By adopting a Caribbean perspective through which to re-examine seventeenth- to nineteenth-century texts from the British canon, this collection of essays uncovers the ways in which the literature produced at the height of British imperialism was used to consolidate and validate the national identity of the colonizer, and to justify political and cultural domination of Other places like the Caribbean.
The contributors critique a wide range of verse and prose from the works of Shakespeare, Donne, Defoe, Austen, Brontë, Froude, Kingsley, Trollope, Jenkins, Stevenson, Barrie, Carroll and Dickens, revealing a literature that was very much a product of its time, but that was also responsible for contemporary and later conceptions of the Caribbean and other outposts of empire. While the critics in this volume demonstrate how such texts constructed and perpetuated the “fact” of superior British culture and civilization, they also apply to their literary interpretation a Caribbean experience of challenges associated with nation-building and identity formation. The contributors examine English literary excursions into nationhood, self-definition, freedom and confinement, and engagements with the Other – the very issues through which the Caribbean has grown into being.
- Introduction: CARIBBEAN POSTSCRIPTING OF THE BRITISH CANON
- 1. DICKENS AND OTHERS: Metastance and Re-membering
- 2. “HOW BLEST AM I . . . !”Colonial Desire in Selected Poetry by John Donne
- 3. RECOVERING NATION, RECOVERING WOMAN: Shakespeare’s Cressida and the Imperial Attic
- 4. FAR-OFF PLACES AND THE INVENTION OF ENGLISHNESS: Rereading Robinson Crusoe as Romance
- 5. FROUDE, KINGSLEY AND TROLLOPE: Wandering Eyes in a Trinidadian Landscape
- 6. A STUDY OF THE IMPERIAL GAZE: Jenkins’s Lutchmee and Dilloo: A Study of West Indian Life
- 7. STRANGE CREATURES AND FANTASTIC WORLDS: The Other in Selected Nineteenth-Century Children’s Texts