENCING.
      • THE GUARD.
      • ADVANCE
      • RETREAT,
      • THE LONGE,
      • THE RECOVER;
      • THE ENGAGE.
      • PARADES.
      • QUARTE.
      • TIERCE.
      • SECONDE
      • DEMI-CERCLE,
      • OCTAVE.
      • CONTRE-PARADES.
      • ATTACKS,
      • THE STRAIGHT THRUST
      • THE DISENGAGEMENT.
      • THE ONE-TWO
      • THE BEAT AND THRUST.
      • THE BEAT AND DISENGAGEMENT.
      • CUT OVER THE POINT.
      • CUT OVER AND DISENGAGEMENT
      • DOUBLE,
      • ALL FEINTS.
      • THE ASSAULT;
      • GENERAL ADVICE,
    • THE GUARD.
    • ADVANCE
    • RETREAT,
    • THE LONGE,
    • THE RECOVER;
    • THE ENGAGE.
    • PARADES.
    • QUARTE.
    • TIERCE.
    • SECONDE
    • DEMI-CERCLE,
    • OCTAVE.
    • CONTRE-PARADES.
    • ATTACKS,
    • THE STRAIGHT THRUST
    • THE DISENGAGEMENT.
    • THE ONE-TWO
    • THE BEAT AND THRUST.
    • THE BEAT AND DISENGAGEMENT.
    • CUT OVER THE POINT.
    • CUT OVER AND DISENGAGEMENT
    • DOUBLE,
    • ALL FEINTS.
    • THE ASSAULT;
    • GENERAL ADVICE,
    • BROADSWORD.
      • POSITIONS.
      • TARGET.
      • CUTS AND GUARDS.
      • ATTACK AND DEFENCE.
      • PRACTICES.
      • FORT AND FEEBLE.
      • DRAWING CUT.
      • GENERAL ADVICE.
    • POSITIONS.
    • TARGET.
    • CUTS AND GUARDS.
    • ATTACK AND DEFENCE.
    • PRACTICES.
    • FORT AND FEEBLE.
    • DRAWING CUT.
    • GENERAL ADVICE.
    • FIVES.
    • FOOT-BALL.
    • GOLFING.
    • GYMNASTICS.
      • INTRODUCTION.
      • HISTORICAL MEMORANDA.
      • MODERN GYMNASTICS.
      • WALKING.
      • THE TIP-TOE MARCH.
      • RUNNING.
      • JUMPING.
      • LEAPING.
      • TO CLIMB UP A BOARD.
      • CLIMBING THE POLE.
      • CLIMBING THE ROPE.
      • CLIMBING TREES.
      • THE GIANT STRIDE, OR FLYING STEPS, AND ITS CAPABILITIES.
      • PARALLEL BARS.
      • THE HORIZONTAL BAR.
      • THE HORSE.
      • THE SWING.
      • THROWING THE JAVELIN.
      • THE TRAPEZE: SINGLE AND DOUBLE.
      • TRICKS AND FEATS OF GYMNASTICS.
    • INTRODUCTION.
    • HISTORICAL MEMORANDA.
    • MODERN GYMNASTICS.
    • WALKING.
    • THE TIP-TOE MARCH.
    • RUNNING.
    • JUMPING.
    • LEAPING.
    • TO CLIMB UP A BOARD.
    • CLIMBING THE POLE.
    • CLIMBING THE ROPE.
    • CLIMBING TREES.
    • THE GIANT STRIDE, OR FLYING STEPS, AND ITS CAPABILITIES.
    • PARALLEL BARS.
    • THE HORIZONTAL BAR.
    • THE HORSE.
    • THE SWING.
    • THROWING THE JAVELIN.
    • THE TRAPEZE: SINGLE AND DOUBLE.
    • TRICKS AND FEATS OF GYMNASTICS.
    • HOCKEY.
    • RACKETS.
    • RIDING.
      • THE HORSE.
      • THE MARKS OF AGE IN THE HORSE.
      • THE PACES OF THE HORSE.
      • TERMS USED BY HORSEMEN.
      • FORM OF THE HORSE.
      • VARIETIES OF THE HORSE SUITABLE FOR BOYS.
      • THE ACCOUTREMENTS AND AIDS
      • MOUNTING.
      • DISMOUNTING
      • THE MANAGEMENT OF THE REINS
      • THE SEAT
      • THE CONTROL OF THE HORSE
      • MANAGEMENT OF THE WALK.
      • THE TROT AND CANTER
      • THE MANAGEMENT OF THE GALLOP
      • LEAPING
      • TREATMENT OF VICES.
    • THE HORSE.
    • THE MARKS OF AGE IN THE HORSE.
    • THE PACES OF THE HORSE.
    • TERMS USED BY HORSEMEN.
    • FORM OF THE HORSE.
    • VARIETIES OF THE HORSE SUITABLE FOR BOYS.
    • THE ACCOUTREMENTS AND AIDS
    • MOUNTING.
    • DISMOUNTING
    • THE MANAGEMENT OF THE REINS
    • THE SEAT
    • THE CONTROL OF THE HORSE
    • MANAGEMENT OF THE WALK.
    • THE TROT AND CANTER
    • THE MANAGEMENT OF THE GALLOP
    • LEAPING
    • TREATMENT OF VICES.
    • ROWING.
      • HISTORICAL MEMORANDA.
      • CONSTRUCTION OF ANCIENT SHIPS AND GALLEYS.
      • ROMAN GALLEYS, SHIPS, ETC.
      • OF BOATS.
      • THE COMPONENT PARTS OF BOATS.
      • THE OARS AND SCULLS.
      • SEA ROWING.
      • RIVER ROWING.
      • MANAGEMENT OF THE OAR.
      • THE ESSENTIAL POINTS IN ROWING.
      • MANAGEMENT OF THE BOAT.
      • ROWING TOGETHER
      • CAUTIONS TO YOUNG ROWERS.
    • HISTORICAL MEMORANDA.
    • CONSTRUCTION OF ANCIENT SHIPS AND GALLEYS.
    • ROMAN GALLEYS, SHIPS, ETC.
    • OF BOATS.
    • THE COMPONENT PARTS OF BOATS.
    • THE OARS AND SCULLS.
    • SEA ROWING.
    • RIVER ROWING.
    • MANAGEMENT OF THE OAR.
    • THE ESSENTIAL POINTS IN ROWING.
    • MANAGEMENT OF THE BOAT.
    • ROWING TOGETHER
    • CAUTIONS TO YOUNG ROWERS.
    • SAILING.
      • CHARACTERS OF A YACHT.
      • VARIOUS KINDS OF YACHTS.
      • DESCRIPTION OF THE CUTTER YACHT.
      • CONSTRUCTION OF THE HULL.
      • SOMETHING ABOUT THE MASTS, SPARS, ROPES, ETC.
      • SAILING A YACHT.
      • BRINGING UP.
      • MAKING SNUG.
      • GOING BACK.
      • JIBING.
      • BRINGING UP AT MOORINGS.
      • OF THE MARINERS’ COMPASS, AND VARIOUS NAUTICAL TERMS.
      • CAUTIONS AND DIRECTIONS.
      • NAUTICAL TERMS.
    • CHARACTERS OF A YACHT.
    • VARIOUS KINDS OF YACHTS.
    • DESCRIPTION OF THE CUTTER YACHT.
    • CONSTRUCTION OF THE HULL.
    • SOMETHING ABOUT THE MASTS, SPARS, ROPES, ETC.
    • SAILING A YACHT.
    • BRINGING UP.
    • MAKING SNUG.
    • GOING BACK.
    • JIBING.
    • BRINGING UP AT MOORINGS.
    • OF THE MARINERS’ COMPASS, AND VARIOUS NAUTICAL TERMS.
    • CAUTIONS AND DIRECTIONS.
    • NAUTICAL TERMS.
    • SKATING.
      • THE SKATE.
      • PUTTING ON THE SKATES.
      • HOW TO START UPON THE INSIDE EDGE.
      • MOVEMENT ON THE OUTSIDE EDGE.
      • FORWARD ROLL,
      • THE DUTCH ROLL
      • THE FIGURE OF EIGHT.
      • THE FIGURE OF THREE.
      • THE BACK ROLL.
      • GENERAL DIRECTIONS TO BE FOLLOWED BY PERSONS LEARNING TO SKATE.
    • THE SKATE.
    • PUTTING ON THE SKATES.
    • HOW TO START UPON THE INSIDE EDGE.
    • MOVEMENT ON THE OUTSIDE EDGE.
    • FORWARD ROLL,
    • THE DUTCH ROLL
    • THE FIGURE OF EIGHT.
    • THE FIGURE OF THREE.
    • THE BACK ROLL.
    • GENERAL DIRECTIONS TO BE FOLLOWED BY PERSONS LEARNING TO SKATE.
    • SLIDING.
    • SWIMMING
      • PLACES AND TIMES FOR BATHING AND SWIMMING.
      • ENTERING THE WATER.
      • AIDS TO SWIMMING.
      • STRIKING OFF AND SWIMMING.
      • HOW TO MANAGE THE LEGS.
      • PLUNGING AND DIVING.
      • SWIMMING UNDER WATER.
      • SWIMMING ON THE SIDE.
      • SWIMMING ON THE BACK WITHOUT EMPLOYING THE FEET.
      • FLOATING.
      • TREADING WATER.
      • THE FLING.
      • SWIMMING ON THE BACK.
      • THRUSTING.
      • THE DOUBLE THRUST.
      • TO SWIM LIKE A DOG.
      • THE MILL.
      • THE WHEEL BACKWARDS AND FORWARDS.
      • TO SWIM WITH ONE HAND.
      • HAND OVER HAND SWIMMING.
      • BALANCING.
      • THE CRAMP.
      • SAVING FROM DANGER.
      • SPORTS AND FEATS IN SWIMMING.
      • BERNARDI’S SYSTEM OF UPRIGHT SWIMMING.
      • THE PRUSSIAN SYSTEM OF PFUEL.
    • PLACES AND TIMES FOR BATHING AND SWIMMING.
    • ENTERING THE WATER.
    • AIDS TO SWIMMING.
    • STRIKING OFF AND SWIMMING.
    • HOW TO MANAGE THE LEGS.
    • PLUNGING AND DIVING.
    • SWIMMING UNDER WATER.
    • SWIMMING ON THE SIDE.
    • SWIMMING ON THE BACK WITHOUT EMPLOYING THE FEET.
    • FLOATING.
    • TREADING WATER.
    • THE FLING.
    • SWIMMING ON THE BACK.
    • THRUSTING.
    • THE DOUBLE THRUST.
    • TO SWIM LIKE A DOG.
    • THE MILL.
    • THE WHEEL BACKWARDS AND FORWARDS.
    • TO SWIM WITH ONE HAND.
    • HAND OVER HAND SWIMMING.
    • BALANCING.
    • THE CRAMP.
    • SAVING FROM DANGER.
    • SPORTS AND FEATS IN SWIMMING.
    • BERNARDI’S SYSTEM OF UPRIGHT SWIMMING.
    • THE PRUSSIAN SYSTEM OF PFUEL.
    • TRAINING.
  • PART III. Scientific Pursuits:
    • ACOUSTICS.
      • DIFFERENCE BETWEEN SOUND AND NOISE.
      • SOUNDS, HOW PROPAGATED.
      • TO SHOW HOW SOUND TRAVELS THROUGH A SOLID.
      • TO SHOW THAT SOUND DEPENDS ON VIBRATION.
      • MUSICAL FIGURES RESULTING FROM SOUND.
      • TO MAKE AN ÆOLIAN HARP.
      • THE INVISIBLE GIRL.
      • VENTRILOQUISM.
    • DIFFERENCE BETWEEN SOUND AND NOISE.
    • SOUNDS, HOW PROPAGATED.
    • TO SHOW HOW SOUND TRAVELS THROUGH A SOLID.
    • TO SHOW THAT SOUND DEPENDS ON VIBRATION.
    • MUSICAL FIGURES RESULTING FROM SOUND.
    • TO MAKE AN ÆOLIAN HARP.
    • THE INVISIBLE GIRL.
    • VENTRILOQUISM.
    • AERONAUTICS.
      • BALLOONS.
      • HOW TO MAKE AN AIR-BALLOON.
      • HOW TO FILL A BALLOON.
      • TO MAKE FIRE-BALLOONS.
      • PARACHUTES.
    • BALLOONS.
    • HOW TO MAKE AN AIR-BALLOON.
    • HOW TO FILL A BALLOON.
    • TO MAKE FIRE-BALLOONS.
    • PARACHUTES.
    • CHEMISTRY.
      • GASES.
      • OXYGEN GAS.
      • EXPERIMENT.
      • EXPERIMENT.
      • NITROGEN.
      • EXPERIMENT.
      • ATMOSPHERIC AIR.
      • HYDROGEN.
      • EXPERIMENTS.
      • WATER.
      • EXPERIMENT.
      • CHLORINE.
      • EXPERIMENTS.
      • MURIATIC ACID GAS, OR HYDRIC CHLORIDE.
      • EXPERIMENTS.
      • IODINE.
      • EXPERIMENTS.
      • BROMINE.
      • EXPERIMENTS.
      • FLUORINE.
      • EXPERIMENT.
      • CARBON.
      • EXPERIMENTS.
      • CARBON AND HYDROGEN.
      • EXPERIMENT.
      • COAL GAS.
      • EXPERIMENT.
      • PHOSPHORUS.
      • EXPERIMENTS.
      • SULPHUR.
      • METALS.
      • POTASSIUM.
      • EXPERIMENT.
      • EXPERIMENTS.
      • EXPERIMENTS.
      • CRYSTALLIZATION OF METALS.
      • EXPERIMENT.
      • TO FORM A SOLID FROM TWO LIQUIDS.[7]
      • TO FORM A LIQUID FROM TWO SOLIDS.
      • EXPERIMENTS.
      • CHANGES OF COLOUR PRODUCED BY COLOURLESS LIQUIDS.
    • GASES.
    • OXYGEN GAS.
    • EXPERIMENT.
    • EXPERIMENT.
    • NITROGEN.
    • EXPERIMENT.
    • ATMOSPHERIC AIR.
    • HYDROGEN.
    • EXPERIMENTS.
    • WATER.
    • EXPERIMENT.
    • CHLORINE.
    • EXPERIMENTS.
    • MURIATIC ACID GAS, OR HYDRIC CHLORIDE.
    • EXPERIMENTS.
    • IODINE.
    • EXPERIMENTS.
    • BROMINE.
    • EXPERIMENTS.
    • FLUORINE.
    • EXPERIMENT.
    • CARBON.
    • EXPERIMENTS.
    • CARBON AND HYDROGEN.
    • EXPERIMENT.
    • COAL GAS.
    • EXPERIMENT.
    • PHOSPHORUS.
    • EXPERIMENTS.
    • SULPHUR.
    • METALS.
    • POTASSIUM.
    • EXPERIMENT.
    • EXPERIMENTS.
    • EXPERIMENTS.
    • CRYSTALLIZATION OF METALS.
    • EXPERIMENT.
    • TO FORM A SOLID FROM TWO LIQUIDS.[7]
    • TO FORM A LIQUID FROM TWO SOLIDS.
    • EXPERIMENTS.
    • CHANGES OF COLOUR PRODUCED BY COLOURLESS LIQUIDS.
    • ELECTRICITY.
      • SIMPLE MEANS OF PRODUCING ELECTRICITY.
      • ATTRACTION AND REPULSION EXHIBITED.
      • HOW TO MAKE AN ELECTRICAL MACHINE.
      • THE CONDUCTOR.
      • THE PLATE ELECTRICAL MACHINE.
      • HOW TO DRAW SPARKS FROM THE TIP OF THE NOSE.
      • HOW TO CHARGE A LEYDEN JAR.
      • THE ELECTRICAL BATTERY.
      • DANCING BALLS AND DOLLS.
      • THE ELECTRICAL KISS.
      • RINGING BELLS.
      • WORKING POWER OF ELECTRICITY.
      • THE ELECTRIFIED WIG.
      • IMITATION THUNDERCLOUDS.
      • THE LIGHTNING STROKE IMITATED.
      • THE SPORTSMAN.
    • SIMPLE MEANS OF PRODUCING ELECTRICITY.
    • ATTRACTION AND REPULSION EXHIBITED.
    • HOW TO MAKE AN ELECTRICAL MACHINE.
    • THE CONDUCTOR.
    • THE PLATE ELECTRICAL MACHINE.
    • HOW TO DRAW SPARKS FROM THE TIP OF THE NOSE.
    • HOW TO CHARGE A LEYDEN JAR.
    • THE ELECTRICAL BATTERY.
    • DANCING BALLS AND DOLLS.
    • THE ELECTRICAL KISS.
    • RINGING BELLS.
    • WORKING POWER OF ELECTRICITY.
    • THE ELECTRIFIED WIG.
    • IMITATION THUNDERCLOUDS.
    • THE LIGHTNING STROKE IMITATED.
    • THE SPORTSMAN.
    • GALVANISM, OR VOLTAIC ELECTRICITY.
      • ORIGIN OF GALVANISM.
      • SIMPLE EXPERIMENT TO EXCITE GALVANIC ACTION.
      • WITH METAL PLATES IN WATER.
      • TO MAKE A MAGNET BY THE VOLTAIC CURRENT.
      • EFFECTS OF GALVANISM ON A MAGNET.
      • CHANGE OF COLOUR BY GALVANISM.
      • THE GALVANIC SHOCK.
      • THE ELECTROTYPE.
      • HOW TO MAKE AN ELECTROTYPE APPARATUS.
      • TO OBTAIN THE COPY OF A COIN OR MEDAL.
    • ORIGIN OF GALVANISM.
    • SIMPLE EXPERIMENT TO EXCITE GALVANIC ACTION.
    • WITH METAL PLATES IN WATER.
    • TO MAKE A MAGNET BY THE VOLTAIC CURRENT.
    • EFFECTS OF GALVANISM ON A MAGNET.
    • CHANGE OF COLOUR BY GALVANISM.
    • THE GALVANIC SHOCK.
    • THE ELECTROTYPE.
    • HOW TO MAKE AN ELECTROTYPE APPARATUS.
    • TO OBTAIN THE COPY OF A COIN OR MEDAL.
    • HEAT.
      • HEAT, OR CALORIC.
      • EXPANSION.
    • HEAT, OR CALORIC.
    • EXPANSION.
    • HYDRAULICS.
      • THE SYPHON.
      • THE PUMP.
      • THE HYDRAULIC DANCER.
      • THE WATER SNAIL, OR ARCHIMEDEAN SCREW,
    • THE SYPHON.
    • THE PUMP.
    • THE HYDRAULIC DANCER.
    • THE WATER SNAIL, OR ARCHIMEDEAN SCREW,
    • MAGNETISM.
      • RELATION OF MAGNETISM TO ELECTRICITY.
      • TO MAKE ARTIFICIAL MAGNETS.
      • HOW TO MAGNETISE A POKER.
      • TO SHOW MAGNETIC REPULSION AND ATTRACTION.
      • NORTH AND SOUTH POLES OF THE MAGNET.
      • POLARITY OF THE MAGNET.
      • THE MAGNETIC FISH.
      • THE MAGNETIC SWAN.
      • TO SUSPEND A NEEDLE IN THE AIR BY MAGNETISM.
      • TO MAKE ARTIFICIAL MAGNETS WITHOUT THE AID EITHER OF NATURAL LOADSTONES OR ARTIFICIAL MAGNETS.
      • HORSE-SHOE MAGNETS.
      • EXPERIMENT TO SHOW THAT SOFT IRON POSSESSES MAGNETIC PROPERTIES WHILE IT REMAINS IN THE VICINITY OF A MAGNET.
      • ELECTRO-MAGNETISM.
      • POWER OF THE ELECTRO-MAGNET.
      • THE MARINER’S COMPASS AND EXPERIMENTS WITH A POCKET COMPASS.
      • VARIATION OF THE NEEDLE.
      • DIP OF THE NEEDLE.
      • USEFUL AMUSEMENT WITH THE POCKET COMPASS.
      • INTERESTING PARTICULARS CONCERNING THE MAGNET.
    • RELATION OF MAGNETISM TO ELECTRICITY.
    • TO MAKE ARTIFICIAL MAGNETS.
    • HOW TO MAGNETISE A POKER.
    • TO SHOW MAGNETIC REPULSION AND ATTRACTION.
    • NORTH AND SOUTH POLES OF THE MAGNET.
    • POLARITY OF THE MAGNET.
    • THE MAGNETIC FISH.
    • THE MAGNETIC SWAN.
    • TO SUSPEND A NEEDLE IN THE AIR BY MAGNETISM.
    • TO MAKE ARTIFICIAL MAGNETS WITHOUT THE AID EITHER OF NATURAL LOADSTONES OR ARTIFICIAL MAGNETS.
    • HORSE-SHOE MAGNETS.
    • EXPERIMENT TO SHOW THAT SOFT IRON POSSESSES MAGNETIC PROPERTIES WHILE IT REMAINS IN THE VICINITY OF A MAGNET.
    • ELECTRO-MAGNETISM.
    • POWER OF THE ELECTRO-MAGNET.
    • THE MARINER’S COMPASS AND EXPERIMENTS WITH A POCKET COMPASS.
    • VARIATION OF THE NEEDLE.
    • DIP OF THE NEEDLE.
    • USEFUL AMUSEMENT WITH THE POCKET COMPASS.
    • INTERESTING PARTICULARS CONCERNING THE MAGNET.
    • MECHANICS.
      • EXPERIMENT OF THE LAW OF MOTION.
      • BALANCING.
      • THE PRANCING HORSE.
      • TO CONSTRUCT A FIGURE, WHICH, BEING PLACED UPON A CURVED SURFACE, AND INCLINED IN ANY POSITION, SHALL, WHEN LEFT TO ITSELF, RETURN TO ITS FORMER POSITION.
      • TO MAKE A CARRIAGE RUN IN AN INVERTED POSITION WITHOUT FALLING.
      • TO CAUSE A CYLINDER TO ROLL BY ITS OWN WEIGHT UP-HILL.
      • THE BALANCED STICK.
      • THE CHINESE MANDARIN.
      • TO MAKE A SHILLING TURN ON ITS EDGE ON THE POINT OF A NEEDLE.
      • THE DANCING PEA.
      • OBLIQUITY OF MOTION.
      • THE BRIDGE OF KNIVES.
      • THE TOPER’S TRIPOD.
    • EXPERIMENT OF THE LAW OF MOTION.
    • BALANCING.
    • THE PRANCING HORSE.
    • TO CONSTRUCT A FIGURE, WHICH, BEING PLACED UPON A CURVED SURFACE, AND INCLINED IN ANY POSITION, SHALL, WHEN LEFT TO ITSELF, RETURN TO ITS FORMER POSITION.
    • TO MAKE A CARRIAGE RUN IN AN INVERTED POSITION WITHOUT FALLING.
    • TO CAUSE A CYLINDER TO ROLL BY ITS OWN WEIGHT UP-HILL.
    • THE BALANCED STICK.
    • THE CHINESE MANDARIN.
    • TO MAKE A SHILLING TURN ON ITS EDGE ON THE POINT OF A NEEDLE.
    • THE DANCING PEA.
    • OBLIQUITY OF MOTION.
    • THE BRIDGE OF KNIVES.
    • THE TOPER’S TRIPOD.
    • THE MICROSCOPE.
      • THE COMPOUND MICROSCOPE.
    • THE COMPOUND MICROSCOPE.
    • OPTICS AND OPTICAL AMUSEMENTS.
      • LIGHT AS AN EFFECT.
      • REFRACTION.
      • THE INVISIBLE COIN MADE VISIBLE.
      • THE MULTIPLYING GLASS.
      • TRANSPARENT BODIES.
      • THE PRISM.
      • COMPOSITION OF LIGHT.
      • A NATURAL CAMERA OBSCURA.
      • BULLOCK’S EYE EXPERIMENT.
      • THE CAMERA OBSCURA.
      • THE CAMERA LUCIDA.
      • THE MAGIC LANTERN.
      • PAINTING THE SLIDES.
      • TO EXHIBIT THE MAGIC LANTERN.
      • EFFECTS OF THE MAGIC LANTERN.
      • TEMPEST AT SEA.
      • THE PHANTASMAGORIA.
      • DISSOLVING VIEWS.
      • HOW TO RAISE A GHOST.
      • THE THAUMATROPE.
      • THE BIRD IN THE CAGE.
      • CONSTRUCTION OF THE PHANTASMASCOPE.
      • CURIOUS OPTICAL ILLUSIONS.
      • ANOTHER.
      • ANOTHER.
      • THE PICTURE IN THE AIR.
      • BREATHING LIGHT AND DARKNESS.
      • TO SHOW THAT RAYS OF LIGHT DO NOT OBSTRUCT EACH OTHER.
      • OPTICS OF A SOAP-BUBBLE.
      • THE KALEIDOSCOPE.
      • SIMPLE SOLAR MICROSCOPE.
      • ANAMORPHOSES.
      • THE COSMORAMA.
      • DISTORTED LANDSCAPES.
    • LIGHT AS AN EFFECT.
    • REFRACTION.
    • THE INVISIBLE COIN MADE VISIBLE.
    • THE MULTIPLYING GLASS.
    • TRANSPARENT BODIES.
    • THE PRISM.
    • COMPOSITION OF LIGHT.
    • A NATURAL CAMERA OBSCURA.
    • BULLOCK’S EYE EXPERIMENT.
    • THE CAMERA OBSCURA.
    • THE CAMERA LUCIDA.
    • THE MAGIC LANTERN.
    • PAINTING THE SLIDES.
    • TO EXHIBIT THE MAGIC LANTERN.
    • EFFECTS OF THE MAGIC LANTERN.
    • TEMPEST AT SEA.
    • THE PHANTASMAGORIA.
    • DISSOLVING VIEWS.
    • HOW TO RAISE A GHOST.
    • THE THAUMATROPE.
    • THE BIRD IN THE CAGE.
    • CONSTRUCTION OF THE PHANTASMASCOPE.
    • CURIOUS OPTICAL ILLUSIONS.
    • ANOTHER.
    • ANOTHER.
    • THE PICTURE IN THE AIR.
    • BREATHING LIGHT AND DARKNESS.
    • TO SHOW THAT RAYS OF LIGHT DO NOT OBSTRUCT EACH OTHER.
    • OPTICS OF A SOAP-BUBBLE.
    • THE KALEIDOSCOPE.
    • SIMPLE SOLAR MICROSCOPE.
    • ANAMORPHOSES.
    • THE COSMORAMA.
    • DISTORTED LANDSCAPES.
    • PHOTOGRAPHY.
      • HOW TO MAKE THE NEGATIVE ON GLASS, USING COLLODION BROMO-IODIZED FOR IRON DEVELOPMENT.
    • HOW TO MAKE THE NEGATIVE ON GLASS, USING COLLODION BROMO-IODIZED FOR IRON DEVELOPMENT.
    • PNEUMATICS.
      • WEIGHT OF THE AIR PROVED BY A PAIR OF BELLOWS.
      • THE PRESSURE OF THE AIR SHOWN BY A WINE-GLASS.
      • ANOTHER.
      • ELASTICITY OF THE AIR.
      • REASON FOR THIS.
      • THE AIR-PUMP.
      • TO PROVE THAT AIR HAS WEIGHT.
      • TO PROVE AIR ELASTIC.
      • SOVEREIGN AND FEATHER.
      • AIR IN THE EGG.
      • THE DESCENDING SMOKE.
      • THE SOUNDLESS BELL.
      • THE FLOATING FISH.
      • THE DIVING BELL.
      • EXPERIMENTS.
      • EXPERIMENT.
      • EXPERIMENT.
      • EXPERIMENT.
    • WEIGHT OF THE AIR PROVED BY A PAIR OF BELLOWS.
    • THE PRESSURE OF THE AIR SHOWN BY A WINE-GLASS.
    • ANOTHER.
    • ELASTICITY OF THE AIR.
    • REASON FOR THIS.
    • THE AIR-PUMP.
    • TO PROVE THAT AIR HAS WEIGHT.
    • TO PROVE AIR ELASTIC.
    • SOVEREIGN AND FEATHER.
    • AIR IN THE EGG.
    • THE DESCENDING SMOKE.
    • THE SOUNDLESS BELL.
    • THE FLOATING FISH.
    • THE DIVING BELL.
    • EXPERIMENTS.
    • EXPERIMENT.
    • EXPERIMENT.
    • EXPERIMENT.
    • SPECTRUM ANALYSIS.
      • HOW TO USE THE SPECTROSCOPE.
      • TO OBTAIN THE BRIGHT LINES IN THE SPECTRUM GIVEN BY ANY SUBSTANCE.
      • PROFESSOR STOKES’ ABSORPTION BANDS.
      • TO MAP OUT ANY SPECTRUM.
    • HOW TO USE THE SPECTROSCOPE.
    • TO OBTAIN THE BRIGHT LINES IN THE SPECTRUM GIVEN BY ANY SUBSTANCE.
    • PROFESSOR STOKES’ ABSORPTION BANDS.
    • TO MAP OUT ANY SPECTRUM.
  • PART IV. Domestic Pets.
    • BEES AND BEE-KEEPING.
    • THE CANARY.
    • DOGS.
    • GOLD AND SILVER FISH.
      • GLASSES.
      • FEEDING.
      • DISEASES.
    • GLASSES.
    • FEEDING.
    • DISEASES.
    • THE GUINEA-PIG.
    • THE HEDGEHOG.
    • THE JACKDAW.
    • THE JAY.
    • THE MAGPIE.
    • OWLS.
    • THE PARROT.
    • PIGEONS.
      • VARIETIES OF PIGEONS.
    • VARIETIES OF PIGEONS.
    • POULTRY.
      • FOWLS.
      • THE PINTADO, OR GUINEA FOWL.
      • DUCKS.
    • FOWLS.
    • THE PINTADO, OR GUINEA FOWL.
    • DUCKS.
    • THE RABBIT.
    • THE RAVEN.
    • SILKWORMS.
      • FOOD OF THE SILKWORM.
      • HATCHING, FEEDING, AND TEMPERATURE.
      • MOULTINGS.
      • THE COCOON.
      • THE AURELIA.
      • WINDING THE SILK.
      • THE MOTH.
      • GENERAL REMARKS.
    • FOOD OF THE SILKWORM.
    • HATCHING, FEEDING, AND TEMPERATURE.
    • MOULTINGS.
    • THE COCOON.
    • THE AURELIA.
    • WINDING THE SILK.
    • THE MOTH.
    • GENERAL REMARKS.
    • THE SQUIRREL.
    • WHITE MICE.
  • PART V. Miscellaneous:
    • BAGATELLE.
      • ENGLISH BAGATELLE
      • THE FRENCH GAME
      • SANS EGAL
      • THE CANNON GAME.
      • MISSISSIPPI.
      • BILLIARDS.
      • THE ANGLES OF THE TABLE
      • THE AMERICAN GAME
      • PYRAMIDS, OR PYRAMID POOL,
      • “WINNING AND LOSING CARAMBOLE GAME”
      • POOL.
      • ITALIAN SKITTLE POOL
    • ENGLISH BAGATELLE
    • THE FRENCH GAME
    • SANS EGAL
    • THE CANNON GAME.
    • MISSISSIPPI.
    • BILLIARDS.
    • THE ANGLES OF THE TABLE
    • THE AMERICAN GAME
    • PYRAMIDS, OR PYRAMID POOL,
    • “WINNING AND LOSING CARAMBOLE GAME”
    • POOL.
    • ITALIAN SKITTLE POOL
    • BOAT BUILDING
    • CARPENTERING.
      • THE SHOP AND BENCH.
      • OF PLANES.
      • SAWS.
      • THE SPOKE SHAVE.
      • STOCK AND BITS.
      • HOW TO MAKE A WHEELBARROW.
      • THE WAY TO MAKE A BOX.
      • TO CUT THE DOVETAILS.
      • THE BOTTOM OF THE BOX.
    • THE SHOP AND BENCH.
    • OF PLANES.
    • SAWS.
    • THE SPOKE SHAVE.
    • STOCK AND BITS.
    • HOW TO MAKE A WHEELBARROW.
    • THE WAY TO MAKE A BOX.
    • TO CUT THE DOVETAILS.
    • THE BOTTOM OF THE BOX.
    • THE GAME OF CHESS.
      • THE LAWS OF THE GAME.
      • THE KING’S KNIGHT’S OPENING.
      • THE KING’S BISHOP’S OPENING.
      • THE KING’S GAMBIT.
      • The Gambit Refused.
      • THE CENTRE GAMBIT.
      • THE QUEEN’S GAMBIT.
    • THE LAWS OF THE GAME.
    • THE KING’S KNIGHT’S OPENING.
    • THE KING’S BISHOP’S OPENING.
    • THE KING’S GAMBIT.
    • The Gambit Refused.
    • THE CENTRE GAMBIT.
    • THE QUEEN’S GAMBIT.
    • THE YOUNG CONJUROR INCLUDING SLEIGHT OF HAND WITH OBJECTS OR CARDS, WITH AND WITHOUT APPARATUS.
      • SLEIGHT OF HAND.
      • TRICKS REQUIRING SPECIAL APPARATUS.
      • TRICKS WITH CARDS.
      • AUDACITY.
      • TRICKS WITH CARDS, THAT REQUIRE APPARATUS.
    • SLEIGHT OF HAND.
    • TRICKS REQUIRING SPECIAL APPARATUS.
    • TRICKS WITH CARDS.
    • AUDACITY.
    • TRICKS WITH CARDS, THAT REQUIRE APPARATUS.
    • CRYPTOGRAPHY.
    • THE DEAF AND DUMB ALPHABET.
      • THE ALPHABET.
      • THE NUMBERS
    • THE ALPHABET.
    • THE NUMBERS
    • DOMINOES.
      • THE ORDINARY BOY’S GAME
      • ALL FIVES
      • THE MATADORE GAME
      • ALL THREES
      • TIDLEY-WINK
      • THE FORTRESS.
      • WHIST DOMINOES
    • THE ORDINARY BOY’S GAME
    • ALL FIVES
    • THE MATADORE GAME
    • ALL THREES
    • TIDLEY-WINK
    • THE FORTRESS.
    • WHIST DOMINOES
    • DRAUGHTS.
      • HOW TO PLAY THE GAME.
      • THE MOVES.
      • LAWS OF THE GAME.
      • GAMES FOR PRACTICE.
    • HOW TO PLAY THE GAME.
    • THE MOVES.
    • LAWS OF THE GAME.
    • GAMES FOR PRACTICE.
    • FIREWORKS.
      • GUNPOWDER.
      • HOW TO MAKE TOUCH-PAPER.
      • CASES FOR SQUIBS, FLOWER-POTS, ROCKETS, ROMAN CANDLES, ETC.
      • TO CHOKE THE CASES.
      • COMPOSITION FOR SQUIBS, ETC.
      • HOW TO FILL THE CASES.
      • TO MAKE CRACKERS.
      • ROMAN CANDLES AND STARS.
      • ROCKETS.
      • RAINS.
      • CATHERINE WHEELS.
      • VARIOUS COLOURED FIRES.
      • CAUTIONS.
      • TO MAKE AN ILLUMINATED SPIRAL WHEEL.
      • THE GRAND VOLUTE.
      • A BRILLIANT YEW-TREE.
    • GUNPOWDER.
    • HOW TO MAKE TOUCH-PAPER.
    • CASES FOR SQUIBS, FLOWER-POTS, ROCKETS, ROMAN CANDLES, ETC.
    • TO CHOKE THE CASES.
    • COMPOSITION FOR SQUIBS, ETC.
    • HOW TO FILL THE CASES.
    • TO MAKE CRACKERS.
    • ROMAN CANDLES AND STARS.
    • ROCKETS.
    • RAINS.
    • CATHERINE WHEELS.
    • VARIOUS COLOURED FIRES.
    • CAUTIONS.
    • TO MAKE AN ILLUMINATED SPIRAL WHEEL.
    • THE GRAND VOLUTE.
    • A BRILLIANT YEW-TREE.
    • GARDENING.
      • ON LAYING OUT A SMALL GARDEN.
      • PLANTING THE GROUND WITH TREES, FLOWERS, ETC.
      • THE NOBLEST KIND OF GARDENING FOR BOYS.
      • THE BOY’S FLOWER GARDEN.
      • THE BOY’S FRUIT GARDEN.
      • Cropping the Ground.
      • VARIOUS MODES OF PROPAGATION.
      • PRUNING.
      • TRAINING.
      • INSECTS AND DEPREDATORS.
      • PROTECTION FROM FROST.
      • THE YOUNG GARDENER’S CALENDAR FOR THE WORK TO BE DONE IN ALL THE MONTHS OF THE YEAR.
    • ON LAYING OUT A SMALL GARDEN.
    • PLANTING THE GROUND WITH TREES, FLOWERS, ETC.
    • THE NOBLEST KIND OF GARDENING FOR BOYS.
    • THE BOY’S FLOWER GARDEN.
    • THE BOY’S FRUIT GARDEN.
    • Cropping the Ground.
    • VARIOUS MODES OF PROPAGATION.
    • PRUNING.
    • TRAINING.
    • INSECTS AND DEPREDATORS.
    • PROTECTION FROM FROST.
    • THE YOUNG GARDENER’S CALENDAR FOR THE WORK TO BE DONE IN ALL THE MONTHS OF THE YEAR.
    • MIMICRY AND VENTRILOQUISM.
    • PUZZLES.
      • 1. THE DIVIDED GARDEN.
      • 2. THE VERTICAL LINE PUZZLE.
      • 3. THE CARDBOARD PUZZLE.
      • 4. THE BUTTON PUZZLE.
      • 5. THE CIRCLE PUZZLE.
      • 6. THE CROSS PUZZLE.
      • 7. THREE-SQUARE PUZZLE.
      • 8. CYLINDER PUZZLE.
      • 9. THE NUNS.
      • 10. THE DOG PUZZLE.
      • 11. CUTTING OUT A CROSS.
      • 12. ANOTHER CROSS PUZZLE.
      • 13. THE FOUNTAIN PUZZLE.
      • 14. THE CABINET-MAKER’S PUZZLE.
      • 15. THE STRING AND BALLS PUZZLE.
      • 16. THE DOUBLE-HEADED PUZZLE.
      • 17. THE ROW OF HALFPENCE.
      • 18. TYPOGRAPHICAL ADVICE.
      • 19. THE LANDLORD MADE TO PAY.
      • 20. FATHER AND SON.
      • ANSWERS TO PUZZLES.
    • 1. THE DIVIDED GARDEN.
    • 2. THE VERTICAL LINE PUZZLE.
    • 3. THE CARDBOARD PUZZLE.
    • 4. THE BUTTON PUZZLE.
    • 5. THE CIRCLE PUZZLE.
    • 6. THE CROSS PUZZLE.
    • 7. THREE-SQUARE PUZZLE.
    • 8. CYLINDER PUZZLE.
    • 9. THE NUNS.
    • 10. THE DOG PUZZLE.
    • 11. CUTTING OUT A CROSS.
    • 12. ANOTHER CROSS PUZZLE.
    • 13. THE FOUNTAIN PUZZLE.
    • 14. THE CABINET-MAKER’S PUZZLE.
    • 15. THE STRING AND BALLS PUZZLE.
    • 16. THE DOUBLE-HEADED PUZZLE.
    • 17. THE ROW OF HALFPENCE.
    • 18. TYPOGRAPHICAL ADVICE.
    • 19. THE LANDLORD MADE TO PAY.
    • 20. FATHER AND SON.
    • ANSWERS TO PUZZLES.
    • SHOWS.
      • PUNCH & JUDY
      • FANTOCCINI
    • PUNCH & JUDY
    • FANTOCCINI
    • POSTAGE STAMP COLLECTING, OR PHILATELY.
    • TINSELLING.
    • THE AMERICAN GAME OF BASE-BALL.
      • RULES AND REGULATIONS ADOPTED BY THE NATIONAL ASSOCIATION OF BASE-BALL PLAYERS.
      • THE GAME OF BASE-BALL.
      • ON SCORING IN BASE-BALL.
    • RULES AND REGULATIONS ADOPTED BY THE NATIONAL ASSOCIATION OF BASE-BALL PLAYERS.
    • THE GAME OF BASE-BALL.
    • ON SCORING IN BASE-BALL.
    • AMERICAN BILLIARDS.
      • THE CAROM.
      • THE HAZARD.
      • RULES OF THE AMERICAN FOUR BALL GAME, BY MICHAEL PHELAN, Esq.
      • THE THREE-BALL CAROM GAME.
    • THE CAROM.
    • THE HAZARD.
    • RULES OF THE AMERICAN FOUR BALL GAME, BY MICHAEL PHELAN, Esq.
    • THE THREE-BALL CAROM GAME.
    • THE CANADIAN GAME OF LA CROSSE.
      • LAWS OF LA CROSSE.
    • LAWS OF LA CROSSE.
  • Transcriber’s Notes
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