Motion Picture Directing
The Facts and Theories of the Newest Art
Free

Motion Picture Directing The Facts and Theories of the Newest Art

By Peter Milne
Free
Book Description
Table of Contents
  • MOTION PICTURE DIRECTING THE FACTS AND THEORIES OF THE NEWEST ART
  • CONTENTS
  • PREFACE
  • Chapter I THE GREAT AND THE LESS GREAT
  • Chapter II THE PICTURE SENSE
  • Chapter III PREPARATION FOR PRODUCTION
  • Chapter IV THE METHOD OF WILLIAM DE MILLE
  • Chapter V CECIL DE MILLE ALSO SPEAKS
  • Chapter VI WHEN ACTING ABILITY HELPS
  • Chapter VII REX INGRAM ON “ATMOSPHERE”
  • Chapter VIII MAINLY ABOUT D. W. GRIFFITH
  • Chapter IX MOUNTAINS AND MOLEHILLS
  • Chapter X SOME OF THE ARTS OF SLAPSTICK COMEDY
  • Chapter XI OTHER TRICKS UP DIRECTORS' SLEEVES
  • Chapter XII SOME WORDS FROM FRANK BORZAGE
  • Chapter XIII WHAT TEMPO MEANS IN DIRECTING
  • Chapter XIV “OVERSHOOTING”—AND THE SERIAL
  • Chapter XV THE METHOD OF THOMAS H. INCE
  • Chapter XVI DIRECTORS SCHOOLED BY INCE
  • Chapter XVII WHO CREATES A PICTURE?
  • Chapter XVIII MUSIC IN PICTURE PRODUCTION
  • Chapter XIX JUST SUPPOSE
  • Chapter XX “STEALING” AN EXTERIOR
  • Chapter XXI THE IMPORTANCE OF THE ART DIRECTOR
  • Chapter XXII DIRECTORIAL CONVENTIONS
  • Chapter XXIII ERNST LUBITSCH: GERMAN DIRECTOR
  • Chapter XXIV JOE MAY: GERMAN DIRECTOR
  • Chapter XXV ILLUSTRATING THE USE OF DETAIL
  • Chapter XXVI MARSHALL NEILAN SUMMARIZES
  • Chapter XXVII “BEST DIRECTED” PICTURES
  • TRANSCRIBER'S NOTES
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