Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter
Free

Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter

By Ernest Govett
Free
Book Description
Table of Contents
  • E-text prepared by Chris Curnow and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)
  • Art Principles
    • With Special Reference to Painting
      • Together with Notes on the Illusions Produced by the Painter
        • By
      • By
    • Together with Notes on the Illusions Produced by the Painter
      • By
    • By
    • Ernest Govett
      • With Thirty-one Illustrations
        • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
        • Copyright, 1919 by ERNEST GOVETT
      • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
      • Copyright, 1919 by ERNEST GOVETT
    • With Thirty-one Illustrations
      • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
      • Copyright, 1919 by ERNEST GOVETT
    • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
    • Copyright, 1919 by ERNEST GOVETT
    • PREFACE
    • CONTENTS
    • LIST OF PLATES
  • Art Principles
    • INTRODUCTION
  • BOOK I
    • CHAPTER I
      • Classification of the fine arts
    • Classification of the fine arts
    • CHAPTER II
      • LAW OF RECOGNITION IN THE ASSOCIATED ARTS
    • LAW OF RECOGNITION IN THE ASSOCIATED ARTS
    • CHAPTER III
      • LAW OF GENERAL ASSENT
    • LAW OF GENERAL ASSENT
    • CHAPTER IV
      • LIMITATIONS OF THE ASSOCIATED ARTS
    • LIMITATIONS OF THE ASSOCIATED ARTS
    • CHAPTER V
      • DEGREES OF BEAUTY IN THE PAINTER'S ART
    • DEGREES OF BEAUTY IN THE PAINTER'S ART
    • CHAPTER VI
      • EXPRESSION. PART I.—THE IDEAL
    • EXPRESSION. PART I.—THE IDEAL
    • CHAPTER VII
      • EXPRESSION. PART II.—CHRISTIAN IDEALS
    • EXPRESSION. PART II.—CHRISTIAN IDEALS
    • CHAPTER VIII
      • EXPRESSION. PART III.—CLASSICAL IDEALS
        • APHRODITE
        • HERA
        • DEMETER
        • ATHENA
        • APOLLO
        • DIANA
        • NEPTUNE
        • MARS
        • MERCURY
        • BACCHUS
        • VULCAN
        • GENERAL CLASSICAL COMPOSITIONS
      • APHRODITE
      • HERA
      • DEMETER
      • ATHENA
      • APOLLO
      • DIANA
      • NEPTUNE
      • MARS
      • MERCURY
      • BACCHUS
      • VULCAN
      • GENERAL CLASSICAL COMPOSITIONS
    • EXPRESSION. PART III.—CLASSICAL IDEALS
      • APHRODITE
      • HERA
      • DEMETER
      • ATHENA
      • APOLLO
      • DIANA
      • NEPTUNE
      • MARS
      • MERCURY
      • BACCHUS
      • VULCAN
      • GENERAL CLASSICAL COMPOSITIONS
    • APHRODITE
    • HERA
    • DEMETER
    • ATHENA
    • APOLLO
    • DIANA
    • NEPTUNE
    • MARS
    • MERCURY
    • BACCHUS
    • VULCAN
    • GENERAL CLASSICAL COMPOSITIONS
    • CHAPTER IX
      • EXPRESSION. PART IV.—GENERAL IDEALS
    • EXPRESSION. PART IV.—GENERAL IDEALS
    • CHAPTER X
      • EXPRESSION. PART V.—PORTRAITURE
    • EXPRESSION. PART V.—PORTRAITURE
    • CHAPTER XI
      • EXPRESSION. PART VI—MISCELLANEOUS
        • GRIEF
        • THE SMILE
        • THE OPEN MOUTH
        • CONTRASTS
        • THE REPRESENTATION OF DEATH
      • GRIEF
      • THE SMILE
      • THE OPEN MOUTH
      • CONTRASTS
      • THE REPRESENTATION OF DEATH
    • EXPRESSION. PART VI—MISCELLANEOUS
      • GRIEF
      • THE SMILE
      • THE OPEN MOUTH
      • CONTRASTS
      • THE REPRESENTATION OF DEATH
    • GRIEF
    • THE SMILE
    • THE OPEN MOUTH
    • CONTRASTS
    • THE REPRESENTATION OF DEATH
    • CHAPTER XII
      • LANDSCAPE
    • LANDSCAPE
    • CHAPTER XIII
      • STILL-LIFE
    • STILL-LIFE
    • CHAPTER XIV
      • SECONDARY ART
    • SECONDARY ART
    • CHAPTER XV
      • COLOUR
    • COLOUR
  • BOOK II
    • ILLUSIONS IN THE PAINTER'S ART
      • INTRODUCTORY
    • INTRODUCTORY
    • CHAPTER I
      • ILLUSION OF RELIEF
    • ILLUSION OF RELIEF
    • CHAPTER II
      • ILLUSION OF MOTION
    • ILLUSION OF MOTION
    • CHAPTER III
      • ILLUSION OF SUSPENSION AND MOTION IN THE AIR
    • ILLUSION OF SUSPENSION AND MOTION IN THE AIR
    • NOTES
      • NOTE 1. PAGE 2
        • NOTE 2. PAGE 2
        • NOTE 3. PAGE 3
        • NOTE 4. PAGE 8
        • NOTE 5. PAGE 8
        • NOTE 6. PAGE 8
        • NOTE 7. PAGE 16
        • NOTE 8. PAGE 21
        • NOTE 9. PAGE 22
        • NOTE 10. PAGE 23
        • NOTE 11. PAGE 32
        • NOTE 12. PAGE 34
        • NOTE 13. PAGE 35
        • NOTE 14. PAGE 37
        • NOTE 15. PAGE 40
        • NOTE 16. PAGE 40
        • NOTE 17. PAGE 41
        • NOTE 18. PAGE 49
        • NOTE 19. PAGE 52
        • NOTE 20. PAGE 54
        • NOTE 21. PAGE 55
        • NOTE 22. PAGE 66
        • NOTE 23. PAGE 67
        • NOTE 24. PAGE 68
        • NOTE 25. PAGE 68
        • NOTE 26. PAGE 69
        • NOTE 27. PAGE 73
        • NOTE 28. PAGE 74
        • NOTE 29. PAGE 78
        • NOTE 30. PAGE 79
        • NOTE 31. PAGE 80
        • NOTE 32. PAGE 81
        • NOTE 33. PAGE 81
        • NOTE 34. PAGE 82
        • NOTE 35. PAGE 85
        • NOTE 36. PAGE 87
        • NOTE 37. PAGE 90
        • NOTE 38. PAGE 92
        • NOTE 39. PAGE 97
        • NOTE 40. PAGE 99
        • NOTE 41. PAGE 100
        • NOTE 42. PAGE 108
        • NOTE 43. PAGE 110
        • NOTE 44. PAGE 111
        • NOTE 45. PAGE 112
        • NOTE 46. PAGE 113
        • NOTE 47. PAGE 124
        • NOTE 48. PAGE 125
        • NOTE 49. PAGE 138
        • NOTE 50. PAGE 139
        • NOTE 51. PAGE 149
        • NOTE 52. PAGE 156
        • NOTE 53. PAGE 161
        • NOTE 54. PAGE 167
        • NOTE 55. PAGE 169
        • NOTE 56. PAGE 172
        • NOTE 57. PAGE 172
        • NOTE 58. PAGE 178
        • NOTE 59. PAGE 190
        • NOTE 60. PAGE 192
        • NOTE 61. PAGE 194
        • NOTE 62. PAGE 194
        • NOTE 63. PAGE 200
        • NOTE 64. PAGE 203
        • NOTE 65. PAGE 204
        • NOTE 66. PAGE 208
        • NOTE 67. PAGE 231
        • NOTE 68. PAGE 232
        • NOTE 69. PAGE 249
        • NOTE 70. PAGE 250
        • NOTE 71. PAGE 258
        • NOTE 72. PAGE 261
        • NOTE 73. PAGE 270
      • NOTE 2. PAGE 2
      • NOTE 3. PAGE 3
      • NOTE 4. PAGE 8
      • NOTE 5. PAGE 8
      • NOTE 6. PAGE 8
      • NOTE 7. PAGE 16
      • NOTE 8. PAGE 21
      • NOTE 9. PAGE 22
      • NOTE 10. PAGE 23
      • NOTE 11. PAGE 32
      • NOTE 12. PAGE 34
      • NOTE 13. PAGE 35
      • NOTE 14. PAGE 37
      • NOTE 15. PAGE 40
      • NOTE 16. PAGE 40
      • NOTE 17. PAGE 41
      • NOTE 18. PAGE 49
      • NOTE 19. PAGE 52
      • NOTE 20. PAGE 54
      • NOTE 21. PAGE 55
      • NOTE 22. PAGE 66
      • NOTE 23. PAGE 67
      • NOTE 24. PAGE 68
      • NOTE 25. PAGE 68
      • NOTE 26. PAGE 69
      • NOTE 27. PAGE 73
      • NOTE 28. PAGE 74
      • NOTE 29. PAGE 78
      • NOTE 30. PAGE 79
      • NOTE 31. PAGE 80
      • NOTE 32. PAGE 81
      • NOTE 33. PAGE 81
      • NOTE 34. PAGE 82
      • NOTE 35. PAGE 85
      • NOTE 36. PAGE 87
      • NOTE 37. PAGE 90
      • NOTE 38. PAGE 92
      • NOTE 39. PAGE 97
      • NOTE 40. PAGE 99
      • NOTE 41. PAGE 100
      • NOTE 42. PAGE 108
      • NOTE 43. PAGE 110
      • NOTE 44. PAGE 111
      • NOTE 45. PAGE 112
      • NOTE 46. PAGE 113
      • NOTE 47. PAGE 124
      • NOTE 48. PAGE 125
      • NOTE 49. PAGE 138
      • NOTE 50. PAGE 139
      • NOTE 51. PAGE 149
      • NOTE 52. PAGE 156
      • NOTE 53. PAGE 161
      • NOTE 54. PAGE 167
      • NOTE 55. PAGE 169
      • NOTE 56. PAGE 172
      • NOTE 57. PAGE 172
      • NOTE 58. PAGE 178
      • NOTE 59. PAGE 190
      • NOTE 60. PAGE 192
      • NOTE 61. PAGE 194
      • NOTE 62. PAGE 194
      • NOTE 63. PAGE 200
      • NOTE 64. PAGE 203
      • NOTE 65. PAGE 204
      • NOTE 66. PAGE 208
      • NOTE 67. PAGE 231
      • NOTE 68. PAGE 232
      • NOTE 69. PAGE 249
      • NOTE 70. PAGE 250
      • NOTE 71. PAGE 258
      • NOTE 72. PAGE 261
      • NOTE 73. PAGE 270
    • NOTE 1. PAGE 2
      • NOTE 2. PAGE 2
      • NOTE 3. PAGE 3
      • NOTE 4. PAGE 8
      • NOTE 5. PAGE 8
      • NOTE 6. PAGE 8
      • NOTE 7. PAGE 16
      • NOTE 8. PAGE 21
      • NOTE 9. PAGE 22
      • NOTE 10. PAGE 23
      • NOTE 11. PAGE 32
      • NOTE 12. PAGE 34
      • NOTE 13. PAGE 35
      • NOTE 14. PAGE 37
      • NOTE 15. PAGE 40
      • NOTE 16. PAGE 40
      • NOTE 17. PAGE 41
      • NOTE 18. PAGE 49
      • NOTE 19. PAGE 52
      • NOTE 20. PAGE 54
      • NOTE 21. PAGE 55
      • NOTE 22. PAGE 66
      • NOTE 23. PAGE 67
      • NOTE 24. PAGE 68
      • NOTE 25. PAGE 68
      • NOTE 26. PAGE 69
      • NOTE 27. PAGE 73
      • NOTE 28. PAGE 74
      • NOTE 29. PAGE 78
      • NOTE 30. PAGE 79
      • NOTE 31. PAGE 80
      • NOTE 32. PAGE 81
      • NOTE 33. PAGE 81
      • NOTE 34. PAGE 82
      • NOTE 35. PAGE 85
      • NOTE 36. PAGE 87
      • NOTE 37. PAGE 90
      • NOTE 38. PAGE 92
      • NOTE 39. PAGE 97
      • NOTE 40. PAGE 99
      • NOTE 41. PAGE 100
      • NOTE 42. PAGE 108
      • NOTE 43. PAGE 110
      • NOTE 44. PAGE 111
      • NOTE 45. PAGE 112
      • NOTE 46. PAGE 113
      • NOTE 47. PAGE 124
      • NOTE 48. PAGE 125
      • NOTE 49. PAGE 138
      • NOTE 50. PAGE 139
      • NOTE 51. PAGE 149
      • NOTE 52. PAGE 156
      • NOTE 53. PAGE 161
      • NOTE 54. PAGE 167
      • NOTE 55. PAGE 169
      • NOTE 56. PAGE 172
      • NOTE 57. PAGE 172
      • NOTE 58. PAGE 178
      • NOTE 59. PAGE 190
      • NOTE 60. PAGE 192
      • NOTE 61. PAGE 194
      • NOTE 62. PAGE 194
      • NOTE 63. PAGE 200
      • NOTE 64. PAGE 203
      • NOTE 65. PAGE 204
      • NOTE 66. PAGE 208
      • NOTE 67. PAGE 231
      • NOTE 68. PAGE 232
      • NOTE 69. PAGE 249
      • NOTE 70. PAGE 250
      • NOTE 71. PAGE 258
      • NOTE 72. PAGE 261
      • NOTE 73. PAGE 270
    • NOTE 2. PAGE 2
    • NOTE 3. PAGE 3
    • NOTE 4. PAGE 8
    • NOTE 5. PAGE 8
    • NOTE 6. PAGE 8
    • NOTE 7. PAGE 16
    • NOTE 8. PAGE 21
    • NOTE 9. PAGE 22
    • NOTE 10. PAGE 23
    • NOTE 11. PAGE 32
    • NOTE 12. PAGE 34
    • NOTE 13. PAGE 35
    • NOTE 14. PAGE 37
    • NOTE 15. PAGE 40
    • NOTE 16. PAGE 40
    • NOTE 17. PAGE 41
    • NOTE 18. PAGE 49
    • NOTE 19. PAGE 52
    • NOTE 20. PAGE 54
    • NOTE 21. PAGE 55
    • NOTE 22. PAGE 66
    • NOTE 23. PAGE 67
    • NOTE 24. PAGE 68
    • NOTE 25. PAGE 68
    • NOTE 26. PAGE 69
    • NOTE 27. PAGE 73
    • NOTE 28. PAGE 74
    • NOTE 29. PAGE 78
    • NOTE 30. PAGE 79
    • NOTE 31. PAGE 80
    • NOTE 32. PAGE 81
    • NOTE 33. PAGE 81
    • NOTE 34. PAGE 82
    • NOTE 35. PAGE 85
    • NOTE 36. PAGE 87
    • NOTE 37. PAGE 90
    • NOTE 38. PAGE 92
    • NOTE 39. PAGE 97
    • NOTE 40. PAGE 99
    • NOTE 41. PAGE 100
    • NOTE 42. PAGE 108
    • NOTE 43. PAGE 110
    • NOTE 44. PAGE 111
    • NOTE 45. PAGE 112
    • NOTE 46. PAGE 113
    • NOTE 47. PAGE 124
    • NOTE 48. PAGE 125
    • NOTE 49. PAGE 138
    • NOTE 50. PAGE 139
    • NOTE 51. PAGE 149
    • NOTE 52. PAGE 156
    • NOTE 53. PAGE 161
    • NOTE 54. PAGE 167
    • NOTE 55. PAGE 169
    • NOTE 56. PAGE 172
    • NOTE 57. PAGE 172
    • NOTE 58. PAGE 178
    • NOTE 59. PAGE 190
    • NOTE 60. PAGE 192
    • NOTE 61. PAGE 194
    • NOTE 62. PAGE 194
    • NOTE 63. PAGE 200
    • NOTE 64. PAGE 203
    • NOTE 65. PAGE 204
    • NOTE 66. PAGE 208
    • NOTE 67. PAGE 231
    • NOTE 68. PAGE 232
    • NOTE 69. PAGE 249
    • NOTE 70. PAGE 250
    • NOTE 71. PAGE 258
    • NOTE 72. PAGE 261
    • NOTE 73. PAGE 270
    • INDEX OF SCULPTORS, PAINTERS, AND WORKS OF ART
    • GENERAL INDEX
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