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Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter
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Art Principles With Special Reference to Painting Together with Notes on the Illusions Produced by the Painter

By Ernest Govett
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Book Description
Table of Contents
  • E-text prepared by Chris Curnow and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (http://www.archive.org)
  • Art Principles
    • With Special Reference to Painting
      • Together with Notes on the Illusions Produced by the Painter
        • By
      • By
    • Together with Notes on the Illusions Produced by the Painter
      • By
    • By
    • Ernest Govett
      • With Thirty-one Illustrations
        • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
        • Copyright, 1919 by ERNEST GOVETT
      • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
      • Copyright, 1919 by ERNEST GOVETT
    • With Thirty-one Illustrations
      • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
      • Copyright, 1919 by ERNEST GOVETT
    • G. P. Putnam's Sons New York and London The Knickerbocker Press 1919
    • Copyright, 1919 by ERNEST GOVETT
    • PREFACE
    • CONTENTS
    • LIST OF PLATES
  • Art Principles
    • INTRODUCTION
  • BOOK I
    • CHAPTER I
      • Classification of the fine arts
    • Classification of the fine arts
    • CHAPTER II
      • LAW OF RECOGNITION IN THE ASSOCIATED ARTS
    • LAW OF RECOGNITION IN THE ASSOCIATED ARTS
    • CHAPTER III
      • LAW OF GENERAL ASSENT
    • LAW OF GENERAL ASSENT
    • CHAPTER IV
      • LIMITATIONS OF THE ASSOCIATED ARTS
    • LIMITATIONS OF THE ASSOCIATED ARTS
    • CHAPTER V
      • DEGREES OF BEAUTY IN THE PAINTER'S ART
    • DEGREES OF BEAUTY IN THE PAINTER'S ART
    • CHAPTER VI
      • EXPRESSION. PART I.—THE IDEAL
    • EXPRESSION. PART I.—THE IDEAL
    • CHAPTER VII
      • EXPRESSION. PART II.—CHRISTIAN IDEALS
    • EXPRESSION. PART II.—CHRISTIAN IDEALS
    • CHAPTER VIII
      • EXPRESSION. PART III.—CLASSICAL IDEALS
        • APHRODITE
        • HERA
        • DEMETER
        • ATHENA
        • APOLLO
        • DIANA
        • NEPTUNE
        • MARS
        • MERCURY
        • BACCHUS
        • VULCAN
        • GENERAL CLASSICAL COMPOSITIONS
      • APHRODITE
      • HERA
      • DEMETER
      • ATHENA
      • APOLLO
      • DIANA
      • NEPTUNE
      • MARS
      • MERCURY
      • BACCHUS
      • VULCAN
      • GENERAL CLASSICAL COMPOSITIONS
    • EXPRESSION. PART III.—CLASSICAL IDEALS
      • APHRODITE
      • HERA
      • DEMETER
      • ATHENA
      • APOLLO
      • DIANA
      • NEPTUNE
      • MARS
      • MERCURY
      • BACCHUS
      • VULCAN
      • GENERAL CLASSICAL COMPOSITIONS
    • APHRODITE
    • HERA
    • DEMETER
    • ATHENA
    • APOLLO
    • DIANA
    • NEPTUNE
    • MARS
    • MERCURY
    • BACCHUS
    • VULCAN
    • GENERAL CLASSICAL COMPOSITIONS
    • CHAPTER IX
      • EXPRESSION. PART IV.—GENERAL IDEALS
    • EXPRESSION. PART IV.—GENERAL IDEALS
    • CHAPTER X
      • EXPRESSION. PART V.—PORTRAITURE
    • EXPRESSION. PART V.—PORTRAITURE
    • CHAPTER XI
      • EXPRESSION. PART VI—MISCELLANEOUS
        • GRIEF
        • THE SMILE
        • THE OPEN MOUTH
        • CONTRASTS
        • THE REPRESENTATION OF DEATH
      • GRIEF
      • THE SMILE
      • THE OPEN MOUTH
      • CONTRASTS
      • THE REPRESENTATION OF DEATH
    • EXPRESSION. PART VI—MISCELLANEOUS
      • GRIEF
      • THE SMILE
      • THE OPEN MOUTH
      • CONTRASTS
      • THE REPRESENTATION OF DEATH
    • GRIEF
    • THE SMILE
    • THE OPEN MOUTH
    • CONTRASTS
    • THE REPRESENTATION OF DEATH
    • CHAPTER XII
      • LANDSCAPE
    • LANDSCAPE
    • CHAPTER XIII
      • STILL-LIFE
    • STILL-LIFE
    • CHAPTER XIV
      • SECONDARY ART
    • SECONDARY ART
    • CHAPTER XV
      • COLOUR
    • COLOUR
  • BOOK II
    • ILLUSIONS IN THE PAINTER'S ART
      • INTRODUCTORY
    • INTRODUCTORY
    • CHAPTER I
      • ILLUSION OF RELIEF
    • ILLUSION OF RELIEF
    • CHAPTER II
      • ILLUSION OF MOTION
    • ILLUSION OF MOTION
    • CHAPTER III
      • ILLUSION OF SUSPENSION AND MOTION IN THE AIR
    • ILLUSION OF SUSPENSION AND MOTION IN THE AIR
    • NOTES
      • NOTE 1. PAGE 2
        • NOTE 2. PAGE 2
        • NOTE 3. PAGE 3
        • NOTE 4. PAGE 8
        • NOTE 5. PAGE 8
        • NOTE 6. PAGE 8
        • NOTE 7. PAGE 16
        • NOTE 8. PAGE 21
        • NOTE 9. PAGE 22
        • NOTE 10. PAGE 23
        • NOTE 11. PAGE 32
        • NOTE 12. PAGE 34
        • NOTE 13. PAGE 35
        • NOTE 14. PAGE 37
        • NOTE 15. PAGE 40
        • NOTE 16. PAGE 40
        • NOTE 17. PAGE 41
        • NOTE 18. PAGE 49
        • NOTE 19. PAGE 52
        • NOTE 20. PAGE 54
        • NOTE 21. PAGE 55
        • NOTE 22. PAGE 66
        • NOTE 23. PAGE 67
        • NOTE 24. PAGE 68
        • NOTE 25. PAGE 68
        • NOTE 26. PAGE 69
        • NOTE 27. PAGE 73
        • NOTE 28. PAGE 74
        • NOTE 29. PAGE 78
        • NOTE 30. PAGE 79
        • NOTE 31. PAGE 80
        • NOTE 32. PAGE 81
        • NOTE 33. PAGE 81
        • NOTE 34. PAGE 82
        • NOTE 35. PAGE 85
        • NOTE 36. PAGE 87
        • NOTE 37. PAGE 90
        • NOTE 38. PAGE 92
        • NOTE 39. PAGE 97
        • NOTE 40. PAGE 99
        • NOTE 41. PAGE 100
        • NOTE 42. PAGE 108
        • NOTE 43. PAGE 110
        • NOTE 44. PAGE 111
        • NOTE 45. PAGE 112
        • NOTE 46. PAGE 113
        • NOTE 47. PAGE 124
        • NOTE 48. PAGE 125
        • NOTE 49. PAGE 138
        • NOTE 50. PAGE 139
        • NOTE 51. PAGE 149
        • NOTE 52. PAGE 156
        • NOTE 53. PAGE 161
        • NOTE 54. PAGE 167
        • NOTE 55. PAGE 169
        • NOTE 56. PAGE 172
        • NOTE 57. PAGE 172
        • NOTE 58. PAGE 178
        • NOTE 59. PAGE 190
        • NOTE 60. PAGE 192
        • NOTE 61. PAGE 194
        • NOTE 62. PAGE 194
        • NOTE 63. PAGE 200
        • NOTE 64. PAGE 203
        • NOTE 65. PAGE 204
        • NOTE 66. PAGE 208
        • NOTE 67. PAGE 231
        • NOTE 68. PAGE 232
        • NOTE 69. PAGE 249
        • NOTE 70. PAGE 250
        • NOTE 71. PAGE 258
        • NOTE 72. PAGE 261
        • NOTE 73. PAGE 270
      • NOTE 2. PAGE 2
      • NOTE 3. PAGE 3
      • NOTE 4. PAGE 8
      • NOTE 5. PAGE 8
      • NOTE 6. PAGE 8
      • NOTE 7. PAGE 16
      • NOTE 8. PAGE 21
      • NOTE 9. PAGE 22
      • NOTE 10. PAGE 23
      • NOTE 11. PAGE 32
      • NOTE 12. PAGE 34
      • NOTE 13. PAGE 35
      • NOTE 14. PAGE 37
      • NOTE 15. PAGE 40
      • NOTE 16. PAGE 40
      • NOTE 17. PAGE 41
      • NOTE 18. PAGE 49
      • NOTE 19. PAGE 52
      • NOTE 20. PAGE 54
      • NOTE 21. PAGE 55
      • NOTE 22. PAGE 66
      • NOTE 23. PAGE 67
      • NOTE 24. PAGE 68
      • NOTE 25. PAGE 68
      • NOTE 26. PAGE 69
      • NOTE 27. PAGE 73
      • NOTE 28. PAGE 74
      • NOTE 29. PAGE 78
      • NOTE 30. PAGE 79
      • NOTE 31. PAGE 80
      • NOTE 32. PAGE 81
      • NOTE 33. PAGE 81
      • NOTE 34. PAGE 82
      • NOTE 35. PAGE 85
      • NOTE 36. PAGE 87
      • NOTE 37. PAGE 90
      • NOTE 38. PAGE 92
      • NOTE 39. PAGE 97
      • NOTE 40. PAGE 99
      • NOTE 41. PAGE 100
      • NOTE 42. PAGE 108
      • NOTE 43. PAGE 110
      • NOTE 44. PAGE 111
      • NOTE 45. PAGE 112
      • NOTE 46. PAGE 113
      • NOTE 47. PAGE 124
      • NOTE 48. PAGE 125
      • NOTE 49. PAGE 138
      • NOTE 50. PAGE 139
      • NOTE 51. PAGE 149
      • NOTE 52. PAGE 156
      • NOTE 53. PAGE 161
      • NOTE 54. PAGE 167
      • NOTE 55. PAGE 169
      • NOTE 56. PAGE 172
      • NOTE 57. PAGE 172
      • NOTE 58. PAGE 178
      • NOTE 59. PAGE 190
      • NOTE 60. PAGE 192
      • NOTE 61. PAGE 194
      • NOTE 62. PAGE 194
      • NOTE 63. PAGE 200
      • NOTE 64. PAGE 203
      • NOTE 65. PAGE 204
      • NOTE 66. PAGE 208
      • NOTE 67. PAGE 231
      • NOTE 68. PAGE 232
      • NOTE 69. PAGE 249
      • NOTE 70. PAGE 250
      • NOTE 71. PAGE 258
      • NOTE 72. PAGE 261
      • NOTE 73. PAGE 270
    • NOTE 1. PAGE 2
      • NOTE 2. PAGE 2
      • NOTE 3. PAGE 3
      • NOTE 4. PAGE 8
      • NOTE 5. PAGE 8
      • NOTE 6. PAGE 8
      • NOTE 7. PAGE 16
      • NOTE 8. PAGE 21
      • NOTE 9. PAGE 22
      • NOTE 10. PAGE 23
      • NOTE 11. PAGE 32
      • NOTE 12. PAGE 34
      • NOTE 13. PAGE 35
      • NOTE 14. PAGE 37
      • NOTE 15. PAGE 40
      • NOTE 16. PAGE 40
      • NOTE 17. PAGE 41
      • NOTE 18. PAGE 49
      • NOTE 19. PAGE 52
      • NOTE 20. PAGE 54
      • NOTE 21. PAGE 55
      • NOTE 22. PAGE 66
      • NOTE 23. PAGE 67
      • NOTE 24. PAGE 68
      • NOTE 25. PAGE 68
      • NOTE 26. PAGE 69
      • NOTE 27. PAGE 73
      • NOTE 28. PAGE 74
      • NOTE 29. PAGE 78
      • NOTE 30. PAGE 79
      • NOTE 31. PAGE 80
      • NOTE 32. PAGE 81
      • NOTE 33. PAGE 81
      • NOTE 34. PAGE 82
      • NOTE 35. PAGE 85
      • NOTE 36. PAGE 87
      • NOTE 37. PAGE 90
      • NOTE 38. PAGE 92
      • NOTE 39. PAGE 97
      • NOTE 40. PAGE 99
      • NOTE 41. PAGE 100
      • NOTE 42. PAGE 108
      • NOTE 43. PAGE 110
      • NOTE 44. PAGE 111
      • NOTE 45. PAGE 112
      • NOTE 46. PAGE 113
      • NOTE 47. PAGE 124
      • NOTE 48. PAGE 125
      • NOTE 49. PAGE 138
      • NOTE 50. PAGE 139
      • NOTE 51. PAGE 149
      • NOTE 52. PAGE 156
      • NOTE 53. PAGE 161
      • NOTE 54. PAGE 167
      • NOTE 55. PAGE 169
      • NOTE 56. PAGE 172
      • NOTE 57. PAGE 172
      • NOTE 58. PAGE 178
      • NOTE 59. PAGE 190
      • NOTE 60. PAGE 192
      • NOTE 61. PAGE 194
      • NOTE 62. PAGE 194
      • NOTE 63. PAGE 200
      • NOTE 64. PAGE 203
      • NOTE 65. PAGE 204
      • NOTE 66. PAGE 208
      • NOTE 67. PAGE 231
      • NOTE 68. PAGE 232
      • NOTE 69. PAGE 249
      • NOTE 70. PAGE 250
      • NOTE 71. PAGE 258
      • NOTE 72. PAGE 261
      • NOTE 73. PAGE 270
    • NOTE 2. PAGE 2
    • NOTE 3. PAGE 3
    • NOTE 4. PAGE 8
    • NOTE 5. PAGE 8
    • NOTE 6. PAGE 8
    • NOTE 7. PAGE 16
    • NOTE 8. PAGE 21
    • NOTE 9. PAGE 22
    • NOTE 10. PAGE 23
    • NOTE 11. PAGE 32
    • NOTE 12. PAGE 34
    • NOTE 13. PAGE 35
    • NOTE 14. PAGE 37
    • NOTE 15. PAGE 40
    • NOTE 16. PAGE 40
    • NOTE 17. PAGE 41
    • NOTE 18. PAGE 49
    • NOTE 19. PAGE 52
    • NOTE 20. PAGE 54
    • NOTE 21. PAGE 55
    • NOTE 22. PAGE 66
    • NOTE 23. PAGE 67
    • NOTE 24. PAGE 68
    • NOTE 25. PAGE 68
    • NOTE 26. PAGE 69
    • NOTE 27. PAGE 73
    • NOTE 28. PAGE 74
    • NOTE 29. PAGE 78
    • NOTE 30. PAGE 79
    • NOTE 31. PAGE 80
    • NOTE 32. PAGE 81
    • NOTE 33. PAGE 81
    • NOTE 34. PAGE 82
    • NOTE 35. PAGE 85
    • NOTE 36. PAGE 87
    • NOTE 37. PAGE 90
    • NOTE 38. PAGE 92
    • NOTE 39. PAGE 97
    • NOTE 40. PAGE 99
    • NOTE 41. PAGE 100
    • NOTE 42. PAGE 108
    • NOTE 43. PAGE 110
    • NOTE 44. PAGE 111
    • NOTE 45. PAGE 112
    • NOTE 46. PAGE 113
    • NOTE 47. PAGE 124
    • NOTE 48. PAGE 125
    • NOTE 49. PAGE 138
    • NOTE 50. PAGE 139
    • NOTE 51. PAGE 149
    • NOTE 52. PAGE 156
    • NOTE 53. PAGE 161
    • NOTE 54. PAGE 167
    • NOTE 55. PAGE 169
    • NOTE 56. PAGE 172
    • NOTE 57. PAGE 172
    • NOTE 58. PAGE 178
    • NOTE 59. PAGE 190
    • NOTE 60. PAGE 192
    • NOTE 61. PAGE 194
    • NOTE 62. PAGE 194
    • NOTE 63. PAGE 200
    • NOTE 64. PAGE 203
    • NOTE 65. PAGE 204
    • NOTE 66. PAGE 208
    • NOTE 67. PAGE 231
    • NOTE 68. PAGE 232
    • NOTE 69. PAGE 249
    • NOTE 70. PAGE 250
    • NOTE 71. PAGE 258
    • NOTE 72. PAGE 261
    • NOTE 73. PAGE 270
    • INDEX OF SCULPTORS, PAINTERS, AND WORKS OF ART
    • GENERAL INDEX
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