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Modern Painting, Its Tendency and Meaning

By Willard Huntington Wright
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Book Description
Table of Contents
  • Modern Painting
  • Its Tendency and Meaning
    • By
    • Willard Huntington Wright
    • FOREWORD
    • CONTENTS
    • REPRODUCTIONS
  • Modern Painting
    • I
      • ANCIENT AND MODERN ART
      • II
      • PRECURSORS OF THE NEW ERA
      • III
      • ÉDOUARD MANET
      • IV
      • THE EARLY IMPRESSIONISTS
      • V
      • AUGUSTE RENOIR
      • VI
      • PAUL CÉZANNE
      • VII
      • THE NEO-IMPRESSIONISTS
      • VIII
      • GAUGUIN AND THE PONT-AVEN SCHOOL
      • IX
      • DEGAS AND HIS CIRCLE
      • X
      • HENRI-MATISSE
      • XI
      • PICASSO AND CUBISM
      • XII
      • FUTURISM
      • XIII
      • SYNCHROMISM
      • XIV
      • THE LESSER MODERNS
      • XV
      • CONCLUSION
    • ANCIENT AND MODERN ART
    • II
    • PRECURSORS OF THE NEW ERA
    • III
    • ÉDOUARD MANET
    • IV
    • THE EARLY IMPRESSIONISTS
    • V
    • AUGUSTE RENOIR
    • VI
    • PAUL CÉZANNE
    • VII
    • THE NEO-IMPRESSIONISTS
    • VIII
    • GAUGUIN AND THE PONT-AVEN SCHOOL
    • IX
    • DEGAS AND HIS CIRCLE
    • X
    • HENRI-MATISSE
    • XI
    • PICASSO AND CUBISM
    • XII
    • FUTURISM
    • XIII
    • SYNCHROMISM
    • XIV
    • THE LESSER MODERNS
    • XV
    • CONCLUSION
    • INDEX
      • OTHER BOOKS BY WILLARD HUNTINGTON WRIGHT
      • WHAT NIETZSCHE TAUGHT
      • THE PRINCIPLES OF ÆSTHETIC FORM AND ORGANISATION
      • THE MAN OF PROMISE
    • OTHER BOOKS BY WILLARD HUNTINGTON WRIGHT
    • WHAT NIETZSCHE TAUGHT
    • THE PRINCIPLES OF ÆSTHETIC FORM AND ORGANISATION
    • THE MAN OF PROMISE
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