Humanistic Studies of the University of Kansas, Vol. 1
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Language
English
ISBN
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HUMANISTIC STUDIES OF THE UNIVERSITY OF KANSAS
CONTENTS
STUDIES IN THE WORK OF COLLEY CIBBER
CONTENTS
I
II
BIBLIOGRAPHY
FOOTNOTES:
STUDIES IN BERGSON’S PHILOSOPHY
CONTENTS
PART ONE
Chapter I
Chapter II
Chapter III
Chapter I
Chapter II
Chapter III
PART TWO
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
PART THREE
Bergson’s Genius
Bergson’s Genius
FOOTNOTES:
BROWNING AND ITALIAN ART AND ARTISTS
CONTENTS
CHAPTER I
I. Subject matter of browning’s poems.
II. Interest in music.
III. Relation to painting.
IV. Relation to sculpture.
V. Significance of the preceding sections.
VI. Time spent in italy.
VII. English knowledge of italian art in browning’s time.
VIII. Non-english themes and settings in general.
IX. A quantitative statement.
I. Subject matter of browning’s poems.
II. Interest in music.
III. Relation to painting.
IV. Relation to sculpture.
V. Significance of the preceding sections.
VI. Time spent in italy.
VII. English knowledge of italian art in browning’s time.
VIII. Non-english themes and settings in general.
IX. A quantitative statement.
CHAPTER II
I. General statement.
II. Historical scope.
III. Poetic functions of the references to sculpture.
IV. Source of browning’s knowledge.
I. General statement.
II. Historical scope.
III. Poetic functions of the references to sculpture.
IV. Source of browning’s knowledge.
CHAPTER III
I. General statement.
II. Catholic hymns.
III. Poetic functions of the references to music.
IV. Lack of modern italian references.
V. Conformity to facts.
VI. Source of browning’s knowledge.
I. General statement.
II. Catholic hymns.
III. Poetic functions of the references to music.
IV. Lack of modern italian references.
V. Conformity to facts.
VI. Source of browning’s knowledge.
CHAPTER IV
I. General statement.
II. Predominance in early poems.
III. Sordello.
IV. The imaginary poets.
V. The italian as the type of failure.
VI. Italian men of letters: dante.
VII. Other real writers.
VIII. Browning’s knowledge of italian literature.
IX. Browning’s interest in italian literature.
I. General statement.
II. Predominance in early poems.
III. Sordello.
IV. The imaginary poets.
V. The italian as the type of failure.
VI. Italian men of letters: dante.
VII. Other real writers.
VIII. Browning’s knowledge of italian literature.
IX. Browning’s interest in italian literature.
CHAPTER V
I. General statement.
II. Source of browning’s knowledge.
III. Importance of architecture in the poems.
IV. Comparison with other writers.
V. Architecture and personality.
I. General statement.
II. Source of browning’s knowledge.
III. Importance of architecture in the poems.
IV. Comparison with other writers.
V. Architecture and personality.
CHAPTER VI
I. General statement.
II. Extent of browning’s knowledge.
III. Irregular distribution of references.
IV. Sources of the poems.
V. Poetic functions of the references to painting.
VI. Conformity to history.
I. General statement.
II. Extent of browning’s knowledge.
III. Irregular distribution of references.
IV. Sources of the poems.
V. Poetic functions of the references to painting.
VI. Conformity to history.
CHAPTER VII
I. Poetic function and method.
II. Amount of material used from each of the fine arts.
III. Personality and the arts.
IV. Browning as the poet of humanity.
I. Poetic function and method.
II. Amount of material used from each of the fine arts.
III. Personality and the arts.
IV. Browning as the poet of humanity.
APPENDIX
I. Poems Containing Reference to Italian Art.
II. Tabulation of References To Individual Arts.
I. Poems Containing Reference to Italian Art.
II. Tabulation of References To Individual Arts.
INDEX
FOOTNOTES:
THE SEMANTICS OF -MENTUM, -BULUM, AND -CULUM
CONTENTS
CHAPTER I
CHAPTER II
I -MENTUM
II -BULUM
III -CULUM
I -MENTUM
II -BULUM
III -CULUM
CHAPTER III
CHAPTER IV
CHAPTER V
INDEX OF WORDS
FOOTNOTES:
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