Queen Mary; and, Harold
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CONTENTS
QUEEN MARY: A DRAMA.
DRAMATIS PERSONAE
QUEEN MARY.
DRAMATIS PERSONAE
QUEEN MARY.
ACT I.
SCENE I.—ALDGATE RICHLY DECORATED.
SCENE II.—A ROOM IN LAMBETH PALACE.
SCENE III.—ST. PAUL'S CROSS.
SCENE IV.—LONDON. A ROOM IN THE PALACE. ELIZABETH. Enter COURTENAY.
SCENE V.—A ROOM IN THE PALACE.
SCENE I.—ALDGATE RICHLY DECORATED.
SCENE II.—A ROOM IN LAMBETH PALACE.
SCENE III.—ST. PAUL'S CROSS.
SCENE IV.—LONDON. A ROOM IN THE PALACE. ELIZABETH. Enter COURTENAY.
SCENE V.—A ROOM IN THE PALACE.
ACT II
SCENE I.—ALINGTON CASTLE.
SCENE II.—GUILDHALL.
SCENE III.—LONDON BRIDGE.
SCENE IV.—ROOM IN THE GATEHOUSE OF WESTMINSTER PALACE.
SCENE I.—ALINGTON CASTLE.
SCENE II.—GUILDHALL.
SCENE III.—LONDON BRIDGE.
SCENE IV.—ROOM IN THE GATEHOUSE OF WESTMINSTER PALACE.
ACT III.
SCENE I.—THE CONDUIT IN GRACECHURCH,
SCENE II.—ROOM IN WHITEHALL PALACE.
SCENE III.—GREAT HALL IN WHITEHALL.
SCENE IV.—WHITEHALL. A ROOM IN THE PALACE. MARY, GARDINER, POLE, PAGET, BONNER, etc.
SCENE V.—WOODSTOCK.
SCENE VI.—LONDON. A ROOM IN THE PALACE.
SCENE I.—THE CONDUIT IN GRACECHURCH,
SCENE II.—ROOM IN WHITEHALL PALACE.
SCENE III.—GREAT HALL IN WHITEHALL.
SCENE IV.—WHITEHALL. A ROOM IN THE PALACE. MARY, GARDINER, POLE, PAGET, BONNER, etc.
SCENE V.—WOODSTOCK.
SCENE VI.—LONDON. A ROOM IN THE PALACE.
ACT IV.
SCENE I.—A ROOM IN THE PALACE.
SCENE II.—OXFORD. CRANMER IN PRISON.
SCENE III.—ST. MARY'S CHURCH.
SCENE I.—A ROOM IN THE PALACE.
SCENE II.—OXFORD. CRANMER IN PRISON.
SCENE III.—ST. MARY'S CHURCH.
ACT V.
SCENE I.—LONDON. HALL IN THE PALACE.
SCENE II.—A ROOM IN THE PALACE.
SCENE III.—A HOUSE NEAR LONDON.
SCENE IV.—LONDON. BEFORE THE PALACE.
SCENE V.—LONDON. A ROOM IN THE PALACE.
END OF QUEEN MARY.
END OF QUEEN MARY.
SCENE I.—LONDON. HALL IN THE PALACE.
SCENE II.—A ROOM IN THE PALACE.
SCENE III.—A HOUSE NEAR LONDON.
SCENE IV.—LONDON. BEFORE THE PALACE.
SCENE V.—LONDON. A ROOM IN THE PALACE.
END OF QUEEN MARY.
END OF QUEEN MARY.
HAROLD: A DRAMA.
TO HIS EXCELLENCY THE RIGHT HON. LORD LYTTON, VICEROY AND GOVERNOR-GENERAL OF INDIA.
SHOW-DAY AT BATTLE ABBEY, 1876.
DRAMATIS PERSONAE
HAROLD
SHOW-DAY AT BATTLE ABBEY, 1876.
DRAMATIS PERSONAE
HAROLD
ACT I.
SCENE I.—LONDON. THE KING'S PALACE.
SCENE II.—IN THE GARDEN. THE KING'S HOUSE NEAR LONDON. SUNSET.
SCENE I.—LONDON. THE KING'S PALACE.
SCENE II.—IN THE GARDEN. THE KING'S HOUSE NEAR LONDON. SUNSET.
ACT II.
SCENE I.—SEASHORE. PONTHIEU. NIGHT.
SCENE II.—BAYEUX. PALACE.
SCENE I.—SEASHORE. PONTHIEU. NIGHT.
SCENE II.—BAYEUX. PALACE.
ACT III.
SCENE I.—THE KING'S PALACE. LONDON.
SCENE II.—IN THE GARDEN. THE KING'S HOUSE NEAR LONDON.
SCENE I.—THE KING'S PALACE. LONDON.
SCENE II.—IN THE GARDEN. THE KING'S HOUSE NEAR LONDON.
ACT IV.
SCENE I.—IN NORTHUMBRIA.
SCENE II.—A PLAIN. BEFORE THE BATTLE OF STAMFORD-BRIDGE.
SCENE III.
AFTER THE BATTLE OF STAMFORD-BRIDGE. BANQUET.
AFTER THE BATTLE OF STAMFORD-BRIDGE. BANQUET.
SCENE I.—IN NORTHUMBRIA.
SCENE II.—A PLAIN. BEFORE THE BATTLE OF STAMFORD-BRIDGE.
SCENE III.
AFTER THE BATTLE OF STAMFORD-BRIDGE. BANQUET.
AFTER THE BATTLE OF STAMFORD-BRIDGE. BANQUET.
ACT V.
SCENE I.—A TENT ON A MOUND, FROM WHICH CAN BE SEEN THE FIELD OF SENLAC.
SCENE II—FIELD OF THE DEAD. NIGHT.
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SCENE I.—A TENT ON A MOUND, FROM WHICH CAN BE SEEN THE FIELD OF SENLAC.
SCENE II—FIELD OF THE DEAD. NIGHT.
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