An Estimate of the Value and Influence of Works of Fiction in Modern Times
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An Estimate of the Value and Influence of Works of Fiction in Modern Times

By Thomas Hill Green
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Book Description

Table of Contents
  • Thomas Hill Green
    • An Estimate of The Value and Influence of
  • Works of Fiction In Modern Times
    • Edited With Introduction and Notes By
      • Fred Newton Scott
      • Professor of Rhetoric in the University of Michigan
        • COPYRIGHT Fred Newton Scott 1911
        • THE ANN ARBOR PRESS ANN ARBOR, MICH.
      • COPYRIGHT Fred Newton Scott 1911
      • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • Fred Newton Scott
    • Professor of Rhetoric in the University of Michigan
      • COPYRIGHT Fred Newton Scott 1911
      • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • COPYRIGHT Fred Newton Scott 1911
    • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • PREFACE
    • CONTENTS
    • INTRODUCTION
    • AN ESTIMATE
      • of the
    • of the
  • Value and Influence of Works of Fiction in Modern Times
    • I. PRINCIPLES OF ART
      • A. EPIC, DRAMA, AND NOVEL
      • FOOTNOTE:
      • B. IMITATION vs. ART
      • C. NATURE THE CREATION OF THOUGHT
      • FOOTNOTES:
      • D. THE "OUTWARD" ASPECT OF NATURE
      • FOOTNOTE:
      • E. CONQUEST OF NATURE BY ART
      • FOOTNOTE:
      • F. THE ARTIST AS IDEALIZER
      • FOOTNOTE:
      • G. THE EPIC
      • H. TRAGEDY AS PURIFIER OF THE PASSIONS
      • FOOTNOTES:
      • I. TRAGEDY THE ELEVATION OF LIFE
      • FOOTNOTE:
      • J. CONDITIONS FAVORABLE TO TRAGEDY
      • FOOTNOTE:
    • A. EPIC, DRAMA, AND NOVEL
    • FOOTNOTE:
    • B. IMITATION vs. ART
    • C. NATURE THE CREATION OF THOUGHT
    • FOOTNOTES:
    • D. THE "OUTWARD" ASPECT OF NATURE
    • FOOTNOTE:
    • E. CONQUEST OF NATURE BY ART
    • FOOTNOTE:
    • F. THE ARTIST AS IDEALIZER
    • FOOTNOTE:
    • G. THE EPIC
    • H. TRAGEDY AS PURIFIER OF THE PASSIONS
    • FOOTNOTES:
    • I. TRAGEDY THE ELEVATION OF LIFE
    • FOOTNOTE:
    • J. CONDITIONS FAVORABLE TO TRAGEDY
    • FOOTNOTE:
    • II. THE NOVEL AN INFERIOR FORM OF ART
      • A. BEGINNINGS OF THE NOVEL
      • B. CHARACTERISTICS OF THE SPECTATOR
      • FOOTNOTES:
      • C. THE MODERN NOVEL A REFLECTION OF ORDINARY LIFE
      • FOOTNOTES:
      • D. NATURALISM vs. IDEALISM
      • E. TRAGEDY AND THE NOVEL
      • F. THE EPIC AND THE NOVEL
      • G. POETRY AND PROSE
      • FOOTNOTES:
      • H. THE NOVEL AN INCOMPLETE PRESENTATION OF LIFE
      • FOOTNOTE:
      • I. PRUDENCE THE NOVELIST'S HIGHEST MORALITY
      • FOOTNOTES:
      • J. EVIL EFFECTS OF NOVEL-READING
      • FOOTNOTES:
    • A. BEGINNINGS OF THE NOVEL
    • B. CHARACTERISTICS OF THE SPECTATOR
    • FOOTNOTES:
    • C. THE MODERN NOVEL A REFLECTION OF ORDINARY LIFE
    • FOOTNOTES:
    • D. NATURALISM vs. IDEALISM
    • E. TRAGEDY AND THE NOVEL
    • F. THE EPIC AND THE NOVEL
    • G. POETRY AND PROSE
    • FOOTNOTES:
    • H. THE NOVEL AN INCOMPLETE PRESENTATION OF LIFE
    • FOOTNOTE:
    • I. PRUDENCE THE NOVELIST'S HIGHEST MORALITY
    • FOOTNOTES:
    • J. EVIL EFFECTS OF NOVEL-READING
    • FOOTNOTES:
    • III. TRUE FUNCTION OF THE NOVEL
      • A. A WIDENER OF EXPERIENCE
      • B. AN EXPANDER OF SYMPATHIES
      • FOOTNOTE:
      • C. A CREATOR OF PUBLIC SENTIMENT
      • D. A LEVELLER OF INTELLECTS
    • A. A WIDENER OF EXPERIENCE
    • B. AN EXPANDER OF SYMPATHIES
    • FOOTNOTE:
    • C. A CREATOR OF PUBLIC SENTIMENT
    • D. A LEVELLER OF INTELLECTS
    • APPENDIX
      • A. AN APPRECIATION OF GREEN'S ESSAY
      • B. HEGEL ON THE NOVEL
      • FOOTNOTE:
    • A. AN APPRECIATION OF GREEN'S ESSAY
    • B. HEGEL ON THE NOVEL
    • FOOTNOTE:
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