Actors and the Art of Performance
Free

Actors and the Art of Performance

By Susanne Granzer
Free
Book Description

Acting on stage is a mode of performing an action, in the context of which the bodily aspects implicitly at work in acting reveal their own significance and power. This event can actualize a wound incarnated in human beings, because the actor acts and does not act at the same time and hence the concept of being ‘the doer’ unmasks itself as being illusionary. One could call it a kind of ‘symbolic death’ (Mueller), an ‘anthropological mutation’ (Agamben)––an event of great interest because of its highly ethical call.The book “Actors and the Art of Performance. Under Exposure” opens with a cascade of contradictory motives for becoming an actor. But, if theatre is no longer understood as a theatre of representation, then what takes place on stage is a transformation at play with truth, in which ethics are realized by the aesthetic. Insofar the book summarizes the attempt to explore and map guidelines of acting as being under the perspective of be-coming. That may sound fairly harmless in theory, but it feels anything but harmless when you experience it on your own body. For example, for being physical under exposure actors have to learn that there exists no fundamental dualism between mind and matter. Furthermore, actors are espoused to a dynamic shifting ground in the name of creativity. They have to carry the burden that the self is no sovereign identity as we generally suppose, but rather a threshold of permanent be-coming. One could call it the outstanding gift of acting. In the German language, gift means “poison”, in German ears the word has the double meaning of poison and present, thus expressing the fact that a gift is disturbing and blessing at the same time. Loaded with fear and joy as the crucial point of acting, which attacks and attracts actors and spectators most.

Wird Theater nicht mehr als Repräsentation verstanden, werden im „Spiel mit der Wahrheit“ eine Fülle von Fragen über den Vollzug und das Ereignis unseres Daseins provoziert, die in einem ethischen Anspruch im Ästhetischen münden. Das klingt in der Theorie harmloser als es seinem physischen Ereignis nach ist. Denn der schöpferische Akt katapultiert SchauspielerInnen in eine Zone zwischen aktiv und passiv, in der sie nicht mehr alleinige Täter und souveräne Subjekte ihres Spiels sind.

Table of Contents
  • Cover
  • Half_Title
  • Series
  • Title
  • Copyright
  • Epigraphs
  • Dedication
  • Contents
  • Acknowledgments
  • About the Author
  • Nous Pathetikos
    • Why do you want to be an actor?
  • Part I Hits
    • 1 Auditorium X
      • Double stalemate
      • Turning point, peripeteia
      • Turn around
      • i, mine
    • 2 Speculations
      • Actors’ fears
      • Crying
      • Child’s play
      • Exposed
      • With-out me
    • 3 Black Out
      • First time at the theater
  • Part II Experts in Being?
    • 4 The Actor: A Creature of Fable
      • Why do you want to be an actor?
    • 5 The Causa Corpora
      • The kiss of Olympia
      • Machine against man
      • The actor’s trump card
    • 6 The Gift of Acting
      • Skipping
      • Prejudice
      • Subject-based thinking versus stage experience
      • Master and servant
      • Bodies on stage
      • Innocence of becoming
      • Language and speaking
      • Digesting speech
      • Counterwords
      • The Other, the others
      • Affect versus thought
      • Thinking and acting
      • Repetition
    • 7 The Gift of Death
      • Tu es mort
      • Theater as a symbolic death
      • Point of no return
      • Felicity – a salto mortale
      • Our friend Touchstone
    • 8 Finale and Punctum
      • Why do you want to be an actor?
    No review for this book yet, be the first to review.
      No comment for this book yet, be the first to comment
      Also Available On
      App store smallGoogle play small
      Categories
      Curated Lists
      • Pattern Recognition and Machine Learning (Information Science and Statistics)
        by Christopher M. Bishop
        Data mining
        by I. H. Witten
        The Elements of Statistical Learning: Data Mining, Inference, and Prediction
        by Various
        See more...
      • CK-12 Chemistry
        by Various
        Concept Development Studies in Chemistry
        by John Hutchinson
        An Introduction to Chemistry - Atoms First
        by Mark Bishop
        See more...
      • Microsoft Word - How to Use Advanced Algebra II.doc
        by Jonathan Emmons
        Advanced Algebra II: Activities and Homework
        by Kenny Felder
        de2de
        by
        See more...
      • The Sun Who Lost His Way
        by
        Tania is a Detective
        by Kanika G
        Firenze_s-Light
        by
        See more...
      • Java 3D Programming
        by Daniel Selman
        The Java EE 6 Tutorial
        by Oracle Corporation
        JavaKid811
        by
        See more...