Plays, Acting and Music: A Book Of Theory
Free

Plays, Acting and Music: A Book Of Theory

By Arthur Symons
Free
Book Description

Table of Contents
  • [i]PLAYS
  • ACTING AND MUSIC
    • A BOOK OF THEORY
      • BY
      • ARTHUR SYMONS
    • BY
    • ARTHUR SYMONS
    • PREFACE
    • CONTENTS
      • INTRODUCTION
        • PLAYS AND ACTING
        • DRAMA
        • MUSIC
      • PLAYS AND ACTING
      • DRAMA
      • MUSIC
    • INTRODUCTION
      • PLAYS AND ACTING
      • DRAMA
      • MUSIC
    • PLAYS AND ACTING
    • DRAMA
    • MUSIC
    • INTRODUCTION
    • AN APOLOGY FOR PUPPETS
    • PLAYS AND ACTING
    • NIETZSCHE ON TRAGEDY
    • SARAH BERNHARDT
    • COQUELIN AND MOLIÈRE: SOME ASPECTS
    • RÉJANE
    • YVETTE GUILBERT
      • I
      • II
    • I
    • II
    • SIR HENRY IRVING
    • DUSE IN SOME OF HER PARTS
      • I
      • II
      • III
      • IV
      • V
      • VI
    • I
    • II
    • III
    • IV
    • V
    • VI
    • ANNOTATIONS BY THE WAY
      • I. "PELLÉAS AND MÉLISANDE"
      • II. "EVERYMAN"
      • III. "FAUST" AT THE LYCEUM
      • IV. THE JAPANESE PLAYERS
      • V. THE PARIS MUSIC-HALL
    • I. "PELLÉAS AND MÉLISANDE"
    • II. "EVERYMAN"
    • III. "FAUST" AT THE LYCEUM
    • IV. THE JAPANESE PLAYERS
    • V. THE PARIS MUSIC-HALL
    • M. CAPUS IN ENGLAND
    • A DOUBLE ENIGMA
    • DRAMA
    • PROFESSIONAL AND UNPROFESSIONAL
    • TOLSTOI AND OTHERS
    • SOME PROBLEM PLAYS
      • I. "THE MARRYING OF ANN LEETE"
      • II. "THE LADY FROM THE SEA"
      • III. "THE NEW IDOL"
      • IV. "MRS. WARREN'S PROFESSION"
    • I. "THE MARRYING OF ANN LEETE"
    • II. "THE LADY FROM THE SEA"
    • III. "THE NEW IDOL"
    • IV. "MRS. WARREN'S PROFESSION"
    • "MONNA, VANNA"
    • THE QUESTION OF CENSORSHIP.
    • A PLAY AND THE PUBLIC
    • THE TEST OF THE ACTOR
    • THE PRICE OF REALISM
    • ON CROSSING STAGE TO RIGHT
    • THE SPEAKING OF VERSE
    • GREAT ACTING IN ENGLISH
    • A THEORY OF THE STAGE
    • THE SICILIAN ACTORS
      • I
      • II
    • I
    • II
    • MUSIC
    • ON WRITING ABOUT MUSIC
    • TECHNIQUE AND THE ARTIST
    • PACHMANN AND THE PIANO
      • I
      • II
      • III
    • I
    • II
    • III
    • PADEREWSKI
    • A REFLECTION AT A DOLMETSCH CONCERT
    • THE DRAMATISATION OF SONG
    • THE MEININGEN ORCHESTRA
    • MOZART IN THE MIRABELL-GARTEN
    • NOTES ON WAGNER AT BAYREUTH
      • I. BAYREUTH AND MUNICH
      • II. THE LESSON OF PARSIFAL
      • III. THE ART OF WAGNER
    • I. BAYREUTH AND MUNICH
    • II. THE LESSON OF PARSIFAL
    • III. THE ART OF WAGNER
    • CONCLUSION
    • A PARADOX ON ART
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