Soliloquies in England And Later Soliloquies
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Soliloquies in England And Later Soliloquies

By George Santayana
Free
Book Description
Table of Contents
  • E-text prepared by Marc D'Hooghe (http://www.freeliterature.org) from page images generously made available by Internet Archive (https://archive.org)
  • SOLILOQUIES IN ENGLAND
    • AND LATER SOLILOQUIES
      • BY
    • BY
    • GEORGE SANTAYANA
      • PREFACE
      • SOLILOQUIES IN ENGLAND
        • 1
        • ATMOSPHERE
        • 2
        • GRISAILLE
        • 3
        • PRAISES OF WATER
        • 4
        • THE TWO PARENTS OF VISION
        • 5
        • AVERSION FROM PLATONISM
        • 6
        • CLOUD CASTLES
        • 7
        • CROSS-LIGHTS
        • 8
        • HAMLET'S QUESTION
        • 9
        • THE BRITISH CHARACTER
        • 10
        • SEAFARING
        • 11
        • PRIVACY
        • 12
        • THE LION AND THE UNICORN
        • 13
        • DONS
        • 14
        • APOLOGY FOR SNOBS
        • 15
        • THE HIGHER SNOBBERY
        • 16
        • DISTINCTION IN ENGLISHMEN
        • 17
        • FRIENDSHIPS
        • 18
        • DICKENS
        • 19
        • THE HUMAN SCALE
        • 20
        • ENGLISH ARCHITECTURE
        • 21
        • THE ENGLISH CHURCH
        • 22
        • LEAVING CHURCH
        • 23
        • DEATHBED MANNERS
        • 24
        • WAR SHRINES
        • 25
        • TIPPERARY
        • 26
        • SKYLARKS
        • 27
        • AT HEAVEN'S GATE
      • 1
      • ATMOSPHERE
      • 2
      • GRISAILLE
      • 3
      • PRAISES OF WATER
      • 4
      • THE TWO PARENTS OF VISION
      • 5
      • AVERSION FROM PLATONISM
      • 6
      • CLOUD CASTLES
      • 7
      • CROSS-LIGHTS
      • 8
      • HAMLET'S QUESTION
      • 9
      • THE BRITISH CHARACTER
      • 10
      • SEAFARING
      • 11
      • PRIVACY
      • 12
      • THE LION AND THE UNICORN
      • 13
      • DONS
      • 14
      • APOLOGY FOR SNOBS
      • 15
      • THE HIGHER SNOBBERY
      • 16
      • DISTINCTION IN ENGLISHMEN
      • 17
      • FRIENDSHIPS
      • 18
      • DICKENS
      • 19
      • THE HUMAN SCALE
      • 20
      • ENGLISH ARCHITECTURE
      • 21
      • THE ENGLISH CHURCH
      • 22
      • LEAVING CHURCH
      • 23
      • DEATHBED MANNERS
      • 24
      • WAR SHRINES
      • 25
      • TIPPERARY
      • 26
      • SKYLARKS
      • 27
      • AT HEAVEN'S GATE
      • LATER SOLILOQUIES
        • 28
        • SOCIETY AND SOLITUDE
        • 29
        • IMAGINATION
        • 30
        • THE WORLD'S A STAGE
        • 31
        • MASKS
        • 32
        • THE TRAGIC MASK
        • 33
        • THE COMIC MASK
        • 34
        • CARNIVAL
        • 35
        • QUEEN MAB
        • 36
        • A CONTRAST WITH SPANISH DRAMA
        • 37
        • THE CENSOR AND THE POET
        • 38
        • THE MASK OF THE PHILOSOPHER
        • 39
        • THE VOYAGE OF THE SAINT CHRISTOPHER
        • 40
        • CLASSIC LIBERTY
        • 41
        • GERMAN FREEDOM
        • 42
        • LIBERALISM AND CULTURE
        • 43
        • THE IRONY OF LIBERALISM
        • 44
        • JOHN BULL AND HIS PHILOSOPHERS
        • 45
        • OCCAM'S RAZOR
        • 46
        • EMPIRICISM
        • 47
        • THE BRITISH HEGELIANS
        • 48
        • THE PROGRESS OF PHILOSOPHY
        • 49
        • THE PSYCHE
        • 50
        • REVERSION TO PLATONISM
        • 51
        • IDEAS
        • 52
        • THE MANSIONS OF HELEN
        • 53
        • THE JUDGEMENT OF PARIS
        • 54
        • ON MY FRIENDLY CRITICS
        • 55
        • HERMES THE INTERPRETER
      • 28
      • SOCIETY AND SOLITUDE
      • 29
      • IMAGINATION
      • 30
      • THE WORLD'S A STAGE
      • 31
      • MASKS
      • 32
      • THE TRAGIC MASK
      • 33
      • THE COMIC MASK
      • 34
      • CARNIVAL
      • 35
      • QUEEN MAB
      • 36
      • A CONTRAST WITH SPANISH DRAMA
      • 37
      • THE CENSOR AND THE POET
      • 38
      • THE MASK OF THE PHILOSOPHER
      • 39
      • THE VOYAGE OF THE SAINT CHRISTOPHER
      • 40
      • CLASSIC LIBERTY
      • 41
      • GERMAN FREEDOM
      • 42
      • LIBERALISM AND CULTURE
      • 43
      • THE IRONY OF LIBERALISM
      • 44
      • JOHN BULL AND HIS PHILOSOPHERS
      • 45
      • OCCAM'S RAZOR
      • 46
      • EMPIRICISM
      • 47
      • THE BRITISH HEGELIANS
      • 48
      • THE PROGRESS OF PHILOSOPHY
      • 49
      • THE PSYCHE
      • 50
      • REVERSION TO PLATONISM
      • 51
      • IDEAS
      • 52
      • THE MANSIONS OF HELEN
      • 53
      • THE JUDGEMENT OF PARIS
      • 54
      • ON MY FRIENDLY CRITICS
      • 55
      • HERMES THE INTERPRETER
    • PREFACE
    • SOLILOQUIES IN ENGLAND
      • 1
      • ATMOSPHERE
      • 2
      • GRISAILLE
      • 3
      • PRAISES OF WATER
      • 4
      • THE TWO PARENTS OF VISION
      • 5
      • AVERSION FROM PLATONISM
      • 6
      • CLOUD CASTLES
      • 7
      • CROSS-LIGHTS
      • 8
      • HAMLET'S QUESTION
      • 9
      • THE BRITISH CHARACTER
      • 10
      • SEAFARING
      • 11
      • PRIVACY
      • 12
      • THE LION AND THE UNICORN
      • 13
      • DONS
      • 14
      • APOLOGY FOR SNOBS
      • 15
      • THE HIGHER SNOBBERY
      • 16
      • DISTINCTION IN ENGLISHMEN
      • 17
      • FRIENDSHIPS
      • 18
      • DICKENS
      • 19
      • THE HUMAN SCALE
      • 20
      • ENGLISH ARCHITECTURE
      • 21
      • THE ENGLISH CHURCH
      • 22
      • LEAVING CHURCH
      • 23
      • DEATHBED MANNERS
      • 24
      • WAR SHRINES
      • 25
      • TIPPERARY
      • 26
      • SKYLARKS
      • 27
      • AT HEAVEN'S GATE
    • 1
    • ATMOSPHERE
    • 2
    • GRISAILLE
    • 3
    • PRAISES OF WATER
    • 4
    • THE TWO PARENTS OF VISION
    • 5
    • AVERSION FROM PLATONISM
    • 6
    • CLOUD CASTLES
    • 7
    • CROSS-LIGHTS
    • 8
    • HAMLET'S QUESTION
    • 9
    • THE BRITISH CHARACTER
    • 10
    • SEAFARING
    • 11
    • PRIVACY
    • 12
    • THE LION AND THE UNICORN
    • 13
    • DONS
    • 14
    • APOLOGY FOR SNOBS
    • 15
    • THE HIGHER SNOBBERY
    • 16
    • DISTINCTION IN ENGLISHMEN
    • 17
    • FRIENDSHIPS
    • 18
    • DICKENS
    • 19
    • THE HUMAN SCALE
    • 20
    • ENGLISH ARCHITECTURE
    • 21
    • THE ENGLISH CHURCH
    • 22
    • LEAVING CHURCH
    • 23
    • DEATHBED MANNERS
    • 24
    • WAR SHRINES
    • 25
    • TIPPERARY
    • 26
    • SKYLARKS
    • 27
    • AT HEAVEN'S GATE
    • LATER SOLILOQUIES
      • 28
      • SOCIETY AND SOLITUDE
      • 29
      • IMAGINATION
      • 30
      • THE WORLD'S A STAGE
      • 31
      • MASKS
      • 32
      • THE TRAGIC MASK
      • 33
      • THE COMIC MASK
      • 34
      • CARNIVAL
      • 35
      • QUEEN MAB
      • 36
      • A CONTRAST WITH SPANISH DRAMA
      • 37
      • THE CENSOR AND THE POET
      • 38
      • THE MASK OF THE PHILOSOPHER
      • 39
      • THE VOYAGE OF THE SAINT CHRISTOPHER
      • 40
      • CLASSIC LIBERTY
      • 41
      • GERMAN FREEDOM
      • 42
      • LIBERALISM AND CULTURE
      • 43
      • THE IRONY OF LIBERALISM
      • 44
      • JOHN BULL AND HIS PHILOSOPHERS
      • 45
      • OCCAM'S RAZOR
      • 46
      • EMPIRICISM
      • 47
      • THE BRITISH HEGELIANS
      • 48
      • THE PROGRESS OF PHILOSOPHY
      • 49
      • THE PSYCHE
      • 50
      • REVERSION TO PLATONISM
      • 51
      • IDEAS
      • 52
      • THE MANSIONS OF HELEN
      • 53
      • THE JUDGEMENT OF PARIS
      • 54
      • ON MY FRIENDLY CRITICS
      • 55
      • HERMES THE INTERPRETER
    • 28
    • SOCIETY AND SOLITUDE
    • 29
    • IMAGINATION
    • 30
    • THE WORLD'S A STAGE
    • 31
    • MASKS
    • 32
    • THE TRAGIC MASK
    • 33
    • THE COMIC MASK
    • 34
    • CARNIVAL
    • 35
    • QUEEN MAB
    • 36
    • A CONTRAST WITH SPANISH DRAMA
    • 37
    • THE CENSOR AND THE POET
    • 38
    • THE MASK OF THE PHILOSOPHER
    • 39
    • THE VOYAGE OF THE SAINT CHRISTOPHER
    • 40
    • CLASSIC LIBERTY
    • 41
    • GERMAN FREEDOM
    • 42
    • LIBERALISM AND CULTURE
    • 43
    • THE IRONY OF LIBERALISM
    • 44
    • JOHN BULL AND HIS PHILOSOPHERS
    • 45
    • OCCAM'S RAZOR
    • 46
    • EMPIRICISM
    • 47
    • THE BRITISH HEGELIANS
    • 48
    • THE PROGRESS OF PHILOSOPHY
    • 49
    • THE PSYCHE
    • 50
    • REVERSION TO PLATONISM
    • 51
    • IDEAS
    • 52
    • THE MANSIONS OF HELEN
    • 53
    • THE JUDGEMENT OF PARIS
    • 54
    • ON MY FRIENDLY CRITICS
    • 55
    • HERMES THE INTERPRETER
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