The Complete Poetical Works of Samuel Taylor Coleridge Vol II (of II)
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English
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THE
COMPLETE POETICAL WORKS
OF
SAMUEL TAYLOR COLERIDGE
INCLUDING
POEMS AND VERSIONS OF POEMS NOW
PUBLISHED FOR THE FIRST TIME
EDITED
EDITED
WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
BY
BY
POEMS AND VERSIONS OF POEMS NOW
PUBLISHED FOR THE FIRST TIME
EDITED
EDITED
WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
BY
BY
ERNEST HARTLEY COLERIDGE
OXFORD AT THE CLARENDON PRESS 1912
OXFORD AT THE CLARENDON PRESS 1912
CONTENTS OF VOL. II
DRAMATIC WORKS
THE FALL OF ROBESPIERRE[495:1]
AN HISTORIC DRAMA
FOOTNOTES:
AN HISTORIC DRAMA
FOOTNOTES:
ACT I
Scene—The Thuilleries.
FOOTNOTES:
Scene—The Thuilleries.
FOOTNOTES:
ACT II
Scene—The Convention.
Scene—The Convention.
ACT III
Scene continues.
Scene continues.
OSORIO
A TRAGEDY[518:1]
DRAMATIS PERSONAE
FOOTNOTES:
LINENOTES:
A TRAGEDY[518:1]
DRAMATIS PERSONAE
FOOTNOTES:
LINENOTES:
ACT THE FIRST[519:1]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
ACT THE SECOND
LINENOTES:
Scene II.
LINENOTES:
Scene II.
ACT THE THIRD
FOOTNOTES:
LINENOTES:
ACT III.
FOOTNOTES:
LINENOTES:
ACT III.
ACT THE FOURTH
FOOTNOTES:
LINENOTES:
Scene II
Scene III
FOOTNOTES:
LINENOTES:
Scene II
Scene III
ACT THE FIFTH
Scene the First.—The Sea Shore.
Scene.—A Dungeon.
FOOTNOTES:
LINENOTES:
Scene the First.—The Sea Shore.
Scene.—A Dungeon.
FOOTNOTES:
LINENOTES:
THE PICCOLOMINI[598:1]
OR, THE FIRST PART OF WALLENSTEIN
A DRAMA
TRANSLATED FROM THE GERMAN OF SCHILLER
A DRAMA
TRANSLATED FROM THE GERMAN OF SCHILLER
PREFACE TO THE FIRST EDITION
FOOTNOTES:
OR, THE FIRST PART OF WALLENSTEIN
A DRAMA
TRANSLATED FROM THE GERMAN OF SCHILLER
A DRAMA
TRANSLATED FROM THE GERMAN OF SCHILLER
PREFACE TO THE FIRST EDITION
FOOTNOTES:
THE PICCOLOMINI[600:1]
ACT I
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
FOOTNOTES:
LINENOTES:
Scene XI
FOOTNOTES:
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
FOOTNOTES:
LINENOTES:
Scene XI
FOOTNOTES:
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
Scene XI
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
Scene XIII
LINENOTES:
Scene XIV
LINENOTES:
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
FOOTNOTES:
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
Scene XI
LINENOTES:
Scene XII
FOOTNOTES:
LINENOTES:
Scene XIII
LINENOTES:
Scene XIV
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
ACT IV
Scene I
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
Scene I
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
Scene VII
FOOTNOTES:
LINENOTES:
ACT V
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
FOOTNOTES:
LINENOTES:
Scene VI
LINENOTES:
THE DEATH OF WALLENSTEIN
A TRAGEDY
IN FIVE ACTS
PREFACE OF THE TRANSLATOR
TO THE FIRST EDITION
LINENOTES:
DRAMATIS PERSONAE
A TRAGEDY
IN FIVE ACTS
PREFACE OF THE TRANSLATOR
TO THE FIRST EDITION
LINENOTES:
DRAMATIS PERSONAE
THE DEATH OF WALLENSTEIN
ACT I
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
LINENOTES:
Scene XI
Scene XII
LINENOTES:
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
Scene X
LINENOTES:
Scene XI
Scene XII
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
Scene XI
LINENOTES:
Scene I
LINENOTES:
Scene II
Scene III
FOOTNOTES:
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene VII
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
Scene XI
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
FOOTNOTES:
LINENOTES:
Scene IX
LINENOTES:
Scene I
LINENOTES:
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
Scene V
LINENOTES:
Scene VI
LINENOTES:
Scene VII
LINENOTES:
Scene VIII
FOOTNOTES:
LINENOTES:
Scene IX
LINENOTES:
ACT IV
Scene I
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
Scene I
Scene II
LINENOTES:
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
LINENOTES:
Scene VI
FOOTNOTES:
LINENOTES:
ACT V
Scene I
FOOTNOTES:
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
LINENOTES:
Scene I
FOOTNOTES:
LINENOTES:
Scene II
Scene III
LINENOTES:
Scene IV
LINENOTES:
Scene V
Scene VI
Scene VII
LINENOTES:
Scene VIII
LINENOTES:
Scene IX
LINENOTES:
Scene X
LINENOTES:
REMORSE[812:1]
PREFACE
FOOTNOTES:
FOOTNOTES:
PROLOGUE
FOOTNOTES:
FOOTNOTES:
EPILOGUE
REMORSE[819:1]
A TRAGEDY IN FIVE ACTS[819:2]
DRAMATIS PERSONAE
FOOTNOTES:
A TRAGEDY IN FIVE ACTS[819:2]
DRAMATIS PERSONAE
FOOTNOTES:
ACT I
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene I
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
ACT IV
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
Scene I
FOOTNOTES:
LINENOTES:
Scene II
FOOTNOTES:
LINENOTES:
Scene III
LINENOTES:
ACT V
Scene I
LINENOTES:
Scene I
LINENOTES:
APPENDIX
ZAPOLYA[883:1]
A CHRISTMAS TALE IN TWO PARTS[883:2]
ADVERTISEMENT
FOOTNOTES:
LINENOTES:
A CHRISTMAS TALE IN TWO PARTS[883:2]
ADVERTISEMENT
FOOTNOTES:
LINENOTES:
PART I
THE PRELUDE, ENTITLED 'THE USURPER'S FORTUNE'
CHARACTERS
Scene I
LINENOTES:
CHARACTERS
Scene I
LINENOTES:
Part II
THE SEQUEL, ENTITLED 'THE USURPER'S FATE'
ADDITIONAL CHARACTERS
ADDITIONAL CHARACTERS
USURPATION ENDED; OR, SHE COMES AGAIN
ACT I
Scene I
FOOTNOTES:
LINENOTES:
Scene I
FOOTNOTES:
LINENOTES:
ACT II
Scene I
LINENOTES:
Scene I
LINENOTES:
ACT III
Scene I
LINENOTES:
Scene I
LINENOTES:
ACT IV
Scene I
LINENOTES:
Scene I
LINENOTES:
EPIGRAMS[951:1]
1
EPIGRAM
AN APOLOGY FOR SPENCERS
AN APOLOGY FOR SPENCERS
2
EPIGRAM
ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
3
EPIGRAM
ON AN AMOROUS DOCTOR
ON AN AMOROUS DOCTOR
4
EPIGRAM
5
ON DEPUTY ——
6
[EPIGRAM]
7
ON MR. ROSS, USUALLY COGNOMINATED NOSY[953:1]
8
[EPIGRAM]
9
[EPIGRAM]
10
[ANOTHER VERSION]
[ANOTHER VERSION]
11
ON AN INSIGNIFICANT[954:1]
12
[EPIGRAM]
13
ON A SLANDERER
14
LINES IN A GERMAN STUDENT'S ALBUM
15
[HIPPONA]
16
ON A READER OF HIS OWN VERSES
17
ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY
LINENOTES:
18
[DEAR BROTHER JEM]
19
JOB'S LUCK
LINENOTES:
20
ON THE SICKNESS OF A GREAT MINISTER
21
[TO A VIRTUOUS OECONOMIST]
Wernicke
Wernicke
22
[L'ENFANT PRODIGUE]
23
ON SIR RUBICUND NASO
A COURT ALDERMAN AND WHISPERER OF SECRETS
A COURT ALDERMAN AND WHISPERER OF SECRETS
24
TO MR. PYE
25
[NINETY-EIGHT]
26
OCCASIONED BY THE FORMER
LINENOTES:
27
[A LIAR BY PROFESSION]
28
TO A PROUD PARENT
29
RUFA
30
ON A VOLUNTEER SINGER
31
OCCASIONED BY THE LAST
LINENOTES:
32
EPITAPH ON MAJOR DIEMAN
33
ON THE ABOVE
34
EPITAPH
ON A BAD MAN
ANOTHER VERSION
Obiit Saturday, Sept. 10, 1830.
ON A BAD MAN
ANOTHER VERSION
Obiit Saturday, Sept. 10, 1830.
35
TO A CERTAIN MODERN NARCISSUS
36
TO A CRITIC
WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
37
ALWAYS AUDIBLE
38
PONDERE NON NUMERO
39
THE COMPLIMENT QUALIFIED
40
41
42
43
44
TO ONE WHO PUBLISHED[964:1] IN PRINT
WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
45
46
47
TO A VAIN YOUNG LADY
48
A HINT TO PREMIERS AND FIRST CONSULS
FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
49
50
FOR A HOUSE-DOG'S COLLAR
51
52
EPITAPH ON A MERCENARY MISER
53
A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND
54
Μωροσοφία OR WISDOM IN FOLLY
55
56
FROM AN OLD GERMAN POET
57
ON THE CURIOUS CIRCUMSTANCE,
THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
58
SPOTS IN THE SUN
59
60
TO MY CANDLE
THE FAREWELL EPIGRAM
THE FAREWELL EPIGRAM
61
EPITAPH
ON HIMSELF
ON HIMSELF
62
THE TASTE OF THE TIMES
63
ON PITT AND FOX
64
65
COMPARATIVE BREVITY OF GREEK AND ENGLISH
66
EPIGRAM ON THE SECRECY OF A CERTAIN LADY
67
MOTTO
FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
ANOTHER VERSION
FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
ANOTHER VERSION
68
69
MODERN CRITICS
70
WRITTEN IN AN ALBUM
71
TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING
72
SENTIMENTAL
73
74
AUTHORS AND PUBLISHERS
75
THE ALTERNATIVE
76
77
INSCRIPTION FOR A TIME-PIECE
78
ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ.[974:1]
79
80
EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER
FOOTNOTES:
1
EPIGRAM
AN APOLOGY FOR SPENCERS
AN APOLOGY FOR SPENCERS
2
EPIGRAM
ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
ON A LATE MARRIAGE BETWEEN AN OLD MAID AND FRENCH PETIT MAÎTRE
3
EPIGRAM
ON AN AMOROUS DOCTOR
ON AN AMOROUS DOCTOR
4
EPIGRAM
5
ON DEPUTY ——
6
[EPIGRAM]
7
ON MR. ROSS, USUALLY COGNOMINATED NOSY[953:1]
8
[EPIGRAM]
9
[EPIGRAM]
10
[ANOTHER VERSION]
[ANOTHER VERSION]
11
ON AN INSIGNIFICANT[954:1]
12
[EPIGRAM]
13
ON A SLANDERER
14
LINES IN A GERMAN STUDENT'S ALBUM
15
[HIPPONA]
16
ON A READER OF HIS OWN VERSES
17
ON A REPORT OF A MINISTER'S DEATH WRITTEN IN GERMANY
LINENOTES:
18
[DEAR BROTHER JEM]
19
JOB'S LUCK
LINENOTES:
20
ON THE SICKNESS OF A GREAT MINISTER
21
[TO A VIRTUOUS OECONOMIST]
Wernicke
Wernicke
22
[L'ENFANT PRODIGUE]
23
ON SIR RUBICUND NASO
A COURT ALDERMAN AND WHISPERER OF SECRETS
A COURT ALDERMAN AND WHISPERER OF SECRETS
24
TO MR. PYE
25
[NINETY-EIGHT]
26
OCCASIONED BY THE FORMER
LINENOTES:
27
[A LIAR BY PROFESSION]
28
TO A PROUD PARENT
29
RUFA
30
ON A VOLUNTEER SINGER
31
OCCASIONED BY THE LAST
LINENOTES:
32
EPITAPH ON MAJOR DIEMAN
33
ON THE ABOVE
34
EPITAPH
ON A BAD MAN
ANOTHER VERSION
Obiit Saturday, Sept. 10, 1830.
ON A BAD MAN
ANOTHER VERSION
Obiit Saturday, Sept. 10, 1830.
35
TO A CERTAIN MODERN NARCISSUS
36
TO A CRITIC
WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
WHO EXTRACTED A PASSAGE FROM A POEM WITHOUT ADDING A WORD RESPECTING THE CONTEXT, AND THEN DERIDED IT AS UNINTELLIGIBLE.
37
ALWAYS AUDIBLE
38
PONDERE NON NUMERO
39
THE COMPLIMENT QUALIFIED
40
41
42
43
44
TO ONE WHO PUBLISHED[964:1] IN PRINT
WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
WHAT HAD BEEN ENTRUSTED TO HIM BY MY FIRESIDE
45
46
47
TO A VAIN YOUNG LADY
48
A HINT TO PREMIERS AND FIRST CONSULS
FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
FROM AN OLD TRAGEDY, VIZ. AGATHA TO KING ARCHELAUS
49
50
FOR A HOUSE-DOG'S COLLAR
51
52
EPITAPH ON A MERCENARY MISER
53
A DIALOGUE BETWEEN AN AUTHOR AND HIS FRIEND
54
Μωροσοφία OR WISDOM IN FOLLY
55
56
FROM AN OLD GERMAN POET
57
ON THE CURIOUS CIRCUMSTANCE,
THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
THAT IN THE GERMAN LANGUAGE THE SUN IS FEMININE, AND THE MOON IS MASCULINE
58
SPOTS IN THE SUN
59
60
TO MY CANDLE
THE FAREWELL EPIGRAM
THE FAREWELL EPIGRAM
61
EPITAPH
ON HIMSELF
ON HIMSELF
62
THE TASTE OF THE TIMES
63
ON PITT AND FOX
64
65
COMPARATIVE BREVITY OF GREEK AND ENGLISH
66
EPIGRAM ON THE SECRECY OF A CERTAIN LADY
67
MOTTO
FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
ANOTHER VERSION
FOR A TRANSPARENCY DESIGNED BY WASHINGTON ALLSTON AND EXHIBITED AT BRISTOL ON 'PROCLAMATION DAY'—June 29, 1814.
ANOTHER VERSION
68
69
MODERN CRITICS
70
WRITTEN IN AN ALBUM
71
TO A LADY WHO REQUESTED ME TO WRITE A POEM UPON NOTHING
72
SENTIMENTAL
73
74
AUTHORS AND PUBLISHERS
75
THE ALTERNATIVE
76
77
INSCRIPTION FOR A TIME-PIECE
78
ON THE MOST VERACIOUS ANECDOTIST, AND SMALL-TALK MAN, THOMAS HILL, ESQ.[974:1]
79
80
EPITAPH OF THE PRESENT YEAR ON THE MONUMENT OF THOMAS FULLER
FOOTNOTES:
JEUX D'ESPRIT
1
MY GODMOTHER'S BEARD[976:1]
MY GODMOTHER'S BEARD[976:1]
LINENOTES:
2
LINES TO THOMAS POOLE
3
TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR.
4
TO T. POOLE
AN INVITATION
AN INVITATION
5
SONG
TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
6
DRINKING versus THINKING
OR, A SONG AGAINST THE NEW PHILOSOPHY
OR, A SONG AGAINST THE NEW PHILOSOPHY
7
THE WILLS OF THE WISP
A SAPPHIC
A SAPPHIC
8
TO CAPTAIN FINDLAY
9
ON DONNE'S POEM 'TO A FLEA'
10
[EX LIBRIS S. T. C.][981:1]
11
ΕΓΩΕΝΚΑΙΠΑΝ
12
THE BRIDGE STREET COMMITTEE
13
NONSENSE SAPPHICS[983:1]
14
TO SUSAN STEELE ON RECEIVING THE PURSE
EXTRUMPERY LINES
EXTRUMPERY LINES
15
ASSOCIATION OF IDEAS[984:1]
16
VERSES TRIVOCULAR
17
CHOLERA CURED BEFORE-HAND
LINENOTES:
18
TO BABY BATES
19
TO A CHILD[987:1]
FOOTNOTES:
1
MY GODMOTHER'S BEARD[976:1]
MY GODMOTHER'S BEARD[976:1]
LINENOTES:
2
LINES TO THOMAS POOLE
3
TO A WELL-KNOWN MUSICAL CRITIC, REMARKABLE FOR HIS EARS STICKING THROUGH HIS HAIR.
4
TO T. POOLE
AN INVITATION
AN INVITATION
5
SONG
TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
TO BE SUNG BY THE LOVERS OF ALL THE NOBLE LIQUORS COMPRISED UNDER THE NAME OF ALE.
6
DRINKING versus THINKING
OR, A SONG AGAINST THE NEW PHILOSOPHY
OR, A SONG AGAINST THE NEW PHILOSOPHY
7
THE WILLS OF THE WISP
A SAPPHIC
A SAPPHIC
8
TO CAPTAIN FINDLAY
9
ON DONNE'S POEM 'TO A FLEA'
10
[EX LIBRIS S. T. C.][981:1]
11
ΕΓΩΕΝΚΑΙΠΑΝ
12
THE BRIDGE STREET COMMITTEE
13
NONSENSE SAPPHICS[983:1]
14
TO SUSAN STEELE ON RECEIVING THE PURSE
EXTRUMPERY LINES
EXTRUMPERY LINES
15
ASSOCIATION OF IDEAS[984:1]
16
VERSES TRIVOCULAR
17
CHOLERA CURED BEFORE-HAND
LINENOTES:
18
TO BABY BATES
19
TO A CHILD[987:1]
FOOTNOTES:
FRAGMENTS FROM A NOTEBOOK[988:1]
1
2
3
4
5
6
7
LINENOTES:
8
9
10
11
12
13
14
15
16
17
A DUNGEON
LINENOTES:
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
LINENOTES:
35
36
LINENOTES:
37
38
39
HYMNS—MOON
40
41
42
43
44
45
46
47
48
49
FOOTNOTES:
1
2
3
4
5
6
7
LINENOTES:
8
9
10
11
12
13
14
15
16
17
A DUNGEON
LINENOTES:
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
LINENOTES:
35
36
LINENOTES:
37
38
39
HYMNS—MOON
40
41
42
43
44
45
46
47
48
49
FOOTNOTES:
FRAGMENTS[996:1]
1
2
3
OVER MY COTTAGE
4
5
6
7
8
[THE NIGHT-MARE DEATH IN LIFE]
9
10
A BECK IN WINTER[998:1]
11
12
13
14
15
16
17
[NOT A CRITIC—BUT A JUDGE]
18
19
[DE PROFUNDIS CLAMAVI]
20
21
22
23
24
25
26
27
28
29
FRAGMENT OF AN ODE ON NAPOLEON
30
31
Another Version
Another Version
32
33
EPIGRAM ON KEPLER
FROM THE GERMAN
FROM THE GERMAN
LINENOTES:
34
35
36
37
38
39
40
[ARS POETICA]
41
TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC
42
43
TRANSLATION OF A FRAGMENT OF HERACLITUS[1007:1]
44
45
IMITATED FROM ARISTOPHANES
46
47
TO EDWARD IRVING
48
[LUTHER—DE DÆMONIBUS]
49
THE NETHERLANDS
50
ELISA[1009:1]
TRANSLATED FROM CLAUDIAN
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
TRANSLATED FROM CLAUDIAN
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
51
PROFUSE KINDNESS
52
53
NAPOLEON
54
55
56
57
58
59
60
THE THREE SORTS OF FRIENDS
61
62
BO-PEEP AND I SPY—
63
A SIMILE
64
BARON GUELPH OF ADELSTAN. A FRAGMENT
FOOTNOTES:
1
2
3
OVER MY COTTAGE
4
5
6
7
8
[THE NIGHT-MARE DEATH IN LIFE]
9
10
A BECK IN WINTER[998:1]
11
12
13
14
15
16
17
[NOT A CRITIC—BUT A JUDGE]
18
19
[DE PROFUNDIS CLAMAVI]
20
21
22
23
24
25
26
27
28
29
FRAGMENT OF AN ODE ON NAPOLEON
30
31
Another Version
Another Version
32
33
EPIGRAM ON KEPLER
FROM THE GERMAN
FROM THE GERMAN
LINENOTES:
34
35
36
37
38
39
40
[ARS POETICA]
41
TRANSLATION OF THE FIRST STROPHE OF PINDAR'S SECOND OLYMPIC
42
43
TRANSLATION OF A FRAGMENT OF HERACLITUS[1007:1]
44
45
IMITATED FROM ARISTOPHANES
46
47
TO EDWARD IRVING
48
[LUTHER—DE DÆMONIBUS]
49
THE NETHERLANDS
50
ELISA[1009:1]
TRANSLATED FROM CLAUDIAN
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
TRANSLATED FROM CLAUDIAN
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
51
PROFUSE KINDNESS
52
53
NAPOLEON
54
55
56
57
58
59
60
THE THREE SORTS OF FRIENDS
61
62
BO-PEEP AND I SPY—
63
A SIMILE
64
BARON GUELPH OF ADELSTAN. A FRAGMENT
FOOTNOTES:
METRICAL EXPERIMENTS[1014:1]
1
AN EXPERIMENT FOR A METRE
2
TROCHAICS
3
THE PROPER UNMODIFIED DOCHMIUS
4
IAMBICS
5
NONSENSE
6
A PLAINTIVE MOVEMENT
[11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
[11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
7
AN EXPERIMENT FOR A METRE
8
NONSENSE VERSES
[AN EXPERIMENT FOR A METRE]
[AN EXPERIMENT FOR A METRE]
9
NONSENSE
[AN EXPERIMENT FOR A METRE]
[AN EXPERIMENT FOR A METRE]
10
EXPERIMENTS IN METRE
11
12
13
A METRICAL ACCIDENT
NOTES BY PROFESSOR SAINTSBURY
FOOTNOTES:
1
AN EXPERIMENT FOR A METRE
2
TROCHAICS
3
THE PROPER UNMODIFIED DOCHMIUS
4
IAMBICS
5
NONSENSE
6
A PLAINTIVE MOVEMENT
[11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
[11´ 4` 11´ 4` | 10´ 6` 4´ 10`]
7
AN EXPERIMENT FOR A METRE
8
NONSENSE VERSES
[AN EXPERIMENT FOR A METRE]
[AN EXPERIMENT FOR A METRE]
9
NONSENSE
[AN EXPERIMENT FOR A METRE]
[AN EXPERIMENT FOR A METRE]
10
EXPERIMENTS IN METRE
11
12
13
A METRICAL ACCIDENT
NOTES BY PROFESSOR SAINTSBURY
FOOTNOTES:
APPENDIX I
FIRST DRAFTS, EARLY VERSIONS, ETC.
A
Effusion 35
Effusion, p. 96. (1797.)
Effusion 35
Effusion, p. 96. (1797.)
FOOTNOTES:
LINENOTES:
B
RECOLLECTION[1023:1]
FOOTNOTES:
C
THE DESTINY OF NATIONS
[Draft I]
[Draft II]
[Draft I]
[Draft II]
LINENOTES:
[Draft III]
[Draft III]
D
Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge[1027:1].
FOOTNOTES:
LINENOTES:
FIRST DRAFTS, EARLY VERSIONS, ETC.
A
Effusion 35
Effusion, p. 96. (1797.)
Effusion 35
Effusion, p. 96. (1797.)
FOOTNOTES:
LINENOTES:
B
RECOLLECTION[1023:1]
FOOTNOTES:
C
THE DESTINY OF NATIONS
[Draft I]
[Draft II]
[Draft I]
[Draft II]
LINENOTES:
[Draft III]
[Draft III]
D
Passages in Southey's Joan of Arc (First Edition, 1796) contributed by S. T. Coleridge[1027:1].
FOOTNOTES:
LINENOTES:
E
THE RIME OF THE ANCYENT MARINERE,[1030:1] IN SEVEN PARTS.
I.
II.
III.
IV.
V.
VI.
VII.
I.
II.
III.
IV.
V.
VI.
VII.
FOOTNOTES:
LINENOTES:
THE RIME OF THE ANCYENT MARINERE,[1030:1] IN SEVEN PARTS.
I.
II.
III.
IV.
V.
VI.
VII.
I.
II.
III.
IV.
V.
VI.
VII.
FOOTNOTES:
LINENOTES:
F
THE RAVEN
THE RAVEN
G
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT[1049:1]
(1)
(2)
(1)
(2)
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
(3)
(3)
FOOTNOTES:
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT[1049:1]
(1)
(2)
(1)
(2)
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
(3)
(3)
FOOTNOTES:
H
INTRODUCTION TO THE TALE OF THE DARK LADIE[1052:1]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
FOOTNOTES:
LINENOTES:
INTRODUCTION TO THE TALE OF THE DARK LADIE[1052:1]
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
FOOTNOTES:
LINENOTES:
I
THE TRIUMPH OF LOYALTY.[1060:1]
AN HISTORIC DRAMA
IN
FIVE ACTS.
FOOTNOTES:
AN HISTORIC DRAMA
IN
FIVE ACTS.
FOOTNOTES:
DRAMATIS PERSONÆ.
THE TRIUMPH OF LOYALTY
ACT I
LINENOTES:
ACT I
LINENOTES:
J
CHAMOUNY; THE HOUR BEFORE SUNRISE
A Hymn
A Hymn
CHAMOUNY; THE HOUR BEFORE SUNRISE
A Hymn
A Hymn
K
DEJECTION: AN ODE[1076:1]
LINENOTES:
DEJECTION:
AN ODE, WRITTEN APRIL 4, 1802.
I
II
III
IV
VIII
IX
AN ODE, WRITTEN APRIL 4, 1802.
I
II
III
IV
VIII
IX
FOOTNOTES:
LINENOTES:
DEJECTION: AN ODE[1076:1]
LINENOTES:
DEJECTION:
AN ODE, WRITTEN APRIL 4, 1802.
I
II
III
IV
VIII
IX
AN ODE, WRITTEN APRIL 4, 1802.
I
II
III
IV
VIII
IX
FOOTNOTES:
LINENOTES:
L
TO W. WORDSWORTH[1081:1]
FOOTNOTES:
LINENOTES:
TO W. WORDSWORTH[1081:1]
FOOTNOTES:
LINENOTES:
M
YOUTH AND AGE
MS. I
Aria Spontanea
MS. II
1
2
MS. I
Aria Spontanea
MS. II
1
2
YOUTH AND AGE
MS. I
Aria Spontanea
MS. II
1
2
MS. I
Aria Spontanea
MS. II
1
2
N
LOVE'S APPARITION AND EVANISHMENT[1087:1]
[FIRST DRAFT]
[FIRST DRAFT]
FOOTNOTES:
LOVE'S APPARITION AND EVANISHMENT[1087:1]
[FIRST DRAFT]
[FIRST DRAFT]
FOOTNOTES:
O
TWO VERSIONS OF THE EPITAPH[1088:1]
1
2
1
2
FOOTNOTES:
TWO VERSIONS OF THE EPITAPH[1088:1]
1
2
1
2
FOOTNOTES:
P
[Habent sua Fata—Poetae][1089:2]
FOOTNOTES:
[Habent sua Fata—Poetae][1089:2]
FOOTNOTES:
Q
TO JOHN THELWALL[1090:1]
FOOTNOTES:
TO JOHN THELWALL[1090:1]
FOOTNOTES:
R[1090:2]
FOOTNOTES:
FOOTNOTES:
APPENDIX II
ALLEGORIC VISION[1091:1]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
APPENDIX III
APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
APPENDIX IV
PROSE VERSIONS OF POEMS, ETC.
PROSE VERSIONS OF POEMS, ETC.
A
QUESTIONS AND ANSWERS IN THE COURT OF LOVE
QUESTIONS AND ANSWERS IN THE COURT OF LOVE
B
PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA
1
2
3
4
1
2
3
4
PROSE VERSION OF GLYCINE'S SONG IN ZAPOLYA
1
2
3
4
1
2
3
4
C
FOOTNOTES:
FOOTNOTES:
D
E
DEDICATION[1113:1]
Ode on the Departing Year, 1796, pp. [3]-4.
To Thomas Poole, of Stowey.
Ode on the Departing Year, 1796, pp. [3]-4.
To Thomas Poole, of Stowey.
FOOTNOTES:
DEDICATION[1113:1]
Ode on the Departing Year, 1796, pp. [3]-4.
To Thomas Poole, of Stowey.
Ode on the Departing Year, 1796, pp. [3]-4.
To Thomas Poole, of Stowey.
FOOTNOTES:
F
Preface to the MS. of Osorio.
Preface to the MS. of Osorio.
APPENDIX V
ADAPTATIONS
ADAPTATIONS
1
FULKE GREVILLE. LORD BROOKE
Motto To 'A Lay Sermon', 1817
Motto To 'A Lay Sermon', 1817
FULKE GREVILLE. LORD BROOKE
Motto To 'A Lay Sermon', 1817
Motto To 'A Lay Sermon', 1817
2
Sonnet XCIV [Coelica]
Sonnet XCIV [Coelica]
3
Of Humane Learning
Stanza CLX
Of Humane Learning
Stanza CLX
4
SIR JOHN DAVIES
On the Immortality of the Soul
On the Immortality of the Soul
SIR JOHN DAVIES
On the Immortality of the Soul
On the Immortality of the Soul
5
DONNE
Eclogue. 'On Unworthy Wisdom'
Eclogue. 'On Unworthy Wisdom'
DONNE
Eclogue. 'On Unworthy Wisdom'
Eclogue. 'On Unworthy Wisdom'
6
Letter To Sir Henry Goodyere
Letter To Sir Henry Goodyere
7
BEN JONSON
A Nymph's Passion
A Nymph's Passion
Mutual Passion
Altered and Modernized From an Old Poet
BEN JONSON
A Nymph's Passion
A Nymph's Passion
Mutual Passion
Altered and Modernized From an Old Poet
8
Underwoods
No. VI. The Hour-Glass.
The Hour-Glass
No. VI. The Hour-Glass.
The Hour-Glass
Underwoods
No. VI. The Hour-Glass.
The Hour-Glass
No. VI. The Hour-Glass.
The Hour-Glass
9
The Poetaster. Act I, Scene 1.
The Poetaster. Act I, Scene 1.
10
SAMUEL DANIEL
Epistle To Sir Thomas Egerton, Knight
Epistle To Sir Thomas Egerton, Knight
SAMUEL DANIEL
Epistle To Sir Thomas Egerton, Knight
Epistle To Sir Thomas Egerton, Knight
11
Musophilus
Stanza cxlvii.
Stanza cxlvii.
Musophilus
Stanza cxlvii.
Stanza cxlvii.
12
Stanzas xxvii, xxix, xxx.
Stanzas xxvii, xxix, xxx.
13
CHRISTOPHER HARVEY
The Synagogue
THE NATIVITY OR CHRISTMAS DAY.
The Synagogue
THE NATIVITY OR CHRISTMAS DAY.
CHRISTOPHER HARVEY
The Synagogue
THE NATIVITY OR CHRISTMAS DAY.
The Synagogue
THE NATIVITY OR CHRISTMAS DAY.
14
MARK AKENSIDE
Blank Verse Inscriptions
No. III.
Blank Verse Inscriptions
No. III.
MARK AKENSIDE
Blank Verse Inscriptions
No. III.
Blank Verse Inscriptions
No. III.
15
W. L. BOWLES
W. L. BOWLES
16
NAPOLEON
NAPOLEON
APPENDIX VI
ORIGINALS OF TRANSLATIONS
ORIGINALS OF TRANSLATIONS
A
MILESISCHES MÄHRCHEN
MILESISCHES MÄHRCHEN
B
SCHILLER
Der Epische Hexameter
Das Distichon
Der Epische Hexameter
Das Distichon
SCHILLER
Der Epische Hexameter
Das Distichon
Der Epische Hexameter
Das Distichon
C
STOLBERG
On A Cataract
On A Cataract
STOLBERG
On A Cataract
On A Cataract
D
STOLBERG
Bei Wilhelm Tells Geburtsstätte im Kanton Uri
Bei Wilhelm Tells Geburtsstätte im Kanton Uri
STOLBERG
Bei Wilhelm Tells Geburtsstätte im Kanton Uri
Bei Wilhelm Tells Geburtsstätte im Kanton Uri
E
SCHILLER
Dithyrambe
Dithyrambe
SCHILLER
Dithyrambe
Dithyrambe
F
GOETHE
GOETHE
G
FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD
'Batelier, dit Lisette'
'Batelier, dit Lisette'
FRANÇOIS-ANTOINE-EUGÈNE DE PLANARD
'Batelier, dit Lisette'
'Batelier, dit Lisette'
H
Des Knaben Wunderhorn
Des Knaben Wunderhorn
I
STOLBERG
STOLBERG
J
LESSING
Die Namen.
Die Namen.
LESSING
Die Namen.
Die Namen.
K
STOLBERG
Hymne an die Erde.
Hymne an die Erde.
STOLBERG
Hymne an die Erde.
Hymne an die Erde.
L
FRIEDERIKE BRUN
Chamouny beym Sonnenaufgange
Chamouny beym Sonnenaufgange
FRIEDERIKE BRUN
Chamouny beym Sonnenaufgange
Chamouny beym Sonnenaufgange
M
Alla sua Amica
Alla sua Amica
N
O
THE MADMAN AND THE LETHARGIST
THE MADMAN AND THE LETHARGIST
P
MADRIGALI DEL SIGNOR CAVALIER GUARINI
DIALOGO
DIALOGO
MADRIGALI DEL SIGNOR CAVALIER GUARINI
DIALOGO
DIALOGO
Q
STOLBERG
STOLBERG
BIBLIOGRAPHY
OF THE
POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
1794-1834
I
II
PREFACE
Notes attached to a first draft of the Preface to the First Edition [MS. R]
To Earl Stanhope
CONTENTS
PREFACE
Notes attached to a first draft of the Preface to the First Edition [MS. R]
To Earl Stanhope
CONTENTS
III
[A Sheet Of Sonnets.]
[INTRODUCTION]
[SONNETS]
[A Sheet Of Sonnets.]
[INTRODUCTION]
[SONNETS]
IV
V
CONTENTS
PREFACE TO THE FIRST EDITION
PREFACE TO THE SECOND EDITION
INTRODUCTION TO THE SONNETS
ADVERTISEMENT
CONTENTS
PREFACE TO THE FIRST EDITION
PREFACE TO THE SECOND EDITION
INTRODUCTION TO THE SONNETS
ADVERTISEMENT
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PREFACE
CONTENTS
PREFACE
CONTENTS
XV
קינת ישרון
XVI
XVII
XVIII
XIX
XX
PREFACE
CONTENTS
PREFACE
CONTENTS
XXI
PREFACE
PREFACE
XXII
XXIII
XXIV
XXV
XXVI
CONTENTS
CONTENTS
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
XXXV
CONTENTS
CONTENTS
XXXVI
XXXVII
XXXVIII
XXXIX
ADVERTISEMENT
APPENDIX
ADVERTISEMENT
APPENDIX
XL
XLI
XLII
XLIII
XLIV
XLV
XLVI
XLVII
XLVIII
XLIX
L
LI
LII
LIII
LIV
FOOTNOTES:
OF THE
POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE
1794-1834
I
II
PREFACE
Notes attached to a first draft of the Preface to the First Edition [MS. R]
To Earl Stanhope
CONTENTS
PREFACE
Notes attached to a first draft of the Preface to the First Edition [MS. R]
To Earl Stanhope
CONTENTS
III
[A Sheet Of Sonnets.]
[INTRODUCTION]
[SONNETS]
[A Sheet Of Sonnets.]
[INTRODUCTION]
[SONNETS]
IV
V
CONTENTS
PREFACE TO THE FIRST EDITION
PREFACE TO THE SECOND EDITION
INTRODUCTION TO THE SONNETS
ADVERTISEMENT
CONTENTS
PREFACE TO THE FIRST EDITION
PREFACE TO THE SECOND EDITION
INTRODUCTION TO THE SONNETS
ADVERTISEMENT
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PREFACE
CONTENTS
PREFACE
CONTENTS
XV
קינת ישרון
XVI
XVII
XVIII
XIX
XX
PREFACE
CONTENTS
PREFACE
CONTENTS
XXI
PREFACE
PREFACE
XXII
XXIII
XXIV
XXV
XXVI
CONTENTS
CONTENTS
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
XXXV
CONTENTS
CONTENTS
XXXVI
XXXVII
XXXVIII
XXXIX
ADVERTISEMENT
APPENDIX
ADVERTISEMENT
APPENDIX
XL
XLI
XLII
XLIII
XLIV
XLV
XLVI
XLVII
XLVIII
XLIX
L
LI
LII
LIII
LIV
FOOTNOTES:
BIBLIOGRAPHICAL APPENDIX
No. I
POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
No. II
EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
No. III
POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
No. IV
No. I
POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
POEMS FIRST PUBLISHED IN NEWSPAPERS OR PERIODICALS
No. II
EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
EPIGRAMS AND JEUX D'ESPRIT FIRST PUBLISHED IN NEWSPAPERS AND PERIODICALS
No. III
POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
POEMS INCLUDED IN ANTHOLOGIES AND OTHER WORKS
No. IV
INDEX OF FIRST LINES
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