The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810
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THE MIRROR OF TASTE,
AND
DRAMATIC CENSOR.
Vol. I APRIL 1810. No. 4.
Contents
HISTORY OF THE STAGE.
CHAPTER IV.
ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES.
ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES.
CHAPTER IV.
ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES.
ORIGIN OF COMEDY—ARISTOPHANES—DEATH OF SOCRATES.
BIOGRAPHY—FOR THE MIRROR.
SKETCH OF THE LIFE OF THE LATE MR. HODGKINSON.
(Continued from page 212.)
(To be continued.)
(Continued from page 212.)
(To be continued.)
FOOTNOTES:
SKETCH OF THE LIFE OF THE LATE MR. HODGKINSON.
(Continued from page 212.)
(To be continued.)
(Continued from page 212.)
(To be continued.)
FOOTNOTES:
BARRY, THE PLAYER.
Antony in Julius Cæsar.
Varanes in Theodosius, or the Force of Love.
In Altamont in The Fair Penitent.
Othello.
Varanes in Theodosius, or the Force of Love.
In Altamont in The Fair Penitent.
Othello.
FOOTNOTES:
Antony in Julius Cæsar.
Varanes in Theodosius, or the Force of Love.
In Altamont in The Fair Penitent.
Othello.
Varanes in Theodosius, or the Force of Love.
In Altamont in The Fair Penitent.
Othello.
FOOTNOTES:
MISCELLANY.
THEOBALDUS SECUNDUS, OR SHAKSPEARE AS HE SHOULD BE.
NO. III.
Hamlet, Prince of Denmark, continued.
Hamlet, Prince of Denmark, continued.
Coffee and Chocolate.
MONUMENT IN HONOUR OF THE LATE DUKE OF BEDFORD. ERECTED IN RUSSELL SQUARE, BY R. WESTMACOTT, ASSOCIATE OF THE ROYAL ACADEMY.
O! NEVER LET US MARRY.
TO ROSA.
TO ROSA.
THE SABLE APPARITION, OR MYSTERIOUS BELL ROPE.
An extract from a Manuscript Novel.
An extract from a Manuscript Novel.
THEOBALDUS SECUNDUS, OR SHAKSPEARE AS HE SHOULD BE.
NO. III.
Hamlet, Prince of Denmark, continued.
Hamlet, Prince of Denmark, continued.
Coffee and Chocolate.
MONUMENT IN HONOUR OF THE LATE DUKE OF BEDFORD. ERECTED IN RUSSELL SQUARE, BY R. WESTMACOTT, ASSOCIATE OF THE ROYAL ACADEMY.
O! NEVER LET US MARRY.
TO ROSA.
TO ROSA.
THE SABLE APPARITION, OR MYSTERIOUS BELL ROPE.
An extract from a Manuscript Novel.
An extract from a Manuscript Novel.
COMMUNICATIONS.
TO THE EDITOR OF THE DRAMATIC MISCELLANY.
Every One has his Fault.
Prostitution of the Theatre.
Samuel Foote.
A spirited manager.
Moody.
Theatrical Licenses.
Mrs. Centlivre. The Busy Body.
Gay.——Beggar's opera.
A Wine merchant.
Garrick once more.
As it was damned.
Vindication of Lord Rochester.
An elegant translation.
Beware of a too free use of the bottle.
Every One has his Fault.
Prostitution of the Theatre.
Samuel Foote.
A spirited manager.
Moody.
Theatrical Licenses.
Mrs. Centlivre. The Busy Body.
Gay.——Beggar's opera.
A Wine merchant.
Garrick once more.
As it was damned.
Vindication of Lord Rochester.
An elegant translation.
Beware of a too free use of the bottle.
FOOTNOTES:
TO THE EDITOR OF THE DRAMATIC MISCELLANY.
Every One has his Fault.
Prostitution of the Theatre.
Samuel Foote.
A spirited manager.
Moody.
Theatrical Licenses.
Mrs. Centlivre. The Busy Body.
Gay.——Beggar's opera.
A Wine merchant.
Garrick once more.
As it was damned.
Vindication of Lord Rochester.
An elegant translation.
Beware of a too free use of the bottle.
Every One has his Fault.
Prostitution of the Theatre.
Samuel Foote.
A spirited manager.
Moody.
Theatrical Licenses.
Mrs. Centlivre. The Busy Body.
Gay.——Beggar's opera.
A Wine merchant.
Garrick once more.
As it was damned.
Vindication of Lord Rochester.
An elegant translation.
Beware of a too free use of the bottle.
FOOTNOTES:
DRAMATIC CENSOR.
DOMESTIC CRITICISM.
The Foundling of the Forest.
The Foundling of the Forest.
DOMESTIC CRITICISM.
The Foundling of the Forest.
The Foundling of the Forest.
A
NEW WAY TO PAY OLD DEBTS,
A COMEDY,
IN FIVE ACTS.
A COMEDY,
IN FIVE ACTS.
A NEW WAY TO PAY OLD DEBTS.
DRAMATIS PERSONAE.
DRAMATIS PERSONAE.
ACT I.
SCENE I.—The Outside of a Village Alehouse.
Enter Wellborn, Tapwell, and Froth, from the House.
Enter Wellborn, Tapwell, and Froth, from the House.
SCENE II.—A Chamber in Lady Allworth's House.
Enter Furnace, Amble, Order, and Watchall.
Enter Furnace, Amble, Order, and Watchall.
SCENE III.—A Hall in Lady Allworth's House.
Enter Overreach, Greedy, Order, Amble, Furnace, Watchall, and Marall.
Enter Overreach, Greedy, Order, Amble, Furnace, Watchall, and Marall.
SCENE I.—The Outside of a Village Alehouse.
Enter Wellborn, Tapwell, and Froth, from the House.
Enter Wellborn, Tapwell, and Froth, from the House.
SCENE II.—A Chamber in Lady Allworth's House.
Enter Furnace, Amble, Order, and Watchall.
Enter Furnace, Amble, Order, and Watchall.
SCENE III.—A Hall in Lady Allworth's House.
Enter Overreach, Greedy, Order, Amble, Furnace, Watchall, and Marall.
Enter Overreach, Greedy, Order, Amble, Furnace, Watchall, and Marall.
ACT II.
SCENE I.—Sir Giles's House.
Enter Sir Giles Overreach and Marall.
Enter Sir Giles Overreach and Marall.
SCENE II.—A Hall in Lady Allworth's House.
Enter Allworth, Order, Amble, and Watchall.
Enter Allworth, Order, Amble, and Watchall.
SCENE III.—The Country.
Enter Wellborn and Marall.
Enter Wellborn and Marall.
SCENE I.—Sir Giles's House.
Enter Sir Giles Overreach and Marall.
Enter Sir Giles Overreach and Marall.
SCENE II.—A Hall in Lady Allworth's House.
Enter Allworth, Order, Amble, and Watchall.
Enter Allworth, Order, Amble, and Watchall.
SCENE III.—The Country.
Enter Wellborn and Marall.
Enter Wellborn and Marall.
ACT. III.
SCENE I.—The Country.
Enter Lovell and Allworth.
Enter Lovell and Allworth.
SCENE II.—A Hall in Sir Giles's house.
Enter Sir Giles Overreach, Greedy and Marall.
Enter Sir Giles Overreach, Greedy and Marall.
SCENE I.—The Country.
Enter Lovell and Allworth.
Enter Lovell and Allworth.
SCENE II.—A Hall in Sir Giles's house.
Enter Sir Giles Overreach, Greedy and Marall.
Enter Sir Giles Overreach, Greedy and Marall.
ACT IV.
SCENE I—A Chamber in Lady Allworth's House.
Lovell and Allworth discovered.
Lovell and Allworth discovered.
SCENE II.—A Landscape before Tapwell's House.
Enter Tapwell and Froth.
Enter Tapwell and Froth.
SCENE III.—A Chamber in Sir Giles's House.
Enter Allworth and Margaret.
Enter Allworth and Margaret.
SCENE I—A Chamber in Lady Allworth's House.
Lovell and Allworth discovered.
Lovell and Allworth discovered.
SCENE II.—A Landscape before Tapwell's House.
Enter Tapwell and Froth.
Enter Tapwell and Froth.
SCENE III.—A Chamber in Sir Giles's House.
Enter Allworth and Margaret.
Enter Allworth and Margaret.
ACT. V.
SCENE I.—A Chamber in Lady Allworth's House.
Enter Lovell and Lady Allworth.
Enter Lovell and Lady Allworth.
SCENE I.—A Chamber in Lady Allworth's House.
Enter Lovell and Lady Allworth.
Enter Lovell and Lady Allworth.
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