An Estimate of the Value and Influence of Works of Fiction in Modern Times
Free
An Estimate of the Value and Influence of Works of Fiction in Modern Times
By Thomas Hill Green
Free
Book Description

Table of Contents
  • Thomas Hill Green
    • An Estimate of The Value and Influence of
  • Works of Fiction In Modern Times
    • Edited With Introduction and Notes By
      • Fred Newton Scott
      • Professor of Rhetoric in the University of Michigan
        • COPYRIGHT Fred Newton Scott 1911
        • THE ANN ARBOR PRESS ANN ARBOR, MICH.
      • COPYRIGHT Fred Newton Scott 1911
      • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • Fred Newton Scott
    • Professor of Rhetoric in the University of Michigan
      • COPYRIGHT Fred Newton Scott 1911
      • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • COPYRIGHT Fred Newton Scott 1911
    • THE ANN ARBOR PRESS ANN ARBOR, MICH.
    • PREFACE
    • CONTENTS
    • INTRODUCTION
    • AN ESTIMATE
      • of the
    • of the
  • Value and Influence of Works of Fiction in Modern Times
    • I. PRINCIPLES OF ART
      • A. EPIC, DRAMA, AND NOVEL
      • FOOTNOTE:
      • B. IMITATION vs. ART
      • C. NATURE THE CREATION OF THOUGHT
      • FOOTNOTES:
      • D. THE "OUTWARD" ASPECT OF NATURE
      • FOOTNOTE:
      • E. CONQUEST OF NATURE BY ART
      • FOOTNOTE:
      • F. THE ARTIST AS IDEALIZER
      • FOOTNOTE:
      • G. THE EPIC
      • H. TRAGEDY AS PURIFIER OF THE PASSIONS
      • FOOTNOTES:
      • I. TRAGEDY THE ELEVATION OF LIFE
      • FOOTNOTE:
      • J. CONDITIONS FAVORABLE TO TRAGEDY
      • FOOTNOTE:
    • A. EPIC, DRAMA, AND NOVEL
    • FOOTNOTE:
    • B. IMITATION vs. ART
    • C. NATURE THE CREATION OF THOUGHT
    • FOOTNOTES:
    • D. THE "OUTWARD" ASPECT OF NATURE
    • FOOTNOTE:
    • E. CONQUEST OF NATURE BY ART
    • FOOTNOTE:
    • F. THE ARTIST AS IDEALIZER
    • FOOTNOTE:
    • G. THE EPIC
    • H. TRAGEDY AS PURIFIER OF THE PASSIONS
    • FOOTNOTES:
    • I. TRAGEDY THE ELEVATION OF LIFE
    • FOOTNOTE:
    • J. CONDITIONS FAVORABLE TO TRAGEDY
    • FOOTNOTE:
    • II. THE NOVEL AN INFERIOR FORM OF ART
      • A. BEGINNINGS OF THE NOVEL
      • B. CHARACTERISTICS OF THE SPECTATOR
      • FOOTNOTES:
      • C. THE MODERN NOVEL A REFLECTION OF ORDINARY LIFE
      • FOOTNOTES:
      • D. NATURALISM vs. IDEALISM
      • E. TRAGEDY AND THE NOVEL
      • F. THE EPIC AND THE NOVEL
      • G. POETRY AND PROSE
      • FOOTNOTES:
      • H. THE NOVEL AN INCOMPLETE PRESENTATION OF LIFE
      • FOOTNOTE:
      • I. PRUDENCE THE NOVELIST'S HIGHEST MORALITY
      • FOOTNOTES:
      • J. EVIL EFFECTS OF NOVEL-READING
      • FOOTNOTES:
    • A. BEGINNINGS OF THE NOVEL
    • B. CHARACTERISTICS OF THE SPECTATOR
    • FOOTNOTES:
    • C. THE MODERN NOVEL A REFLECTION OF ORDINARY LIFE
    • FOOTNOTES:
    • D. NATURALISM vs. IDEALISM
    • E. TRAGEDY AND THE NOVEL
    • F. THE EPIC AND THE NOVEL
    • G. POETRY AND PROSE
    • FOOTNOTES:
    • H. THE NOVEL AN INCOMPLETE PRESENTATION OF LIFE
    • FOOTNOTE:
    • I. PRUDENCE THE NOVELIST'S HIGHEST MORALITY
    • FOOTNOTES:
    • J. EVIL EFFECTS OF NOVEL-READING
    • FOOTNOTES:
    • III. TRUE FUNCTION OF THE NOVEL
      • A. A WIDENER OF EXPERIENCE
      • B. AN EXPANDER OF SYMPATHIES
      • FOOTNOTE:
      • C. A CREATOR OF PUBLIC SENTIMENT
      • D. A LEVELLER OF INTELLECTS
    • A. A WIDENER OF EXPERIENCE
    • B. AN EXPANDER OF SYMPATHIES
    • FOOTNOTE:
    • C. A CREATOR OF PUBLIC SENTIMENT
    • D. A LEVELLER OF INTELLECTS
    • APPENDIX
      • A. AN APPRECIATION OF GREEN'S ESSAY
      • B. HEGEL ON THE NOVEL
      • FOOTNOTE:
    • A. AN APPRECIATION OF GREEN'S ESSAY
    • B. HEGEL ON THE NOVEL
    • FOOTNOTE:
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