Complete Project Gutenberg John Galsworthy Works
Free

Complete Project Gutenberg John Galsworthy Works

By John Galsworthy
Free
Book Description
Table of Contents
  • THE ENTIRE PROJECT GUTENBERG GALSWORTHY FILES
    • FORSYTE SAGA
    • THE MAN OF PROPERTY
      • TO MY WIFE:
    • PREFACE:
    • THE MAN OF PROPERTY
    • TO EDWARD GARNETT
    • PART I
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III DINNER AT SWITHIN'S
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • PART II
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • PART III
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
  • THE FORSYTE SAGA
    • INDIAN SUMMER OF A FORSYTE
    • II
    • III
    • IV
    • IN CHANCERY
    • PART 1
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • PART II
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • PART III
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
  • THE FORSYTE SAGA
    • AWAKENING
      • TO LET
    • AWAKENING
  • TO LET
    • TO CHARLES SCRIBNER
    • PART I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • IX
    • X
    • XI
    • XII
    • PART II I MOTHER AND SON
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • PART III I OLD JOLYON WALKS
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
  • THE DARK FLOWER
    • THE DARK FLOWER
      • Part I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
    • PART II
      • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • XI
        • XII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
        • XXI
    • PART III
      • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
  • THE FREELANDS
    • PROLOGUE
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • CHAPTER XVI
    • CHAPTER XVII
    • CHAPTER XVIII
    • CHAPTER XIX
    • CHAPTER XX
    • CHAPTER XXI
    • CHAPTER XXII
    • CHAPTER XXIII
    • CHAPTER XXIV
    • CHAPTER XXV
    • CHAPTER XXVI
    • CHAPTER XXVII
    • CHAPTER XXVIII
    • CHAPTER XXIX
    • CHAPTER XXX
    • CHAPTER XXXI
    • CHAPTER XXXII
    • CHAPTER XXXIII
    • CHAPTER XXXIV
    • CHAPTER XXXV
    • CHAPTER XXXVI
    • CHAPTER XXXVII
    • CHAPTER XXXVIII
  • BEYOND
    • BEYOND
    • Part I
      • I
    • II
    • III
    • IV
    • V
    • VI
  • Part II
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
  • Part III
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
  • PART IV
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
  • VILLA RUBEIN
    • VILLA RUBEIN
      • PREFACE
    • TO
    • VILLA RUBEIN
    • I
    • II
    • III
    • IV
    • V
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XV
    • XVII
    • XVIII
    • XIX
    • XXI
    • XXII
    • XXIII
    • XXVI
    • XXVII
    • XXVII
    • XXIX
    • TO
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • A KNIGHT
    • A KNIGHT
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • TO
    • SALVATION OF A FORSYTE
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • THE SILENCE
    • II
    • IV
    • V
  • SAINTS PROGRESS
    • PART I
      • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • PART II
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • PART III
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • PART IV
    • II
    • III
    • IV
    • V
    • VI
  • THE ISLAND PHARISEES
    • PREFACE
    • PART I
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • PART II
    • CHAPTER XVI
    • CHAPTER XVII
    • CHAPTER XVIII
    • CHAPTER XIX
    • CHAPTER XX
    • CHAPTER XXI
    • CHAPTER XXII
    • CHAPTER XXIII
    • CHAPTER XXIV
    • CHAPTER XXV
    • CHAPTER XXVI
    • CHAPTER XXVII
    • CHAPTER XXVIII
    • CHAPTER XXIX
    • CHAPTER XXX
    • CHAPTER XXXI
    • CHAPTER XXXII
    • CHAPTER XXXIII
  • THE COUNTRY HOUSE
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • PART II
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • PART III
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
      • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • CHAPTER XVI
    • CHAPTER XVII
    • CHAPTER XVIII
    • CHAPTER XIX
    • CHAPTER XX
    • CHAPTER XXI
    • CHAPTER XXII
    • CHAPTER XXIII
    • CHAPTER XXIV
    • CHAPTER XXV
    • CHAPTER XXVI
    • CHAPTER XXVII
    • CHAPTER XXVIII
    • CHAPTER XXIX
    • CHAPTER XXX
    • CHAPTER XXXI
    • CHAPTER XXXII
    • CHAPTER XXXIII
    • CHAPTER XXXIV
    • CHAPTER XXXV
    • CHAPTER XXXVI
    • CHAPTER XXXVII
    • CHAPTER XXXVIII
    • CHAPTER XXXIX
    • CHAPTER XL
    • CHAPTER XLI
  • THE PATRICIAN
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • CHAPTER XVI
    • CHAPTER XVII
    • CHAPTER XVIII
    • CHAPTER XIX
    • CHAPTER XX
    • CHAPTER XXI
    • CHAPTER XXII
    • PART II
    • CHAPTER I
    • CHAPTER II
    • CHAPTER III
    • CHAPTER IV
    • CHAPTER V
    • CHAPTER VI
    • CHAPTER VII
    • CHAPTER VIII
    • CHAPTER IX
    • CHAPTER X
    • CHAPTER XI
    • CHAPTER XII
    • CHAPTER XIII
    • CHAPTER XIV
    • CHAPTER XV
    • CHAPTER XVI
    • CHAPTER XVII
    • CHAPTER XVIII
    • CHAPTER XIX
    • CHAPTER XX
    • CHAPTER XXI
    • CHAPTER XXII
    • CHAPTER XXIII
    • CHAPTER XXIV
    • CHAPTER XXV
    • CHAPTER XXVI
    • CHAPTER XXVII
    • CHAPTER XXVIII
    • CHAPTER XXIX
    • CHAPTER XXX
  • THE BURNING SPEAR
    • THE BURNING SPEAR
      • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV.
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • XXI
  • FIVE TALES
    • CONTENTS:
  • THE FIRST AND LAST
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • A STOIC
    • II
    • III
    • IV
    • THE APPLE TREE
    • I
    • THE JURYMAN
    • II
    • INDIAN SUMMER OF A FORSYTE
    • III
    • IV
      • CONTENTS:
    • CONCERNING LIFE
    • THE INN OF TRANQUILLITY
    • MAGPIE OVER THE HILL
    • SHEEP-SHEARING
    • EVOLUTION
    • RIDING IN MIST
    • THE PROCESSION
    • A CHRISTIAN
    • WIND IN THE ROCKS
    • MY DISTANT RELATIVE
    • THE BLACK GODMOTHER
    • STUDIES AND ESSAYS
    • QUALITY
    • THE GRAND JURY—IN TWO PANELS AND A FRAME
      • PANEL I
        • PANEL II
    • GONE
    • THRESHING
    • THAT OLD-TIME PLACE
    • ROMANCE—THREE GLEAMS
    • MEMORIES
    • FELICITY
    • STUDIES AND ESSAYS
    • A NOVELIST'S ALLEGORY
    • SOME PLATITUDES CONCERNING DRAMA
    • MEDITATION ON FINALITY
    • WANTED-SCHOOLING
    • REFLECTIONS ON OUR DISLIKE OF THINGS AS THEY ARE
    • THE WINDLESTRAW
    • STUDIES AND ESSAYS
    • ABOUT CENSORSHIP
    • VAGUE THOUGHTS ON ART
  • THE COMPLETE PLAYS OF JOHN GALSWORTHY
    • CONTENTS:
  • FIRST SERIES:
    • THE SILVER BOX
      • PERSONS OF THE PLAY
        • ACT I. SCENE I. Rockingham Gate. John Barthwick's dining-room. SCENE II. The same. SCENE III. The same.
    • ACT I
      • SCENE III
    • ACT II
    • SCENE II
    • ACT III
  • JOY
    • PERSONS OF THE PLAY
      • ACT I
  • ACT II
  • ACT III
  • STRIFE
    • PERSONS OF THE PLAY
  • ACT I. The dining-room of the Manager's house.
  • ACT I
  • ACT II
    • SCENE II
    • ACT III
  • GALSWORTHY PLAYS—SECOND SERIES—NO. 1
    • THE ELDEST SON
    • PERSONS OF THE PLAY
  • ACT I
    • SCENE II
  • ACT II
  • ACT III
  • THE LITTLE DREAM
    • CHARACTERS
      • CHARACTERS IN THE DREAM
      • VOICES AND FIGURES IN THE DREAM
    • SCENE I
    • SCENE II
    • SCENE III
  • SCENE IV
    • SCENE V
    • SCENE VI
  • JUSTICE
    • PERSONS OF THE PLAY
      • ACT I. The office of James and Walter How. Morning. July.
    • CAST OF THE FIRST PRODUCTION
  • ACT I
  • ACT II
    • ACT III
    • SCENE II
    • SCENE III
    • ACT IV
  • GALSWORTHY PLAYS—SERIES 3
    • THE FUGITIVE
    • PERSONS OF THE PLAY
    • ACT I. George Dedmond's Flat. Evening.
    • ACT I
      • CURTAIN.
  • ACT II
    • CURTAIN.
  • ACT III
    • CURTAIN.
  • SCENE II
    • CURTAIN
    • ACT IV
      • CURTAIN.
  • THE PIGEON
    • PERSONS OF THE PLAY
    • ACT I
    • ACT II
    • ACT III
      • THE END
  • THE MOB
    • PERSONS OF THE PLAY
    • A MOB
    • ACT I
      • THE CURTAIN FALLS.
  • ACT. II
    • THE CURTAIN FALLS
  • ACT III
    • THE CURTAIN FALLS.
    • SCENE II
      • THE CURTAIN FALLS
  • ACT IV
    • THE CURTAIN FALLS, BUT RISES AGAIN ALMOST AT ONCE.
  • AFTERMATH
    • THE CURTAIN FALLS.
    • A BIT O' LOVE
      • PERSONS OF THE PLAY
    • SCENE: A VILLAGE OF THE WEST
      • A BIT O' LOVE
        • ACT I
  • ACT II
    • SCENE I
      • CURTAIN.
      • SCENE II
        • CURTAIN.
    • SCENE III
      • CURTAIN.
  • ACT III
    • SCENE I
      • CURTAIN.
      • SCENE II
  • THE FOUNDATIONS
    • PERSONS OF THE PLAY
    • SCENES
    • ACT I
      • CURTAIN
    • ACT II
      • CURTAIN
      • ACT III
        • CURTAIN
  • THE SKIN GAME
    • CHARACTERS
      • ACT I. HILLCRIST'S Study
    • ACT I
      • CURTAIN
    • ACT II
      • SCENE I
        • CURTAIN
  • SCENE II
    • CURTAIN
    • ACT III
      • SCENE I
      • SCENE II
        • CURTAIN
  • FROM THE SERIES OF SIX SHORT PLAYS
    • THE FIRST AND THE LAST
    • PERSONS OF THE PLAY
      • SCENE I. KEITH'S Study.
    • SCENE I
      • CURTAIN
    • SCENE II
      • CURTAIN
      • SCENE III.
        • CURTAIN
  • THE LITTLE MAN
    • CHARACTERS
    • SCENE I
      • CURTAIN
    • SCENE II
      • CURTAIN
      • SCENE III
    • CURTAIN
  • FROM THE SERIES OF SIX SHORT PLAYS
    • CONTENTS:
    • HALL-MARKED
      • CHARACTERS
    • HALL-MARKED
      • CURTAIN
  • DEFEAT
    • CHARACTERS
      • DEFEAT
        • CURTAIN
  • THE SUN
    • CHARACTERS
      • THE SUN
        • CURTAIN
  • PUNCH AND GO
    • PERSONS OF THE PLAY
    • OF THE PLAY WITHIN THE PLAY
    • SCENE: The Stage of a Theatre.
      • PUNCH AND GO
  • FIFTH SERIES
    • CONTENTS:
    • A FAMILY MAN
    • CHARACTERS
      • ACT I. SCENE I. BUILDER'S Study. After breakfast. SCENE II. A Studio.
      • ACT I
    • SCENE II
    • ACT II
      • CURTAIN.
    • ACT III
    • SCENE II
    • SCENE III
  • LOYALTIES
    • PERSONS OF THE PLAY
      • ACT I. SCENE I. CHARLES WINSOR's dressing-room at Meldon Court, near Newmarket, of a night in early October. SCENE II. DE LEVIS'S Bedroom at Meldon Court, a few minutes later.
    • ACT I
    • SCENE II
      • CURTAIN
    • ACT II
      • CURTAIN.
    • SCENE II [NOTE.—This should be a small set capable of being set quickly within that of the previous scene.]
    • ACT III
      • CURTAIN.
    • SCENE II
      • CURTAIN.
    • SCENE III
  • WINDOWS
    • PERSONS OF THE PLAY
    • ACT I
      • CURTAIN.
    • ACT II
      • CURTAIN.
    • ACT III
      • CURTAIN.
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