The works of John Dryden, now first collected in eighteen volumes. Volume 07
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English
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WORKS
JOHN DRYDEN,
IN EIGHTEEN VOLUMES.
WITH NOTES,
A LIFE OF THE AUTHOR,
WALTER SCOTT, Esq.
VOL. VII.
LONDON:
1808.
CONTENTS
VOLUME SEVENTH.
DUKE OF GUISE.
A TRAGEDY.
THE DUKE OF GUISE.
A RAREE SHOW.
A RAREE SHOW.
TO THE RIGHT HONOURABLE LAWRENCE, EARL OF ROCHESTER, &c.[1]
PROLOGUE WRITTEN BY MR DRYDEN. SPOKEN BY MR SMITH.
DRAMATIS PERSONÆ.
THE DUKE OF GUISE.
ACT I. SCENE I.—The Council of Sixteen seated; an empty Chair prepared for the Duke of Guise.
SCENE II.
SCENE III.
ACT II. SCENE I.
SCENE II.—The Louvre.
ACT III. SCENE I.
SCENE II.
ACT IV. SCENE I.—The Louvre.
SCENE II.—A Night Scene.
SCENE III.
SCENE IV.
SCENE V.—The Louvre.
ACT V. SCENE I.—The Castle of Blois.
SCENE II.—Scene opens, and discovers Men and Women at a Banquet, Malicorn standing by.
A SONG BETWIXT A SHEPHERD AND SHEPHERDESS.
SCENE III.—Enter Duke of Guise; Cardinal, and Aumale.
SCENE II.—The Court before the Council-hall.
SCENE III.—The Council-hall.
ACT I. SCENE I.—The Council of Sixteen seated; an empty Chair prepared for the Duke of Guise.
SCENE II.
SCENE III.
ACT II. SCENE I.
SCENE II.—The Louvre.
ACT III. SCENE I.
SCENE II.
ACT IV. SCENE I.—The Louvre.
SCENE II.—A Night Scene.
SCENE III.
SCENE IV.
SCENE V.—The Louvre.
ACT V. SCENE I.—The Castle of Blois.
SCENE II.—Scene opens, and discovers Men and Women at a Banquet, Malicorn standing by.
A SONG BETWIXT A SHEPHERD AND SHEPHERDESS.
SCENE III.—Enter Duke of Guise; Cardinal, and Aumale.
SCENE II.—The Court before the Council-hall.
SCENE III.—The Council-hall.
EPILOGUE. WRITTEN BY MR DRYDEN[1]. SPOKEN BY MRS COOK.
THE VINDICATION:
VINDICATION OF THE DUKE OF GUISE.
THE VINDICATION OF THE DUKE OF GUISE.
ALBION AND ALBANIUS:
AN OPERA
ALBION AND ALBANIUS.
THE PREFACE.
POSTSCRIPT.
PROLOGUE
Names of the Persons, represented in the same order as they appear first upon the stage.
THE FRONTISPIECE.
ALBION AND ALBANIUS. AN OPERA.
ACT I.
ACT II.
CHACON[3].
ACT III.
ACT I.
ACT II.
CHACON[3].
ACT III.
EPILOGUE
DON SEBASTIAN.
A TRAGEDY.
DON SEBASTIAN.
TO THE RIGHT HONOURABLE PHILIP, EARL OF LEICESTER, &c.[1]
THE PREFACE.
PROLOGUE
SENT TO THE AUTHOR BY AN UNKNOWN HAND, AND PROPOSED TO BE SPOKEN BY MRS MOUNTFORD, DRESSED LIKE AN OFFICER.[1]
PROLOGUE, SPOKEN BY A WOMAN.
DRAMATIS PERSONÆ.
DON SEBASTIAN, KING OF PORTUGAL.
ACT I. SCENE I.
ACT II. SCENE I.—Supposed to be a Terrace Walk, on the side of the Castle of Alcazar.
SCENE II.—Supposed a Garden, with lodging rooms behind it, or on the sides.
ACT III. SCENE I.—A Terrace Walk; or some other public place in the castle of Alcazar.
SCENE II.—A Night-Scene of the Mufti's Garden, where an Arbour is discovered.
ACT IV. SCENE I.—BENDUCAR'S Palace, in the Castle of Alcazar.
SCENE II.—A Night-Scene of the Mufti's Garden.
SCENE III.—Changes to the Castle Yard,
ACT V. SCENE I. The Scene is, a Room of State.
ACT I. SCENE I.
ACT II. SCENE I.—Supposed to be a Terrace Walk, on the side of the Castle of Alcazar.
SCENE II.—Supposed a Garden, with lodging rooms behind it, or on the sides.
ACT III. SCENE I.—A Terrace Walk; or some other public place in the castle of Alcazar.
SCENE II.—A Night-Scene of the Mufti's Garden, where an Arbour is discovered.
ACT IV. SCENE I.—BENDUCAR'S Palace, in the Castle of Alcazar.
SCENE II.—A Night-Scene of the Mufti's Garden.
SCENE III.—Changes to the Castle Yard,
ACT V. SCENE I. The Scene is, a Room of State.
EPILOGUE, SPOKEN BETWIXT ANTONIO AND MORAYMA
END OF THE SEVENTH VOLUME.
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