Song and Legend from the Middle Ages
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SONG AND LEGEND FROM THE MIDDLE AGES
CONTENTS.
PREFACE.
INTRODUCTION.
III. LYRICS.
SONG AND LEGEND FROM THE MIDDLE AGES.
ROMANCES.
FROM MORTE D'ARTHUR.
Book XIII. Chapter 6.
LATER FRENCH LYRICS.
RONDEL.
THE BALLADE OF DEAD LADIES.
LYRIC POETRY—PROVENCAL.
FABLES AND TALES.
THE PRIEST WHO ATE MULBERRIES.
TALES.
INTRODUCTION.
III. LYRICS.
SONG AND LEGEND FROM THE MIDDLE AGES.
ROMANCES.
FROM MORTE D'ARTHUR.
Book XIII. Chapter 6.
LATER FRENCH LYRICS.
RONDEL.
THE BALLADE OF DEAD LADIES.
LYRIC POETRY—PROVENCAL.
FABLES AND TALES.
THE PRIEST WHO ATE MULBERRIES.
TALES.
CHAPTER II. SPANISH LITERATURE.
ANCIENT BALLADS.
NON ES DE SESSUDOS HOMES. (ON THE FIELD).
LLORANDO DIEGO LAYNEZ. (THE TRIUMPH.)
THE YOUNG CID.
THE CID'S COURTSHIP.
BAVIECA.
FROM THE POEM OF THE CID.
THE BATTLE WITH KING BUCAR OF MOROCCO, AT VALENCIA.
CHAPTER III. SCANDINAVIAN LITERATURE.
VOLUSPA. THE ORACLE OF THE PROPHETESS VALA.
HAVAMAL.
VAFTHRUDNISMAL. THE SONG OF VAFTHRUDNER.
ANCIENT BALLADS.
NON ES DE SESSUDOS HOMES. (ON THE FIELD).
LLORANDO DIEGO LAYNEZ. (THE TRIUMPH.)
THE YOUNG CID.
THE CID'S COURTSHIP.
BAVIECA.
FROM THE POEM OF THE CID.
THE BATTLE WITH KING BUCAR OF MOROCCO, AT VALENCIA.
CHAPTER III. SCANDINAVIAN LITERATURE.
VOLUSPA. THE ORACLE OF THE PROPHETESS VALA.
HAVAMAL.
VAFTHRUDNISMAL. THE SONG OF VAFTHRUDNER.
CHAPTER IV. GERMAN LITERATURE.
THE NATIONAL EPIC.
THE SONG OF HILDEBRAND.
ROMANCES.
THE MINNESINGERS.
FROM THE CRUSADERS' HYMN.
CHAPTER V. ITALIAN LITERATURE.
FROM THE VITA NUOVA.
III.
THE NATIONAL EPIC.
THE SONG OF HILDEBRAND.
ROMANCES.
THE MINNESINGERS.
FROM THE CRUSADERS' HYMN.
CHAPTER V. ITALIAN LITERATURE.
FROM THE VITA NUOVA.
III.
FROM THE DIVINE COMEDY.[1]
SONNET XIV. HE COMPARES HIMSELF TO A PILGRIM.
SONNET XCVIII. LEAVE-TAKING.
SESTINA VII. HE DESPAIRS OF ESCAPING FROM HIS TORMENTS.
SONNET XLII. THE SPRING ONLY RENEWS HIS GRIEF.
SONNET LII. HE REVISITS VAUCLUSE.
CANZONE III. UNDER VARIOUS ALLEGORIES HE PAINTS THE VIRTUE, BEAUTY, AND UNTIMELY DEATH OF LAURA.
SONNET LXXXV. HE CONFESSES AND REGRETS HIS SINS, AND PRAYS GOD TO SAVE HIM FROM ETERNAL DEATH.
SONNET XC. THE PLAINTIVE SONG OF A BIRD RECALLS HIS KEENER SORROW.
FROM THE DECAMERON.
THE POT OF BASIL.
SONNET XIV. HE COMPARES HIMSELF TO A PILGRIM.
SONNET XCVIII. LEAVE-TAKING.
SESTINA VII. HE DESPAIRS OF ESCAPING FROM HIS TORMENTS.
SONNET XLII. THE SPRING ONLY RENEWS HIS GRIEF.
SONNET LII. HE REVISITS VAUCLUSE.
CANZONE III. UNDER VARIOUS ALLEGORIES HE PAINTS THE VIRTUE, BEAUTY, AND UNTIMELY DEATH OF LAURA.
SONNET LXXXV. HE CONFESSES AND REGRETS HIS SINS, AND PRAYS GOD TO SAVE HIM FROM ETERNAL DEATH.
SONNET XC. THE PLAINTIVE SONG OF A BIRD RECALLS HIS KEENER SORROW.
FROM THE DECAMERON.
THE POT OF BASIL.
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