THE FIRE SEEING PEOPLE OFF A MEMORY OF A MIDNIGHT EXPRESS PORRO UNUM... A CLUB IN RUINS '273' A STUDY IN DEJECTION A PATHETIC IMPOSTURE THE DECLINE OF THE GRACES WHISTLER'S WRITING ICHABOD GENERAL ELECTIONS A PARALLEL A MORRIS FOR MAY-DAY THE HOUSE OF COMMONS MANNER THE NAMING OF STREETS ON SHAKESPEARE'S BIRTHDAY A HOME-COMING 'THE RAGGED REGIMENT' THE HUMOUR OF THE PUBLIC DULCEDO JUDICIORUM

'HARLEQUIN' 'THE GARDEN OF LOVE' 'ARIANE ET DIONYSE' 'PETER THE DOMINICAN' 'L' OISEAU BLEU' 'MACBETH AND THE WITCHES' 'CARLOTTA GRISI' 'HO-TEI' 'THE VISIT'

SOME CRITICISMS OF THE FIRST EDITION

THE FIRE

SEEING PEOPLE OFF

A MEMORY OF A MIDNIGHT EXPRESS

PORRO UNUM...

A CLUB IN RUINS

'273'

A STUDY IN DEJECTION

A PATHETIC IMPOSTURE

THE DECLINE OF THE GRACES

WHISTLER'S WRITING

ICHABOD

GENERAL ELECTIONS

A PARALLEL

A MORRIS FOR MAY-DAY

THE HOUSE OF COMMONS MANNER

THE NAMING OF STREETS

ON SHAKESPEARE'S BIRTHDAY

A HOME-COMING

'THE RAGGED REGIMENT'

THE HUMOUR OF THE PUBLIC

DULCEDO JUDICIORUM

'HARLEQUIN'

A SIGN-BOARD, PAINTED ON COPPER, SIGNED 'W. EVANS, LONDON' CIRCA 1820

'THE GARDEN OF LOVE'

A PAINTING BY RUBENS, IN THE PRADO

'ARIANE ET DIONYSE'

A PAINTING BY PAUL BERGERON, 1740

'PETER THE DOMINICAN'

A PAINTING BY GIOVANNI BELLINI, IN THE NATIONAL GALLERY

'L'OISEAU BLEU'

A PAINTING ON SILK BY CHARLES CONDER

'MACBETH AND THE WITCHES'

A PAINTING BY COROT, IN THE HERTFORD HOUSE COLLECTION

'CARLOTTA GRISI'

A COLOURED PRINT

'HO-TEI'

A COLOURED DRAWING BY HOKUSAI

'THE VISIT'

A PAINTING BY GEORGE MORLAND, IN THE HERTFORD HOUSE COLLECTION

'YET AGAIN'

SOME CRITICISMS OF THE FIRST EDITION