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Book Description
Table of Contents
- DESIGN AND TRADITION
- AUTHOR’S PREFACE
- CONTENTS
- LIST OF ILLUSTRATIONS
- CHAPTER I INTRODUCTORY
- Human Limitations
- “Inspiration”
- Process and Material
- Early Training
- Art and Existence
- “Natural Taste”
- Commercial Production
- “Ornaments”
- Modern Development
- Public Apathy
- Elementary Pattern
- Early Impressionism
- Personal Production
- Early Social Conditions
- Influence
- Commercial Intercourse.
- Effect on Design
- Ethical Side of Art
- Desire for Novelty
- CHAPTER II HISTORIC REVIEW
- Style.
- Inter-Communication
- Climate and Material
- Phases in Style
- The Lintel
- The Arch
- Egyptian
- Chaldean
- Greek
- Roman
- Vaulting
- Greek Influence
- Development of Ornament
- Græco-Roman Painted Decoration
- Domes
- Early Christian Art
- Metal Work and Enamel
- Roman Influence Abroad
- Romanesque Style
- Church Development
- Dark Ages
- Crusades
- Pointed Arch
- Gothic Style
- Phases of Gothic
- Early Pointed
- Decorated Gothic
- Perpendicular Gothic
- Glass Windows
- Civic Influences
- Effect of Commerce
- Italy
- Foreign Influence in England
- The House
- The Reformation
- Renaissance
- Early Exponents
- Rome
- Venice
- Venetian Influence
- Painted Decoration
- Græco-Roman Influence
- Early French Renaissance
- Native Exploitation
- English Renaissance
- Italians in England
- Study of Classic Style
- Thomas Thorpe
- Flemish Influence
- Jacobean
- Development in Dwellings
- Evolution of Professional Designer
- Inigo Jones
- Louis XIII
- Louis XIV
- "Boule” Work
- Mirrors
- Louis XV
- Régence
- Rococo
- Lacquer “Vernis Martin"
- Later English Renaissances
- Sir Christopher Wren
- Classic Spires
- Dutch and French Influences
- Queen Anne Period
- Early Georgian
- Chippendale
- Mayhew
- Adam Style
- Hepplewhite
- Sheraton
- Louis XVI
- Riesener and Gouthière
- Empire
- Empire in England
- Later English Architecture
- French Influence on Europe
- CHAPTER III MOULDINGS
- Purpose
- The Fillet
- Sheltering Mouldings
- The Cavetto
- Cyma Recta
- Bracketing Mouldings
- The Ovolo
- Cyma Reversa
- Binding Mouldings
- The Torus
- The Scotia
- The Facia
- Decoration of Mouldings
- Orthodox Details
- Angle Leaf
- Dentils
- Employment
- Attitude
- Wood Panelling
- Applied Mouldings
- Bolection Moulding
- Plaster
- Wood-turning
- Metal Turning
- Pottery
- Metal Mouldings
- Wrought Iron
- Silver-work
- Spinning
- Repoussé
- CHAPTER IV ARCHITECTURAL PROPORTIONS
- Introduction
- System of Proportion
- The Order
- Doric Order
- Ionic Order
- Corinthian Order
- Doric Entablatures
- Mutules
- Ionic Entablature
- Corinthian Entablature
- The Column—The Shaft
- The Capital
- Doric Capital
- Ionic Capital
- To Draw the Volute
- Corinthian Capital
- The Base
- Doric Base
- Ionic Base
- Corinthian Base
- The Arch
- Doric Impost
- Archivolt
- Ionic Impost
- Ionic Archivolt
- Corinthian Impost
- Corinthian Archivolt
- The Keystone
- The Pedestal
- Doric Pedestal
- Ionic Pedestal
- Corinthian Pedestal
- The Baluster
- Spacing of Balusters
- Balustrading
- Use of Columns
- Disposition and Spacing in Colonnades
- Orders Above Orders
- The Pilaster
- Arcades
- Subsidiary Order
- Superimposed Orders
- Rustication
- Basement
- Attic
- The Pediment
- Doors
- Windows
- CHAPTER V DIVISION OF SURFACE
- Wall Treatment
- Ceilings
- Jacobean
- Carolean and Georgian
- Adam Ceilings
- Vaults and Domes
- The Cove
- The Frieze
- Borders
- Geometric Elements
- The Undulate Line
- Repetition and Alternation
- Treatment of Angles
- Pilaster Treatment
- Panelled Pilasters
- Capitals and Bases
- Treatment of Panels
- Juxtaposition
- The Growth Line
- Grouping and Massing
- Division of Area
- Human and Animal Life
- Forms in the Round
- Supports and Balusters
- Standards
- Proportion
- Positions for Decoration
- Working Drawings
- The Segment or Stretch Out
- CHAPTER VI DEVELOPMENT OF CONVENTIONAL ORNAMENT
- Outline Drawing
- Undesirable Realism
- Craft Restrictions
- Materialistic Influence
- Early Renderings
- The Anthemion
- Greek Sculptured Ornament
- Acanthus Leaf
- Roman Development
- The Scroll
- Græco-Roman
- Byzantine
- Romanesque
- Italian Renaissance
- The Husk Leaf
- The Rosette
- Tendrils
- Nature Influence
- Symbolic Employment
- Consistency in Growth
- Branching
- Leaves
- The Start
- Renaissance Influence
- Jacobean.
- Régence
- Rococo
- Louis XVI
- Grinling Gibbons School of Carving
- Adam Style
- Empire
- System of the Acanthus Leaf
- CHAPTER VII TREATMENT IN DESIGN
- Natural Attraction
- Decorative Materials
- Justification of Treatment
- Undesirable Imitation
- Technical Considerations
- Methods of Expression
- Treatment of Leaves
- Surface Interest
- Painted Decoration
- Stencilled Work
- Mechanical Production, Printed and Woven
- Needlework
- Appliqué
- Lace
- Wood Inlay
- Intarsia
- Veneer, Marquetry
- Boule Work
- Mosaic
- Byzantine Use of Marble
- Book Decoration
- Bindings
- Relief—Economic Result of Method
- Desirable Treatment in Carving
- Backgrounds
- Reproduction Processes
- Metal Repoussé
- Metal, Cast
- Character of Cast Work
- CHAPTER VIII MYTHOLOGY AND SYMBOLISM
- Early Symbolic Ornament
- Customs
- Origin of Mythology
- Nature Myths
- Light and Darkness
- Melanesian Myth
- Darkness as a Devouring Monster
- Season Myths
- Sun Myths
- Belief in Natural Phenomena
- Greek and Roman Deities
- Scandinavian Mythology
- Rising and Setting Symbolised
- Winds Personified
- Predestination
- The Fates
- Propitiation and Sacrifice
- Early Burial Customs
- Taboo
- Roman Lares
- Typical Legend
- Early Spiritual Belief
- Prehistoric Treatment of Epileptics
- Prohibition
- Belief in Magical Qualities.
- The Shirt of Nessus
- Swords
- Invulnerability
- Belief in Numbers
- Muses
- Sacred Trees and Flowers, etc.
- Sacred Animals
- Evangelist Symbols
- The Serpent
- The Dragon
- Poetic License in Tradition
- Animals in Christian Art
- Association of Human and Animal Qualities
- Totemism
- Cannibalism
- The Sphinx
- Assyrian Winged Monsters
- Pegasus
- The Harpy
- Sirens
- Pan
- The Nymphs
- Centaur
- The Circle
- Symbols of the Trinity
- The Wand a Symbol of Authority
- The Hand
- The Caduceus
- Thyrsus
- The Trident
- The Cross
- The Pastoral Staff
- Symbols of Martyrdom
- Symbolism of Gems, etc.
- Masks
- Symbols of Time
- Secular Symbols
- Trophies
- Heraldry
- Heraldry in Design
- Symbolism in Modern Art
- Present Apathy
- CHAPTER IX WAYS AND MEANS
- Perception
- Accepted Conventions
- Influence of Fashion
- Harmonious Consistency
- Natural Suggestion
- Colour Scheme
- Early Training
- Nature Study
- Aspect and Attitude
- Treatment
- Drawings for Reproduction
- Opaque Colour
- Enlarging and Reducing
- Textiles
- Wallpapers
- Architectural Drawings
- Structural Design
- Lucid Arrangement
- Mathematical Equipment
- Use of the Ruling Pen
- Proportional Compass
- Tracings
- Conclusion
- INDEX
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