The Evolution of Modern Orchestration
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The Evolution OF Modern Orchestration BY LOUIS ADOLPHE COERNE, Ph.D.
CONTENTS
PART I.—PRELIMINARIES.
PART II.—THE CLASSIC ERA.
PART III.—ROMANTICISM.
PART I.—PRELIMINARIES.
PART II.—THE CLASSIC ERA.
PART III.—ROMANTICISM.
PREFACE
INTRODUCTORY NOTE
THE EVOLUTION OF MODERN ORCHESTRATION
PART I.—PRELIMINARIES. CHAPTER I. THE CRADLE OF INSTRUMENTAL MUSIC. (Historical Review.)
I.
II.
III.
IV.
I.
II.
III.
IV.
CHAPTER II. THE DAWN OF INDEPENDENT INSTRUMENTATION.
I.
II.
I.
II.
CHAPTER III. EVOLUTION OF MUSICAL INSTRUMENTS.
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
CHAPTER IV. BEGINNINGS OF ORCHESTRATION.
I.
II.
III.
IV.
V.
VI.
I.
II.
III.
IV.
V.
VI.
SUMMARY OF PART I
Chapter I. The Cradle of Instrumental Music.
Chapter II. The Dawn of Independent Instrumentation.
Chapter III. Evolution of Musical Instruments.
Chapter IV. Beginnings of Orchestration.
Chapter I. The Cradle of Instrumental Music.
Chapter II. The Dawn of Independent Instrumentation.
Chapter III. Evolution of Musical Instruments.
Chapter IV. Beginnings of Orchestration.
PART II.—THE CLASSIC ERA.
CHAPTER V. BACH, HÄNDEL, AND THEIR CONTEMPORARIES.
I.
II.
The Contemporaries of Bach and Händel.
III.
IV.
V.
I.
II.
The Contemporaries of Bach and Händel.
III.
IV.
V.
CHAPTER VI. GLUCK AND HIS CONTEMPORARIES.
I.
The Contemporaries of Gluck.
II.
III.
IV.
V.
I.
The Contemporaries of Gluck.
II.
III.
IV.
V.
CHAPTER VII. HAYDN, MOZART, AND BEETHOVEN.
I.
II.
III.
I.
II.
III.
CHAPTER VIII. THE CONTEMPORARIES OF BEETHOVEN.
I.
II.
III.
IV.
V.
VI.
VII.
I.
II.
III.
IV.
V.
VI.
VII.
SUMMARY OF PART II.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
PART III.—ROMANTICISM.
CHAPTER IX. THE ROMANTIC SCHOOL.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
CHAPTER X. THE CLASSICAL ROMANTICISTS.
I.
II.
III.
IV.
V.
I.
II.
III.
IV.
V.
CHAPTER XI. THE NEW MOVEMENT.
I.
II.
III.
IV.
V.
GROUP I. RIENZI; DER FLIEGENDE HOLLÄNDER; TANNHÄUSER.
GROUP II. LOHENGRIN; TRISTAN UND ISOLDE.
GROUP III. DER RING DES NIBELUNGEN.
GROUP IV. DIE MEISTERSINGER VON NÜRNBERG; PARSIFAL.
GROUP I. RIENZI; DER FLIEGENDE HOLLÄNDER; TANNHÄUSER.
GROUP II. LOHENGRIN; TRISTAN UND ISOLDE.
GROUP III. DER RING DES NIBELUNGEN.
GROUP IV. DIE MEISTERSINGER VON NÜRNBERG; PARSIFAL.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
I.
II.
III.
IV.
V.
GROUP I. RIENZI; DER FLIEGENDE HOLLÄNDER; TANNHÄUSER.
GROUP II. LOHENGRIN; TRISTAN UND ISOLDE.
GROUP III. DER RING DES NIBELUNGEN.
GROUP IV. DIE MEISTERSINGER VON NÜRNBERG; PARSIFAL.
GROUP I. RIENZI; DER FLIEGENDE HOLLÄNDER; TANNHÄUSER.
GROUP II. LOHENGRIN; TRISTAN UND ISOLDE.
GROUP III. DER RING DES NIBELUNGEN.
GROUP IV. DIE MEISTERSINGER VON NÜRNBERG; PARSIFAL.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
XIII.
XIV.
XV.
CHAPTER XII. FRANCE AND ITALY.
I.
II.
III.
IV.
V.
VI.
ITALY. VII.
VIII.
I.
II.
III.
IV.
V.
VI.
ITALY. VII.
VIII.
CHAPTER XIII. HUNGARY AND BOHEMIA; SCANDINAVIA AND RUSSIA; ENGLAND AND AMERICA.
I.
II.
III.
SCANDINAVIA AND RUSSIA. IV.
V.
VI.
VII.
VIII.
IX.
ENGLAND AND AMERICA. X.
AMERICA. XI.
XII.
XIII.
I.
II.
III.
SCANDINAVIA AND RUSSIA. IV.
V.
VI.
VII.
VIII.
IX.
ENGLAND AND AMERICA. X.
AMERICA. XI.
XII.
XIII.
SUMMARY OF PART III.
Chapter IX. The Romantic School.
Chapter X. The Classical Romanticists.
Chapter XI. The New Movement.
Chapter XII.
Chapter XIII.
Chapter IX. The Romantic School.
Chapter X. The Classical Romanticists.
Chapter XI. The New Movement.
Chapter XII.
Chapter XIII.
CONCLUSION.
APPENDIX OF MUSICAL ILLUSTRATIONS
MONTEVERDE. (Page 16)
SCARLATTI. (Page 22)
HAYDN. (Page 47)
MOZART. (Page 50)
BEETHOVEN. (Page 53)
WEBER. (Page 71)
BERLIOZ. (Page 89)
MENDELSSOHN. (Page 75)
WAGNER. (Page 93)
SAINT-SAËNS. (Page 131)
TSCHAIKOWSKY. (Page 155)
DVOŘÁK. (Page 147)
RICHARD STRAUSS. (Page 106)
INDEX
FOOTNOTES
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