Library of the World's Best literature, Ancient and Modern, Vol. 12
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Library of the World's Best literature, Ancient and Modern, Vol. 12

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Table of Contents
  • LIBRARY OF THE
  • WORLD'S BEST LITERATURE
    • ANCIENT AND MODERN CHARLES DUDLEY WARNER
      • HAMILTON WRIGHT MABIE LUCIA GILBERT RUNKLE GEORGE HENRY WARNER
        • Connoisseur Edition Vol. XII.
        • NEW YORK THE INTERNATIONAL SOCIETY
      • Connoisseur Edition Vol. XII.
      • NEW YORK THE INTERNATIONAL SOCIETY
      • Connoisseur Edition
    • HAMILTON WRIGHT MABIE LUCIA GILBERT RUNKLE GEORGE HENRY WARNER
      • Connoisseur Edition Vol. XII.
      • NEW YORK THE INTERNATIONAL SOCIETY
    • Connoisseur Edition Vol. XII.
    • NEW YORK THE INTERNATIONAL SOCIETY
    • Connoisseur Edition
    • THE ADVISORY COUNCIL
    • TABLE OF CONTENTS
      • VOL. XII
    • VOL. XII
    • FULL-PAGE ILLUSTRATIONS
      • VOLUME XII
      • VIGNETTE PORTRAITS
    • VOLUME XII
    • VIGNETTE PORTRAITS
    • DENIS DIDEROT
      • (1713-1784)
      • FROM 'RAMEAU'S NEPHEW'
    • (1713-1784)
    • FROM 'RAMEAU'S NEPHEW'
    • FRANZ VON DINGELSTEDT
      • (1814-1881)
      • A MAN OF BUSINESS
        • From 'The Amazon': copyrighted by G.P. Putnam's Sons
      • From 'The Amazon': copyrighted by G.P. Putnam's Sons
      • THE WATCHMAN
    • (1814-1881)
    • A MAN OF BUSINESS
      • From 'The Amazon': copyrighted by G.P. Putnam's Sons
    • From 'The Amazon': copyrighted by G.P. Putnam's Sons
    • THE WATCHMAN
    • DIOGENES LAERTIUS
      • (200-250 A. D.?)
      • LIFE OF SOCRATES
        • From the 'Lives and Sayings of the Philosophers'
      • From the 'Lives and Sayings of the Philosophers'
      • EXAMPLES OF GREEK WIT AND WISDOM
        • Bias
        • Plato
        • Aristippus
        • Aristotle
        • Theophrastus
        • Demetrius
        • Antisthenes
        • Diogenes
        • Cleanthes
        • Pythagoras Precepts
      • Bias
      • Plato
      • Aristippus
      • Aristotle
      • Theophrastus
      • Demetrius
      • Antisthenes
      • Diogenes
      • Cleanthes
      • Pythagoras Precepts
    • (200-250 A. D.?)
    • LIFE OF SOCRATES
      • From the 'Lives and Sayings of the Philosophers'
    • From the 'Lives and Sayings of the Philosophers'
    • EXAMPLES OF GREEK WIT AND WISDOM
      • Bias
      • Plato
      • Aristippus
      • Aristotle
      • Theophrastus
      • Demetrius
      • Antisthenes
      • Diogenes
      • Cleanthes
      • Pythagoras Precepts
    • Bias
    • Plato
    • Aristippus
    • Aristotle
    • Theophrastus
    • Demetrius
    • Antisthenes
    • Diogenes
    • Cleanthes
    • Pythagoras Precepts
    • ISAAC D'ISRAELI
      • (1766-1848)
      • POETS, PHILOSOPHERS, AND ARTISTS MADE BY ACCIDENT
        • From 'Curiosities of Literature'
      • From 'Curiosities of Literature'
      • THE MARTYRDOM OF CHARLES THE FIRST
        • From the 'Commentaries on the Reign of Charles the First'
      • From the 'Commentaries on the Reign of Charles the First'
    • (1766-1848)
    • POETS, PHILOSOPHERS, AND ARTISTS MADE BY ACCIDENT
      • From 'Curiosities of Literature'
    • From 'Curiosities of Literature'
    • THE MARTYRDOM OF CHARLES THE FIRST
      • From the 'Commentaries on the Reign of Charles the First'
    • From the 'Commentaries on the Reign of Charles the First'
    • SYDNEY DOBELL
      • (1824-1874)
      • EPIGRAM ON THE DEATH OF EDWARD FORBES
      • HOW'S MY BOY?
      • THE SAILOR'S RETURN
      • AFLOAT AND ASHORE
      • THE SOUL
        • From 'Balder'
      • From 'Balder'
      • ENGLAND
        • From 'Balder'
      • From 'Balder'
      • AMERICA
      • AMY'S SONG OF THE WILLOW
        • From 'Balder'
      • From 'Balder'
    • (1824-1874)
    • EPIGRAM ON THE DEATH OF EDWARD FORBES
    • HOW'S MY BOY?
    • THE SAILOR'S RETURN
    • AFLOAT AND ASHORE
    • THE SOUL
      • From 'Balder'
    • From 'Balder'
    • ENGLAND
      • From 'Balder'
    • From 'Balder'
    • AMERICA
    • AMY'S SONG OF THE WILLOW
      • From 'Balder'
    • From 'Balder'
    • AUSTIN DOBSON
      • (1840-)
      • ON A NANKIN PLATE
        • Villanelle
      • Villanelle
      • THE OLD SEDAN-CHAIR
      • THE BALLAD OF PROSE AND RHYME
        • Envoy
      • Envoy
      • THE CURÉ'S PROGRESS
      • "GOOD-NIGHT, BABETTE"
        • "Si vieillesse pouvait!"
      • "Si vieillesse pouvait!"
      • THE LADIES OF ST. JAMES'S
        • A Proper New Ballad of the Country and the Town
        • "Phyllida amo ante alias."—Virgil.
      • A Proper New Ballad of the Country and the Town
      • "Phyllida amo ante alias."—Virgil.
      • DORA VERSUS ROSE
        • "The Case is Proceeding"
        • (After-thought)
      • "The Case is Proceeding"
      • (After-thought)
      • UNE MARQUISE
        • A Rhymed Monologue in the Louvre
        • I
        • II
        • III
        • IV
        • V
      • A Rhymed Monologue in the Louvre
      • I
      • II
      • III
      • IV
      • V
      • A BALLAD TO QUEEN ELIZABETH
        • Of the Spanish Armada
        • Envoy
      • Of the Spanish Armada
      • Envoy
      • THE PRINCESS DE LAMBALLE
        • From 'Four Frenchwomen'
      • From 'Four Frenchwomen'
    • (1840-)
    • ON A NANKIN PLATE
      • Villanelle
    • Villanelle
    • THE OLD SEDAN-CHAIR
    • THE BALLAD OF PROSE AND RHYME
      • Envoy
    • Envoy
    • THE CURÉ'S PROGRESS
    • "GOOD-NIGHT, BABETTE"
      • "Si vieillesse pouvait!"
    • "Si vieillesse pouvait!"
    • THE LADIES OF ST. JAMES'S
      • A Proper New Ballad of the Country and the Town
      • "Phyllida amo ante alias."—Virgil.
    • A Proper New Ballad of the Country and the Town
    • "Phyllida amo ante alias."—Virgil.
    • DORA VERSUS ROSE
      • "The Case is Proceeding"
      • (After-thought)
    • "The Case is Proceeding"
    • (After-thought)
    • UNE MARQUISE
      • A Rhymed Monologue in the Louvre
      • I
      • II
      • III
      • IV
      • V
    • A Rhymed Monologue in the Louvre
    • I
    • II
    • III
    • IV
    • V
    • A BALLAD TO QUEEN ELIZABETH
      • Of the Spanish Armada
      • Envoy
    • Of the Spanish Armada
    • Envoy
    • THE PRINCESS DE LAMBALLE
      • From 'Four Frenchwomen'
    • From 'Four Frenchwomen'
    • MARY MAPES DODGE
      • (1840?-)
      • THE RACE
        • From 'Hans Brinker, or The Silver Skates,' Copyright 1896, by Charles Scribner's Sons
      • From 'Hans Brinker, or The Silver Skates,' Copyright 1896, by Charles Scribner's Sons
    • (1840?-)
    • THE RACE
      • From 'Hans Brinker, or The Silver Skates,' Copyright 1896, by Charles Scribner's Sons
    • From 'Hans Brinker, or The Silver Skates,' Copyright 1896, by Charles Scribner's Sons
    • JOHN DONNE
      • (1573-1631)
      • THE UNDERTAKING
      • A VALEDICTION FORBIDDING MOURNING
      • SONG
      • LOVE'S GROWTH
      • SONG
    • (1573-1631)
    • THE UNDERTAKING
    • A VALEDICTION FORBIDDING MOURNING
    • SONG
    • LOVE'S GROWTH
    • SONG
    • FEODOR MIKHAILOVITCH DOSTOÉVSKY
      • (1821-1881)
      • FROM 'POOR PEOPLE'
        • Letter from Varvara Dobrosyeloff to Makar Dyevushkin
        • Letter from Makar Dyevushkin to Varvara Alexievna Dobrosyeloff
      • Letter from Varvara Dobrosyeloff to Makar Dyevushkin
      • Letter from Makar Dyevushkin to Varvara Alexievna Dobrosyeloff
      • THE BIBLE READING
        • From 'Crime and Punishment'
      • From 'Crime and Punishment'
    • (1821-1881)
    • FROM 'POOR PEOPLE'
      • Letter from Varvara Dobrosyeloff to Makar Dyevushkin
      • Letter from Makar Dyevushkin to Varvara Alexievna Dobrosyeloff
    • Letter from Varvara Dobrosyeloff to Makar Dyevushkin
    • Letter from Makar Dyevushkin to Varvara Alexievna Dobrosyeloff
    • THE BIBLE READING
      • From 'Crime and Punishment'
    • From 'Crime and Punishment'
    • EDWARD DOWDEN
      • (1843-)
      • THE HUMOR OF SHAKESPEARE
        • From 'Shakespeare: a Critical Study of His Mind and Art'
      • From 'Shakespeare: a Critical Study of His Mind and Art'
      • SHAKESPEARE'S PORTRAITURE OF WOMEN
        • From 'Transcripts and Studies'
      • From 'Transcripts and Studies'
      • THE INTERPRETATION OF LITERATURE
        • From 'Transcripts and Studies'
      • From 'Transcripts and Studies'
    • (1843-)
    • THE HUMOR OF SHAKESPEARE
      • From 'Shakespeare: a Critical Study of His Mind and Art'
    • From 'Shakespeare: a Critical Study of His Mind and Art'
    • SHAKESPEARE'S PORTRAITURE OF WOMEN
      • From 'Transcripts and Studies'
    • From 'Transcripts and Studies'
    • THE INTERPRETATION OF LITERATURE
      • From 'Transcripts and Studies'
    • From 'Transcripts and Studies'
    • A. CONAN DOYLE
      • (1859-)
      • THE RED-HEADED LEAGUE
        • From 'The Adventures of Sherlock Holmes.' Copyright 1892, by Harper & Brothers
      • From 'The Adventures of Sherlock Holmes.' Copyright 1892, by Harper & Brothers
      • THE BOWMEN'S SONG
        • From 'The White Company'
      • From 'The White Company'
    • (1859-)
    • THE RED-HEADED LEAGUE
      • From 'The Adventures of Sherlock Holmes.' Copyright 1892, by Harper & Brothers
    • From 'The Adventures of Sherlock Holmes.' Copyright 1892, by Harper & Brothers
    • THE BOWMEN'S SONG
      • From 'The White Company'
    • From 'The White Company'
    • HOLGER DRACHMANN
      • (1846-)
      • THE SKIPPER AND HIS SHIP
        • From 'Paul and Virginia of a Northern Zone': copyright 1895, by Way and Williams, Chicago
      • From 'Paul and Virginia of a Northern Zone': copyright 1895, by Way and Williams, Chicago
      • THE PRINCE'S SONG
        • From 'Once Upon a Time'
      • From 'Once Upon a Time'
    • (1846-)
    • THE SKIPPER AND HIS SHIP
      • From 'Paul and Virginia of a Northern Zone': copyright 1895, by Way and Williams, Chicago
    • From 'Paul and Virginia of a Northern Zone': copyright 1895, by Way and Williams, Chicago
    • THE PRINCE'S SONG
      • From 'Once Upon a Time'
    • From 'Once Upon a Time'
    • JOSEPH RODMAN DRAKE
      • (1795-1820)
      • A WINTER'S TALE
        • From 'The Croakers'
      • From 'The Croakers'
      • THE CULPRIT FAY
      • THE AMERICAN FLAG
    • (1795-1820)
    • A WINTER'S TALE
      • From 'The Croakers'
    • From 'The Croakers'
    • THE CULPRIT FAY
    • THE AMERICAN FLAG
    • JOHN WILLIAM DRAPER
      • (1811-1882)
      • THE VEDAS AND THEIR THEOLOGY
        • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
      • PRIMITIVE BELIEFS DISMISSED BY SCIENTIFIC KNOWLEDGE
        • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
      • THE KORAN
        • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • (1811-1882)
    • THE VEDAS AND THEIR THEOLOGY
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • PRIMITIVE BELIEFS DISMISSED BY SCIENTIFIC KNOWLEDGE
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • THE KORAN
      • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • From 'History of the Intellectual Development of Europe.' Copyright 1876, by Harper & Brothers
    • MICHAEL DRAYTON
      • (1563-1631)
      • SONNET
      • THE BALLAD OF AGINCOURT
      • QUEEN MAB'S EXCURSION
        • From 'Nymphidia, the Court of Faery'
      • From 'Nymphidia, the Court of Faery'
    • (1563-1631)
    • SONNET
    • THE BALLAD OF AGINCOURT
    • QUEEN MAB'S EXCURSION
      • From 'Nymphidia, the Court of Faery'
    • From 'Nymphidia, the Court of Faery'
    • GUSTAVE DROZ
      • (1832-1895)
      • HOW THE BABY WAS SAVED
        • From 'The Seamstress's Story'
      • From 'The Seamstress's Story'
      • A FAMILY NEW-YEAR'S
        • From 'Monsieur, Madame, and Baby'
      • From 'Monsieur, Madame, and Baby'
      • THEIR LAST EXCURSION
        • From 'Making an Omelette': from Lippincott's Magazine, 1871, copyrighted
      • From 'Making an Omelette': from Lippincott's Magazine, 1871, copyrighted
    • (1832-1895)
    • HOW THE BABY WAS SAVED
      • From 'The Seamstress's Story'
    • From 'The Seamstress's Story'
    • A FAMILY NEW-YEAR'S
      • From 'Monsieur, Madame, and Baby'
    • From 'Monsieur, Madame, and Baby'
    • THEIR LAST EXCURSION
      • From 'Making an Omelette': from Lippincott's Magazine, 1871, copyrighted
    • From 'Making an Omelette': from Lippincott's Magazine, 1871, copyrighted
    • HENRY DRUMMOND
      • (1851-)
      • THE COUNTRY AND ITS PEOPLE
        • From 'Tropical Africa'
      • From 'Tropical Africa'
      • THE EAST-AFRICAN LAKE COUNTRY
        • From 'Tropical Africa'
      • From 'Tropical Africa'
      • WHITE ANTS
        • From 'Tropical Africa'
      • From 'Tropical Africa'
    • (1851-)
    • THE COUNTRY AND ITS PEOPLE
      • From 'Tropical Africa'
    • From 'Tropical Africa'
    • THE EAST-AFRICAN LAKE COUNTRY
      • From 'Tropical Africa'
    • From 'Tropical Africa'
    • WHITE ANTS
      • From 'Tropical Africa'
    • From 'Tropical Africa'
    • WILLIAM DRUMMOND OF HAWTHORNDEN
      • (1585-1649)
      • SEXTAIN
      • MADRIGAL
      • REASON AND FEELING
      • DEGENERACY OF THE WORLD
      • THE BRIEFNESS OF LIFE
      • THE UNIVERSE
      • ON DEATH
        • From 'Cypress Grove'
      • From 'Cypress Grove'
    • (1585-1649)
    • SEXTAIN
    • MADRIGAL
    • REASON AND FEELING
    • DEGENERACY OF THE WORLD
    • THE BRIEFNESS OF LIFE
    • THE UNIVERSE
    • ON DEATH
      • From 'Cypress Grove'
    • From 'Cypress Grove'
    • JOHN DRYDEN
      • (1631-1700)
      • FROM 'THE HIND AND THE PANTHER'
      • TO MY DEAR FRIEND MR. CONGREVE
        • On His Comedy Called 'The Double Dealer'
      • On His Comedy Called 'The Double Dealer'
      • ODE
        • TO THE PIOUS MEMORY OF THE ACCOMPLISHED YOUNG LADY
      • TO THE PIOUS MEMORY OF THE ACCOMPLISHED YOUNG LADY
      • MRS. ANNE KILLIGREW,
        • EXCELLENT IN THE TWO SISTER ARTS OF POESY AND PAINTING.
      • EXCELLENT IN THE TWO SISTER ARTS OF POESY AND PAINTING.
      • A SONG
      • LINES PRINTED UNDER MILTON'S PORTRAIT
        • In Tonson's Folio Edition of the 'Paradise Lost,' 1688
      • In Tonson's Folio Edition of the 'Paradise Lost,' 1688
      • ALEXANDER'S FEAST; OR, THE POWER OF MUSIC
        • A SONG IN HONOR OF ST. CECILIA'S DAY: 1697
        • I
        • CHORUS
        • II
        • CHORUS
        • III
        • CHORUS
        • IV
        • CHORUS
        • V
        • CHORUS
        • VI
        • CHORUS
        • VII
        • GRAND CHORUS
      • A SONG IN HONOR OF ST. CECILIA'S DAY: 1697
      • I
      • CHORUS
      • II
      • CHORUS
      • III
      • CHORUS
      • IV
      • CHORUS
      • V
      • CHORUS
      • VI
      • CHORUS
      • VII
      • GRAND CHORUS
      • ACHITOPHEL[A]
        • From 'Absalom and Achitophel'
      • From 'Absalom and Achitophel'
    • (1631-1700)
    • FROM 'THE HIND AND THE PANTHER'
    • TO MY DEAR FRIEND MR. CONGREVE
      • On His Comedy Called 'The Double Dealer'
    • On His Comedy Called 'The Double Dealer'
    • ODE
      • TO THE PIOUS MEMORY OF THE ACCOMPLISHED YOUNG LADY
    • TO THE PIOUS MEMORY OF THE ACCOMPLISHED YOUNG LADY
    • MRS. ANNE KILLIGREW,
      • EXCELLENT IN THE TWO SISTER ARTS OF POESY AND PAINTING.
    • EXCELLENT IN THE TWO SISTER ARTS OF POESY AND PAINTING.
    • A SONG
    • LINES PRINTED UNDER MILTON'S PORTRAIT
      • In Tonson's Folio Edition of the 'Paradise Lost,' 1688
    • In Tonson's Folio Edition of the 'Paradise Lost,' 1688
    • ALEXANDER'S FEAST; OR, THE POWER OF MUSIC
      • A SONG IN HONOR OF ST. CECILIA'S DAY: 1697
      • I
      • CHORUS
      • II
      • CHORUS
      • III
      • CHORUS
      • IV
      • CHORUS
      • V
      • CHORUS
      • VI
      • CHORUS
      • VII
      • GRAND CHORUS
    • A SONG IN HONOR OF ST. CECILIA'S DAY: 1697
    • I
    • CHORUS
    • II
    • CHORUS
    • III
    • CHORUS
    • IV
    • CHORUS
    • V
    • CHORUS
    • VI
    • CHORUS
    • VII
    • GRAND CHORUS
    • ACHITOPHEL[A]
      • From 'Absalom and Achitophel'
    • From 'Absalom and Achitophel'
    • MAXIME DU CAMP
      • (1822-1894)
      • A STREET SCENE DURING THE COMMUNE
        • From 'The Convulsions of Paris'
      • From 'The Convulsions of Paris'
    • (1822-1894)
    • A STREET SCENE DURING THE COMMUNE
      • From 'The Convulsions of Paris'
    • From 'The Convulsions of Paris'
    • ALEXANDRE DUMAS, SENIOR
      • (1803?-1870)
      • THE CURE FOR DORMICE THAT EAT PEACHES
        • From 'The Count of Monte Cristo'
      • From 'The Count of Monte Cristo'
      • THE SHOULDER OF ATHOS, THE BELT OF PORTHOS, AND THE HANDKERCHIEF OF ARAMIS
        • From 'The Three Musketeers'
      • From 'The Three Musketeers'
      • THE DEFENSE OF THE BASTION SAINT-GERVAIS
        • From 'The Three Musketeers'
      • From 'The Three Musketeers'
      • THE CONSULTATION OF THE MUSKETEERS
        • From 'The Three Musketeers'
      • From 'The Three Musketeers'
      • THE MAN IN THE IRON MASK
        • From 'The Viscount of Bragelonne'
      • From 'The Viscount of Bragelonne'
      • A TRICK IS PLAYED ON HENRY III. BY AID OF CHICOT
        • From 'The Lady of Monsoreau'
      • From 'The Lady of Monsoreau'
    • (1803?-1870)
    • THE CURE FOR DORMICE THAT EAT PEACHES
      • From 'The Count of Monte Cristo'
    • From 'The Count of Monte Cristo'
    • THE SHOULDER OF ATHOS, THE BELT OF PORTHOS, AND THE HANDKERCHIEF OF ARAMIS
      • From 'The Three Musketeers'
    • From 'The Three Musketeers'
    • THE DEFENSE OF THE BASTION SAINT-GERVAIS
      • From 'The Three Musketeers'
    • From 'The Three Musketeers'
    • THE CONSULTATION OF THE MUSKETEERS
      • From 'The Three Musketeers'
    • From 'The Three Musketeers'
    • THE MAN IN THE IRON MASK
      • From 'The Viscount of Bragelonne'
    • From 'The Viscount of Bragelonne'
    • A TRICK IS PLAYED ON HENRY III. BY AID OF CHICOT
      • From 'The Lady of Monsoreau'
    • From 'The Lady of Monsoreau'
    • ALEXANDRE DUMAS, JUNIOR
      • (1824-1895)
      • THE PLAYWRIGHT IS BORN—AND MADE
        • From the Preface to 'A Prodigal Father'
      • From the Preface to 'A Prodigal Father'
      • AN ARMED TRUCE
        • From 'A Friend of the Sex'
      • From 'A Friend of the Sex'
      • TWO VIEWS OF MONEY
        • From 'The Money Question'
      • From 'The Money Question'
      • M. DE RÉMONIN'S PHILOSOPHY OF MARRIAGE
        • From 'L'Étrangère'
      • From 'L'Étrangère'
      • REFORMING A FATHER
        • From 'A Prodigal Father'
      • From 'A Prodigal Father'
      • MR. AND MRS. CLARKSON
        • From 'L'Étrangère'
      • From 'L'Étrangère'
    • (1824-1895)
    • THE PLAYWRIGHT IS BORN—AND MADE
      • From the Preface to 'A Prodigal Father'
    • From the Preface to 'A Prodigal Father'
    • AN ARMED TRUCE
      • From 'A Friend of the Sex'
    • From 'A Friend of the Sex'
    • TWO VIEWS OF MONEY
      • From 'The Money Question'
    • From 'The Money Question'
    • M. DE RÉMONIN'S PHILOSOPHY OF MARRIAGE
      • From 'L'Étrangère'
    • From 'L'Étrangère'
    • REFORMING A FATHER
      • From 'A Prodigal Father'
    • From 'A Prodigal Father'
    • MR. AND MRS. CLARKSON
      • From 'L'Étrangère'
    • From 'L'Étrangère'
    • GEORGE DU MAURIER
      • (1834-1896)
      • AT THE HEART OF BOHEMIA
        • From 'Trilby' Copyright 1894, by Harper & Brothers
      • From 'Trilby' Copyright 1894, by Harper & Brothers
      • CHRISTMAS IN THE LATIN QUARTER
        • From 'Trilby.' Copyright, 1894, by Harper & Brothers
      • From 'Trilby.' Copyright, 1894, by Harper & Brothers
      • "DREAMING TRUE"
        • From 'Peter Ibbetson.' Copyright 1891, by Harper & Brothers
      • From 'Peter Ibbetson.' Copyright 1891, by Harper & Brothers
      • BARTY JOSSELIN AT SCHOOL
        • From 'The Martian'
        • From Harper's Magazine. Copyright, 1896, by Harper & Brothers
      • From 'The Martian'
      • From Harper's Magazine. Copyright, 1896, by Harper & Brothers
    • (1834-1896)
    • AT THE HEART OF BOHEMIA
      • From 'Trilby' Copyright 1894, by Harper & Brothers
    • From 'Trilby' Copyright 1894, by Harper & Brothers
    • CHRISTMAS IN THE LATIN QUARTER
      • From 'Trilby.' Copyright, 1894, by Harper & Brothers
    • From 'Trilby.' Copyright, 1894, by Harper & Brothers
    • "DREAMING TRUE"
      • From 'Peter Ibbetson.' Copyright 1891, by Harper & Brothers
    • From 'Peter Ibbetson.' Copyright 1891, by Harper & Brothers
    • BARTY JOSSELIN AT SCHOOL
      • From 'The Martian'
      • From Harper's Magazine. Copyright, 1896, by Harper & Brothers
    • From 'The Martian'
    • From Harper's Magazine. Copyright, 1896, by Harper & Brothers
    • WILLIAM DUNBAR
      • (1465?-1530?)
      • THE THISTLE AND THE ROSE
      • FROM 'THE GOLDEN TARGE'
      • NO TREASURE AVAILS WITHOUT GLADNESS
    • (1465?-1530?)
    • THE THISTLE AND THE ROSE
    • FROM 'THE GOLDEN TARGE'
    • NO TREASURE AVAILS WITHOUT GLADNESS
    • JEAN VICTOR DURUY
      • (1811-1894)
      • THE NATIONAL POLICY
        • From the 'History of Rome'
      • From the 'History of Rome'
      • RESULTS OF THE ROMAN DOMINION
        • From the 'History of Rome'
      • From the 'History of Rome'
    • (1811-1894)
    • THE NATIONAL POLICY
      • From the 'History of Rome'
    • From the 'History of Rome'
    • RESULTS OF THE ROMAN DOMINION
      • From the 'History of Rome'
    • From the 'History of Rome'
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