The Works of Aphra Behn, Volume II
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THE WORKS OF APHRA BEHN
CONTENTS
ABDELAZER; OR, THE MOOR'S REVENGE THE YOUNG KING; OR, THE MISTAKE THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL THE FEIGN'D CURTEZANS; OR, A NIGHT'S INTRIGUE NOTES
ABDELAZER; OR, THE MOOR'S REVENGE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A rich Chamber.
SONG.
SCENE II. A Room in the Palace.
SCENE I. A rich Chamber.
SONG.
SCENE II. A Room in the Palace.
ACT II.
SCENE I. A Chamber of State.
SCENE II. A Banqueting Hall.
SCENE I. A Chamber of State.
SCENE II. A Banqueting Hall.
ACT III.
SCENE I. A Gallery in the Palace.
SCENE II. The Queen's Apartments.
SCENE III. Florella's Lodgings.
SCENE I. A Gallery in the Palace.
SCENE II. The Queen's Apartments.
SCENE III. Florella's Lodgings.
ACT IV.
SCENE I. Abdelazer's Tent.
SCENE II. Philip's Tent.
SCENE III. A Grave.
SCENE IV. A Grove.
SCENE V. The Grove.
SCENE VI. Changes to a Tent.
SCENE VII. The Grove.
SCENE I. Abdelazer's Tent.
SCENE II. Philip's Tent.
SCENE III. A Grave.
SCENE IV. A Grove.
SCENE V. The Grove.
SCENE VI. Changes to a Tent.
SCENE VII. The Grove.
ACT V.
SCENE I. _A Presence-Chamber, with a Throne and Canopy.
SCENE II. A fine Chamber. A Table and Chair.
SCENE I. _A Presence-Chamber, with a Throne and Canopy.
SCENE II. A fine Chamber. A Table and Chair.
SCENE III. A Prison.
EPILOGUE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A rich Chamber.
SONG.
SCENE II. A Room in the Palace.
SCENE I. A rich Chamber.
SONG.
SCENE II. A Room in the Palace.
ACT II.
SCENE I. A Chamber of State.
SCENE II. A Banqueting Hall.
SCENE I. A Chamber of State.
SCENE II. A Banqueting Hall.
ACT III.
SCENE I. A Gallery in the Palace.
SCENE II. The Queen's Apartments.
SCENE III. Florella's Lodgings.
SCENE I. A Gallery in the Palace.
SCENE II. The Queen's Apartments.
SCENE III. Florella's Lodgings.
ACT IV.
SCENE I. Abdelazer's Tent.
SCENE II. Philip's Tent.
SCENE III. A Grave.
SCENE IV. A Grove.
SCENE V. The Grove.
SCENE VI. Changes to a Tent.
SCENE VII. The Grove.
SCENE I. Abdelazer's Tent.
SCENE II. Philip's Tent.
SCENE III. A Grave.
SCENE IV. A Grove.
SCENE V. The Grove.
SCENE VI. Changes to a Tent.
SCENE VII. The Grove.
ACT V.
SCENE I. _A Presence-Chamber, with a Throne and Canopy.
SCENE II. A fine Chamber. A Table and Chair.
SCENE I. _A Presence-Chamber, with a Throne and Canopy.
SCENE II. A fine Chamber. A Table and Chair.
SCENE III. A Prison.
EPILOGUE.
THE YOUNG KING; OR, THE MISTAKE.
ARGUMENT.
SOURCE.
FOOTNOTES:
FOOTNOTES:
THEATRICAL HISTORY.
TO PHILASTER.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Grove near the Camp.
SCENE II. A Grove of Trees.
SCENE I. A Grove near the Camp.
SCENE II. A Grove of Trees.
ACT II.
SCENE I. A Castle or Prison on the Sea.
SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
SCENE III. A Grove.
SCENE IV. A Chamber.
SCENE I. A Castle or Prison on the Sea.
SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
SCENE III. A Grove.
SCENE IV. A Chamber.
ACT III.
SCENE I.
SCENE II. A Grove near the Camp.
SCENE III. Scythian Tents.
SCENE IV. The Dacian Tents.
SCENE V. Changes to the Wood.
SCENE I.
SCENE II. A Grove near the Camp.
SCENE III. Scythian Tents.
SCENE IV. The Dacian Tents.
SCENE V. Changes to the Wood.
ACT IV.
SCENE I. A Flat Wood.
SCENE II. Between the two Camps.
SCENE III. A Prison.
SCENE IV. The Scythian Tents.
SCENE V. Cleomena's Apartments.
SCENE VI. A Street.
SCENE VII. Thersander's Tent.
SCENE I. A Flat Wood.
SCENE II. Between the two Camps.
SCENE III. A Prison.
SCENE IV. The Scythian Tents.
SCENE V. Cleomena's Apartments.
SCENE VI. A Street.
SCENE VII. Thersander's Tent.
ACT V.
SCENE I.
SCENE II. The Grove.
SCENE III. A Prison.
SCENE IV. A Tent.
SCENE V. Changes to Thersander's Tent.
SCENE I.
SCENE II. The Grove.
SCENE III. A Prison.
SCENE IV. A Tent.
SCENE V. Changes to Thersander's Tent.
EPILOGUE.
ARGUMENT.
SOURCE.
FOOTNOTES:
FOOTNOTES:
THEATRICAL HISTORY.
TO PHILASTER.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Grove near the Camp.
SCENE II. A Grove of Trees.
SCENE I. A Grove near the Camp.
SCENE II. A Grove of Trees.
ACT II.
SCENE I. A Castle or Prison on the Sea.
SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
SCENE III. A Grove.
SCENE IV. A Chamber.
SCENE I. A Castle or Prison on the Sea.
SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
SCENE III. A Grove.
SCENE IV. A Chamber.
ACT III.
SCENE I.
SCENE II. A Grove near the Camp.
SCENE III. Scythian Tents.
SCENE IV. The Dacian Tents.
SCENE V. Changes to the Wood.
SCENE I.
SCENE II. A Grove near the Camp.
SCENE III. Scythian Tents.
SCENE IV. The Dacian Tents.
SCENE V. Changes to the Wood.
ACT IV.
SCENE I. A Flat Wood.
SCENE II. Between the two Camps.
SCENE III. A Prison.
SCENE IV. The Scythian Tents.
SCENE V. Cleomena's Apartments.
SCENE VI. A Street.
SCENE VII. Thersander's Tent.
SCENE I. A Flat Wood.
SCENE II. Between the two Camps.
SCENE III. A Prison.
SCENE IV. The Scythian Tents.
SCENE V. Cleomena's Apartments.
SCENE VI. A Street.
SCENE VII. Thersander's Tent.
ACT V.
SCENE I.
SCENE II. The Grove.
SCENE III. A Prison.
SCENE IV. A Tent.
SCENE V. Changes to Thersander's Tent.
SCENE I.
SCENE II. The Grove.
SCENE III. A Prison.
SCENE IV. A Tent.
SCENE V. Changes to Thersander's Tent.
EPILOGUE.
THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THEATRICAL HISTORY.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. The Street.
SCENE I. The Street.
ACT II.
SCENE I. A Room.
SCENE II. The Street.
SCENE I. A Room.
SCENE II. The Street.
SCENE III. Changes to a Chamber.
ACT III.
SCENE I. A Room.
SCENE I. A Room.
ACT IV.
SCENE I. A Dressing-Room.
SCENE II. Changes.
SCENE I. A Dressing-Room.
SCENE II. Changes.
ACT V.
SCENE I. Sir Timothy's House.
SCENE II. Changes to Wilding's Chamber.
SCENE III. Changes to Diana's Chamber.
SCENE IV. Changes to a Street.
SCENE V. Changes to a Chamber.
SCENE I. Sir Timothy's House.
SCENE II. Changes to Wilding's Chamber.
SCENE III. Changes to Diana's Chamber.
SCENE IV. Changes to a Street.
SCENE V. Changes to a Chamber.
EPILOGUE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THEATRICAL HISTORY.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. The Street.
SCENE I. The Street.
ACT II.
SCENE I. A Room.
SCENE II. The Street.
SCENE I. A Room.
SCENE II. The Street.
SCENE III. Changes to a Chamber.
ACT III.
SCENE I. A Room.
SCENE I. A Room.
ACT IV.
SCENE I. A Dressing-Room.
SCENE II. Changes.
SCENE I. A Dressing-Room.
SCENE II. Changes.
ACT V.
SCENE I. Sir Timothy's House.
SCENE II. Changes to Wilding's Chamber.
SCENE III. Changes to Diana's Chamber.
SCENE IV. Changes to a Street.
SCENE V. Changes to a Chamber.
SCENE I. Sir Timothy's House.
SCENE II. Changes to Wilding's Chamber.
SCENE III. Changes to Diana's Chamber.
SCENE IV. Changes to a Street.
SCENE V. Changes to a Chamber.
EPILOGUE.
THE FEIGN'D CURTEZANS; OR, A NIGHT'S INTRIGUE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
TO MRS. ELLEN GUIN.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Street.
SCENE II. Draws off to a room in Tickletext's lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
SCENE I. A Street.
SCENE II. Draws off to a room in Tickletext's lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
ACT II.
ACT III.
SCENE I. The Corso.
SCENE I. The Corso.
ACT IV.
SCENE I.
SCENE II. Changes to a Bed-chamber Alcove.
SCENE I.
SCENE II. Changes to a Bed-chamber Alcove.
ACT V.
SCENE I. The Corso.
SCENE II. A Chamber.
SCENE III. Changes to the Street.—Piazo d'Hispagnia.
SCENE IV. Changes to a Chamber.
SCENE I. The Corso.
SCENE II. A Chamber.
SCENE III. Changes to the Street.—Piazo d'Hispagnia.
SCENE IV. Changes to a Chamber.
EPILOGUE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
TO MRS. ELLEN GUIN.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Street.
SCENE II. Draws off to a room in Tickletext's lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
SCENE I. A Street.
SCENE II. Draws off to a room in Tickletext's lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
ACT II.
ACT III.
SCENE I. The Corso.
SCENE I. The Corso.
ACT IV.
SCENE I.
SCENE II. Changes to a Bed-chamber Alcove.
SCENE I.
SCENE II. Changes to a Bed-chamber Alcove.
ACT V.
SCENE I. The Corso.
SCENE II. A Chamber.
SCENE III. Changes to the Street.—Piazo d'Hispagnia.
SCENE IV. Changes to a Chamber.
SCENE I. The Corso.
SCENE II. A Chamber.
SCENE III. Changes to the Street.—Piazo d'Hispagnia.
SCENE IV. Changes to a Chamber.
EPILOGUE.
NOTES.
NOTES ON THE TEXT.
ABDELAZER.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
ABDELAZER.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
NOTES: CRITICAL AND EXPLANATORY.
ABDELAZER.
FOOTNOTES:
THE YOUNG KING.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
END OF VOL. II
ABDELAZER.
FOOTNOTES:
THE YOUNG KING.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
END OF VOL. II
NOTES ON THE TEXT.
ABDELAZER.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
ABDELAZER.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
NOTES: CRITICAL AND EXPLANATORY.
ABDELAZER.
FOOTNOTES:
THE YOUNG KING.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
END OF VOL. II
ABDELAZER.
FOOTNOTES:
THE YOUNG KING.
THE CITY HEIRESS.
THE FEIGN'D CURTEZANS.
END OF VOL. II
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